Composed
by Marten Jansson.
Stapled. Choral score. 31
pages. Baerenreiter
Verlag #BA08525_00.
Published by Baerenreiter
Verlag (BA.BA08525).
ISBN 9790006566037. 27
x 19 cm inches. Text
Language: English. Text:
Silvestri, Charles
Anthony.
â??Tonigh
t I Dance Aloneâ? for
double choir a cappella
consists of three
poignant episodes from
the life of an old man.
We encounter him before
his wedding, before
celebrating his wedding
anniversary and now as an
elderly widower who says
to his
grandson:
â??Soon
we will dance in the
God-light, My love
and I. Soon will the
moon be ours again,
And the endless
shining stars In the
halls of heaven.
Soon, my love, very
soon; But tonight,
one last time,
Tonight I dance
alone.â?
The
libretto and the
descriptive music are
deeply moving and
constitute an ideal
partnership. This is
MÃ¥rten Jansson's first
collaboration with the
well-known librettist
Charles Anthony
Silvestri. The piece
provides a well-worth
challenge for ambitious
choirs.
It was
world-premiered by the
Saint Louis Chamber
Chorus under the baton of
Philip Barnes on 1
October 2017 in Saint
Louis, MO
(USA)
Kottarainen Chorale SATB SATB A Cappella Alliance Music Publications
Composed by Riika Pietilainenen-Caffrey. Edited by Lawrence Kaptein. Octavo. ...(+)
Composed by Riika
Pietilainenen-Caffrey.
Edited
by Lawrence Kaptein.
Octavo.
Alliance Music
Publications
#AMP 1072. Published by
Alliance Music
Publications
By Janice Kapp Perry. Text: John V. Pearson / Rodney Turner / Janice Kapp Perry ...(+)
By Janice Kapp Perry.
Text: John V. Pearson /
Rodney Turner / Janice
Kapp Perry / Neal A.
Maxwell / Orrin G. Hatch
/ David B. Larsen / Olga
S. Whitaker / Ruth S.
Kapp. For SATB Choir.
Level: Medium. Published
by Jackman Music
Corporation.
SATB Chorus, & Piano SKU: SU.96010062 For SATB Chorus, & Piano. Co...(+)
SATB Chorus, & Piano
SKU: SU.96010062
For SATB Chorus, &
Piano. Composed by
Joseph Gianono.
Vocal/Choral, Secular
Choral. Accompanied by
piano. Choral Octavo.
Subito Music Corporation
#96010062. Published by
Subito Music Corporation
(SU.96010062).
Instrumentation
: SATB Chorus, &
Piano Duration:
4' Composed: 2012
Published by: Subito
Music Publishing Minimum
order quantity: 8 copies.
Perusal copies are
available by contacting
(include the organization
name with your request).
To order quantities fewer
than 8, please call
customer service at (973)
857-3440. About
T.N.TAs a matter of
practicality, when I was
first asked to write a
piece for the New York
Theatrical Community
Choir in 2005 by its
music director, David
Wolfson, I immediately
decided to write a Kyrie.
After all, I thought...,
the text is only about
four words and eliminated
the need for a lyricist.
Most appealing, however,
was the fact that it
would bring me one step
closer to finishing the
Mass that I was in the
process of writing. If
ever there was a case to
be made for divine
inspiration this appeared
to be it. David Wolfson
liked the idea and
casually mentioned that
there was another Kyrie
and a religious hymn on
the program. He also
mentioned that the choir
consisted predominantly
of actors that sing.Like
a bolt of lightning,
divine intervention
interceded whereupon I
instantly realized that
he needed a piece to wake
up the audience, not
another Kyrie. I took a
breath and spontaneously
began to talk through and
improvise the concept of
a piece that became the
basis for Taxi.At that
moment I was clueless as
to what kind of piece I
would write but it
appeared to be a good
idea at the time. David's
reaction to my
presentation was
something like Okay,...I
have no idea what you are
talking about but let's
try it. After a very
successful public
performance, he was
delighted that I decided
not to write a Kyrie and
remarked that writ-ing a
piece like Taxi for this
group was like feeding
raw meat to a pack of
hungry lions. At that
moment, the idea of doing
a trilogy of similar
pieces was born. For the
last two seasons of the
choir's existence I was
asked to write a new
piece and... as a matter
of practicality, I
happily agreed.-- Joe
GianonoNote: Taxi, Noise,
and Time may be performed
separately.
