Slipknot, the instantly-recognisable heavy metal band from Des Moines, Iowa, shot to fame after the release of their first album in 1999, grabbing the attention of millions of adoring fans, and some not-so-adoring conservative commentators. From the first, Paul Harries photographed them on stage, backstage and through artistic eyes, and Dysfunctional Family Portraits is a fascinatingly creative look at this distinctive band.The name Dysfunctional Family Portraits perfectly sums up the band, a dysfunctional melee of chaos and aggressive music, while the humans behind the monstrous masks remained truly close, and their camaraderie comes across in these intimate photographic portraits. The energy and chaos of their live shows is particularly well-captured by Harries' brilliant shots, showing them in their natural habitat: that of loud, sweaty, energetic and adrenaline-fuelled music.Throughout Dysfunctional Family Portraits, Paul Harries guides the reader on a journey from Slipknot's beginnings with their truly terrifying masks and red boiler suits, through their changing looks and their artistic developments. As Paul Harries says, being a rock photographer is not an easy task. You have to be able to capture personality and the essence of a musical style in a visual medium. But photographing Slipknot is a whole new endeavour, capturing masked madmen straight out of a horror film while maintaining order among the chaos must have been difficult, but the brilliance of this book is testament to his ability as a photographer.Featuring full colour photographs of Slipknot throughout their journey as a band, you will get to see exclusive backstage antics, dynamic shots of their legendary live shows, as well as hundreds of other behind-the-scenes pictures and words from Harries and members of the band. Perfect for a Slipknot fan, but also ideal for anyone interested in modern heavy metal music or even darkly comic theatrics. A ridiculously entertaining band, the vibrant photographs in Dysfunctional Family Portraits are full of life and full of the energy that Slipknot, as a band, have transmitted through their music. / Livre

Paperback. Par DAKERS LIONEL. La collection définitive de 100 hymnes, surtout pour les voix SATB, de l'époque Tudor à nos jours, y compris les favoris de chaque période, et des morceaux moins connus. Réductions clavier sont inclus pour la musique non accompagnés, et des accompagnements d'orgue sont toujours pratiques. Dakers Lionel est né à Rochester, Kent, en 1924, et mourut en 2003. Il a été directeur de la Royal School of Church Music de 1972 à 1989 et jouit d'une réputation internationale comme un ambassadeur de l'excellence dans la musique d'église. Il a également été pendant plus de 30 ans un examinateur pour l'Associated Board de l'Ecole Royale de Musique. Il a obtenu un doctorat en musique de Lambeth en 1979, est devenu un Fellow du Royal College of Music en 1980 et a été nommé CBE en 1983./ Recueil / Chant

La renommée de Carl Maria von Weber repose principalement sur , Der Freischütz '. Le succès sans précédent de cet opéra éclipsé tous ses autres travaux et a contribué à leur chute de plus en plus dans l'oubli . Certains travaux tels que , Preciosa ', , Oberon , et , Euryanthe ' , les ouvertures, concertos en solo et sonates pour piano , des lieder et chambre oeuvres jouissent d'une grande popularité et ont été largement connus en Allemagne et à l'étranger aussi tard que la deuxième moitié de la 19ème siècle . Cependant , toute chance d'une renaissance de Weber et influentoeuvre considérable a été perdu dans les années 1920 , quand une édition complète - commencé par Hans Joachim Moser et avec les contributeurs potentiels, y compris Wilhelm Kempff , Hans Pfitzner , Max von Schillings , Fritz Stein et Richard Strauss - a échoué après le troisième volume .Depuis , il ya eu de nombreuses tentatives pour relancer une édition complète des oeuvres de Weber , mais que ce genre de projet , il aurait fallu la collaboration de chercheurs des deux côtés de la frontière inter- allemande , la situation politique après 1945 n'était pas propice à une telle entreprise . Négociations approfondies ont conduit aux premières mesures concrètes dans les années 1980 . L'intention , dès le début , était de placer l'oeuvre de Weber dans son contexte, et ne pas se séparer de sa production musicale de son travail influent comme un écrivain , critique et organisateur dans le domaine musical , mais de publier ses compositions avec ses lettres, journaux et d'autres la production littéraire comme le meilleur moyen de documenter la fertilisation croisée entre ses activités musicales , littéraires et pratiques .Depuis la réunification des deux - groupes de travail allemands concernés - à la Staatsbibliothek zu Berlin , et au Séminaire Musikwissenschaftliches , Detmold / Paderborn - ont coopéré sur l'édition complète des oeuvres musicales ( c. 45 volumes de la série 10 : sacré musique - cantates , des odes et des autres travaux occasionnels- oeuvres scéniques , lieder et des oeuvres vocales - oeuvres orchestrales , musique de chambre , musique pour piano - réductions pour piano - Miscellanea , arrangements et orchestrations , des oeuvres d' attribution douteuse ) . Les journaux (6-8 vol.) Sont édités à Berlin et les lettres (8-10 vol.) Et d'autres écrits ( 2 vol. ) À Detmold .Cette édition complète vise à constituer une base fiable de débat scientifique , ainsi que pour la pratique de la performance authentique de la musique de Carl Maria von Weber . Conforme aux normes d'éditions historico-critiques récentes , le matériau textuel sera basé sur les sources authentiques disponibles , accompagnés par une documentation détaillée de la genèse et une liste de variantes pour chaque travail . L'importance musicologique des travaux sera évaluée en les plaçant dans leur contexte historique , la présentation de leur genèse , l'histoire et les commentaires critiques . Les lettres , les écrits et les journaux seront considérés comme interdépendants et pertinente à l'autre dans les commentaires , donc les lecteurs devraient bénéficier d'une foule de renseignements concis et renvois . / Choeur Mixte (SATB) Et Instruments Divers

