Choral (SATB)

SKU: HL.1216159

Composed by Lin-Manuel Miranda. Arranged by Mark A. Brymer. Disney Choral. Broadway, Disney, Medley, Movies, Musicals, Show Choir. Octavo. Duration 470 seconds. Published by Hal Leonard (HL.1216159).

UPC: 196288140146. 6.75x10.5x0.086 inches.

Lin-Manuel Miranda has slowly and surely become a musical theater icon of the modern era. Like Schwartz, Sondheim, Loesser, and Rodgers and Hammerstein, Miranda writes songs that are transcendent, singable, joyous, and worth the price of admission. This medley from show choir veteran Mark Brymer includes some of the most memorable highlights from an illustrious career: In the Heights, How Far I'll Go (from Moana), One More Song (from Vivo), We Don't Talk about Bruno (from Encanto) and My Shot (from Hamilton).

(from Hamilton). By Lin-Manuel Miranda. By Albert Johnson, Christopher Wallace, Kejuan Waliek Muchita, Lin-Manuel Miranda (1980-), Osten Harvey, Jr., and Roger Troutman. Arranged by Roger Emerson. For Choral (SATB). Broadway Choral. Octavo. Published by Hal Leonard

From the Broadway musical Hamilton. Composed by Lin-Manuel Miranda with Albert Johnson, Kejuan Waliek Muchita, Osten Harvey, Jr., Roger Troutman, and Christopher Wallace. Arranged by Alan Billingsley. Choral Octavo. Alfred Pop Series. Broadway; Secular. 40 pages. Published by Alfred Music (AP.45663).

By Various. By Various. Arranged by Kirby Shaw. Pop Choral Series. Medley, Pop, Show Choir, Concert, Oldies. Octavo. Published by Hal Leonard

Choral SATB choir, piano

SKU: PR.342402070

Composed by Steven Stucky. -. Ars Nova Chamber Singers, Boulder CO. Performance Score. With Standard notation. Composed 7-Feb. 8 pages. Duration 3 minutes. Theodore Presser Company #342-40207. Published by Theodore Presser Company (PR.342402070).

ISBN 9781491111253. UPC: 680160643226. Octavo inches. Text: Archibald R. Ammons. Archibald Ammons. Text by A.R. Ammons.

To benefit Chorus America, Stucky allowed himself to be auctioned off as a prize - the high bidder would receive a new work from the composer. After a few years and not really hearing anything, Stucky suddenly found himself up against a deadline. He reached back to a favorite poem by A.R. Ammons, Eyesight, which, he says, Won't let...his reader rest till the very last word...one of those sudden insights that leave us breathless..
This piece has an odd history. A few years ago, I agreed to be one of the“prizes” in an auction to benefit Chorus America: the highest bidder wouldget a new piece from me, while their money went to the organization. Thewinning bid came from a collection of several professional choruses anddirectors. But I was always a little vague about the details, and, hearingnothing more about it for a few years, forgot the whole thing.One day I received a message from Thomas Edward Morgan, directorof the Ars Nova Chamber Singers in Boulder: they had scheduled thepremiere of my new piece for a few weeks later, and could they have themusic, please? I needed a text, quickly, and (as usual) I was in a Los Angeleshotel room, not at home with my books. So I turned to the internet andsoon tracked down my favorite poet, A.R. Ammons (1926-2001).Once I stumbled on “Eyesight,” I remembered having loved the poemyears before. Archie must have loved it, too, because he included it bothin his Collected Poems 1951-1971 and in the later Selected Poems. It haseverything you want in an Archie Ammons poem: what Edward Hirschcalled his “offbeat, sideways, unpredictable radiance,” his “homespunglory.â� � It has one of his trademark conversations with a mountain (perhapsfrom his native North Carolina), it has the fluid motion from one line tothe next (enjambment, if you want to get technical) that won’t let him orhis reader rest till the very last word of the very last line, and it has in thatlast line one of those sudden insights that leave us breathless: “some thingsthat go are gone.”I miss Archie, but he’s not gone. I’m grateful for the wonderful poems heleft us, and I’m grateful that he was always generous and kind when I hadthe chutzpah to add my music to his.

Composed by Ronald Perera. Advanced/Collegiate. Catholic Year A The Nativity of Our Lord. Secular, Christmas, 21st Century. Octavo. Duration 4 minutes, 40 seconds. Published by E.C. Schirmer Publishing (EC.8320).