| Jarba, Mare Jarba Chorale SATB Carl Fischer
Choral SATB choir SKU: CF.CM9700 Composed by Hungarian Folk. Arranged by ...(+)
Choral SATB choir SKU:
CF.CM9700 Composed by
Hungarian Folk. Arranged
by Stacy Garrop. 20
pages. Duration 4:44.
Carl Fischer Music
#CM9700. Published by
Carl Fischer Music
(CF.CM9700). ISBN
9781491160008. UPC:
680160918607. Key: A
minor. Hungarian.
Hungarian Folk. In
2014, Chanticleer
commissioned me to make a
new arrangement of the
Hungarian-Romani folk
song Jarba, Mare Jarba
for their 2014 touring
program. Passed down
orally through the Romani
communities, this
beautiful folk song, with
text in a language called
Beas (beh-osh), speaks of
a deep longing to visit
one's homeland, a place
where the singer can
never return. Chanticleer
consists of twelve men
whose vocal ranges span
from low bass to high
soprano, equivalent to
the range of a mixed
choir of women and men. I
composed slow sections of
original material to
represent the singers'
longing to return home;
these are interspersed
with the folk song's
traditional fast
sections. The
incorporated shouts and
calls in the score are
typically found in the
performance of Central
European folk songs. I
hope you enjoy singing
this new version of
Jarba, Mare Jarba that
contains all of the vigor
and excitement of the
Chanticleer version.
PERFORMANCE NOTES All
spoken sounds (indicated
by x noteheads) should be
performed by individuals.
Feel free to elaborate
with more sounds of your
own in the tradition of
Eastern European folk
music. If the piece is
memorized, feel free to
experiment with clapping
on the off-beats of m. 93
to the end. TEXT
Transliteration Jarba,
mare jarba mas duce a
casa, da nu pot ca am
jurat, Jarba, mare jarba
mas duce a casa, da nu
pot ca am jurat. Mare
jarba, verde jarba nu me
pot duce a casa. Jarba,
mare jarba mas duce a
casa, da nu pot ca am
jurat. O mers mama de pe
sat, O lasat coliba
goala, Infrunzitu,
ingurzitu da plina de
saracie, da plina de
saracie. Mare jarba,
verde jarba nu me pot
duce a casa. Jarba, mare
jarba mas duce a casa, da
nu pot ca am jurat.
Translation Green grass,
tall grass, I would like
to go home, but I cannot,
because I have sworn not
to. Tall grass, green
grass - oh, that I cannot
go home! My mother has
left the village; she
left the hut empty,
Adorned with leaves but
full of poverty. Tall
grass, green grass - oh,
that I cannot go home!
Tall grass, green grass -
I would like to go home.
but I cannot, because I
have sworn not to. Stacy
Garrop's music is
centered on dramatic and
lyrical storytelling. The
sharing of stories is a
defining element of our
humanity; we strive to
share with others the
experiences and concepts
that we find compelling.
She shares stories by
taking audiences on sonic
journeys - some simple
and beautiful, while
others are complicated
and dark - depending on
the needs and dramatic
shape of the story.
Garrop served as the
first Emerging Opera
Composer of Chicago Opera
Theater's Vanguard
Program. She also held a
3-year
composer-in-residence
position with the
Champaign-Urbana Symphony
Orchestra, funded by New
Music USA and the League
of American Orchestras.
She has received numerous
awards and grants
including an Arts and
Letters Award in Music
from the American Academy
of Arts and Letters,
Fromm Music Foundation
Grant, Barlow Prize, and
three Barlow Endowment
commissions, along with
prizes from competitions
sponsored by the Detroit
Symphony Orchestra, Civic
Orchestra of Chicago,
Omaha Symphony, New
England Philharmonic,
Boston Choral Ensemble,
Utah Arts Festival, and
Pittsburgh New Music
Ensemble. She is a
Cedille Records artist;
her works are
commercially available on
more than ten additional
labels. Her catalog
covers a wide range, with
works for orchestra,
opera, oratorio, wind
ensemble, choir, art
song, various sized
chamber ensembles, and
works for solo
instruments. Notable
commissions include My
Dearest Ruth for soprano
and piano with text by
Martin Ginsburg, the
husband of the late
Supreme Court Justice
Ruth Bader Ginsburg, The
Transformation of Jane
Doe for Chicago Opera
Theater, The Battle for
the Ballot for the
Cabrillo Festival
Orchestra, Goddess
Triptych for the St.
