Composed by Johann
Rosenmuller. Edited by
Michael Heinemann. Sheet
music. Set of parts, Set
of parts contains:
2/2/2/2/1, bassoon,
organ, cello. MDS (Music
Distribution Services)
#DOHR 10211. Published by
MDS (Music Distribution
Services)
(M7.DOHR-10211).
ISBN
9790202022115.
Latin.
Die
vorliegende Einzelausgabe
für den praktischen
Gebrauch basiert auf der
wissenschaftlichen
Gesamtausgabe,
herausgegeben von Holger
Eichhorn. Während die
wissenschaftliche Ausgabe
die originalen
Schlüssel
übernimmt, ist die
praktische Ausgabe in
modernen Schlüsseln
ediert. Ein
ausführliches Vorwort
und der kritische Bericht
finden sich im
entsprechenden Band der
wissenschaftlichen
Gesamtausgabe.
Choir; Orchestra; Early Music SKU: UT.TME-1 Composed by Giovanni Battista...(+)
Choir; Orchestra; Early
Music
SKU:
UT.TME-1
Composed by
Giovanni Battista
Bassani. Edited by
Elisabetta Pasquini.
Hardback (Cloth Hard
Cover). Tesori Musicali
Emiliani (Emilian Musical
Treasures). Classical. Ut
Orpheus #TME 1. Published
by Ut Orpheus (UT.TME-1).
ISBN 9790215316096. 9
x 12 inches.
P
erformance Material on
Hire
[S
olo: SAATB - Str -
Bc]
Thanks to its
patron the Duke Francesco
II, Modena became a
capital city worldwide
for the oratorio genre:
renowned maestro di
cappella in Ferrara, also
Bassani wished to offer
to the Duke his own work,
setting aside for him the
summit of his melodic and
dramaturgical
inventiveness. Accordi
ng to the documents that
we have, the performance
of Giona was
Bassani's debut at the
court of Francesco II.
Born in Padua around
1650, the composer
carried out the main part
of his activities in
Ferrara, where he was
organist (probably from
1667), and maestro di
cappella at the
Accademia della Morte
(from 1683), and
subsequently also at the
Cathedral (from 1686); he
also became a member of
the Accademia Filarmonica
of Bologna (in 1677) and
was committed to
Alessandro II Pico, Duke
of Mirandola and Marquis
of Concordia. In 1712 he
moved to Bergamo, where
he was maestro di
cappella at S. Maria
Maggiore; he died there
on 1st October 1716.
Before his commission in
Modena, the <> - as he was
often called at that time
- had already printed
seven instrumental and
vocal works as well as a
few operas and
oratorios.
Composed by Sandra Peter. Catholic Year A The Nativity of Our Lord; Year A Chris...(+)
Composed by Sandra Peter.
Catholic Year A The
Nativity of Our Lord;
Year A Christmas Eve;.
Christmas, 21st Century.
Octavo. Published by
MorningStar Music
Publishers (MN.50-1965).
Assembly, SATB choir, and organ with optional flute, brass quintet, timpani, sus...(+)
Assembly, SATB choir, and
organ with optional
flute, brass quintet,
timpani, suspended
cymbal, and strings
(Brass Quintet/Percussion
Parts include: Trumpets I
and II in B-flat and C,
Horn in F (substitute for
Trombone I), Trombone I
and II, Bass
Trombone/Tuba, Timpani,
Suspended Cymbal. String
Parts include: Violin I
and II, Viola, Cello) -
Intermediate
SKU:
MN.80-500
Composed by
Normand Gouin. Score &
instrument parts.
MorningStar Music
Publishers #80-500.
Published by MorningStar
Music Publishers
(MN.80-500).
UPC:
688670805004.
English.
