Choral SATB choir, piano SKU: PR.362034230 A Prologue to THE CREATION ...(+)
Choral SATB choir, piano
SKU: PR.362034230
A Prologue to THE
CREATION by Franz Joseph
Haydn. Composed by
Dan Welcher. Sws.
Premiered at the
Northwest Hills United
Methodist Church, Austin,
TX. Choral. Performance
Score. With Standard
notation. Composed July 5
2014. 16 pages. Duration
5:15. Theodore Presser
Company #362-03423.
Published by Theodore
Presser Company
(PR.362034230).
ISBN
9781598069556. UPC:
680160624225. Letter
inches.
English.
Choral SATB choir SKU: CF.CM9700 Composed by Hungarian Folk. Arranged by ...(+)
Choral SATB choir
SKU:
CF.CM9700
Composed by
Hungarian Folk. Arranged
by Stacy Garrop. 20
pages. Duration 4:44.
Carl Fischer Music
#CM9700. Published by
Carl Fischer Music
(CF.CM9700).
ISBN
9781491160008. UPC:
680160918607. Key: A
minor. Hungarian.
Hungarian Folk.
In
2014, Chanticleer
commissioned me to make a
new arrangement of the
Hungarian-Romani folk
song Jarba, Mare Jarba
for their 2014 touring
program. Passed down
orally through the Romani
communities, this
beautiful folk song, with
text in a language called
Beas (beh-osh), speaks of
a deep longing to visit
one's homeland, a place
where the singer can
never return. Chanticleer
consists of twelve men
whose vocal ranges span
from low bass to high
soprano, equivalent to
the range of a mixed
choir of women and men. I
composed slow sections of
original material to
represent the singers'
longing to return home;
these are interspersed
with the folk song's
traditional fast
sections. The
incorporated shouts and
calls in the score are
typically found in the
performance of Central
European folk songs. I
hope you enjoy singing
this new version of
Jarba, Mare Jarba that
contains all of the vigor
and excitement of the
Chanticleer version.
PERFORMANCE NOTES All
spoken sounds (indicated
by x noteheads) should be
performed by individuals.
Feel free to elaborate
with more sounds of your
own in the tradition of
Eastern European folk
music. If the piece is
memorized, feel free to
experiment with clapping
on the off-beats of m. 93
to the end. TEXT
Transliteration Jarba,
mare jarba mas duce a
casa, da nu pot ca am
jurat, Jarba, mare jarba
mas duce a casa, da nu
pot ca am jurat. Mare
jarba, verde jarba nu me
pot duce a casa. Jarba,
mare jarba mas duce a
casa, da nu pot ca am
jurat. O mers mama de pe
sat, O lasat coliba
goala, Infrunzitu,
ingurzitu da plina de
saracie, da plina de
saracie. Mare jarba,
verde jarba nu me pot
duce a casa. Jarba, mare
jarba mas duce a casa, da
nu pot ca am jurat.
Translation Green grass,
tall grass, I would like
to go home, but I cannot,
because I have sworn not
to. Tall grass, green
grass - oh, that I cannot
go home! My mother has
left the village; she
left the hut empty,
Adorned with leaves but
full of poverty. Tall
grass, green grass - oh,
that I cannot go home!
Tall grass, green grass -
I would like to go home.
but I cannot, because I
have sworn not to. Stacy
Garrop's music is
centered on dramatic and
lyrical storytelling. The
sharing of stories is a
defining element of our
humanity; we strive to
share with others the
experiences and concepts
that we find compelling.
She shares stories by
taking audiences on sonic
journeys - some simple
and beautiful, while
others are complicated
and dark - depending on
the needs and dramatic
shape of the story.
Garrop served as the
first Emerging Opera
Composer of Chicago Opera
Theater's Vanguard
Program. She also held a
3-year
composer-in-residence
position with the
Champaign-Urbana Symphony
Orchestra, funded by New
Music USA and the League
of American Orchestras.
She has received numerous
awards and grants
including an Arts and
Letters Award in Music
from the American Academy
of Arts and Letters,
Fromm Music Foundation
Grant, Barlow Prize, and
three Barlow Endowment
commissions, along with
prizes from competitions
sponsored by the Detroit
Symphony Orchestra, Civic
Orchestra of Chicago,
Omaha Symphony, New
England Philharmonic,
Boston Choral Ensemble,
Utah Arts Festival, and
Pittsburgh New Music
Ensemble. She is a
Cedille Records artist;
her works are
commercially available on
more than ten additional
labels. Her catalog
covers a wide range, with
works for orchestra,
opera, oratorio, wind
ensemble, choir, art
song, various sized
chamber ensembles, and
works for solo
instruments. Notable
commissions include My
Dearest Ruth for soprano
and piano with text by
Martin Ginsburg, the
husband of the late
Supreme Court Justice
Ruth Bader Ginsburg, The
Transformation of Jane
Doe for Chicago Opera
Theater, The Battle for
the Ballot for the
Cabrillo Festival
Orchestra, Goddess
Triptych for the St.
Louis Symphony Orchestra,
Glorious Mahalia for the
Kronos Quartet, Give Me
Hunger for Chanticleer,
Rites for the Afterlife
for the Akropolis and
Calefax Reed Quintets,
and Terra Nostra: an
oratorio about our
planet, commissioned by
the San Francisco Choral
Society and Piedmont East
Bay Children's Chorus.