Louis Symphony Orchestra,
Glorious Mahalia for the
Kronos Quartet, Give Me
Hunger for Chanticleer,
Rites for the Afterlife
for the Akropolis and
Calefax Reed Quintets,
and Terra Nostra: an
oratorio about our
planet, commissioned by
the San Francisco Choral
Society and Piedmont East
Bay Children's Chorus.
Garrop previously served
as composer-in-residence
with the Albany Symphony
and Skaneateles Festival,
and as well as on faculty
of the Fresh Inc Festival
(2012-2017). She taught
composition and
orchestration full-time
at Roosevelt University
2000-2016) before leaving
to launch her freelance
career. She earned
degrees in music
composition at the
University of
Michigan-Ann Arbor
(B.M.), University of
Chicago (M.A.), and
Indiana
University-Bloomington
(D.M.). In 2014,
Chanticleer commissioned
me to make a new
arrangement of the
Hungarian-Romani folk
song Jarba, Mare Jarba
for their 2014 touring
program. Passed down
orally through the Romani
communities, this
beautiful folk song, with
text in a language called
Beas (beh-osh), speaks of
a deep longing to visit
one’s homeland, a
place where the singer
can never return.
Chanticleer consists of
twelve men whose vocal
ranges span from low bass
to high soprano,
equivalent to the range
of a mixed choir of women
and men. I composed slow
sections of original
material to represent the
singers’ longing
to return home; these are
interspersed with the
folk song’s
traditional fast
sections. The
incorporated shouts and
calls in the score are
typically found in the
performance of Central
European folk songs. I
hope you enjoy singing
this new version of
Jarba, Mare Jarba that
contains all of the vigor
and excitement of the
Chanticleer
version.PERFORMANCE
NOTESAll spoken sounds
(indicated by x
noteheads) should be
performed by individuals.
Feel free to elaborate
with more sounds of your
own in the tradition of
Eastern European folk
music.If the piece is
memorized, feel free to
experiment with clapping
on the off-beats of m. 93
to the
end.TEXTTransliterationJa
rba, mare jarba mas duce
a casa, da nu pot ca am
jurat, Jarba, mare jarba
mas duce a casa, da nu
pot ca am jurat. Mare
jarba, verde jarba nu me
pot duce a casa.Jarba,
mare jarba mas duce a
casa, da nu pot ca am
jurat.O mers mama de pe
sat, O lasat coliba
goala,Infrunzitu,
ingurzitu da plina de
saracie, da plina de
saracie. Mare jarba,
verde jarba nu me pot
duce a casa.Jarba, mare
jarba mas duce a casa, da
nu pot ca am
jurat.TranslationGreen
grass, tall grass, I
would like to go home,
but I cannot, because I
have sworn not to.Tall
grass, green grass
– oh, that I
cannot go home!My mother
has left the village; she
left the hut empty,
Adorned with leaves but
full of poverty.Tall
grass, green grass
– oh, that I
cannot go home! Tall
grass, green grass
– I would like to
go home.but I cannot,
because I have sworn not
to.Stacy Garrop’s
music is centered on
dramatic and lyrical
storytelling. The sharing
of stories is a defining
element of our humanity;
we strive to share with
others the experiences
and concepts that we find
compelling. She shares
stories by taking
audiences on sonic
journeys – some
simple and beautiful,
while others are
complicated and dark
– depending on the
needs and dramatic shape
of the story.Garrop
served as the first
Emerging Opera Composer
of Chicago Opera
Theater’s Vanguard
Program. She also held a
3-year
composer-in-residence
position with the
Champaign-Urbana Symphony
Orchestra, funded by New
Music USA and the League
of American Orchestras.