Normand
Gouin has crafted a
timeless setting of the
Mass. He has set familiar
Gregorian chant Ordinary
parts—Kyrie XVI in
Greek, Gloria VIII in
Latin, Mode VI Alleluia,
Sanctus XVIII in Latin,
ICEL memorial
acclamations in English,
ICEL Amen (expanded), and
Agnus Dei XVIII in
Latin—for
Assembly, SATB choir, and
organ, with optional
instrumentation for
Flute, Brass Quintet,
Percussion, and Strings.
The choral parts
sometimes support the
assembly chant, and
sometimes act as halos,
deftly embellishing it.
The score is in modern
notation, and rhythmic
values have been treated
with great care to
preserve the natural flow
of chant. A highlight is
the Gloria (Missa de
Angelis), which
alternates assembly chant
with original, metered
music for the choir based
on the chant.
Commissioned for the
dedication of Christ
Cathedral, Orange, CA, in
2019.
4 recorders or 4 strings; voice and guitar ad libitum (SATB) SKU: HL.49005921...(+)
4 recorders or 4 strings;
voice and guitar ad
libitum (SATB)
SKU:
HL.49005921
Lieder
zur Advents- und
Weihnachtszeit.
Composed by Frohe. Edited
by Willi Draths. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Individual
part. 18 pages. Schott
Music #ED 5938-04.
Published by Schott Music
(HL.49005921).
ISBN
9790001064187.
10.75x7.25x0.06 inches.
German.
By Robert A. Hobby (1962-). For Two-Part Mixed Voices or SATB, Soprano Solo, opt...(+)
By Robert A. Hobby
(1962-). For Two-Part
Mixed Voices or SATB,
Soprano Solo, opt.
Congregation, opt.
Children's Choir or
Treble Solo with Organ,
Piano, Brass Quintet,
Percussion, Handbells or
Full Orchestra. Choral.
Christmas, Advent. Medium
to Moderately Difficult.
Published by MorningStar
Music Publishers
For
SATB Chorus &
Orchestra. Composed
by Michael Abels.
Vocal/Choral, Secular
Choral. SATB Chorus.
Choral. Study Score.
Composed 2003. Duration
4'. Subito Music
Corporation #90180050.
Published by Subito Music
Corporation
(SU.90180050).
Text &
Tune: George M.
Cohan.
Instrumentat
ion: SATB chorus; 2222;
4331; timp, 3perc; pno,
elec bs, drs; str
Duration: 4' Text/Tune:
George M. Cohan Composed:
2003 Full Score & Parts:
available on rental
Published by: Subito
Music Publishing.
By Randol Alan Bass. For SATB choir, piano or organ or brass quartet/percussion ...(+)
By Randol Alan Bass. For
SATB choir, piano or
organ or brass
quartet/percussion or
brass ensemble/percussion
or full orchestra.
Christmas, General,
Choral. Choral score.
Published by E.C.
Schirmer Publishing .
choral score. Christmas,
General, Choral.
Composed by
Marie Stultz. Christmas,
21st Century. Octavo.
Duration 15 minutes.
MorningStar Music
Publishers #70-106.
Published by MorningStar
Music Publishers
(MN.70-106).
UPC:
688670701061.
English.
Movement
VI from the Suite on the
Nativity
Based on
14th and 15th century
German carol tunes for
SATB chorus, SA voices
(children's chorus) and
chamber orchestra (Fute,
Oboe, Clarinet, Bassoon,
Trumpet in C, Harp,
Timpani, Chimes,
Glockenspiel, Triangle,
and Strings) in six
movements. Performance
time of entire suite
approximately 15
minutes.
SATB choir a cappella, descant - Intermediate SKU: MN.70-105 Composed by ...(+)
SATB choir a cappella,
descant - Intermediate
SKU: MN.70-105
Composed by Marie Stultz.
Christmas, 21st Century.
Octavo. Duration 15
minutes. MorningStar
Music Publishers #70-105.
Published by MorningStar
Music Publishers
(MN.70-105).
UPC:
688670701054.
German.