SATB chorus and piano - Medium / medium acc. SKU: JK.00014 Composed by Ly...(+)
SATB chorus and piano -
Medium / medium acc.
SKU: JK.00014
Composed by Lynn S. Lund.
Choral SATB, Difficulty
Medium, Piano Choir,
Atonement, Forgiveness,
Jesus Christ - Savior,
Repentance. Christian,
Inspirational. Duration
4:20. Jackman Music
Corporation #00014.
Published by Jackman
Music Corporation
(JK.00014).
Psalm
38:18.
Arranged for
mixed chorus (SATB) and
piano. Soprano high note:
F. Composer: Lynn S.
Lund Lyricist: Mabel
Jones Gabbott
Difficulty: Medium /
medium acc.
Performance time:
4:20 Reference: Psalm
38:18.
Composed
by Jeffrey Honore.
Ordinary Time, Christ the
King A. Celebration
Series. Sacred. Octavo.
With guitar chord names.
8 pages. GIA Publications
#10821. Published by GIA
Publications
(GI.G-10821).
Choral (SATB Choir) SKU: HL.48021234 From Cantata academica, Carmen ba...(+)
Choral (SATB Choir)
SKU: HL.48021234
From Cantata
academica, Carmen
basiliense. Composed
by Benjamin Britten.
Boosey & Hawkes Sacred
Choral. Classical.
Octavo. 16 pages. Boosey
& Hawkes #M051482474.
Published by Boosey &
Hawkes (HL.48021234).
ISBN 9781458423542.
UPC: 884088642037.
6.75x10.5
inches.
Text: in
Latin compiled from the
charter of the
University, and from
older orations in praise
of Basle by Bernhard
Wyss.
Publisher:
Boosey &
Hawkes
Difficulty
level: 4 (for
chorus)
Britten's
genius lifts this work
above being just a worthy
celebration of the 500th
anniversary of the
foundation of Basle
University. It is
tongue-in-cheek and
mockingly non-academic
while referring all the
time to academic musical
forms and formulae. It is
written in two parts
(everything is in the
statutory Latin including
the titles of the parts -
Pars I and Pars II). The
titles of the movements
show Britten's intention
to show off a wide
variety of techniques.
Here are some examples:
Chorale/Alla Rovescio
(the theme is given and
responded to with the
same melody upside
down)/Recitativo/Tema
seriale con fuga/Canone
ed ostinato. There is a
good deal of humour
here.
There are
seven movements in Pars I
and six in Pars II. The
tenor soloist is given
three florid recitatives,
accompanied only by a
piano, which act as
bridges between other
orchestrally accompanied
movements. Of these the
most noteworthy are the
Arioso con canto popolare
for soprano solo with
tenors and basses who hum
a student song; another
terrific Britten scherzo;
and a wonderfully raucous
final pair of movements
(Canon ed ostinato and
Corale con canto) where
Britten seems to be aping
the Vivat Regina! cries
in Parry's I was glad or
encouraging the kind of
noisy 'I'm from the best
university' kind of
student touchline shout.
This has outrageously
high notes for the tenors
(top B) which further
endorse this feeling.
There are real echoes of
the Spring Symphony (see
separate entry) final
movement here which are
further underlined by the
last section of the
Cantata which brings in
the bells, piano, huge
percussion and the
inevitable chorale in
which the choir sings
'that a free academy may
thrive in a free
community, for ever the
ornament and treasure of
illustrious
Basle'.
This may
not be Britten at his
most soul-searching but,
as always, there is
plenty here to enjoy,
especially if the work is
not taken too seriously.
It is a celebratory,
occasional piece and it
could be well taken up by
other academic
establishments
celebrating big
anniversaries. The chorus
parts are not very
difficult, though they do
present challenges for
the choir - not least in
having tenors capable of
those very high notes at
the end. The Tema seriale
con fuga is sinewy and
needs careful tuning. It
also has the subject
regularly given upside
down after its initial
sounding by the basses.
All good
fun.
Sheet music. Pavane
Choral. Festival,
Concert. Octavo. 1574. 12
pages. Pavane Publishing
#P1574. Published by
Pavane Publishing
(HL.232818).
UPC:
888680679101. 6.75x10.5
inches.