Garrop previously served
as composer-in-residence
with the Albany Symphony
and Skaneateles Festival,
and as well as on faculty
of the Fresh Inc Festival
(2012-2017). She taught
composition and
orchestration full-time
at Roosevelt University
2000-2016) before leaving
to launch her freelance
career. She earned
degrees in music
composition at the
University of
Michigan-Ann Arbor
(B.M.), University of
Chicago (M.A.), and
Indiana
University-Bloomington
(D.M.). In 2014,
Chanticleer commissioned
me to make a new
arrangement of the
Hungarian-Romani folk
song Jarba, Mare Jarba
for their 2014 touring
program. Passed down
orally through the Romani
communities, this
beautiful folk song, with
text in a language called
Beas (beh-osh), speaks of
a deep longing to visit
one’s homeland, a
place where the singer
can never return.
Chanticleer consists of
twelve men whose vocal
ranges span from low bass
to high soprano,
equivalent to the range
of a mixed choir of women
and men. I composed slow
sections of original
material to represent the
singers’ longing
to return home; these are
interspersed with the
folk song’s
traditional fast
sections. The
incorporated shouts and
calls in the score are
typically found in the
performance of Central
European folk songs. I
hope you enjoy singing
this new version of
Jarba, Mare Jarba that
contains all of the vigor
and excitement of the
Chanticleer
version.PERFORMANCE
NOTESAll spoken sounds
(indicated by x
noteheads) should be
performed by individuals.
Feel free to elaborate
with more sounds of your
own in the tradition of
Eastern European folk
music.If the piece is
memorized, feel free to
experiment with clapping
on the off-beats of m. 93
to the
end.TEXTTransliterationJa
rba, mare jarba mas duce
a casa, da nu pot ca am
jurat, Jarba, mare jarba
mas duce a casa, da nu
pot ca am jurat. Mare
jarba, verde jarba nu me
pot duce a casa.Jarba,
mare jarba mas duce a
casa, da nu pot ca am
jurat.O mers mama de pe
sat, O lasat coliba
goala,Infrunzitu,
ingurzitu da plina de
saracie, da plina de
saracie. Mare jarba,
verde jarba nu me pot
duce a casa.Jarba, mare
jarba mas duce a casa, da
nu pot ca am
jurat.TranslationGreen
grass, tall grass, I
would like to go home,
but I cannot, because I
have sworn not to.Tall
grass, green grass
– oh, that I
cannot go home!My mother
has left the village; she
left the hut empty,
Adorned with leaves but
full of poverty.Tall
grass, green grass
– oh, that I
cannot go home! Tall
grass, green grass
– I would like to
go home.but I cannot,
because I have sworn not
to.Stacy Garrop’s
music is centered on
dramatic and lyrical
storytelling. The sharing
of stories is a defining
element of our humanity;
we strive to share with
others the experiences
and concepts that we find
compelling. She shares
stories by taking
audiences on sonic
journeys – some
simple and beautiful,
while others are
complicated and dark
– depending on the
needs and dramatic shape
of the story.Garrop
served as the first
Emerging Opera Composer
of Chicago Opera
Theater’s Vanguard
Program. She also held a
3-year
composer-in-residence
position with the
Champaign-Urbana Symphony
Orchestra, funded by New
Music USA and the League
of American Orchestras.
She has received
numerous awards and
grants including an
Arts and Letters Award in
Music from the American
Academy of Arts and
Letters, Fromm Music
Foundation Grant, Barlow
Prize, and three Barlow
Endowment commissions,
along with prizes from
competitions sponsored by
the Detroit Symphony
Orchestra, Civic
Orchestra of Chicago,
Omaha Symphony, New
England Philharmonic,
Boston Choral Ensemble,
Utah Arts Festival, and
Pittsburgh New Music
Ensemble. She is a
Cedille Records artist;
her works are
commercially available on
more than ten additional
labels.Her catalog covers
a wide range, with works
for orchestra, opera,
oratorio, wind ensemble,
choir, art song, various
sized chamber ensembles,
and works for solo
instruments. Notable
commissions include My
Dearest Ruth for
soprano and piano with
text by Martin Ginsburg,
the husband of the late
Supreme Court Justice
Ruth Bader
Ginsburg, The
Transformation of Jane
Doe for Chicago Opera
Theater, The Battle for
the Ballot for the
Cabrillo Festival
Orchestra, Goddess
Triptych for the St.
Louis Symphony Orchestra,
Glorious Mahalia for
the Kronos Quartet, Give
Me Hunger for
Chanticleer, Rites for
the Afterlife for the
Akropolis and Calefax
Reed Quintets,
and Terra
Nostra:Â an oratorio
about our planet,
commissioned by the San
Francisco Choral Society
and Piedmont East Bay
Children’s
Chorus.Garrop previously
served as
composer-in-residence
with the Albany Symphony
and Skaneateles Festival,
and as well as on faculty
of the Fresh Inc Festival
(2012-2017). She taught
composition and
orchestration full-time
at Roosevelt University
2000-2016) before leaving
to launch her freelance
career. She earned
degrees in music
composition at the
University of
Michigan-Ann Arbor
(B.M.), University of
Chicago (M.A.), and
Indiana
University-Bloomington
(D.M.).ÂÂ.
Composed by John Rutter (1945-). Mixed Voices. The Cambridge Singers Hymn Series...(+)
Composed by John Rutter
(1945-). Mixed Voices.
The Cambridge Singers
Hymn Series. Vocal score.
8 pages. Duration 4'.
Published by Oxford
University Press
(OU.9780193416550).
One Holy Lamb (A Musical for Easter). By David Guthrie. Arranged by Lari Goss. F...(+)
One Holy Lamb (A Musical
for Easter). By David
Guthrie. Arranged by Lari
Goss. For SATB choir.
Musical. Modern
Christian, Easter. Easy.
Choral Book. Duration
38'00". Published by Word
Music (
Choral SATB choir, piano SKU: CF.CM9713 Composed by Jacob Narverud. 16 pa...(+)
Choral SATB choir, piano
SKU: CF.CM9713
Composed by Jacob
Narverud. 16 pages.