Movement V
from the Suite on the
Nativity
Based on
14th and 15th century
German carol tunes for
SATB chorus, SA voices
(children's chorus) and
chamber orchestra (Fute,
Oboe, Clarinet, Bassoon,
Trumpet in C, Harp,
Timpani, Chimes,
Glockenspiel, Triangle,
and Strings) in six
movements. Performance
time of entire suite
approximately 15
minutes.
SATB choir, 2-part or SSA/SSAA choir, organ - Intermediate SKU: MN.70-102 ...(+)
SATB choir, 2-part or
SSA/SSAA choir, organ -
Intermediate
SKU:
MN.70-102
Composed by
Marie Stultz. Catholic
Year A Ordinary32;
Catholic Year A
Ordinary32. Christmas,
21st Century. Octavo.
Duration 15 minutes.
MorningStar Music
Publishers #70-102.
Published by MorningStar
Music Publishers
(MN.70-102).
UPC:
688670701023.
English.
Movement
II from the Suite on the
Nativity
Based on
14th and 15th century
German carol tunes for
SATB chorus, SA voices
(children's chorus) and
chamber orchestra (Flute,
Oboe, Clarinet, Bassoon,
Trumpet in C, Harp,
Timpani, Chimes,
Glockenspiel, Triangle,
and Strings) in six
movements. Performance
time of entire suite
approximately 15
minutes.
Composed by David Schwoebel. Arranged by Paul Thompson. Hinshaw Sacred. Sacred. ...(+)
Composed by David
Schwoebel. Arranged by
Paul Thompson. Hinshaw
Sacred. Sacred. Octavo,
Score and Parts. Hinshaw
Music Inc. #HMC1057A.
Published by Hinshaw
Music Inc. (HL.8763330).
Cantata for the 10th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Paul Horn and Uwe Wolf.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Schauet Doch Und Sehet,
Ob Irgend Ein. Sacred
vocal music, Cantatas.
Single Part, Violin 2.
Composed 1723. BWV 46. 8
pages. Duration 20
minutes. Carus Verlag #CV
31.046/12. Published by
Carus Verlag
(CA.3104612).
ISBN
9790007042981. Key: D
minor. Language:
German/English.
The
opening chorus of the
cantata Schauet doch und
sehet (Look ye then and
see now) is one of those
movements by Bach which
are much better known in
their later guise: the
first part of it became
the Qui tollis of the
Mass in B minor. But this
movement is not the only
high point of the cantata
from Bach's earliest
Leipzig period. Both the
arias are also unusual: a
bass aria depicting God's
anger dramatically as a
thundering storm, with
strings and slide
trumpet, which gives the
movement a very special
colour through its
unexpected notes beyond
the instrument's natural
series, and an alto aria
with two recorders,
accompanied by just two
oboi da caccia in unison,
which take the role of
the continuo as little
basset instruments. Music
almost not of this world!
New revised edition.
Score and part available
separately - see item
CA.3104600.
Cantata for the 10th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Paul Horn and Uwe Wolf.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Schauet Doch Und Sehet,
Ob Irgend Ein. Sacred
vocal music, Cantatas.
Single Part, Organ.
Composed 1723. BWV 46. 16
pages. Duration 20
minutes. Carus Verlag #CV
31.046/49. Published by
Carus Verlag
(CA.3104649).
ISBN
9790007043018. Key: D
minor. Language:
German/English.
The
opening chorus of the
cantata Schauet doch und
sehet (Look ye then and
see now) is one of those
movements by Bach which
are much better known in
their later guise: the
first part of it became
the Qui tollis of the
Mass in B minor. But this
movement is not the only
high point of the cantata
from Bach's earliest
Leipzig period. Both the
arias are also unusual: a
bass aria depicting God's
anger dramatically as a
thundering storm, with
strings and slide
trumpet, which gives the
movement a very special
colour through its
unexpected notes beyond
the instrument's natural
series, and an alto aria
with two recorders,
accompanied by just two
oboi da caccia in unison,
which take the role of
the continuo as little
basset instruments. Music
almost not of this world!