Kevin
Memley used the words of
Soren Engström for
this tender piece
commissioned in memory of
a college student. The
text carries questions
that remind us of the
fraility of life and
encourage us to enjoy our
time alive. The music
holds all the
characteristics that have
made Memley one of the
most sought-after
composers of our day
– an inspiring
melody, rich harmonies, a
captivating piano part,
and a touching ending.
Medium in difficulty for
high school, community
and college choirs.
Composed by
Ruth Morris Gray.
Performance Music
Ensemble; Single Titles.
Alfred Choral Designs.
4th of July; Patriotic;
Secular. Choral Octavo.
12 pages. Alfred Music
#00-47579. Published by
Alfred Music (AP.47579).
UPC: 038081542720.
English. Francis Scott
Key.
Program this
moving patriotic piece to
celebrate our country at
any time of year. An
all-new original melody
and a shimmering
accompaniment beautifully
highlight Francis Scott
Key's words from The
Star-Spangled Banner.
Toward the end, a lush
musical quote from the
national anthem blossoms
into a final glorious
refrain, a soaring
penultimate cadence, and
one last introspective
accolade for the
brave!
SATB choir SKU: ST.EM8 Composed by John Farmer. Edited by Edmund H Fellow...(+)
SATB choir
SKU:
ST.EM8
Composed by
John Farmer. Edited by
Edmund H Fellowes.
Library Volumes. Edited
Edmund Fellowes. Revised
Davitt Moroney. Note:
Print on demand.
Spiral-bound A4.
Madrigals. Choral Score.
Stainer & Bell Ltd. #EM8.
Published by Stainer &
Bell Ltd. (ST.EM8).
ISBN
9790220206320.
Well
-known in his day as one
of the most important
contributors to East's
Whole Book of
Psalms (1592),
Farmer was in the service
of the Earl of Oxford
who, more than any other
nobleman, established the
professional Elizabethan
theatre. In the year that
Burbidge opened the Globe
Theatre, these 18
madrigals (the most
famous is probably
Fair Phyllis)
gave the composer an
attractive place in the
history of English
music.
CONTENTS A little
pretty bonny lass
(SATB) Cease now thy
mourning (SAT(or A) B (or
T)) Compare me to the
child (SAT(or A) B)
Fair nymphs, I heard one
telling (SSAT(or A)
TB) Fair Phyliss, I
saw (SATB) I thought,
my love (SATB) Now
each creature joys the
other (SATB) O stay
sweet love (SATB)
Soon as the hungry lion
(SATB) Sweet friend,
thy absence (SAT(or A)
B) Sweet Lord, your
flame still burning
(SATB) Take time
while time doth last
(SATB) The flattering
words (SATB) Who
would have thought that
face? (SAAT) You
blessed bowers
(SSATTTBB) You'll
never leave still tossing
(SATB) You pretty
flowers that smile
(SAT(or A) B.
SATB Choir SKU: BT.MUSMF272 Composed by Blandet Kor Antologi. Arranged by...(+)
SATB Choir
SKU:
BT.MUSMF272
Composed
by Blandet Kor Antologi.
Arranged by Svend-G.
Asmussen and Thomas
Alvad. Hymns & Chorals.
Book Only. Composed 2013.
184 pages. Edition
Wilhelm Hansen #MUSMF272.
Published by Edition
Wilhelm Hansen
(BT.MUSMF272).
ISBN
9788774840954.
Anth
ology for mixed choir.
Suitable for use
colleges, high schools
etc.
SMsATB Voices, SATB Choir, 2 Fl, 2 Ob, 2 Fg, 2 Cor, 3 Tr, Timp, 2 Vl, Va, Bc ...(+)
SMsATB Voices, SATB
Choir, 2 Fl, 2 Ob, 2 Fg,
2 Cor, 3 Tr, Timp, 2 Vl,
Va, Bc
SKU:
CA.5506309
Composed
by George Frideric
Handel. Edited by Felix
Loy. 1x 55.063/21 flute
1, 1x 55.063/22 flute 2,
2x 55.063/23 recorders 1
and 2, 1x 55.063/24 oboe
1, 1x 55.063/25 oboe 2,
2x 55.063/26 Bassoon 1
and 2, 2x 55.063/31 horns
1 and 2, 4x 55.063/32
Trumpets 1-3 and timpani.
Stuttgart Urtext Edition:
Handel. Harmony parts.
Sacred vocal music,
Oratorios. Set of
Orchestra Parts. Duration
160 minutes. Carus Verlag
#CV 55.063/09. Published
by Carus Verlag
(CA.5506309).
