SATB choir, assembly, organ accompaniment, trumpet 1 in B-flat, trumpet 1 in C, trumpet 2 in B-flat, trumpet 2 in C, trumpet 3 in B-flat, trumpet 3 in C, horn 1 in F, horn 2 in F, horn 3 in F, trombone 1, trombone 2, bass trombone, tuba, timpani, percussi - Late intermediate

SKU: GI.G-9846

Arranged by Kile Smith. Christmastide. Westminster Choir,Westminster Choir. Tune Name: Divinium Mysterium. Music Education. Octavo. 12 pages. GIA Publications #9846. Published by GIA Publications (GI.G-9846).

UPC: 785147984603. English. Text Source: Corde natus ex parentis, Aurelius Prudentius, 345-413, sts.1-4 tr. John Mason Neale, 1818-1866, alt., st. 5 tr. Henry Williams Baker, 1821-1877, alt.; Translation: John Mason Neale. Text by Aurelius Clemens Prudentius.

The percussion part is for suspended cymbal. The brass and percussion parts are optional.

Unison voices, SATB choir, piano reduction - Beginning

SKU: GI.G-5269

Arranged by William Tortolano. Eastertide, Easter Sunday, Easter 2 A, Easter 2 B, Easter 2 C. Choral. Tune Name: O Filii Et Filae. Sacred. Octavo. 4 pages. GIA Publications #5269. Published by GIA Publications (GI.G-5269).

English, Latin. Translation: John Mason Neale. Text by Jean Tisserand.

The chant melody, o filii et filiae, alternates with a 4-part, rhythmic chorale setting scored a fourth higher. In addition to the traditional nine stanzas that tell the story of “doubting” Thomas, the first and last stanzas are also given in Latin. Intended for unaccompanied choir. .

By David Rasbach. For SATB choir, piano with optional cello. Published by Chorister's Guild

SATB choir with divisi, organ, handbells, oboe and brass quartet - Medium

SKU: PL.0529

Composed by Brian William Luckner. Cathedral. Choral, Christmas. Octavo. Paraclete Press #0529. Published by Paraclete Press (PL.0529).

* Introit for Christmas Eve or for a service of Advent Lessons and Carols * familiar Latin antiphon interspersed with English verses * seamlessly interwoven vocal and instrumental lines * glorious ending

Brian Luckner's anthem, Dominus dixit ad me (SSATB, handbells, oboe, brass quartet, organ... is plucked straight out of the Gregorain chant repertory, and manages to do it in a somewhat less diaphanous manner than some other chant-based pieces have done. The Introit for Chirstmas Midnight Mass is here qouted in toto, cast in a fluid but rhythmic framework. Starting rather mysteriously at the outset, oboe and handbells are effectively brought into the fabric of the piece. This work carefully submits to the antiphon/psalm verse/antiphon Introit form and is thus entirely liturgical by intent. At the return of the antiphon, the score becomes much more expansive, and only the outline of the chant is suggested. The oboe wisely doubles the first soprano part, as it ascends to two high B-flats. In my mind's ear, I hear a very capable choir singing this piece, preparatory to the opening hymn/carol. While it captures the very quiet side of the mystery of Verbum caro factus est, it nicely prepares us for the joys of festive clangor that are sure to follow. Cue up Hymn 87, please! - Monte Mason AAM Journal October 18, 2005.

By George F.; Mason Handel. Arranged by William P. Rowan. For Voices: SATB, assembly. Instruments: Brass quartet (2 trumpets in B, 2 trombones), timpani (instruments optional). Organ. Christmas Sacred. Level: easy. 11 pages. Published by GIA Publications.

SATB choir with divisi, organ, handbells, oboe and brass quartet - Medium

SKU: PL.0529IP

Composed by Brian William Luckner. Cathedral. Choral, Chant, Christmas. Instrumental Parts. Paraclete Press #0529IP. Published by Paraclete Press (PL.0529IP).

* Introit for Christmas Eve or for a service of Advent Lessons and Carols * familiar Latin antiphon interspersed with English verses * seamlessly interwoven vocal and instrumental lines * glorious ending

Brian Luckner's anthem, Dominus dixit ad me (SSATB, handbells, oboe, brass quartet, organ... is plucked straight out of the Gregorain chant repertory, and manages to do it in a somewhat less diaphanous manner than some other chant-based pieces have done. The Introit for Chirstmas Midnight Mass is here qouted in toto, cast in a fluid but rhythmic framework. Starting rather mysteriously at the outset, oboe and handbells are effectively brought into the fabric of the piece. This work carefully submits to the antiphon/psalm verse/antiphon Introit form and is thus entirely liturgical by intent. At the return of the antiphon, the score becomes much more expansive, and only the outline of the chant is suggested. The oboe wisely doubles the first soprano part, as it ascends to two high B-flats. In my mind's ear, I hear a very capable choir singing this piece, preparatory to the opening hymn/carol. While it captures the very quiet side of the mystery of Verbum caro factus est, it nicely prepares us for the joys of festive clangor that are sure to follow. Cue up Hymn 87, please! - Monte Mason AAM Journal October 18, 2005.