New revised edition.
Score and part available
separately - see item
CA.3104600.
Cantata for the 10th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Paul Horn and Uwe Wolf.
This edition: urtext. 1x
31.046/21 recorder 1, 1x
31.046/22 recorder 2, 1x
31.046/23 oboe 1, 1x
31.046/24 oboe 2, 1x
31.046/31 trumpet.
Stuttgart Urtext Edition:
Bach vocal. German title:
Schauet Doch Und Sehet,
Ob Irgend Ein. Sacred
vocal music, Cantatas.
Set of Orchestra Parts.
Composed 1723. BWV 46. 40
pages. Duration 20
minutes. Carus Verlag #CV
31.046/09. Published by
Carus Verlag
(CA.3104609).
ISBN
9790007042967. Key: D
minor. Language:
German/English.
The
opening chorus of the
cantata Schauet doch und
sehet (Look ye then and
see now) is one of those
movements by Bach which
are much better known in
their later guise: the
first part of it became
the Qui tollis of the
Mass in B minor. But this
movement is not the only
high point of the cantata
from Bach's earliest
Leipzig period. Both the
arias are also unusual: a
bass aria depicting God's
anger dramatically as a
thundering storm, with
strings and slide
trumpet, which gives the
movement a very special
colour through its
unexpected notes beyond
the instrument's natural
series, and an alto aria
with two recorders,
accompanied by just two
oboi da caccia in unison,
which take the role of
the continuo as little
basset instruments. Music
almost not of this world!
New revised edition.
Score and parts available
separately - see item
CA.3104600.
Cantata for the 10th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Paul Horn and Uwe Wolf.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Schauet Doch Und Sehet,
Ob Irgend Ein. Sacred
vocal music, Cantatas.
Set of Orchestra Parts.
Composed 1723. BWV 46.
Duration 20 minutes.
Carus Verlag #CV
31.046/19. Published by
Carus Verlag
(CA.3104619).
ISBN
9790007136154. Key: D
minor. Language:
German/English.
The
opening chorus of the
cantata Schauet doch und
sehet (Look ye then and
see now) is one of those
movements by Bach which
are much better known in
their later guise: the
first part of it became
the Qui tollis of the
Mass in B minor. But this
movement is not the only
high point of the cantata
from Bach's earliest
Leipzig period. Both the
arias are also unusual: a
bass aria depicting God's
anger dramatically as a
thundering storm, with
strings and slide
trumpet, which gives the
movement a very special
colour through its
unexpected notes beyond
the instrument's natural
series, and an alto aria
with two recorders,
accompanied by just two
oboi da caccia in unison,
which take the role of
the continuo as little
basset instruments. Music
almost not of this world!
New revised edition.
Score and parts available
separately - see item
CA.3104600.
Cantata for the 10th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Paul Horn and Uwe Wolf.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Schauet Doch Und Sehet,
Ob Irgend Ein. Sacred
vocal music, Cantatas.
Single Part, Viola.
Composed 1723. BWV 46. 8
pages. Duration 20
minutes. Carus Verlag #CV
31.046/13. Published by
Carus Verlag
(CA.3104613).
ISBN
9790007042998. Key: D
minor. Language:
German/English.
The
opening chorus of the
cantata Schauet doch und
sehet (Look ye then and
see now) is one of those
movements by Bach which
are much better known in
their later guise: the
first part of it became
the Qui tollis of the
Mass in B minor. But this
movement is not the only
high point of the cantata
from Bach's earliest
Leipzig period. Both the
arias are also unusual: a
bass aria depicting God's
anger dramatically as a
thundering storm, with
strings and slide
trumpet, which gives the
movement a very special
colour through its
unexpected notes beyond
the instrument's natural
series, and an alto aria
with two recorders,
accompanied by just two
oboi da caccia in unison,
which take the role of
the continuo as little
basset instruments. Music
almost not of this world!
New revised edition.
Score and part available
separately - see item
CA.3104600.