Duration 4:01. Carl
Fischer Music #CM9713.
Published by Carl Fischer
Music (CF.CM9713).
ISBN 9781491160084.
UPC: 680160918683. Key: G
major. English. Robert
Bode. Original.
The
piece was commissioned by
Kevin Scully, Director of
Creative Arts, for the
Port Washington School
District, New York, with
special thanks to the Ed
Foundation and HEARTS for
their unwavering support.
Performance Notes This
lighthearted piece is a
great way to bring
multiple choirs together
in harmony. It may be
sung by a single SATB
choir, though it is
intended to be performed
by multiple choirs of
varying age levels. Song
of the Sound was written
for an all-district
feeder festival piece for
combined elementary,
middle level, and high
school choirs. Here is a
suggested outline for
combining multiple
choirs: Rehearsal Letters
A to B: Elementary choir
only (two-part, Soprano,
Alto) Rehearsal Letter B:
add Middle Level Soprano,
Alto with Elementary
choir Rehearsal Letter C:
Middle Level choir only
Rehearsal Letter D: High
School choir only
Rehearsal Letter E to the
end: Everyone! Song of
the Sound: Running on the
beach, digging in the
sand, Seaweed in my toes,
bucket in my hand. When
I'm at the shore, way
above the rest, These are
all the things that I
love the best. Skipping
like a stone on the
water, diving deep in the
silvery foam, Swimming
far where the land cannot
hold us, where the
lighthouse calls us home.
Flying free above the
marshes, soaring high
above the sea, Where the
tern and cormorant and
plover call to lands we
cannot see.Come let us go
to the water, let us go
to the singing shore:
Where the gentle breezes
whisper and the mighty
breakers roar. We will
look to the shining
ocean, to the East, where
the new day dawned: We
will sing a song of the
edge of the world and the
waiting sky beyond. -Poem
by Robert Bode (Hope
Springs Retreat Center,
Ohio. August 2019) About
the Composer: Jacob
Narverud (b. 1986) is an
American composer,
arranger, and conductor.
Dr. Narverud is an active
guest Conductor/Clinician
for Choral Festivals and
All-State Choirs across
the country and is the
Founder/Artistic Director
of the Tallgrass Chamber
Choir, a professional
ensemble comprised of
musicians from across the
Great Plains. As a
sought-after composer,
Narverud has been
commissioned to write new
works for a variety of
choral ensembles and
organizations. Many of
his Editors' Choirs
compositions are
publisher Best Sellers
and are performed
worldwide by choirs of
all levels. Website:
www.jnarverud.com YouTube
& Spotify:
@jacobnarverud. The
piece was commissioned by
Kevin Scully, Director of
Creative Arts, for the
Port Washington School
District, New York, with
special thanks to the Ed
Foundation and HEARTS for
their unwavering
support.Performance
NotesThis lighthearted
piece is a great way to
bring multiple choirs
together in harmony. It
may be sung by a single
SATB choir, though it is
intended to be performed
by multiple choirs of
varying age levels. Song
of the Sound was written
for an all-district
feeder festival piece for
combined elementary,
middle level, and high
school choirs. Here is a
suggested outline for
combining multiple
choirs:Rehearsal Letters
AÂ to B: Elementary
choir only (two-part,
Soprano, Alto)Rehearsal
Letter B: add Middle
Level Soprano, Alto with
Elementary choirRehearsal
Letter C: Middle
Level choir onlyRehearsal
Letter D: High School
choir onlyRehearsal
Letter E to the end:
Everyone!Song of the
Sound:Running on the
beach, digging in the
sand,Seaweed in my toes,
bucket in my hand.When
I'm at the shore, way
above the rest,These are
all the things that I
love the
best. Skipping like a
stone on the water,
diving deep in the
silvery foam,Swimming far
where the land cannot
hold us, where the
lighthouse calls us
home.Flying free above
the marshes, soaring high
above the sea,Where the
tern and cormorant and
plover call to lands we
cannot see.Come let us go
to the water, let us go
to the singing
shore:Where the gentle
breezes whisper and the
mighty breakers roar.We
will look to the shining
ocean, to the East, where
the new day dawned:We
will sing a song of the
edge of the world and the
waiting sky beyond.-Poem
by Robert Bode (Hope
Springs Retreat Center,
Ohio. August 2019)About
the Composer:Jacob
Narverud (b. 1986) is an
American composer,
arranger, and conductor.
Dr. Narverud is an active
guest Conductor/Clinician
for Choral Festivals and
All-State Choirs across
the country and is the
Founder/Artistic Director
of the Tallgrass Chamber
Choir, a professional
ensemble comprised of
musicians from across the
Great Plains. As a
sought-after composer,
Narverud has been
commissioned to write new
works for a variety of
choral ensembles and
organizations. Many of
his Editors' Choirs
compositions are
publisher Best Sellers
and are performed
worldwide by choirs of
all levels. Website:
www.jnarverud.comÂ
YouTube & Spotify:
@jacobnarverud.
High Flight Chorale SATB SATB, Piano Theodore Presser Co.
Choral SATB Choir and Piano SKU: PR.312419020 From Terra Nostra. C...(+)
Choral SATB Choir and
Piano
SKU:
PR.312419020
From
Terra Nostra.
Composed by Stacy Garrop.
Sws. Performance Score.
12 pages. Duration 3:15.
Theodore Presser Company
#312-41902. Published by
Theodore Presser Company
(PR.312419020).
ISBN
9781491131862. UPC:
680160680474. 6.875 x
10.5 inches.
English.
Commission
ed by the San Francisco
Choral Society and the
Piedmont East Bay
Children’s Choir,
Terra Nostra is a
70-minute oratorio on the
relationship between our
planet and humankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. Part
I: Creation of the World
explores various creation
myths from different
cultures, culminating in
a joyous celebration of
the beauty of our planet.
