SATB choir and piano

SKU: BC.99086

Composed by Harper; Walker; Frank. Choral Music. Secular. Octavo. Published by Bourne Music (BC.99086).

Words by Marjorie Harper.

SATB choir, flute & optional piano (SATB)

SKU: OU.9780193867451

Composed by Hilary Tann. Secular Choral - Mixed Voices. Vocal score. 20 pages. Duration 4'. Oxford University Press #9780193867451. Published by Oxford University Press (OU.9780193867451).

ISBN 9780193867451. 12 x 8 inches.

For SATB and flute, with optional piano Wales, Our Land was composed during late summer 2002 in response to a commission from the Welsh Heritage Program at Green Mountain College, Vermont. This lilting, beautiful choral work sets text by an unknown Welsh-American slate quarryman which speaks of the poet's love of his country of origin, perhaps, even, his longing to return. It is this sense of longing for the homeland (in Welsh, hiraeth) which infuses the composition. The work is sung in English but the words Wales, our land, may be substituted for the three recurring Welsh words, Cymru, ein gwlad.

By Walt Harrah, Bob Burroughs. (SATB). Fred Bock Publications. Sacred. Size 7x10.5 inches. 12 pages. Published by Fred Bock Music Company.

((incorporating O Beautiful, for Spacious Skies)). By Dave Perry and Jean Perry. For SATB Choir (SATB). Shawnee Press. Choral. 8 pages

By Wesley Putnam; Nate Carter. SATB. Sacred. Octavo. Published by Radiant Music.

(Christmas Carols For Mixed Voices) Edited by Graham Buckland. For SATB choir (unaccompanied). Format: a capella songbook. With choral notation, lyrics, performance notes, introductory text and index of first lines. Christmas and holiday. 224 pages. 9x12 inches. Published by Baerenreiter-Ausgaben.

SATB Choir

SKU: HL.14031991

Coronation Hymn. Composed by Sir Arthur Seymour Sullivan. Music Sales America. Classical. Choral Score. Music Sales #NOV440596. Published by Music Sales (HL.14031991).

SATB choir, piano accompaniment - Early intermediate

SKU: GI.G-10659

Composed by Oscar Williams, Jr. In Spirit and Truth. Sacred. Octavo. 12 pages. GIA Publications #10659. Published by GIA Publications (GI.G-10659).

English. Text Source: Based on 2 Chronicles 7:14. Scripture: 2 Chronicles 7:14.

The Jason Max Ferdinand Choral Series. Composed by Woody Guthrie. Arranged by Blake Morgan. Gentry Publications. Americana, Folk, Patriotic. Octavo. Gentry Publications #JG2647. Published by Gentry Publications

Performed by Woody Guthrie. Arranged by Robert Decormier. (SATB). Choral. Festival. Size 6.75x10.5 inches. 12 pages. Published by Hal Leonard.

(Complete Edition). By Aaron Copland (1900-1990). SATB A Cappella. Boosey and Hawkes Sacred Choral. 32 pages. Boosey and Hawkes #M051481064. Published by Boosey and Hawkes

Choral (SATB)

SKU: HL.419572

Composed by Amber R. Maxwell. Arranged by Heather Sorenson. Shawnee Sacred. General Worship. Octavo. 12 pages. Duration 265 seconds. Published by Shawnee Press (HL.419572).

ISBN 9781705161371. UPC: 196288061175. 6.75x10.5x0.029 inches. I Corinthians 2:9, Philippians 3:20, Revelation 21:4.

Wafting like an old air from a distant time, this haunting tune carries a poem that is infused with assurance. The longing for our eternal home is embraced with soothing harmonies, allowing the text to do its work on the heart of the listener. Score and Parts (vn 1-2, va, vc) available as a digital download.

SATB choir, piano

SKU: LO.10-5787MD

Composed by Kevin Boesiger. Choral. Sacred Anthem. Medallion Music #10/5787MD. Published by Medallion Music (LO.10-5787MD).

ISBN 9780787779344.

Insp ired by II Chronicles 7:14, this anthem is a prayer for God’s hand to restore our world and a prayer of surrender to His will. In a ballad style, the orchestration is driven by a tasteful rhythm section. Incorporating a reading of II Chronicles 7:14 before concluding, this anthem is a wonderful selection surrounding patriotic occasions as believers pray for God’s hand to guide us.

Composed by Katherine Lee Bates, Samuel Ward, and Woody Guthrie. Arranged by Roger Emerson. Choral. Choral, Folk, Inspirational, Medley, Patriotic, Show Choir, Traditional. Octavo. Duration 180 seconds. Published by Hal Leonard

(Dale Warland Choral Series). By Dominick DiOrio (1984-). For Choral, Marimba (SATB Divisi). Choral Large Works. 68 pages. Published by G. Schirmer

SATB and Piano. Composed by Aaron Copland (1900-1990). BH Secular Choral. Octavo. 20 pages. Boosey and Hawkes #M051484492. Published by Boosey and Hawkes

Composed by M. Roger Holland, II. Advent 3 C. African American Church Music Series. Sacred. Octavo. 12 pages. Published by GIA Publications (GI.G-8987).