Cantata for the 10th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Paul Horn and Uwe Wolf.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Schauet Doch Und Sehet,
Ob Irgend Ein. Sacred
vocal music, Cantatas.
Choral Score. Composed
1723. BWV 46. 8 pages.
Duration 20 minutes.
Carus Verlag #CV
31.046/05. Published by
Carus Verlag
(CA.3104605).
ISBN
9790007042950. Key: D
minor. Language:
German/English.
The
opening chorus of the
cantata Schauet doch und
sehet (Look ye then and
see now) is one of those
movements by Bach which
are much better known in
their later guise: the
first part of it became
the Qui tollis of the
Mass in B minor. But this
movement is not the only
high point of the cantata
from Bach's earliest
Leipzig period. Both the
arias are also unusual: a
bass aria depicting God's
anger dramatically as a
thundering storm, with
strings and slide
trumpet, which gives the
movement a very special
colour through its
unexpected notes beyond
the instrument's natural
series, and an alto aria
with two recorders,
accompanied by just two
oboi da caccia in unison,
which take the role of
the continuo as little
basset instruments. Music
almost not of this world!
New revised edition.
Score available
separately - see item
CA.3104600.
Cantata for the 10th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Paul Horn and Uwe Wolf.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Schauet Doch Und Sehet,
Ob Irgend Ein. Sacred
vocal music, Cantatas.
Vocal score. Composed
1723. BWV 46. 32 pages.
Duration 20 minutes.
Carus Verlag #CV
31.046/03. Published by
Carus Verlag
(CA.3104603).
ISBN
9790007042943. Key: D
minor. Language:
German/English.
The
opening chorus of the
cantata Schauet doch und
sehet (Look ye then and
see now) is one of those
movements by Bach which
are much better known in
their later guise: the
first part of it became
the Qui tollis of the
Mass in B minor. But this
movement is not the only
high point of the cantata
from Bach's earliest
Leipzig period. Both the
arias are also unusual: a
bass aria depicting God's
anger dramatically as a
thundering storm, with
strings and slide
trumpet, which gives the
movement a very special
colour through its
unexpected notes beyond
the instrument's natural
series, and an alto aria
with two recorders,
accompanied by just two
oboi da caccia in unison,
which take the role of
the continuo as little
basset instruments. Music
almost not of this world!
New revised edition.
Score available
separately - see item
CA.3104600.
Cantata for the 10th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Paul Horn and Uwe Wolf.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Schauet Doch Und Sehet,
Ob Irgend Ein. Sacred
vocal music, Cantatas.
Full score. Composed
1723. BWV 46. 60 pages.
Duration 20 minutes.
Carus Verlag #CV
31.046/00. Published by
Carus Verlag
(CA.3104600).
ISBN
9790007042936. Key: D
minor. Language:
German/English.
The
opening chorus of the
cantata Schauet doch und
sehet (Look ye then and
see now) is one of those
movements by Bach which
are much better known in
their later guise: the
first part of it became
the Qui tollis of the
Mass in B minor. But this
movement is not the only
high point of the cantata
from Bach's earliest
Leipzig period. Both the
arias are also unusual: a
bass aria depicting God's
anger dramatically as a
thundering storm, with
strings and slide
trumpet, which gives the
movement a very special
colour through its
unexpected notes beyond
the instrument's natural
series, and an alto aria
with two recorders,
accompanied by just two
oboi da caccia in unison,
which take the role of
the continuo as little
basset instruments. Music
almost not of this world!
New revised edition.
By George Frideric Handel ; Watkins Shaw (Editor). For 2 Sopranos, Alto, Tenor, ...(+)
By George Frideric Handel
; Watkins Shaw (Editor).
For 2 Sopranos, Alto,
Tenor, Bass, SSATB Choir,
String Orchestra,
Continuo. Baroque,
Sacred, Choral. Sheet
Music. 96 pages.
Published by Novello and
Co Ltd.
