(Recorded by IMAGINE DRAGONS). By Imagine Dragons. By Alexander Grant, Benjamin McKee, Daniel Reynolds, and Daniel Sermon. Arranged by Roger Emerson. For Choral (SATB). Pop Choral Series. Octavo. 16 pages. Published by Hal Leonard

Arranged by Boston Consort. Barbershop Harmony Society. A Cappella, Barbershop, Oldies. Octavo. 6 pages. Barbershop Harmony Society #213476. Published by Barbershop Harmony Society

Composed by Richard Rodgers. Octavo for SATB chorus and piano accompaniment. With chord names. Series: Hal Leonard Broadway Choral. 80 pages. Published by Hal Leonard.

By Rodgers and Hammerstein. Arranged by Mac Huff. For SATB voice (SATB). Choral. Broadway. Difficulty: medium. SATB vocal single (medley). Full score notation. 39 pages. Published by Hal Leonard

SATB. Arranged by Mac Huff. (SATB). Broadway Choral. Size 6.75x10.5 inches. 32 pages. Published by Hal Leonard.

Vocal Jazz Series. Composed by Richard Rodgers. Arranged by Paris Rutherford. Jazz Chorals. Broadway, Standards, Swing, Vocal Jazz. Octavo. 12 pages. Published by Hal Leonard

Performed by Starship. Arranged by Kirby Shaw. (SATB). Pop Choral Series. Size 6.75x10.5 inches. 12 pages. Published by Hal Leonard.

For Pop and Jazz Choirs. Choral. Softcover Media Online. Published by Hal Leonard

Choral (SATB)

SKU: HL.1358767

(Choral Medley). Arranged by Mac Huff. Broadway Choral. Broadway, Nineties, Pop. Octavo. 36 pages. Duration 600 seconds. Published by Hal Leonard (HL.1358767).

UPC: 196288192657. 6.75x10.5x0.075 inches.

From the Tony-nominated production and Juliet comes this powerhouse medley of 90s and 2000s hits, each featured in the musical. Program this showstopping selection and your audience will be sure to sing along!

Choral (SATB)

SKU: HL.303828

By The Temptations. Arranged by Mark A. Brymer. Pop Choral Series. Broadway, Medley, Motown, Musicals, Pop, R&B, Show Choir. Octavo. Duration 440 seconds. Published by Hal Leonard (HL.303828).

UPC: 888680969042. 6.75x10.5x0.062 inches.

The 2019, Tony Award-winning jukebox musical Ain't Too Proud: The Life and Times of The Temptations is making waves on Broadway by infectiously telling the origin story of the chart-topping, R&B hitmakers from Detroit's famed Motown Records label. Told from the perspective of founder and frontman Otis Williams, this dazzling medley features the hits you love, including: Ain't Too Proud to Beg, Get Ready, Just My Imagination (Running Away with Me), My Girl and Papa Was a Rollin' Stone.

Composed by Max Martin, Justin Timberlake, and Shellback. Arranged by Aaron Dale. Barbershop Harmony Society. A Cappella, Barbershop, Pop. Octavo. 20 pages. Barbershop Harmony Society #213396. Published by Barbershop Harmony Society

Composed by Thad Fiscella, Paul John Rudoi. National Lutheran Choir Series. Catholic Year A Ordinary18. Healing, Hope/Assurance. Octavo. Published by MorningStar Music Publishers (MN.50-9930).

(from The Lion King). Performed by Elton John. By Elton John, Tim Rice. Arranged by Keith Christopher. (SATB). Pop Choral Series. Size 6.75x10.5 inches. 8 pages. Published by Hal Leonard. (8200265) 6-PACK includes six original copies of this piece.