She has received
numerous awards and
grants including an
Arts and Letters Award in
Music from the American
Academy of Arts and
Letters, Fromm Music
Foundation Grant, Barlow
Prize, and three Barlow
Endowment commissions,
along with prizes from
competitions sponsored by
the Detroit Symphony
Orchestra, Civic
Orchestra of Chicago,
Omaha Symphony, New
England Philharmonic,
Boston Choral Ensemble,
Utah Arts Festival, and
Pittsburgh New Music
Ensemble. She is a
Cedille Records artist;
her works are
commercially available on
more than ten additional
labels.Her catalog covers
a wide range, with works
for orchestra, opera,
oratorio, wind ensemble,
choir, art song, various
sized chamber ensembles,
and works for solo
instruments. Notable
commissions include My
Dearest Ruth for
soprano and piano with
text by Martin Ginsburg,
the husband of the late
Supreme Court Justice
Ruth Bader
Ginsburg, The
Transformation of Jane
Doe for Chicago Opera
Theater, The Battle for
the Ballot for the
Cabrillo Festival
Orchestra, Goddess
Triptych for the St.
Louis Symphony Orchestra,
Glorious Mahalia for
the Kronos Quartet, Give
Me Hunger for
Chanticleer, Rites for
the Afterlife for the
Akropolis and Calefax
Reed Quintets,
and Terra
Nostra:Â an oratorio
about our planet,
commissioned by the San
Francisco Choral Society
and Piedmont East Bay
Children’s
Chorus.Garrop previously
served as
composer-in-residence
with the Albany Symphony
and Skaneateles Festival,
and as well as on faculty
of the Fresh Inc Festival
(2012-2017). She taught
composition and
orchestration full-time
at Roosevelt University
2000-2016) before leaving
to launch her freelance
career. She earned
degrees in music
composition at the
University of
Michigan-Ann Arbor
(B.M.), University of
Chicago (M.A.), and
Indiana
University-Bloomington
(D.M.).ÂÂ. $3.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Soon We Will Be Done Chorale SATB Galaxy Music Corporation
Composed by Kyle Pederson. African American Heritage. Instrumental part. Galax...(+)
Composed by Kyle
Pederson.
African American
Heritage.
Instrumental part. Galaxy
Music Corporation
#1.3610.
Published by Galaxy Music
Corporation
$3.20 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Pass Me Not, O Gentle Savior Chorale SATB [Octavo] Triune Music Inc.
For mixed voices SATB and keyboard. Composed by William H. Doane. Arrange...(+)
For mixed voices SATB
and keyboard.
Composed by William H.
Doane. Arranged by Dale
Wood. Sacred Anthem.
Octavo. Triune Music Inc
#10/1261T. Published by
Triune Music Inc
(LO.10-1261T).
$2.75 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Whispers of the Passion Chorale SATB SATB Harold Flammer Music
By Joseph M. Martin. SATB. Harold Flammer Easter. 68 pages. Published by Harold ...(+)
By Joseph M. Martin.
SATB. Harold Flammer
Easter. 68 pages.
Published by Harold
Flammer Music
$8.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| St. Matthew Passion Chorale SATB SATB Schirmer
SATB. By Johann Sebastian Bach. Arranged by Robert Shaw. (SATB). Choral Large W...(+)
SATB. By Johann Sebastian
Bach. Arranged by Robert
Shaw. (SATB). Choral
Large Works. Size
6.7x10.5 inches. 176
pages. Published by G.
Schirmer, Inc.
$17.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Gloria in Excelsis Deo (from Alma Redemptoris) Chorale SATB Shawnee Press
Choral (SATB) SKU: HL.35007834 Eartraining. Composed by Tomá...(+)
Choral (SATB) SKU:
HL.35007834
Eartraining.
Composed by Tomá
and s Luis de Victoria.
Arranged by James
McKelvy. Mark Foster.
Advent, Christmas Sacred,
Christmas/Advent Sacred,
Classical, Concert.
Octavo. 8 pages. Shawnee
Press #MF0404. Published
by Shawnee Press
(HL.35007834). UPC:
747510051954.
7.0x10.5x0.016 inches.
French. Avoir
une bonne oreille
musicale fait
indéniablement
partie des
éléments
requis pour être ou
devenir un bon pianiste.
C’est bien
simple... tout part de
là ! Et tout passe
par là !Mais
à l’instar
des doigts qui sont au
contact du clavier,
l’oreille doit
aussi être
formée et
entraînée
pour devenir performante.
Et cela passe
inévitablement par
des
exercicesspécifiqu
es, tels que ceux qui
vous sont proposés
dans cette
méthode. Savoir
reconnaître les
intervalles entre les
notes est la base de la
formation auditive (ear
training, en anglais).