ISBN
9790007242060. Language:
English/German. Text:
Eschenburg, J. J. / Loy,
Felix.
First
critical edition. The
oratorio Judas Maccabaeus
is one of George Frideric
Handel's most popular
choral works. It was
performed over fifty
times during the
composer's lifetime and
was one of his first
works to be performed in
Germany (1772). The
frequent performances
given by Handel himself
resulted in a
particularly large number
of reworkings, reflecting
local conditions. This
new edition therefore
offers the work in two
performable versions:
firstly, the version of
the first performance in
1747, and the one from
the last oratorio season
during Handel's lifetime
(1758/59). This makes
available all the
choruses and arias which
Handel ever wrote for
Judas Maccabaeus.
Reflecting the latest
Handel research, the
edition is based for the
first time throughout on
Handel's conductor's
score, thereby
eradicating not only
long-perpetuated
mistakes, but also
providing clarity about
which pieces were
actually performed by
Handel. By contrast with
the Chrysander edition
obligatory until now, the
aria Father of heav'n
which introduces Part III
is included here in its
original, longer version.
Score and parts available
separately - see item
CA.5506300.
SMsATB Voices, SATB Choir, 2 Fl, 2 Ob, 2 Fg, 2 Cor, 3 Tr, Timp, 2 Vl, Va, Bc ...(+)
SMsATB Voices, SATB
Choir, 2 Fl, 2 Ob, 2 Fg,
2 Cor, 3 Tr, Timp, 2 Vl,
Va, Bc
SKU:
CA.5506349
Composed
by George Frideric
Handel. Edited by Felix
Loy. Sacred vocal music,
Oratorios; Stuttgart
Editions (Urtext):
Stuttgart Handel Edition.
Stuttgart Urtext Edition:
Handel. Organ. Sacred
vocal music, Oratorios.
Single Part, Organ. 132
pages. Duration 160
minutes. Carus Verlag #CV
55.063/49. Published by
Carus Verlag
(CA.5506349).
ISBN
9790007239541. Language:
English/German. Text:
Eschenburg, J. J. / Loy,
Felix.
First
critical edition. The
oratorio Judas Maccabaeus
is one of George Frideric
Handel's most popular
choral works. It was
performed over fifty
times during the
composer's lifetime and
was one of his first
works to be performed in
Germany (1772). The
frequent performances
given by Handel himself
resulted in a
particularly large number
of reworkings, reflecting
local conditions. This
new edition therefore
offers the work in two
performable versions:
firstly, the version of
the first performance in
1747, and the one from
the last oratorio season
during Handel's lifetime
(1758/59). This makes
available all the
choruses and arias which
Handel ever wrote for
Judas Maccabaeus.
Reflecting the latest
Handel research, the
edition is based for the
first time throughout on
Handel's conductor's
score, thereby
eradicating not only
long-perpetuated
mistakes, but also
providing clarity about
which pieces were
actually performed by
Handel. By contrast with
the Chrysander edition
obligatory until now, the
aria Father of heav'n
which introduces Part III
is included here in its
original, longer version.
Score and part available
separately - see item
CA.5506300.
Soli SMsATB, SATB Choir, 2 Fl, 2 Ob, 2 Fg, 2 Cor, 3 Tr, Timp, 2 Vl, Va, Bc SK...(+)
Soli SMsATB, SATB Choir,
2 Fl, 2 Ob, 2 Fg, 2 Cor,
3 Tr, Timp, 2 Vl, Va, Bc
SKU: CA.5506300
Composed by George
Frideric Handel. Edited
by Felix Loy. Stuttgart
Urtext Edition: Handel.
Sacred vocal music,
Oratorios. Full score.
316 pages. Duration 160
minutes. Carus Verlag #CV
55.063/00. Published by
Carus Verlag
(CA.5506300).
ISBN
9790007188474. Language:
English/German. Text:
Eschenburg, J. J. / Loy,
Felix.
First
critical edition. The
oratorio Judas Maccabaeus
is one of George Frideric
Handel's most popular
choral works. It was
performed over fifty
times during the
composer's lifetime and
was one of his first
works to be performed in
Germany (1772). The
frequent performances
given by Handel himself
resulted in a
particularly large number
of reworkings, reflecting
local conditions. This
new edition therefore
offers the work in two
performable versions:
firstly, the version of
the first performance in
1747, and the one from
the last oratorio season
during Handel's lifetime
(1758/59). This makes
available all the
choruses and arias which
Handel ever wrote for
Judas Maccabaeus.