King's Singers Gold. By King's Singers. By Sophie Cooke. Arranged by Christopher Bruerton. King's Singers Choral. Concert, Pop. Octavo. Published by Hal Leonard

From Tootsie. Composed by David Yazbek. Arranged by Mac Huff. Broadway Choral. Broadway, Concert. Octavo. 12 pages. Published by Hal Leonard

From (Sid Meier's Civilization IV). By Soweto Gospel Choir. By Christopher Tin. Edited by Matt Conaway. Choral. African, Choral, Concert, Contest, Festival, Video Games, World Music. Octavo. 16 pages. Published by Hal Leonard

From Frozen: The Broadway Musical. Composed by Kristen Anderson-Lopez and Robert Lopez. Arranged by Mark A. Brymer. Broadway Choral. Concert, Show Choir, Musicals, Broadway, Disney, Winter. Octavo. 16 pages. Published by Hal Leonard

Choral (SATB)

SKU: HL.514919

By A. Great Big World. By Bess Rogers, Chad Vaccarino, and Ian Axel. Arranged by Roger Emerson. Pop Choral Series. Inspirational, Pop. Octavo. 16 pages. Duration 210 seconds. Published by Hal Leonard (HL.514919).

UPC: 196288073925. 6.75x10.5x0.036 inches.

A song about finding light in the darkest places. A song about focusing on the love around you during the difficult times. This song could be the spark that ignites non-stop warm feelings and smiles from your choir members.

Composed by Diane Warren and Albert Hammond. Arranged by Alan Billingsley. Choir Secular. SATB choir. Choral Octavo. Pop Choral. Secular. 12 pages. Published by Alfred Music

By Journey. By Jonathan Cain, Steve Perry, and Neal Schon. Arranged by Kirby Shaw. Pop Choral Series. A Cappella, Classic Rock, Eighties, Pop, Pop/Rock, Rock. Octavo. Duration 145 seconds. Published by Hal Leonard

SATB Choir

SKU: BT.MUSM570368679

For choir and fixed media. Composed by Evis Sammoutis. Score Only. Composed 2019. 14 pages. University of York Music Press #MUSM570368679. Published by University of York Music Press (BT.MUSM570368679).

Isthmus denotes a narrow strip of land with sea on either side, forming a link between two larger ars of land. The title is a metaphor for an effort to bond artistically my experiences of living in Cyprus, my birthplace, and in the USA, my recently adopted homeland. Having lived in a small, partitioned island for my formative years and in England for eleven years, water has always had a double meaning: it has at once served as a gateway to other cultures but also as a border, a violent and absolute interruption of a continuum. While in the USA, or indeed in a now connected Europe, it is possible to travel on land for days without having to encounter a border, in the countries where I lived for most of my life, that was not possible. As an artist, this notion of establishing boundaries and consciously trying to break them is very close to me, as my music deals both with modernity but also with tradition and, similarly, with metaphor and reality. As a Cypriot, the sea, the world of antiquity, the mysteries of the oracles, the notion of borders and the pastoral are all very central to my way of thinking. In Cyprus, different layers of history are frequently superimposed on a single building that might still preserve its Roman, Byzantine, Venetian and Ottoman features in its layers of stone and architecture. Similarly, ancient ruins or the barbed wire of modern conflict often interrupt placid fields. An isthmus, therefore, can be seen to symbolize my artistic struggle to join strikingly different experiences and notions in a cohesive way. Similar to an isthmus, in this short piece, I connect these experiences with the purpose of creating a distinct and unique sonic context, connecting technology and tradition, the pastoral with the urban, the musical with the extra-musical and the abstract with the concrete. For example, the choir does not always sing in the traditional sense, but the singers imitate various natural sounds, such as water, air, crickets or birds, to create a vivid visual impression for the work. Scandinavian herding calls blend with field recordings from the seas of Cyprus and the lakes of Upstate New York, communicated within clearly defined, singular acoustic sources and spaces through wireless speakers. The text used is both onomatopoeic, articulating an imaginary language, but also literal, with a setting of the poem, “To make a prairie” by the iconic American poet Emily Dickinson and a tiny fragment from Callimachus’ “Hymn to Demeter.” Technology is used sparsely and very intentionally to articulate the expressive qualities of pastoral imagery, creating one unified synthetic timbre with the choristers’ sounds. This piece is dedicated to the wonderful singers of the Georgia Institute of Technology Chamber Choir with special thanks to Professors Hsu and Ulrich, without whose support this composition would not have been possible. Practical notes: A choir of no less than 24 singers is sought with 4 additional soloists (2 Sopranos and 2 Altos). Each singer must have their own wireless speaker, secured either in the music folder or as a strap inside their shirts. All sounds must match in volume the sound from the speakers, creating one unified timbre. The speakers should not be noticeable to the public. The four soloists are placed offstage at the beginning of the work. From 1:35’ onwards they enter the hall and take their positions, ideally at the four corners of the hall. If the hall is too large, the singers can find alternate positions, but these should always be antiphonal. The four soloists sing predominantly in the “kulning” style and the antiphonal aspect is very important to the work. There are two sound files for each section (SATB) that are triggered by each singer’s mobile device. The first occurs at the start of the piece, and the second, about a minute before the end. The sound files are able to be purchased separately, on CD, or are available directly from UYMP.