Part II: The Rise of
Humanity examines human
achievements,
particularly since the
dawn of our Industrial
Age, and how these
achievements have
impacted the planet. Part
III: Searching for
Balance questions how to
create more awareness for
our planet’s
plight, re-establish a
deeper connection to it,
and find a balance for
living within our
planet’s
resources. In addition to
the complete oratorio,
stand-alone movements for
mixed chorus, and for
solo voice with piano,
are also available
separately. Terra
Nostra focuses on the
relationship between our
planet and mankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. The
oratorio is divided into
three parts:Part I:
Creation of the World
celebrates the birth and
beauty of our planet. The
oratorio begins with
creation myths from
India, North America, and
Egypt that are integrated
into the opening lines of
Genesis from the Old
Testament. The music
surges forth from these
creation stories into
“God’s
World†by Edna St.
Vincent Millay, which
describes the world in
exuberant and vivid
detail. Percy Bysshe
Shelley’s
“On thine own
child†praises
Mother Earth for her role
bringing forth all life,
while Walt Whitman sings
a love song to the planet
in “Smile O
voluptuous cool-breathed
earth!†Part I ends
with “A Blade of
Grass†in which
Whitman muses how our
planet has been spinning
in the heavens for a very
long time.Part II: The
Rise of Humanity examines
the achievements of
mankind, particularly
since the dawn of the
Industrial Age. Lord
Alfred Tennyson’s
“Locksley
Hall†sets an
auspicious tone that
mankind is on the verge
of great discoveries.
This is followed in short
order by Charles
Mackay’s
“Railways
1846,†William
Ernest Henley’s
“A Song of
Speed,†and John
Gillespie Magee,
Jr.’s “High
Flight,†each of
which celebrates a new
milestone in
technological
achievement. In
“Binsey
Poplars,†Gerard
Manley Hopkins takes note
of the effect that these
advances are having on
the planet, with trees
being brought down and
landscapes forever
changed. Percy Bysshe
Shelley’s “A
Dirge†concludes
Part II with a warning
that the planet is
beginning to sound a
grave alarm.Part III:
Searching for Balance
questions how we can
create more awareness for
our planet’s
plight, re-establish a
deeper connection to it,
and find a balance for
living within our
planet’s
resources. Three texts
continue the
earth’s plea that
ended the previous
section: Lord
Byron’s
“Darknessâ€
speaks of a natural
disaster (a volcano) that
has blotted out the sun
from humanity and the
panic that ensues;
contemporary poet Esther
Iverem’s
“Earth
Screaming†gives
voice to the modern
issues of our changing
climate; and William
Wordsworth’s
“The World Is Too
Much With Us†warns
us that we are almost out
of time to change our
course.
Contemporary/agrarian
poet Wendell
Berry’s “The
Want of Peaceâ€
speaks to us at the
climax of the oratorio,
reminding us that we can
find harmony with the
planet if we choose to
live more simply, and to
recall that we ourselves
came from the earth. Two
Walt Whitman texts
(“A Child said,
What is the grass?â€
and “There was a
child went forth every
dayâ€) echo
Berry’s thoughts,
reminding us that we are
of the earth, as is
everything that we see on
our planet. The oratorio
concludes with a reprise
of Whitman’s
“A Blade of
Grass†from Part I,
this time interspersed
with an additional
Whitman text that
sublimely states,
“I bequeath myself
to the dirt to grow from
the grass I
love…â€My hope
in writing this oratorio
is to invite audience
members to consider how
we interact with our
planet, and what we can
each personally do to
keep the planet going for
future generations. We
are the only stewards
Earth has; what can we
each do to leave her in
better shape than we
found her?
SATB choir - Easy SKU: WD.080689874420 An Easter Musical for Senior Ad...(+)
SATB choir - Easy
SKU:
WD.080689874420
An
Easter Musical for Senior
Adult Choir. Composed
by Marty Parks. Choral,
cantatas. Simply Word.
Stem mixes. Duration 30
minutes. Word Music
#080689874420. Published
by Word Music
(WD.080689874420).
UPC:
080689874420.
Theme
s are an important part
of our lives. They give
us connectivity and
consistency. They provide
focus. They offer common
ground with like-minded
people. Good themes are
recurring
themes...especially in
regard to redeeming
love!
Word Music
Church Resources is proud
to be a part of a theme
which we share with many
of you...Senior Adult
Choirs! And as a
theme-within-a-theme,
Senior Adult Choirs are
synonymous with veteran
church musician and
arranger Marty Parks! On
the heels of his
best-selling Christmas
release, When Earth
Received Her King, Marty
brings us another
well-crafted, heartfelt,
joy-filled musical for
Easter Redeeming Love Has
Been My Theme.In
addition to the
Large-Print-No-Repeats
format, Marty Parks has
thoughtfully crafted this
newest inspired gem that
begs to be sung and is
guaranteed to make your
Senior Adults eager to
minister at your next
Easter service! Filled
with great songs,
Redeeming Love Has Been
My Theme features
singable arrangements
easily mastered by your
volunteer choir. Not only
will you meet your
group's easy
accessibility
requirements, this work
will make your volunteer
choir sound bigger than
life! It will leave them
with a feeling of great
accomplishment at having
delivered an inspired
performance while being a
part of such an important
ministry opportunity. And
while created for Senior
Adult Choirs, Redeeming
Love Has Been My Theme is
perfect for any SATB
choir with limited
rehearsal time or
ease-of-performance
needs.New with this
release are Stem Mixes
and a dynamic DVD
Accompaniment Track,
designed to revolutionize
your performance and take
your presentation to new
heights. Your Senior
Adult Choir will stand
out from the rest with
the use of this high
definition, specialized
asset - a
visually-engaging new
product enhancement!
