((Mash-up from Glee)). By Blondie, Glee Cast, and Pat Benatar. By Deborah Harry, Eddie Schwartz, and Nigel Harrison. Edited by Mac Huff. Arranged by Adam Anders and Peer Astrom. For Choral (SATB). Pop Choral Series. 16 pages. Published by Hal Leonard

Choral (SATB)

SKU: HL.1216159

Composed by Lin-Manuel Miranda. Arranged by Mark A. Brymer. Disney Choral. Broadway, Disney, Medley, Movies, Musicals, Show Choir. Octavo. Duration 470 seconds. Published by Hal Leonard (HL.1216159).

UPC: 196288140146. 6.75x10.5x0.086 inches.

Lin-Manuel Miranda has slowly and surely become a musical theater icon of the modern era. Like Schwartz, Sondheim, Loesser, and Rodgers and Hammerstein, Miranda writes songs that are transcendent, singable, joyous, and worth the price of admission. This medley from show choir veteran Mark Brymer includes some of the most memorable highlights from an illustrious career: In the Heights, How Far I'll Go (from Moana), One More Song (from Vivo), We Don't Talk about Bruno (from Encanto) and My Shot (from Hamilton).

Choral (SATB)

SKU: HL.1430988

By Jungle. By Joshua Lloyd-Watson and Lydia Kitto. Arranged by Mac Huff. Pop Choral Series. Disco, Electronica, Pop. Octavo. Duration 280 seconds. Published by Hal Leonard (HL.1430988).

UPC: 196288202974. 6.75x10.5 inches.

If you scrolled through social media feeds this year, there's little chance you missed clips from the astounding music video for this song from British electronic music duo â??Jungleâ?, where world class dancers performed in a one-shot take around a steadicam, dancing to the beat of this absolute masterstroke of Neo soul and funk!

Choral SATB choir, piano

SKU: PR.342402070

Composed by Steven Stucky. -. Ars Nova Chamber Singers, Boulder CO. Performance Score. With Standard notation. Composed 7-Feb. 8 pages. Duration 3 minutes. Theodore Presser Company #342-40207. Published by Theodore Presser Company (PR.342402070).

ISBN 9781491111253. UPC: 680160643226. Octavo inches. Text: Archibald R. Ammons. Archibald Ammons. Text by A.R. Ammons.

To benefit Chorus America, Stucky allowed himself to be auctioned off as a prize - the high bidder would receive a new work from the composer. After a few years and not really hearing anything, Stucky suddenly found himself up against a deadline. He reached back to a favorite poem by A.R. Ammons, Eyesight, which, he says, Won't let...his reader rest till the very last word...one of those sudden insights that leave us breathless..
This piece has an odd history. A few years ago, I agreed to be one of the“prizes” in an auction to benefit Chorus America: the highest bidder wouldget a new piece from me, while their money went to the organization. Thewinning bid came from a collection of several professional choruses anddirectors. But I was always a little vague about the details, and, hearingnothing more about it for a few years, forgot the whole thing.One day I received a message from Thomas Edward Morgan, directorof the Ars Nova Chamber Singers in Boulder: they had scheduled thepremiere of my new piece for a few weeks later, and could they have themusic, please? I needed a text, quickly, and (as usual) I was in a Los Angeleshotel room, not at home with my books. So I turned to the internet andsoon tracked down my favorite poet, A.R. Ammons (1926-2001).Once I stumbled on “Eyesight,” I remembered having loved the poemyears before. Archie must have loved it, too, because he included it bothin his Collected Poems 1951-1971 and in the later Selected Poems. It haseverything you want in an Archie Ammons poem: what Edward Hirschcalled his “offbeat, sideways, unpredictable radiance,” his “homespunglory.â� � It has one of his trademark conversations with a mountain (perhapsfrom his native North Carolina), it has the fluid motion from one line tothe next (enjambment, if you want to get technical) that won’t let him orhis reader rest till the very last word of the very last line, and it has in thatlast line one of those sudden insights that leave us breathless: “some thingsthat go are gone.”I miss Archie, but he’s not gone. I’m grateful for the wonderful poems heleft us, and I’m grateful that he was always generous and kind when I hadthe chutzpah to add my music to his.

Choral (SATB)

SKU: HL.339897

Arranged by Kirby Shaw. Pop Choral Series. Doo-Wop, Fifties, Medley, Oldies, Pop, Rock, Show Choir. Octavo. 20 pages. Duration 300 seconds. Published by Hal Leonard (HL.339897).

UPC: 840126917628. 6.75x10.5x0.044 inches.

This little 3-song medley is full of the iconic doo-wop style that was so popular in the 1950s and continues today. A nice range of tempos make this an attractive group for programming and if you don't have a combo, the ShowTrax is great.

By Various. By Various. Arranged by Kirby Shaw. Pop Choral Series. Medley, Pop, Show Choir, Concert, Oldies. Octavo. Published by Hal Leonard

SSATB Choir, Piano - Level 3

SKU: CA.925300

Composed by Gabriel Faure. Arranged by Denis Rouger. Separate edition to the CD. Lieder, Secular choral music. Full Score. Op. 83,1. Duration 2 minutes. Carus Verlag #CV 09.253/00. Published by Carus Verlag (CA.925300).

ISBN M-007-24915-1. Key: E minor. Language: French. Text: Verlaine, Paul.

Paul Verlaine spent 555 days in prison because he had shot his fellow poet and companion Arthur Rimbaud with a revolver whilst in a drunken state. This spell in prison evidently fostered his artistic inspiration, so at least it did his literary career some good. The world of French literature even gave Verlaine the unofficial title Prince des Poetes. In the poem Prison the author was able to draw on his very own experiences: the monotony behind bars (expressed musically in Gabriel Faure's setting through the repeated target note of b), the inner rebelling against this monotonous stillness (surprising forte dynamic), and the reproachful self-questioning: Was hast du getan? ... Was hast du mit deiner Jugend getan? [What have you done? ... What have you done with your youth?] (diminishing piano). Denis Rouger, founder and director of the figure humaine chamber choir, has arranged art songs for solo voice and piano for his ensemble, in the process carefully adapting these to the needs and expressive possibilities offered by a larger ensemble. Music edition for the successful CD Kennst du das Land... (Carus 83.495).

Composed by Stephen Foster (1826-1864). Arranged by C. Scott Hagler. For SATB choir, piano accompaniment. Octavo. Heritage Music Press #15/3241H. Published by Heritage Music Press

Choir Secular (SATB choir)

SKU: AP.48932

Composed by Brook Benton and Clyde Otis. Arranged by Mark Hayes. Performance Music Ensemble; Single Titles. Alfred Pop Choral Series. Christmas; Jazz; Secular. Choral Octavo. 12 pages. Alfred Music #00-48932. Published by Alfred Music (AP.48932).

UPC: 038081562568. English.

African-Am erican musicians Brook Benton and Clyde Otis collaborated on this bluesy ballad in 1959. Since then, the enduring piece has been recorded by iconic artists such as Etta James and Ray Charles. Verses present sentimental snapshots of Christmases past, and a crooner melody paints a warm holiday portrait. Santa Claus is on his way, loads of joy on his sleigh, this time of the year, when Christmas is near.