By Orlando di Lasso, Pierre De Ronsard. (SATB A Cappella). Treasury Choral. 8 pages. Published by Hal Leonard.

(Dale Warland Choral Series). Composed by Libby Larsen (1950-). For Choral (SATB Divisi). Choral Large Works. 32 pages. Published by G. Schirmer

Choral SATB choir

SKU: CF.CM9700

Composed by Hungarian Folk. Arranged by Stacy Garrop. 20 pages. Duration 4:44. Carl Fischer Music #CM9700. Published by Carl Fischer Music (CF.CM9700).

ISBN 9781491160008. UPC: 680160918607. Key: A minor. Hungarian. Hungarian Folk.

In 2014, Chanticleer commissioned me to make a new arrangement of the Hungarian-Romani folk song Jarba, Mare Jarba for their 2014 touring program. Passed down orally through the Romani communities, this beautiful folk song, with text in a language called Beas (beh-osh), speaks of a deep longing to visit one's homeland, a place where the singer can never return. Chanticleer consists of twelve men whose vocal ranges span from low bass to high soprano, equivalent to the range of a mixed choir of women and men. I composed slow sections of original material to represent the singers' longing to return home; these are interspersed with the folk song's traditional fast sections. The incorporated shouts and calls in the score are typically found in the performance of Central European folk songs. I hope you enjoy singing this new version of Jarba, Mare Jarba that contains all of the vigor and excitement of the Chanticleer version. PERFORMANCE NOTES All spoken sounds (indicated by x noteheads) should be performed by individuals. Feel free to elaborate with more sounds of your own in the tradition of Eastern European folk music. If the piece is memorized, feel free to experiment with clapping on the off-beats of m. 93 to the end. TEXT Transliteration Jarba, mare jarba mas duce a casa, da nu pot ca am jurat, Jarba, mare jarba mas duce a casa, da nu pot ca am jurat. Mare jarba, verde jarba nu me pot duce a casa. Jarba, mare jarba mas duce a casa, da nu pot ca am jurat. O mers mama de pe sat, O lasat coliba goala, Infrunzitu, ingurzitu da plina de saracie, da plina de saracie. Mare jarba, verde jarba nu me pot duce a casa. Jarba, mare jarba mas duce a casa, da nu pot ca am jurat. Translation Green grass, tall grass, I would like to go home, but I cannot, because I have sworn not to. Tall grass, green grass - oh, that I cannot go home! My mother has left the village; she left the hut empty, Adorned with leaves but full of poverty. Tall grass, green grass - oh, that I cannot go home! Tall grass, green grass - I would like to go home. but I cannot, because I have sworn not to. Stacy Garrop's music is centered on dramatic and lyrical storytelling. The sharing of stories is a defining element of our humanity; we strive to share with others the experiences and concepts that we find compelling. She shares stories by taking audiences on sonic journeys - some simple and beautiful, while others are complicated and dark - depending on the needs and dramatic shape of the story. Garrop served as the first Emerging Opera Composer of Chicago Opera Theater's Vanguard Program. She also held a 3-year composer-in-residence position with the Champaign-Urbana Symphony Orchestra, funded by New Music USA and the League of American Orchestras. She has received numerous awards and grants including an Arts and Letters Award in Music from the American Academy of Arts and Letters, Fromm Music Foundation Grant, Barlow Prize, and three Barlow Endowment commissions, along with prizes from competitions sponsored by the Detroit Symphony Orchestra, Civic Orchestra of Chicago, Omaha Symphony, New England Philharmonic, Boston Choral Ensemble, Utah Arts Festival, and Pittsburgh New Music Ensemble. She is a Cedille Records artist; her works are commercially available on more than ten additional labels. Her catalog covers a wide range, with works for orchestra, opera, oratorio, wind ensemble, choir, art song, various sized chamber ensembles, and works for solo instruments. Notable commissions include My Dearest Ruth for soprano and piano with text by Martin Ginsburg, the husband of the late Supreme Court Justice Ruth Bader Ginsburg, The Transformation of Jane Doe for Chicago Opera Theater, The Battle for the Ballot for the Cabrillo Festival Orchestra, Goddess Triptych for the St. Louis Symphony Orchestra, Glorious Mahalia for the Kronos Quartet, Give Me Hunger for Chanticleer, Rites for the Afterlife for the Akropolis and Calefax Reed Quintets, and Terra Nostra: an oratorio about our planet, commissioned by the San Francisco Choral Society and Piedmont East Bay Children's Chorus. Garrop previously served as composer-in-residence with the Albany Symphony and Skaneateles Festival, and as well as on faculty of the Fresh Inc Festival (2012-2017). She taught composition and orchestration full-time at Roosevelt University 2000-2016) before leaving to launch her freelance career. She earned degrees in music composition at the University of Michigan-Ann Arbor (B.M.), University of Chicago (M.A.), and Indiana University-Bloomington (D.M.).