Music played an enormous role in the works of William Shakespeare, while his own sonnets, poems and soliloquies have provided continuing inspiration for many composers through the years. The Novello Shakespeare Choral Collection, inspired by the 400th anniversary of the Bard's death in 2016, is an exciting anthology of choral works that are settings of Shakespeare's words. For choirs of all types and abilities, this collection has been edited by David Wordsworth so that all the pieces are fantastic both to sing and hear.The collection features some beautiful settings that have well and truly stood the test of time, such as Thomas Arne's Blow, Blow, Thou Winter Wind and Henry Leslie's How Sweet The Moonlight Sleeps. More recent settings from 20th century and contemporary composers include Ernest Moeran's Sigh No More, Ladies, Gary Carpenter's Lo, Here, The Gentle Lark and John Tavener's Fear No More and Look In Thy Glass.Not only this, the Shakespeare Choral Collection boasts several works that were specially commissioned, including John Joubert's Be Not Afeard, Richard Sisson's Light Thickens and Pawel Lukaszewki's Weary With Toil, I Haste Me To My Bed. Some pieces have never appeared before in print, such as those by Kevin Olsen, Bernard Hughes and John Gardner. These songs truly are a joy to perform, with some relatively simple arrangements that are purely fun to sing, while some more complex settings that will be thoroughly rewarding for choirs and audiences alike.A total of 26 fantastic works comprise The Novello Shakespeare Choral Collection, which would work as a wonderful concert programme on its own, or could provide a wealth of options for choirs looking to expand their repertoire with a range of unique settings. Also included is a fascinating introduction by editor David Wordsworth, and notes describing each piece.Words written by indisputably the greatest writer in the English language can only be matched with music by composers of talent and renown such as these. The Novello Shakespeare Choral Collection is an essential anthology of stunning settings of beautiful words which will be performed and enjoyed for many years to come. / Choeur Mixte (SATB)

Kantaten. Urtext Der Neuen Bach-Ausgabe. Par BACH JOHANN SEBASTIAN. The cantata ' Ich hatte viel Bekümmernis ” dates from around 1713 and was probably performed for the first time that year in the Liebfrauenkirche in Halle . Its assigning to the third Sunday after Trinity probably only occurred the following year. With its large-scale structure and strong emphasis on biblical texts, it was extremely popular in the 19th century and remains one of Bach's best-known cantatas today. The cantata is published here in a vocal score based on the New Bach Edition with an idiomatic, straightforward piano reduction by Martin Focke . - One of Bach's best-known cantatas - Urtext based on the ' New Bach Edition” - Clear straightforward piano reduction/ Répertoire / Solistes (SATB), Choeur Mixte (SATB) et Orchestre

A Choral Cycle. Par CHASE DAVID. Perfect for International Women's Month performances! Washington Women is a collection of musical settings of speeches opinions and interviews of sixteen remarkable women from all across the political spectrum and throughout U.S. history from Abigail Adams to Kamala Harris. The composers took their words and set them to music with the hopes that performers and their audiences will learn more about these women and discover why they spoke those words when they did. Women featured include: Abigail Adams Madeleine Albright Barbara Bush Laura Bush Shirley Chisholm Hillary Rodham Clinton Betty Ford Ruth Bader Ginsburg Kamala Harris Elena Kagan Sandra Day O'Connor Michelle Obama Nancy Pelosi Condoleeza Rice Eleanor Roosevelt and Margaret Chase Smith. / Date parution : 2023-01-24/ Recueil / Choeur Mixte SATB

2002 marque le 100e anniversaire de l'un des compositeurs de Broadway en Amérique du sommet. Richard Rodgers contributions 'au théâtre musical de son époque étaient extraordinaires, et son influence sur le théâtre musical d'aujourd'hui et de demain est sans comparaison. Sa carrière s'étend sur plus de six décennies, et sa frappe allait de l'écran d'argent de Hollywood pour les lumières de Broadway, Londres et au-delà. Ce medley nouvelle pour choeur, orchestre et cordes option salue les réalisations de cette légende de Broadway. Chansons comprennent: Do-Re-Mi, je siffler un air joyeux, Juin est Bustin 'Out All Over, Le Mars de l'enfance siamois, My Funny Valentine, l'Oklahoma, Slaughter on Tenth Avenue, The Sound of Music, The Surrey avec la Fringe on Top, Il Est Nothin 'Like a Dame.Available séparément: SATB, SAB, 2-Partie, concert Band (Gr. 3), String Pak et ShowTrax CD. Temps de Performance: Env. 09:15. / Chant Et Piano