SATB choir - Easy SKU: WD.080689713026 An Easter Musical for Senior Ad...(+)
SATB choir - Easy
SKU:
WD.080689713026
An
Easter Musical for Senior
Adult Choir. Composed
by Marty Parks. Choral,
cantatas. Simply Word.
Practice trax. Duration
30 minutes. Word Music
#080689713026. Published
by Word Music
(WD.080689713026).
UPC:
080689713026.
Theme
s are an important part
of our lives. They give
us connectivity and
consistency. They provide
focus. They offer common
ground with like-minded
people. Good themes are
recurring
themes...especially in
regard to redeeming
love!
Word Music
Church Resources is proud
to be a part of a theme
which we share with many
of you...Senior Adult
Choirs! And as a
theme-within-a-theme,
Senior Adult Choirs are
synonymous with veteran
church musician and
arranger Marty Parks! On
the heels of his
best-selling Christmas
release, When Earth
Received Her King, Marty
brings us another
well-crafted, heartfelt,
joy-filled musical for
Easter Redeeming Love Has
Been My Theme.In
addition to the
Large-Print-No-Repeats
format, Marty Parks has
thoughtfully crafted this
newest inspired gem that
begs to be sung and is
guaranteed to make your
Senior Adults eager to
minister at your next
Easter service! Filled
with great songs,
Redeeming Love Has Been
My Theme features
singable arrangements
easily mastered by your
volunteer choir. Not only
will you meet your
group's easy
accessibility
requirements, this work
will make your volunteer
choir sound bigger than
life! It will leave them
with a feeling of great
accomplishment at having
delivered an inspired
performance while being a
part of such an important
ministry opportunity. And
while created for Senior
Adult Choirs, Redeeming
Love Has Been My Theme is
perfect for any SATB
choir with limited
rehearsal time or
ease-of-performance
needs.New with this
release are Stem Mixes
and a dynamic DVD
Accompaniment Track,
designed to revolutionize
your performance and take
your presentation to new
heights. Your Senior
Adult Choir will stand
out from the rest with
the use of this high
definition, specialized
asset - a
visually-engaging new
product enhancement!
SATB choir - Easy SKU: WD.080689810725 An Easter Musical for Senior Ad...(+)
SATB choir - Easy
SKU:
WD.080689810725
An
Easter Musical for Senior
Adult Choir. Composed
by Marty Parks. Choral,
cantatas. Simply Word.
Bulk CD (10-pak).
Duration 30 minutes. Word
Music #080689810725.
Published by Word Music
(WD.080689810725).
UPC:
080689810725.
Theme
s are an important part
of our lives. They give
us connectivity and
consistency. They provide
focus. They offer common
ground with like-minded
people. Good themes are
recurring
themes...especially in
regard to redeeming
love!
Word Music
Church Resources is proud
to be a part of a theme
which we share with many
of you...Senior Adult
Choirs! And as a
theme-within-a-theme,
Senior Adult Choirs are
synonymous with veteran
church musician and
arranger Marty Parks! On
the heels of his
best-selling Christmas
release, When Earth
Received Her King, Marty
brings us another
well-crafted, heartfelt,
joy-filled musical for
Easter Redeeming Love Has
Been My Theme.In
addition to the
Large-Print-No-Repeats
format, Marty Parks has
thoughtfully crafted this
newest inspired gem that
begs to be sung and is
guaranteed to make your
Senior Adults eager to
minister at your next
Easter service! Filled
with great songs,
Redeeming Love Has Been
My Theme features
singable arrangements
easily mastered by your
volunteer choir. Not only
will you meet your
group's easy
accessibility
requirements, this work
will make your volunteer
choir sound bigger than
life! It will leave them
with a feeling of great
accomplishment at having
delivered an inspired
performance while being a
part of such an important
ministry opportunity. And
while created for Senior
Adult Choirs, Redeeming
Love Has Been My Theme is
perfect for any SATB
choir with limited
rehearsal time or
ease-of-performance
needs.New with this
release are Stem Mixes
and a dynamic DVD
Accompaniment Track,
designed to revolutionize
your performance and take
your presentation to new
heights. Your Senior
Adult Choir will stand
out from the rest with
the use of this high
definition, specialized
asset - a
visually-engaging new
product enhancement!
SATB choir - Easy SKU: WD.080689443770 An Easter Musical for Senior Ad...(+)
SATB choir - Easy
SKU:
WD.080689443770
An
Easter Musical for Senior
Adult Choir. Composed
by Marty Parks. Choral,
cantatas. Simply Word.
Posters (12-pak).
Duration 30 minutes. Word
Music #080689443770.
Published by Word Music
(WD.080689443770).
UPC:
080689443770.
Theme
s are an important part
of our lives. They give
us connectivity and
consistency. They provide
focus. They offer common
ground with like-minded
people. Good themes are
recurring
themes...especially in
regard to redeeming
love!