Reflecting the latest
Handel research, the
edition is based for the
first time throughout on
Handel's conductor's
score, thereby
eradicating not only
long-perpetuated
mistakes, but also
providing clarity about
which pieces were
actually performed by
Handel. By contrast with
the Chrysander edition
obligatory until now, the
aria Father of heav'n
which introduces Part III
is included here in its
original, longer
version.
Soli SMsATB, SATB Choir, 2 Fl, 2 Ob, 2 Fg, 2 Cor, 3 Tr, Timp, 2 Vl, Va, Bc SK...(+)
Soli SMsATB, SATB Choir,
2 Fl, 2 Ob, 2 Fg, 2 Cor,
3 Tr, Timp, 2 Vl, Va, Bc
SKU: CA.5506303
Composed by George
Frideric Handel. Edited
by Felix Loy. Stuttgart
Urtext Edition: Handel.
Sacred vocal music,
Oratorios. Vocal score.
Duration 160 minutes.
Carus Verlag #CV
55.063/03. Published by
Carus Verlag
(CA.5506303).
ISBN
9790007188610. Language:
English/German. Text:
Eschenburg, J. J. / Loy,
Felix.
First
critical edition. The
oratorio Judas Maccabaeus
is one of George Frideric
Handel's most popular
choral works. It was
performed over fifty
times during the
composer's lifetime and
was one of his first
works to be performed in
Germany (1772). The
frequent performances
given by Handel himself
resulted in a
particularly large number
of reworkings, reflecting
local conditions. This
new edition therefore
offers the work in two
performable versions:
firstly, the version of
the first performance in
1747, and the one from
the last oratorio season
during Handel's lifetime
(1758/59). This makes
available all the
choruses and arias which
Handel ever wrote for
Judas Maccabaeus.
Reflecting the latest
Handel research, the
edition is based for the
first time throughout on
Handel's conductor's
score, thereby
eradicating not only
long-perpetuated
mistakes, but also
providing clarity about
which pieces were
actually performed by
Handel. By contrast with
the Chrysander edition
obligatory until now, the
aria Father of heav'n
which introduces Part III
is included here in its
original, longer version.
Score available
separately - see item
CA.5506300.
SMsATB Voices, SATB Choir, 2 Fl, 2 Ob, 2 Fg, 2 Cor, 3 Tr, Timp, 2 Vl, Va, Bc ...(+)
SMsATB Voices, SATB
Choir, 2 Fl, 2 Ob, 2 Fg,
2 Cor, 3 Tr, Timp, 2 Vl,
Va, Bc
SKU:
CA.5506319
Composed
by George Frideric
Handel. Edited by Felix
Loy. Sacred vocal music,
Oratorios; Stuttgart
Editions (Urtext):
Stuttgart Handel Edition.
Stuttgart Urtext Edition:
Handel. Complete
orchestral parts. Sacred
vocal music, Oratorios.
Set of Orchestra Parts.
Duration 160 minutes.
Carus Verlag #CV
55.063/19. Published by
Carus Verlag
(CA.5506319).
ISBN
9790007242114. Language:
English/German. Text:
Eschenburg, J. J. / Loy,
Felix.
First
critical edition. The
oratorio Judas Maccabaeus
is one of George Frideric
Handel's most popular
choral works. It was
performed over fifty
times during the
composer's lifetime and
was one of his first
works to be performed in
Germany (1772). The
frequent performances
given by Handel himself
resulted in a
particularly large number
of reworkings, reflecting
local conditions. This
new edition therefore
offers the work in two
performable versions:
firstly, the version of
the first performance in
1747, and the one from
the last oratorio season
during Handel's lifetime
(1758/59). This makes
available all the
choruses and arias which
Handel ever wrote for
Judas Maccabaeus.
Reflecting the latest
Handel research, the
edition is based for the
first time throughout on
Handel's conductor's
score, thereby
eradicating not only
long-perpetuated
mistakes, but also
providing clarity about
which pieces were
actually performed by
Handel. By contrast with
the Chrysander edition
obligatory until now, the
aria Father of heav'n
which introduces Part III
is included here in its
original, longer version.
Score and parts available
separately - see item
CA.5506300.