Arranged by Philip Stopford. For Choral (DOUBLE SATB, A CAPPELLA). Henry Leck Creating Artistry. 16 pages. Published by Hal Leonard

Composed by Traditional Spiritual. Arranged by Dan Davison. Sws. Octavo. 16 pages. Duration 2 minutes, 50 seconds. BriLee Music #BL1155. Published by BriLee Music

Alto, Mixed choir (SATB), Piano

SKU: BA.BA11309

Composed by Camille Saint-Saens. Edited by Christina M. Stahl. This edition: urtext edition. Paperback. Score. Baerenreiter Verlag #BA11309. Published by Baerenreiter Verlag (BA.BA11309).

ISBN 9790006577705. 27 x 19 cm inches. Text Language: English.

It is a small music history sensation: Thanks to Yves Grard an unknown and unpublished manuscript penned by Camille Saint-Saëns has been unearthed in the Mdiathèque Jean Renoir in Dieppe in France.

It is the top four instrumental parts which make this manuscript something of a sensation. Placed under each other are â??Saxophone Soprano en Si bâ?, â??Saxophone Alto en Mi bâ?, â??Saxophone Tnor en Si bâ? and â??Saxophone Baryton en Mi bâ?, strings, soprano solo with chorus and organ. Musical history has hitherto credited Jean-Baptiste Singele (1812â??1875) with having written the first saxophone quartet, his opus 53, which he completed in 1857. Now this historiography clearly has to be revised. The date 1854 has been found under the first page of the treasure from Dieppe, which is pasted over and also sewn, meaning that Saint-Saënsâ?? work was written three years earlier than that of Singele.

In contrast to Singele, Saint-Saëns does not have the wind instruments taking solo parts but rather uses their tonal colour to depict textual moods and nuances. On the one hand the saxophones accompany the choral parts (certainly singable by amateurs) and support the human voices in fugal passages. On the other hand, they take the melody in the purely orchestral passages.

Saint-Sa ëns wrote the motet in the period when he had taken up his first permanent appointment as organist at the Church of Saint-Merri in Paris. He revised the work several times over the decades, changing the motifs at the beginning, correcting obvious mistakes, reworking the ending, eventually changing the instrumentation several times and even â?? probably in the final stage â?? replacing the Latin text with an English one. Today, three-and-a-half versions have been handed down, one of them stopping after just a few pages. The compositional steps have been successfully reconstructed by means of detailed detective work. Furthermore, the first saxophone version (BA 11305) and the last English piano version (BA 11309) have been edited to produce a scholarly-critical edition.

The present edition of the English version for soprano solo, choir and piano (BA 11309) serves both as a full score and as a vocal score due to the instrumentation.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

By Jim Gray, Jim Grey, Derric Johnson, Bradley Knight, David Maddux. For SATB. Modern Christian. Sacred. Choral Book. Duration 45 minutes. Published by Brentwood-Benson Music Publishing.

By Jill Jackson and Sy Miller. Arranged by Keith Christopher. For Choral (SATB). Sacred Choral. 8 pages. Published by Hal Leonard