Word Music
Church Resources is proud
to be a part of a theme
which we share with many
of you...Senior Adult
Choirs! And as a
theme-within-a-theme,
Senior Adult Choirs are
synonymous with veteran
church musician and
arranger Marty Parks! On
the heels of his
best-selling Christmas
release, When Earth
Received Her King, Marty
brings us another
well-crafted, heartfelt,
joy-filled musical for
Easter Redeeming Love Has
Been My Theme.In
addition to the
Large-Print-No-Repeats
format, Marty Parks has
thoughtfully crafted this
newest inspired gem that
begs to be sung and is
guaranteed to make your
Senior Adults eager to
minister at your next
Easter service! Filled
with great songs,
Redeeming Love Has Been
My Theme features
singable arrangements
easily mastered by your
volunteer choir. Not only
will you meet your
group's easy
accessibility
requirements, this work
will make your volunteer
choir sound bigger than
life! It will leave them
with a feeling of great
accomplishment at having
delivered an inspired
performance while being a
part of such an important
ministry opportunity. And
while created for Senior
Adult Choirs, Redeeming
Love Has Been My Theme is
perfect for any SATB
choir with limited
rehearsal time or
ease-of-performance
needs.New with this
release are Stem Mixes
and a dynamic DVD
Accompaniment Track,
designed to revolutionize
your performance and take
your presentation to new
heights. Your Senior
Adult Choir will stand
out from the rest with
the use of this high
definition, specialized
asset - a
visually-engaging new
product enhancement!
SATB choir - Easy SKU: WD.080689533099 An Easter Musical for Senior Ad...(+)
SATB choir - Easy
SKU:
WD.080689533099
An
Easter Musical for Senior
Adult Choir. Composed
by Marty Parks. Choral,
cantatas. Simply Word.
Accompaniment video.
Duration 30 minutes. Word
Music #080689533099.
Published by Word Music
(WD.080689533099).
UPC:
080689533099.
Theme
s are an important part
of our lives. They give
us connectivity and
consistency. They provide
focus. They offer common
ground with like-minded
people. Good themes are
recurring
themes...especially in
regard to redeeming
love!
Word Music
Church Resources is proud
to be a part of a theme
which we share with many
of you...Senior Adult
Choirs! And as a
theme-within-a-theme,
Senior Adult Choirs are
synonymous with veteran
church musician and
arranger Marty Parks! On
the heels of his
best-selling Christmas
release, When Earth
Received Her King, Marty
brings us another
well-crafted, heartfelt,
joy-filled musical for
Easter Redeeming Love Has
Been My Theme.In
addition to the
Large-Print-No-Repeats
format, Marty Parks has
thoughtfully crafted this
newest inspired gem that
begs to be sung and is
guaranteed to make your
Senior Adults eager to
minister at your next
Easter service! Filled
with great songs,
Redeeming Love Has Been
My Theme features
singable arrangements
easily mastered by your
volunteer choir. Not only
will you meet your
group's easy
accessibility
requirements, this work
will make your volunteer
choir sound bigger than
life! It will leave them
with a feeling of great
accomplishment at having
delivered an inspired
performance while being a
part of such an important
ministry opportunity. And
while created for Senior
Adult Choirs, Redeeming
Love Has Been My Theme is
perfect for any SATB
choir with limited
rehearsal time or
ease-of-performance
needs.New with this
release are Stem Mixes
and a dynamic DVD
Accompaniment Track,
designed to revolutionize
your performance and take
your presentation to new
heights. Your Senior
Adult Choir will stand
out from the rest with
the use of this high
definition, specialized
asset - a
visually-engaging new
product enhancement!
SATB choir - Easy SKU: WD.080689444777 An Easter Musical for Senior Ad...(+)
SATB choir - Easy
SKU:
WD.080689444777
An
Easter Musical for Senior
Adult Choir. Composed
by Marty Parks. Choral,
cantatas. Simply Word.
Eastertide. Bulletins
(100-pak). Duration 30
minutes. Word Music
#080689444777. Published
by Word Music
(WD.080689444777).
UPC:
080689444777.
Theme
s are an important part
of our lives. They give
us connectivity and
consistency. They provide
focus. They offer common
ground with like-minded
people. Good themes are
recurring
themes...especially in
regard to redeeming
love!
Word Music
Church Resources is proud
to be a part of a theme
which we share with many
of you...Senior Adult
Choirs! And as a
theme-within-a-theme,
Senior Adult Choirs are
synonymous with veteran
church musician and
arranger Marty Parks! On
the heels of his
best-selling Christmas
release, When Earth
Received Her King, Marty
brings us another
well-crafted, heartfelt,
joy-filled musical for
Easter Redeeming Love Has
Been My Theme.In
addition to the
Large-Print-No-Repeats
format, Marty Parks has
thoughtfully crafted this
newest inspired gem that
begs to be sung and is
guaranteed to make your
Senior Adults eager to
minister at your next
Easter service! Filled
with great songs,
Redeeming Love Has Been
My Theme features
singable arrangements
easily mastered by your
volunteer choir. Not only
will you meet your
group's easy
accessibility
requirements, this work
will make your volunteer
choir sound bigger than
life! It will leave them
with a feeling of great
accomplishment at having
delivered an inspired
performance while being a
part of such an important
ministry opportunity. And
while created for Senior
Adult Choirs, Redeeming
Love Has Been My Theme is
perfect for any SATB
choir with limited
rehearsal time or
ease-of-performance
needs.New with this
release are Stem Mixes
and a dynamic DVD
Accompaniment Track,
designed to revolutionize
your performance and take
your presentation to new
heights. Your Senior
Adult Choir will stand
out from the rest with
the use of this high
definition, specialized
asset - a
visually-engaging new
product enhancement!
SATB choir - Easy SKU: WD.080689916120 An Easter Musical for Senior Ad...(+)
SATB choir - Easy
SKU:
WD.080689916120
An
Easter Musical for Senior
Adult Choir. Composed
by Marty Parks. Choral,
cantatas. Simply Word.
Accompaniment CD (split).
Duration 30 minutes. Word
Music #080689916120.
Published by Word Music
(WD.080689916120).
UPC:
080689916120.
Theme
s are an important part
of our lives. They give
us connectivity and
consistency. They provide
focus. They offer common
ground with like-minded
people. Good themes are
recurring
themes...especially in
regard to redeeming
love!