SATB Choir - Grade 3 SKU: HL.14043071 Composed by John Tavener. Choral. C...(+)
SATB Choir - Grade 3
SKU: HL.14043071
Composed by John Tavener.
Choral. Classical.
Octavo. 8 pages. Chester
Music #CH81983. Published
by Chester Music
(HL.14043071).
6.75x9.75x0.05
inches.
The world
premiere of A New
Commandment , a piece by
the late Sir John Tavener
specially commissioned
for Summer Fields, was in
February 2014 at the
Sheldonian Theatre,
Oxford. This work was
possibly one of his very
last commissions before
his sudden and untimely
death in November 2013.
COMPOSER'S NOTE I have
set these words from St
John's Gospel many times,
because I feel them to be
among the most profound
and therefore key texts
in the Christian faith.
This setting falls into
three sections with an
ABA structure. A New
Commandment is dedicated
to my mother-in-law Mary,
but it is also an
unspoken tribute to the
Spanish master Victoria
who has inspired
methroughout my
life..
Alto, Mixed choir (SATB), Piano SKU: BA.BA11309 Composed by Camille Saint...(+)
Alto, Mixed choir (SATB),
Piano
SKU:
BA.BA11309
Composed
by Camille Saint-Saens.
Edited by Christina M.
Stahl. This edition:
urtext edition.
Paperback. Score.
Baerenreiter Verlag
#BA11309. Published by
Baerenreiter Verlag
(BA.BA11309).
ISBN
9790006577705. 27 x 19 cm
inches. Text Language:
English.
It is a
small music history
sensation: Thanks to Yves
Grard an unknown and
unpublished manuscript
penned by Camille
Saint-Saëns has been
unearthed in the
Mdiathèque Jean Renoir
in Dieppe in
France.
It is the
top four instrumental
parts which make this
manuscript something of a
sensation. Placed under
each other are
â??Saxophone Soprano en
Si bâ?, â??Saxophone
Alto en Mi bâ?,
â??Saxophone Tnor en Si
bâ? and â??Saxophone
Baryton en Mi bâ?,
strings, soprano solo
with chorus and organ.
Musical history has
hitherto credited
Jean-Baptiste Singele
(1812â??1875) with
having written the first
saxophone quartet, his
opus 53, which he
completed in 1857. Now
this historiography
clearly has to be
revised. The date 1854
has been found under the
first page of the
treasure from Dieppe,
which is pasted over and
also sewn, meaning that
Saint-Saënsâ?? work
was written three years
earlier than that of
Singele.
In
contrast to Singele,
Saint-Saëns does not
have the wind instruments
taking solo parts but
rather uses their tonal
colour to depict textual
moods and nuances. On the
one hand the saxophones
accompany the choral
parts (certainly singable
by amateurs) and support
the human voices in fugal
passages. On the other
hand, they take the
melody in the purely
orchestral
passages.
Saint-Sa
ëns wrote the motet in
the period when he had
taken up his first
permanent appointment as
organist at the Church of
Saint-Merri in Paris. He
revised the work several
times over the decades,
changing the motifs at
the beginning, correcting
obvious mistakes,
reworking the ending,
eventually changing the
instrumentation several
times and even â??
probably in the final
stage â?? replacing the
Latin text with an
English one. Today,
three-and-a-half versions
have been handed down,
one of them stopping
after just a few pages.
The compositional steps
have been successfully
reconstructed by means of
detailed detective work.
Furthermore, the first
saxophone version (BA
11305) and the last
English piano version (BA
11309) have been edited
to produce a
scholarly-critical
edition.
The
present edition of the
English version for
soprano solo, choir and
piano (BA 11309) serves
both as a full score and
as a vocal score due to
the
instrumentation.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Contemporary Choral Series. Composed by Kim Andre Arnesen. Boosey and Hawkes ...(+)
Contemporary Choral
Series.
Composed by Kim Andre
Arnesen. Boosey and
Hawkes
Sacred Choral. Concert,
Festival. Octavo. 12
pages.
Boosey and Hawkes
#M060134128.
Published by Boosey and
Hawkes
SATB Chorus, & Piano SKU: SU.96010060 For SATB Chorus, & Piano. Co...(+)
SATB Chorus, & Piano
SKU: SU.96010060
For SATB Chorus, &
Piano. Composed by
Joseph Gianono.
Vocal/Choral, Secular
Choral. Accompanied by
piano. Choral Octavo.