Composed
by Carl Maria von Weber.
Edited by Frank Ziegler
and Johannes Kepper. This
edition: Full-cloth
binding. Sheet music.
Edition Schott. Score and
critical commentary,
complete edition. 306
pages. Schott Music
#WGA1021. Published by
Schott Music
(HL.49042434).
ISBN
9783795794491.
10.25x13.5x1.141 inches.
German.
Carl Maria
von Weber's fame rests
mainly on 'Der
Freischutz'. The
unprecedented success of
this opera overshadowed
all his other works and
contributed to their
increasing fall into
oblivion. Certain works
such as 'Preciosa',
'Oberon', and
'Euryanthe', the
overtures, solo concertos
and piano sonatas, the
lieder and chamber works
enjoyed great popularity
and were widely known in
Germany and abroad as
late as the second half
of the 19th century.
However, any chance of a
revival of Weber's
influential and
substantial oeuvre was
wasted in the 1920s, when
a complete edition -
begun by Hans Joachim
Moser and with potential
contributors including
Wilhelm Kempff, Hans
Pfitzner, Max von
Schillings, Fritz Stein
and Richard Strauss -
failed after the third
volume.Ever since there
have been numerous
attempts to restart a
complete edition of
Weber's works, but as
this kind of project
would have required the
co-operation of scholars
from both sides of the
inter-German border, the
political situation after
1945 was not conducive to
any such enterprise.
Careful negotiations led
to the first tangible
steps in the 1980s. The
intention, right from the
beginning, was to place
Weber's work in context,
and not to separate his
musical output from his
influential work as a
writer, critic and
organiser in the musical
field, but to publish his
compositions together
with his letters, diaries
and other literary output
as the best way to
document the
cross-fertilisation
between his musical,
literary and practical
activities.Since the
German re-unification
both working-parties
concerned - at the
Staatsbibliothek zu
Berlin, and at the
Musikwissenschaftliches
Seminar,
Detmold/Paderborn - have
co-operated on the
complete edition of the
musical works (c. 45
volumes in 10 series:
sacred music; cantatas,
odes and other occasional
works; stage works;
lieder and vocal works;
orchestral works; chamber
music; music for piano;
piano reductions;
miscellanea, arrangements
and orchestrations; works
of doubtful attribution).
The diaries (6-8 vols.)
are edited in Berlin and
the letters (8-10 vols.)
and other writings (2
vols.) in Detmold. This
complete edition aims to
be a reliable basis of
scholarly debate as well
as for the authentic
performance practice of
Carl Maria von Weber's
music. Conforming to the
standards of recent
historico-critical
editions, the textual
material will be based on
all available authentic
sources, accompanied by a
detailed documentation of
the genesis and a list of
variants for each work.
The musicological
importance of the works
will be evaluated by
placing them in their
historical context, the
presentation of their
genesis, history and
Critical Commentaries.
The letters, writings and
diaries will be treated
as inter-related and
relevant to each other in
the commentaries,
therefore readers should
benefit from a wealth of
concise information and
cross-references.
SATB choir a cappella, with optional woodwinds or strings, and percussion - Inte...(+)
SATB choir a cappella,
with optional woodwinds
or strings, and
percussion - Intermediate
SKU: MN.50-7080
Composed by William
Bradley Roberts.
Spirituals. 21st Century.
Choral score. MorningStar
Music Publishers
#50-7080. Published by
MorningStar Music
Publishers (MN.50-7080).
UPC: 688670570803.
English.
A lively
and rhythmic arrangement
of a great African
American Spiritual. This
piece can be performed in
its original a cappella
version, or may be
performed with woodwinds
and percussion, or
strings and
percussion.
Strings
and Percussion Version
Instrumental Parts
includes: Violin
I Violin
II Viola Cello D
ouble
Bass Percussion
Woodwinds and Percussion
Version Instrumental
Parts
includes: Flute Obo
e Clarinet in
B-flat Bassoon Horn
in F Percussion.