In 2014, Chanticleer commissioned me to make a new arrangement of the Hungarian-Romani folk song Jarba, Mare Jarba for their 2014 touring program. Passed down orally through the Romani communities, this beautiful folk song, with text in a language called Beas (beh-osh), speaks of a deep longing to visit one’s homeland, a place where the singer can never return. Chanticleer consists of twelve men whose vocal ranges span from low bass to high soprano, equivalent to the range of a mixed choir of women and men. I composed slow sections of original material to represent the singers’ longing to return home; these are interspersed with the folk song’s traditional fast sections. The incorporated shouts and calls in the score are typically found in the performance of Central European folk songs. I hope you enjoy singing this new version of Jarba, Mare Jarba that contains all of the vigor and excitement of the Chanticleer version.PERFORMANCE NOTESAll spoken sounds (indicated by x noteheads) should be performed by individuals. Feel free to elaborate with more sounds of your own in the tradition of Eastern European folk music.If the piece is memorized, feel free to experiment with clapping on the off-beats of m. 93 to the end.TEXTTransliterationJa rba, mare jarba mas duce a casa, da nu pot ca am jurat, Jarba, mare jarba mas duce a casa, da nu pot ca am jurat. Mare jarba, verde jarba nu me pot duce a casa.Jarba, mare jarba mas duce a casa, da nu pot ca am jurat.O mers mama de pe sat, O lasat coliba goala,Infrunzitu, ingurzitu da plina de saracie, da plina de saracie. Mare jarba, verde jarba nu me pot duce a casa.Jarba, mare jarba mas duce a casa, da nu pot ca am jurat.TranslationGreen grass, tall grass, I would like to go home, but I cannot, because I have sworn not to.Tall grass, green grass – oh, that I cannot go home!My mother has left the village; she left the hut empty, Adorned with leaves but full of poverty.Tall grass, green grass – oh, that I cannot go home! Tall grass, green grass – I would like to go home.but I cannot, because I have sworn not to.Stacy Garrop’s music is centered on dramatic and lyrical storytelling. The sharing of stories is a defining element of our humanity; we strive to share with others the experiences and concepts that we find compelling. She shares stories by taking audiences on sonic journeys – some simple and beautiful, while others are complicated and dark – depending on the needs and dramatic shape of the story.Garrop served as the first Emerging Opera Composer of Chicago Opera Theater’s Vanguard Program. She also held a 3-year composer-in-residence position with the Champaign-Urbana Symphony Orchestra, funded by New Music USA and the League of American Orchestras. She has received numerous awards and grants including an Arts and Letters Award in Music from the American Academy of Arts and Letters, Fromm Music Foundation Grant, Barlow Prize, and three Barlow Endowment commissions, along with prizes from competitions sponsored by the Detroit Symphony Orchestra, Civic Orchestra of Chicago, Omaha Symphony, New England Philharmonic, Boston Choral Ensemble, Utah Arts Festival, and Pittsburgh New Music Ensemble. She is a Cedille Records artist; her works are commercially available on more than ten additional labels.Her catalog covers a wide range, with works for orchestra, opera, oratorio, wind ensemble, choir, art song, various sized chamber ensembles, and works for solo instruments. Notable commissions include My Dearest Ruth for soprano and piano with text by Martin Ginsburg, the husband of the late Supreme Court Justice Ruth Bader Ginsburg, The Transformation of Jane Doe for Chicago Opera Theater, The Battle for the Ballot for the Cabrillo Festival Orchestra, Goddess Triptych for the St. Louis Symphony Orchestra, Glorious Mahalia for the Kronos Quartet, Give Me Hunger for Chanticleer, Rites for the Afterlife for the Akropolis and Calefax Reed Quintets, and Terra Nostra: an oratorio about our planet, commissioned by the San Francisco Choral Society and Piedmont East Bay Children’s Chorus.Garrop previously served as composer-in-residence with the Albany Symphony and Skaneateles Festival, and as well as on faculty of the Fresh Inc Festival (2012-2017). She taught composition and orchestration full-time at Roosevelt University 2000-2016) before leaving to launch her freelance career. She earned degrees in music composition at the University of Michigan-Ann Arbor (B.M.), University of Chicago (M.A.), and Indiana University-Bloomington (D.M.).­­.

(Dale Warland Choral Series). By Nathan Jones. Edited by Dale Warland. SATB DV A Cappella. Choral. 16 pages