Subito Music Corporation
#96010060. Published by
Subito Music Corporation
(SU.96010060).
Instrumentation
: SATB Chorus, &
Piano Duration:
3:30' Composed: 2012
Published by: Subito
Music Publishing Minimum
order quantity: 8 copies.
Perusal copies are
available by contacting
(include the organization
name with your request).
To order quantities fewer
than 8, please call
customer service at (973)
857-3440. About
T.N.TAs a matter of
practicality, when I was
first asked to write a
piece for the New York
Theatrical Community
Choir in 2005 by its
music director, David
Wolfson, I immediately
decided to write a Kyrie.
After all, I thought...,
the text is only about
four words and eliminated
the need for a lyricist.
Most appealing, however,
was the fact that it
would bring me one step
closer to finishing the
Mass that I was in the
process of writing. If
ever there was a case to
be made for divine
inspiration this appeared
to be it. David Wolfson
liked the idea and
casually mentioned that
there was another Kyrie
and a religious hymn on
the program. He also
mentioned that the choir
consisted predominantly
of actors that sing.Like
a bolt of lightning,
divine intervention
interceded whereupon I
instantly realized that
he needed a piece to wake
up the audience, not
another Kyrie. I took a
breath and spontaneously
began to talk through and
improvise the concept of
a piece that became the
basis for Taxi.At that
moment I was clueless as
to what kind of piece I
would write but it
appeared to be a good
idea at the time. David's
reaction to my
presentation was
something like Okay,...I
have no idea what you are
talking about but let's
try it. After a very
successful public
performance, he was
delighted that I decided
not to write a Kyrie and
remarked that writ-ing a
piece like Taxi for this
group was like feeding
raw meat to a pack of
hungry lions. At that
moment, the idea of doing
a trilogy of similar
pieces was born. For the
last two seasons of the
choir's existence I was
asked to write a new
piece and... as a matter
of practicality, I
happily agreed.-- Joe
GianonoNote: Taxi, Noise,
and Time may be performed
separately.
SATB Chorus, & Piano SKU: SU.96010061 For SATB Chorus, & Piano. Co...(+)
SATB Chorus, & Piano
SKU: SU.96010061
For SATB Chorus, &
Piano. Composed by
Joseph Gianono.
Vocal/Choral, Secular
Choral. Accompanied by
piano. Choral Octavo.
Subito Music Corporation
#96010061. Published by
Subito Music Corporation
(SU.96010061).
Instrumentation
: SATB Chorus, &
Piano Duration:
5' Composed: 2012
Published by: Subito
Music Publishing Minimum
order quantity: 8 copies.
Perusal copies are
available by contacting
(include the organization
name with your request).
To order quantities fewer
than 8, please call
customer service at (973)
857-3440. About
T.N.T
As a
matter of practicality,
when I was first asked to
write a piece for the New
York Theatrical Community
Choir in 2005 by its
music director, David
Wolfson, I immediately
decided to write a Kyrie.
After all, I thought...,
the text is only about
four words and eliminated
the need for a lyricist.
Most appealing, however,
was the fact that it
would bring me one step
closer to finishing the
Massthat I was in the
process of writing. If
ever there was a case to
be made for divine
inspiration this appeared
to be it. David Wolfson
liked the idea and
casually mentioned that
there was another Kyrie
and a religious hymn on
the program. He also
mentioned that the choir
consisted predominantly
of actors that sing.
Like a bolt of
lightning, divine
intervention interceded
whereupon I instantly
realized that he needed a
piece to wake up the
audience, not another
Kyrie. I took a breath
and spontaneously began
to talk through and
improvise the concept of
a piece that became the
basis for Taxi.
At that moment I was
clueless as to what kind
of piece I would write
but it appeared to be a
good idea at the time.
David's reaction to my
presentation was
something like Okay,...I
have no idea what you are
talking about but let's
try it. After a very
successful public
performance, he was
delighted that I decided
not to write a Kyrie and
remarked that writ-ing a
piece like Taxi for this
group was like feeding
raw meat to a pack of
hungry lions. At that
moment, the idea of doing
a trilogy of similar
pieces was born. For the
last two seasons of the
choir's existence I was
asked to write a new
piece and ... as a matter
of practicality, I
happily agreed.
-- Joe Gianono
Note: Taxi, Noise, and
Time may be performed
separately.
