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| God Be With You Till We
Meet Again
Chorale SATB
Hal Leonard
A sacred evergreen is given new life in the capable hands of a master arranger. ...(+)
A sacred evergreen is given new life in the capable hands of a master arranger. Lush vocal harmonies and emotive keyboard writing create a pleasing ambience of warmth and community. Treasured by many as a closer for Lord's Supper observances, this adaptation expands beyond the typical one verse congregational moment and brings about a choral offering of beauty and grace. Two presentation options are provided: one as an anthem, and shortened version for benediction usage. Score and Parts (vn, vc) available as a digital download. / SATB
Délais: 2-5 jours - En Stock Fournisseur | | |
| There Is No Rose Of Such
Virtue
Chorale SATB
SATB A Cappella
Boosey and Hawkes
These well-known words seem endlessly fruitful for the composer and conjure up s...(+)
These well-known words seem endlessly fruitful for the composer and conjure up such lovely images which strike each of us in our own way. For me it was the beauty of the language with its flower imagery which made me want to set the words with richly warm harmony and to temper that with gently imitative refrains. The important element in approaching the performance of this carol is the blend and balance of voices. With divisi writing and characteristically colourful harmonies, it is important that each note in the texture is given equal weight. It is also desirable that the tempo should be flexible and that phrase ends should be given a little time, especially at those moments marked either with a comma or tenuto. The final section starting with the upper voices should be ethereal and when the tenors and basses join they should do so gently to balance the upper parts. The bulk of the carol should be conducted in a minim beat, as indicated by the 2/2 time signature. Subdivisions should only be necessary at rallentandos. The piece should flow freely. 3/4 bars can be conducted in one to continue to encourage the carol's flow. Recommended recording: Come out, Lazar - The shorter choral works of Paul Spicer (Regent REGCD280) by The Chapel Choir of Selwyn College, Cambridge, directed by Sarah MacDonald. / Choeur Mixte (SATB) A Cappella
Délais: 2-5 jours - En Stock Fournisseur | | |
| How Love Bleeds
Chorale SATB
SATB A Cappella
Boosey and Hawkes
These well-known words seem endlessly fruitful for the composer and conjure up s...(+)
These well-known words seem endlessly fruitful for the composer and conjure up such lovely images which strike each of us in our own way. For me it was the beauty of the language with its flower imagery which made me want to set the words with richly warm harmony and to temper that with gently imitative refrains. The important element in approaching the performance of this carol is the blend and balance of voices. With divisi writing and characteristically colourful harmonies, it is important that each note in the texture is given equal weight. It is also desirable that the tempo should be flexible and that phrase ends should be given a little time, especially at those moments marked either with a comma or tenuto. The final section starting with the upper voices should be ethereal and when the tenors and basses join they should do so gently to balance the upper parts. The bulk of the carol should be conducted in a minim beat, as indicated by the 2/2 time signature. Subdivisions should only be necessary at rallentandos. The piece should flow freely. 3/4 bars can be conducted in one to continue to encourage the carol's flow. Recommended recording: Come out, Lazar - The shorter choral works of Paul Spicer (Regent REGCD280) by The Chapel Choir of Selwyn College, Cambridge, directed by Sarah MacDonald. / Choeur Mixte (SATB) A Cappella
Délais: 2-5 jours - En Stock Fournisseur | |
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