C’estpourquoi un
premier grand chapitre
est consacré ici
à leur
étude approfondie.
Dans les suivants, vous
serez alors en mesure
d’aborder, pas
à pas, les
arpèges et accords
de 3 et 4 sons,ainsi que
les gammes... qui sont
autant d’outils
indispensables pour
identifier à
l’oreille les
mélodies et
accompagnements
joués par le
piano. Chaque
étape de
l’apprentissage
estponctuée
d’un quiz musical,
permettant
d’évaluer
vos acquis, vos
progrès... mais
aussi votre aptitude
à passer à
la suite. Vous trouverez
sur le disque MP3 joint
tous lesenregistrements
audios (au format mp3)
correspondant aux
multiples exercices et
autres quiz de la
méthode. Avoir une bonne oreille
musicale fait
indeniablement partie des
elements requis pour etre
ou devenir un bon
pianiste. C'est bien
simple... tout part de la
! Et tout passe par la !
Mais a l'instar des
doigts qui sont au
contact du clavier,
l'oreille doit aussi etre
formee et entrainee pour
devenir performante. Et
cela passe inevitablement
par des exercices
specifiques, tels que
ceux qui vous sont
proposes dans cette
methode. Savoir
reconnaitre les
intervalles entre les
notes est la base de la
formation auditive (ear
training, en anglais).
C'est pourquoi un premier
grand chapitre est
consacre ici a leur etude
approfondie. Dans les
suivants, vous serez
alors en mesured'aborder,
pas a pas, les arpeges et
accords de 3 et 4 sons,
ainsi que les gammes...
qui sont autant d'outils
indispensables pour
identifier a l'oreille
les melodies et
accompagnements joues par
le piano. Chaque etape de
l'apprentissage est
ponctuee d'un quiz
musical, permettant
d'evaluer vos acquis, vos
progres... mais aussi
votre aptitude a passer a
la suite. Vous trouverez
sur le disque MP3 joint
tous les enregistrements
audios (au format mp3)
correspondant aux
multiples exercices et
autres quiz de la
methode.
$2.50 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| St. Matthew Passion Chorale SATB SATB Schirmer
By Johann Sebastian Bach. Arranged by H Nicholl. (SATB). Choral Large Works. Si...(+)
By Johann Sebastian Bach.
Arranged by H Nicholl.
(SATB). Choral Large
Works. Size 6.7x10.5
inches. 229 pages.
Published by G. Schirmer,
Inc.
$16.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| You, who the name of Christ have taken (Ihr, die ihr euch von Christo nennet) Chorale SATB [Conducteur] Carus Verlag
Soli SATB, SATB Choir, 2 Fl, 2 Ob, 2 Vl, Va, Bc SKU: CA.3116400 Cantat...(+)
Soli SATB, SATB Choir, 2
Fl, 2 Ob, 2 Vl, Va, Bc
SKU: CA.3116400
Cantata for the 13th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Frieder Rempp. Arranged
by Paul Horn. Stuttgart
Urtext Edition: Bach
vocal. Sacred vocal
music, Cantatas, Whitsun.
Full score. Composed
1725. BWV 164. 32 pages.
Duration 17 minutes.
Carus Verlag #CV
31.164/00. Published by
Carus Verlag
(CA.3116400). ISBN
9790007187170. Language:
German/English. Thi
s six-movement cantata
was performed for the
first time on 26 August
1725 in Leipzig. The text
was written by Bach's
Weimar cantata poet
Salomon Franck and had
been published earlier in
1715 in his collection
Evangelisches
Andachts-Opffer. Here,
Bach bases his work
around the form of the
Weimar cantatas which
take their texts from
Franck's printed
collection (BWV 132, 152,
161-163, 165): movements
1-5 are performed by
vocal soloists, whilst
only the final chorus is
given to the chorus. The
key concepts of the text
are Barmherzigkeit
[compassion], Erbarmen
[mercy] and wahre
Christenliebe [true
Christian love]; the
chamber music arrangement
of the cantata
corresponds with this.