SATB Choir, Piano SKU: CA.926620 From: Sonne, Mond und Sterne. Com...(+)
SATB Choir, Piano
SKU:
CA.926620
From:
Sonne, Mond und
Sterne. Composed by
Peter Schindler. Carus
digital: Extra digital
products. Full Score.
Duration 3 minutes.
Published by Carus Verlag
(CA.926620).
ISBN
9790007295592.
German.
Peter
Schindler's full-length
secular choral work
Sonne, Mond und Sterne
(Sun, Moon and Stars)
narrates a love story
based on old texts which
are given a new
interpretation through
these musical settings.
Some individual numbers
were published in spring,
and now more movements
with piano accompaniment
are available in print
and digitally.-
choral work of medium
difficulty- will
appeal to experienced
Brahms Requiem singers as
well as ambitious chamber
or youth choirs with a
gospel, pop or jazz
background-cross-over
between jazz, chanson,
and chamber music
Peter Schindler
about Gedanken uber die
Zeit:Paul Fleming was
one of the most important
lyric poets in German
Baroque literature. He
wrote his poem Gedanken
uber die Zeit in his
early twenties; it was
first published in 1634
as an epitaph. All the
nuances of the concept of
time are artistically
contrasted, and the motif
Zeit (time) is explored
and played with in a
dialectical
manner.The male
voices begin in unison at
an andante maestoso
tempo, followed by a
leisurely progress in
homophonic writing in a
slightly freer rhythm. A
lively middle section
follows which leads into
the opening motif again
in the last section. The
third section contains a
fugue, and the end is
unison once again. And so
the words are like a
manifesto by the poet.
SATB chorus and piano - Medium SKU: JK.01569 Composed by Charles V. Stand...(+)
SATB chorus and piano -
Medium
SKU:
JK.01569
Composed by
Charles V. Standford.
Arranged by Brent
Jorgensen. Choral SATB,
Difficulty Medium, Piano
Choir, Seasonal Music
Pioneer Day, Book of
Mormon, Eternal Life,
Jesus Christ - Savior,
Praise and Worship,
Prophets, Restoration,
Scriptures, Testimony,
Truth. Christian,
Inspirational. Duration
2:45. Jackman Music
Corporation #01569.
Published by Jackman
Music Corporation
(JK.01569).
Matthew
3:16-17, 3 Nephi 11:6-8,
Joseph Smith--History
1:17, Doctrine and
Covenants
18:34-36.
Resto
ration anthem for mixed
chorus (SATB) and piano
accompaniment. Whose
is that voice declaring
truth at last? A
prophet speaks, a
blessing
unsurpassed... ...Sinc
e Jesus all our sins and
sorrows bore, Death is
rebuked and rules the
earth no more.
Eternal life awaits
beyond that door.
Alleluia!
Composer
: Charles V.
Standford Arranger:
Brent Jorgensen
Lyricist: Jan Underwood
Pinborough
Difficulty: Medium
Performance time:
2:45 Reference:
Matthew 3:16-17, 3 Nephi
11:6-8, Joseph
Smith--History 1:17,
Doctrine and Covenants
18:34-36.
Spirituals and Folk Songs. (Sixteen Choral Arrangements). By Jester Hairston; Ha...(+)
Spirituals and Folk
Songs. (Sixteen Choral
Arrangements). By Jester
Hairston; Harry Robert
Wilson. For SATB Choir
and piano. Choral Music.
Octavo. Published by
Bourne Music
SATB choir, piano SKU: LO.10-5778L Composed by Brad Nix. Choral. Sacred A...(+)
SATB choir, piano
SKU:
LO.10-5778L
Composed
by Brad Nix. Choral.
Sacred Anthem. Lorenz
Publishing Company
#10/5778L. Published by
Lorenz Publishing Company
(LO.10-5778L).
ISBN
9780787779016.
This
anthem from Brad Nix
reverberates with joy
from the very first note
to the last! Opening with
a short fanfare, one
verse of â??Praise Him!
Praise Him!â? is
presented before the
classic hymn, â??Oh, How
I Love Jesusâ? makes a
brief appearance. Then,
the final verse of
â??Praise Him! Praise
Him!â? is sung as the
music races toward a
triumphant conclusion,
complete with a glorious
optional descant for
sopranos. Your
congregation will be
moved to joyful worship
as your choir presents
this fresh arrangement of
a time-tested hymn!