Word Music
Church Resources is proud
to be a part of a theme
which we share with many
of you...Senior Adult
Choirs! And as a
theme-within-a-theme,
Senior Adult Choirs are
synonymous with veteran
church musician and
arranger Marty Parks! On
the heels of his
best-selling Christmas
release, When Earth
Received Her King, Marty
brings us another
well-crafted, heartfelt,
joy-filled musical for
Easter Redeeming Love Has
Been My Theme.In
addition to the
Large-Print-No-Repeats
format, Marty Parks has
thoughtfully crafted this
newest inspired gem that
begs to be sung and is
guaranteed to make your
Senior Adults eager to
minister at your next
Easter service! Filled
with great songs,
Redeeming Love Has Been
My Theme features
singable arrangements
easily mastered by your
volunteer choir. Not only
will you meet your
group's easy
accessibility
requirements, this work
will make your volunteer
choir sound bigger than
life! It will leave them
with a feeling of great
accomplishment at having
delivered an inspired
performance while being a
part of such an important
ministry opportunity. And
while created for Senior
Adult Choirs, Redeeming
Love Has Been My Theme is
perfect for any SATB
choir with limited
rehearsal time or
ease-of-performance
needs.New with this
release are Stem Mixes
and a dynamic DVD
Accompaniment Track,
designed to revolutionize
your performance and take
your presentation to new
heights. Your Senior
Adult Choir will stand
out from the rest with
the use of this high
definition, specialized
asset - a
visually-engaging new
product enhancement!
Malaika Chorale SATB SATB, Percussion(s) Carl Fischer
Angel. Composed by Fadhilli William Mdawida. Arranged by Russell L. Robinson. ...(+)
Angel. Composed by
Fadhilli
William Mdawida. Arranged
by
Russell L. Robinson. Sws.
Octavo. 16 pages.
Duration 3
minutes, 4 seconds. Carl
Fischer Music #CM9650.
Published by Carl Fischer
Music
((from A Ceremony of Carols) SATB and Harp or Piano, New Edition). Composed by B...(+)
((from A Ceremony of
Carols) SATB and Harp or
Piano, New Edition).
Composed by Benjamin
Britten (1913-1976). For
Choral (SATB). Boosey and
Hawkes Sacred Choral. 12
pages. Boosey and Hawkes
#M051481613. Published by
Boosey and Hawkes
Choral (SATB Choir) SKU: HL.48022495 SATB and Harp or Piano, New Editi...(+)
Choral (SATB Choir)
SKU: HL.48022495
SATB and Harp or
Piano, New Edition.
Composed by Benjamin
Britten. Boosey & Hawkes
Sacred Choral. Classical.
Octavo. 12 pages. Boosey
& Hawkes #M051481583.
Published by Boosey &
Hawkes (HL.48022495).
ISBN 9781476871486.
UPC: 884088669676.
6.75x10.5
inches.
Texts:
Latin and
English
Publisher:
Boosey &
Hawkes
Difficulty
level: 3
The
Ceremony of Carols is
one of Britten's
best-known and
most-performed works. It
is a brilliantly
conceived and dramatic
concert work which sees
the voices process to
their places singing
unaccompanied plainsong
and, at the end,
processing out again to
the same chant. These
movements can also be
accompanied but strictly
only if the voices do not
process. The final
Alleluia can be repeated
as many times as
necessary to get the
singers to and from their
destination.The carols
are for three-part
children's voices
(though, of course they
can be sung by female
adults as well) and they
form a two-part work
around a central
Interlude for harp which
is based on the plainsong
from the Procession.
Variety is the key word
here as all the carols
have such individual
identities. The
forthright Wolcum Yole!,
the deliciously lyrical
There is no Rose, the
swinging Balulalow, the
fiery and dramatic This
little Babe all
contribute to a work
which is a feast of
discovery throughout.
Lovely solos and duos add
further colour and the
harp part, an inspired
choice of accompaniment,
enriches, colours and
surrounds the voices with
its pictorial musical
imagery. If anything
shows Britten's genius
for writing for voices it
must be this
work.
The
challenges here are in
creating a real equality
between voice parts,
fielding a confident pair
of soloists, and making
the most of the
wonderfully colourful
poems Britten has chosen
to set. Pronunciation is
not really an issue, but
when I recorded this work
with the Finzi Singers I
decided to follow the
example of Sacred and
Profane and use authentic
medieval pronunciation
for which an expert coach
was necessary. It brings
an added element of
colour to a familiar
aural
experience.
By David Crowder. By David Crowder, Ed Cash, and Tommee Profitt. Arranged by D...(+)
By David Crowder. By
David
Crowder, Ed Cash, and
Tommee
Profitt. Arranged by
David
Angerman. PraiseSong
Choral.
Easter, Holy Week,
Sacred.
Octavo. Published by
PraiseSong
Choral (SATB Choir) SKU: HL.48021234 From Cantata academica, Carmen ba...(+)
Choral (SATB Choir)
SKU: HL.48021234
From Cantata
academica, Carmen
basiliense. Composed
by Benjamin Britten.
Boosey & Hawkes Sacred
Choral. Classical.
Octavo. 16 pages. Boosey
& Hawkes #M051482474.
Published by Boosey &
Hawkes (HL.48021234).
ISBN 9781458423542.
UPC: 884088642037.
6.75x10.5
inches.
Text: in
Latin compiled from the
charter of the
University, and from
older orations in praise
of Basle by Bernhard
Wyss.
Publisher:
Boosey &
Hawkes
Difficulty
level: 4 (for
chorus)
Britten's
genius lifts this work
above being just a worthy
celebration of the 500th
anniversary of the
foundation of Basle
University. It is
tongue-in-cheek and
mockingly non-academic
while referring all the
time to academic musical
forms and formulae. It is
written in two parts
(everything is in the
statutory Latin including
the titles of the parts -
Pars I and Pars II). The
titles of the movements
show Britten's intention
to show off a wide
variety of techniques.