The two arias for tenor
and alto, and the duet
for soprano and bass do
not contain da capo
sections, but repeat the
entire text in a
condensed form. The
instruments do not
contrast as a rule, but
are treated as a string
group (movements 1, 4),
duetting (movement 3),
and as full unison
(movement 5). What is
remarkable in all three
movements is the thematic
linking of the
instrumental ritornello
parts with the vocal
parts through which Bach
achieves a kind of unity
of form. $22.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| You, who the name of Christ have taken (Ihr, die ihr euch von Christo nennet) Chorale SATB Carus Verlag
Soli SATB, SATB Choir, 2 Fl, 2 Ob, 2 Vl, Va, Bc SKU: CA.3116449 Cantat...(+)
Soli SATB, SATB Choir, 2
Fl, 2 Ob, 2 Vl, Va, Bc
SKU: CA.3116449
Cantata for the 13th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Frieder Rempp. Arranged
by Paul Horn. Stuttgart
Urtext Edition: Bach
vocal. Organ. Sacred
vocal music, Cantatas,
Whitsun. Single Part,
Organ. Composed 1725. BWV
164. 16 pages. Duration
17 minutes. Carus Verlag
#CV 31.164/49. Published
by Carus Verlag
(CA.3116449). ISBN
9790007209070. Language:
German/English. Thi
s six-movement cantata
was performed for the
first time on 26 August
1725 in Leipzig. The text
was written by Bach's
Weimar cantata poet
Salomon Franck and had
been published earlier in
1715 in his collection
Evangelisches
Andachts-Opffer. Here,
Bach bases his work
around the form of the
Weimar cantatas which
take their texts from
Franck's printed
collection (BWV 132, 152,
161-163, 165): movements
1-5 are performed by
vocal soloists, whilst
only the final chorus is
given to the chorus. The
key concepts of the text
are Barmherzigkeit
[compassion], Erbarmen
[mercy] and wahre
Christenliebe [true
Christian love]; the
chamber music arrangement
of the cantata
corresponds with this.
The two arias for tenor
and alto, and the duet
for soprano and bass do
not contain da capo
sections, but repeat the
entire text in a
condensed form. The
instruments do not
contrast as a rule, but
are treated as a string
group (movements 1, 4),
duetting (movement 3),
and as full unison
(movement 5). What is
remarkable in all three
movements is the thematic
linking of the
instrumental ritornello
parts with the vocal
parts through which Bach
achieves a kind of unity
of form. Score and part
available separately -
see item CA.3116400. $15.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| You, who the name of Christ have taken (Ihr, die ihr euch von Christo nennet) Chorale SATB Carus Verlag
Soli SATB, SATB Choir, 2 Fl, 2 Ob, 2 Vl, Va, Bc SKU: CA.3116405 Cantat...(+)
Soli SATB, SATB Choir, 2
Fl, 2 Ob, 2 Vl, Va, Bc
SKU: CA.3116405
Cantata for the 13th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Frieder Rempp. Arranged
by Paul Horn. Stuttgart
Urtext Edition: Bach
vocal. Sacred vocal
music, Cantatas, Whitsun.
Choral Score. Composed
1725. BWV 164. 2 pages.
Duration 17 minutes.
Carus Verlag #CV
31.164/05. Published by
Carus Verlag
(CA.3116405). ISBN
9790007187194. Language:
German/English. Thi
s six-movement cantata
was performed for the
first time on 26 August
1725 in Leipzig. The text
was written by Bach's
Weimar cantata poet
Salomon Franck and had
been published earlier in
1715 in his collection
Evangelisches
Andachts-Opffer. Here,
Bach bases his work
around the form of the
Weimar cantatas which
take their texts from
Franck's printed
collection (BWV 132, 152,
161-163, 165): movements
1-5 are performed by
vocal soloists, whilst
only the final chorus is
given to the chorus. The
key concepts of the text
are Barmherzigkeit
[compassion], Erbarmen
[mercy] and wahre
Christenliebe [true
Christian love]; the
chamber music arrangement
of the cantata
corresponds with this.