Par ARCH GWYN / PARRY BEN. The Faber Carol Book is an exciting volume of Christmas carols and songs with an original, contemporary twist, designed to breathe fresh air into Christmas concerts. They contain forty pieces, expertly edited and arranged by Gwyn Arch and Ben Parry, capturing a variety of moods and styles through time - from contemporary arrangements of medieval and traditional carols, to spirituals, and music from around the world. There is also an impressive line-up of original pieces by some of today's most highly respected choral composers, including Howard Goodall, Lin Marsh, Peter Gritton, Errollyn Wallen and Mike Brewer. Presented in two separate volumes, this is the second anthology with all carols arranged for SATB choir with Piano Accompaniment. Both publications include undemanding keyboard accompaniment and suggestions for optional instrumental lines. / Niveau : Assez Facile / Répertoire / Voix

Choral SuiteInstrument : mixed choir (SATB) and piano (organ)Type : vocal/piano scoreNombre de Pages : 40As featured on the best-selling CD, this is a powerful and compelling account of the descent into and terrible consequences of war. Commissioned for the millennium by the Royal Armouries and dedicated to the victims of the Kosovo crisis, this work is a contemporary example of a mass based on the 15th-century French song L?Homme Armé (The Armed Man). The complete work sets sacred and secular texts including Tennyson, Kipling, The Koran and the Hindu Mahàbharàta within the framework of the Christian mass. Championed by Classic FM it has captured the imagination of music lovers everywhere to become not only a chart-topping CD but also one of the most currently performed and poignant choral works of the moment.This suite of five mass movements and the Hymn Before Action arranged for SATB chorus and piano/organ is suitable as a concert item or within a liturgical setting and will make a stunning contemporary mass alternative.Content : Kyrie - Sanctus - Benedictus - Agnus Dei - Hymn Before Action

Voulez-vous chanter avec la chorale? Alors ce livre est fait pour vous! Ce livre / pack CD contient 15 chansons, entièrement arrangé pour soprano, alto, ténor et basse, et un choeur professionnel enregistré sur le CD. Choisissez votre pièce et chanter en même temps!Sont également inclus les accompagnements au piano et les notes de performance détaillant les wheres, ce qui est, et le comment - toutes écrites dans un anglais simple! / Choeur SATB Et Piano

Par HOWELLS HERBERT. Before me, careless lying is a fine example of the contrapuntal art of Herbert Howells (1892–1983), inspired by the work of the great English composers of the Renaissance period, those of the madrigal school in particular, but in its passionate sensibility essentially twentieth century. The composer wrote this partsong on Christmas Day 1918, and dedicated it to his friend the organist Dr R. R. Terry, Director of Music at Westminster Cathedral, and chairman of the Tudor Church Music committee. The words are by the poet and biographer Austin Dobson, whose Collected Poems was published in 1897. Perhaps as a token of the composer’s regard for Terry’s pioneering work infurthering the appreciation and understanding of sixteenth-century church music, Before me, careless lying was originally published with the alto and tenor parts notated in traditional clefs. It is here reissued with clefs in modern forms of treble and transposed treble respectively, and with a keyboard transcription of the vocal parts which is intended for use in rehearsal./ Feuillet / SATB

The 'Petite Messe solennelle? is the finest work of Rossini's late years. He composed it between 1863 and 1864 at the age of 71 as a commission for Countess Louise Pillet -Will for the consecration of her private chapel, where the work received its first performance in March 1864. Together with the 'Stabat mater?, the mass is one of the composer's mostimportant sacred works.The unusual instrumentation with two pianos and harmonium is entirely in keeping with the Neapolitan keyboard tradition of the 18th century which was cultivated in France in Rossini's day. It forms a distinct contrast to the style of large-scale sacred compositions as written by, for example, Liszt and Bruckner. Rossini explained that he wrote the later orchestral version of the work dating from 1867 out of concern that if he did not do this, other composers might orchestrate the mass too heavily in later arrangements.- Choral score based on the Urtext of the series 'Works of Gioachino Rossini?- Supplements the already existing material available to this work / Choeur Mixte (SATB)

Par ALBRECHTSBERGER JOHANN GEORG. Albrechtsberger set the Ordinary of the Mass in two forms: with and without instruments. The latter ['alla capella'] does not mean that no instruments were to be used, but that these works are 'without independent instrumental parts'. The Mass in D major, here published for the first time, is an 'alla capella' mass in the above sense. / Messe / Répertoire / Choeur SATB et Orgue