Here are some examples:
Chorale/Alla Rovescio
(the theme is given and
responded to with the
same melody upside
down)/Recitativo/Tema
seriale con fuga/Canone
ed ostinato. There is a
good deal of humour
here.
There are
seven movements in Pars I
and six in Pars II. The
tenor soloist is given
three florid recitatives,
accompanied only by a
piano, which act as
bridges between other
orchestrally accompanied
movements. Of these the
most noteworthy are the
Arioso con canto popolare
for soprano solo with
tenors and basses who hum
a student song; another
terrific Britten scherzo;
and a wonderfully raucous
final pair of movements
(Canon ed ostinato and
Corale con canto) where
Britten seems to be aping
the Vivat Regina! cries
in Parry's I was glad or
encouraging the kind of
noisy 'I'm from the best
university' kind of
student touchline shout.
This has outrageously
high notes for the tenors
(top B) which further
endorse this feeling.
There are real echoes of
the Spring Symphony (see
separate entry) final
movement here which are
further underlined by the
last section of the
Cantata which brings in
the bells, piano, huge
percussion and the
inevitable chorale in
which the choir sings
'that a free academy may
thrive in a free
community, for ever the
ornament and treasure of
illustrious
Basle'.
This may
not be Britten at his
most soul-searching but,
as always, there is
plenty here to enjoy,
especially if the work is
not taken too seriously.
It is a celebratory,
occasional piece and it
could be well taken up by
other academic
establishments
celebrating big
anniversaries. The chorus
parts are not very
difficult, though they do
present challenges for
the choir - not least in
having tenors capable of
those very high notes at
the end. The Tema seriale
con fuga is sinewy and
needs careful tuning. It
also has the subject
regularly given upside
down after its initial
sounding by the basses.
All good
fun.
(Anthem for Easter or Ascension - for S.A.T.B. and Keyboard). By George Frideric...(+)
(Anthem for Easter or
Ascension - for S.A.T.B.
and Keyboard). By George
Frideric Handel
(1685-1759). Arranged by
Hal. H. Hopson. SATB
chorus. For SATB,
Keyboard. Choir Loft
Choral Series. Choral.
Choral Part(s). Standard
notation. 16 pages
Arise My Faithful Chorale SATB SATB [Octavo] - Intermédiaire Kjos Music Company
By Mark Repasky. Arranged by Bradley Ellingboe. For SATB choir. Music for the Ch...(+)
By Mark Repasky. Arranged
by Bradley Ellingboe. For
SATB choir. Music for the
Church Year. Sacred,
Choral. Grade 3. Choral
octavo. Published by Neil
A. Kjos Music Company
Composed by Lynn Trapp. Parish Choral Series. Catholic Year A Easter Vigil; Cath...(+)
Composed by Lynn Trapp.
Parish Choral Series.
Catholic Year A Easter
Vigil; Catholic Year C
Easter Vigil;. Epiphany,
Christmas, Triduum/Three
Days, 21st Century.
Choral score. Published
by MorningStar Music
Publishers (MN.80-320).
Composed by Harold Friedell and Ray Guiao, SJ. Arranged by Thomas Lawler, SJ. Fo...(+)
Composed by Harold
Friedell and Ray Guiao,
SJ. Arranged by Thomas
Lawler, SJ. For SATB
choir, keyboard
accompaniment, 2 flutes.
Eastertide, Easter Vigil.
Sacred. Easy. Octavo.
Text language: English.
12 pages. Published by
GIA Publications
SATB choir - Easy/Moderate SKU: WD.080689942129 A 30-Minute Easter Cel...(+)
SATB choir -
Easy/Moderate
SKU:
WD.080689942129
A
30-Minute Easter
Celebration for Blended
Choir. Composed by
Steve W. Mauldin.
Arranged by Steve
Mauldin. Choral,
cantatas. Christmas.
with and
without narration.
Duration 30 minutes. Word
Music #080689942129.
Published by Word Music
(WD.080689942129).
UPC:
080689942129.
Simpl
yWORD--the popular,
best-selling series
written with easy,
accessible SATB vocal
part writing, especially
for smaller choirs or
choirs with limited
rehearsal time--is proud
to present the latest
release in its seasonal
offerings, RISEN INDEED!
This fresh, new musical
by veteran arranger and
orchestrator Steve W.
Mauldin incorporates
stellar song selection;
sensitive, moving
narrations; inspiring
orchestrations; and
powerfully simple vocal
arrangements. This
blended choir offering is
one of the most
emotionally and sonically
dynamic musicals ever
released in this
highly-respected choral
series from Word
Music. Perfect for
your Easter celebration,
RISEN INDEED is a
multi-faceted musical
designed with every choir
in mind! Created
especially for a year
when Easter comes so
early on the calendar,
this 30-minute musical
from the SimplyWORD
Series will become a
favorite with your choir
and congregation
alike! With
everything from its
beautiful hymn
arrangement of
Hallelujah, What a
Savior; Hillsong's
contemporary anthem for
the church, Man of
Sorrows; some of your
favorite songs penned by
Keith and Kristyn Getty;
to new songs written
especially for this
musical, RISEN INDEED is
sure to make your next
Easter celebration one to
remember. Enhance your
presentation even further
with the use of the
movie-quality DVD
accompaniment track to
set your choir's
presentation apart from
all the
rest!
Song
Titles: He Lives No More
to Die * Come, People of
the Risen King * Christ
Is Enough * Hallelujah!
What a Savior * He
Suffered for Our Sins
(Underscore) * Man of
Sorrows * Christ Is
Risen, He Is Risen
Indeed.