The two arias for tenor
and alto, and the duet
for soprano and bass do
not contain da capo
sections, but repeat the
entire text in a
condensed form. The
instruments do not
contrast as a rule, but
are treated as a string
group (movements 1, 4),
duetting (movement 3),
and as full unison
(movement 5). What is
remarkable in all three
movements is the thematic
linking of the
instrumental ritornello
parts with the vocal
parts through which Bach
achieves a kind of unity
of form. Score available
separately - see item
CA.3116400. $3.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| You, who the name of Christ have taken (Ihr, die ihr euch von Christo nennet) Chorale SATB [Conducteur et Parties séparées] Carus Verlag
Soli SATB, SATB Choir, 2 Fl, 2 Ob, 2 Vl, Va, Bc SKU: CA.3116409 Cantat...(+)
Soli SATB, SATB Choir, 2
Fl, 2 Ob, 2 Vl, Va, Bc
SKU: CA.3116409
Cantata for the 13th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Frieder Rempp. Arranged
by Paul Horn. 1x
31.164/21 flute 1, 1x
31.164/22 flute 2, 1x
31.164/23 oboe 1, 1x
31.164/24 oboe 2.
Stuttgart Urtext Edition:
Bach vocal. Harmony
parts. Sacred vocal
music, Cantatas, Whitsun.
Set of Orchestra Parts.
Composed 1725. BWV 164.
Duration 17 minutes.
Carus Verlag #CV
31.164/09. Published by
Carus Verlag
(CA.3116409). ISBN
9790007209018. Language:
German/English. Thi
s six-movement cantata
was performed for the
first time on 26 August
1725 in Leipzig. The text
was written by Bach's
Weimar cantata poet
Salomon Franck and had
been published earlier in
1715 in his collection
Evangelisches
Andachts-Opffer. Here,
Bach bases his work
around the form of the
Weimar cantatas which
take their texts from
Franck's printed
collection (BWV 132, 152,
161-163, 165): movements
1-5 are performed by
vocal soloists, whilst
only the final chorus is
given to the chorus. The
key concepts of the text
are Barmherzigkeit
[compassion], Erbarmen
[mercy] and wahre
Christenliebe [true
Christian love]; the
chamber music arrangement
of the cantata
corresponds with this.
The two arias for tenor
and alto, and the duet
for soprano and bass do
not contain da capo
sections, but repeat the
entire text in a
condensed form. The
instruments do not
contrast as a rule, but
are treated as a string
group (movements 1, 4),
duetting (movement 3),
and as full unison
(movement 5). What is
remarkable in all three
movements is the thematic
linking of the
instrumental ritornello
parts with the vocal
parts through which Bach
achieves a kind of unity
of form. Score and parts
available separately -
see item CA.3116400. $14.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| You, who the name of Christ have taken (Ihr, die ihr euch von Christo nennet) Chorale SATB [Conducteur et Parties séparées] Carus Verlag
Soli SATB, SATB Choir, 2 Fl, 2 Ob, 2 Vl, Va, Bc SKU: CA.3116419 Cantat...(+)
Soli SATB, SATB Choir, 2
Fl, 2 Ob, 2 Vl, Va, Bc
SKU: CA.3116419
Cantata for the 13th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Frieder Rempp. Arranged
by Paul Horn. Stuttgart
Urtext Edition: Bach
vocal. Complete
orchestral parts. Sacred
vocal music, Cantatas,
Whitsun. Set of Orchestra
Parts. Composed 1725. BWV
164. Duration 17 minutes.
Carus Verlag #CV
31.164/19. Published by
Carus Verlag
(CA.3116419). ISBN
9790007209063. Language:
German/English. Thi
s six-movement cantata
was performed for the
first time on 26 August
1725 in Leipzig. The text
was written by Bach's
Weimar cantata poet
Salomon Franck and had
been published earlier in
1715 in his collection
Evangelisches
Andachts-Opffer. Here,
Bach bases his work
around the form of the
Weimar cantatas which
take their texts from
Franck's printed
collection (BWV 132, 152,
161-163, 165): movements
1-5 are performed by
vocal soloists, whilst
only the final chorus is
given to the chorus. The
key concepts of the text
are Barmherzigkeit
[compassion], Erbarmen
[mercy] and wahre
Christenliebe [true
Christian love]; the
chamber music arrangement
of the cantata
corresponds with this.
The two arias for tenor
and alto, and the duet
for soprano and bass do
not contain da capo
sections, but repeat the
entire text in a
condensed form. The
instruments do not
contrast as a rule, but
are treated as a string
group (movements 1, 4),
duetting (movement 3),
and as full unison
(movement 5). What is
remarkable in all three
movements is the thematic
linking of the
instrumental ritornello
parts with the vocal
parts through which Bach
achieves a kind of unity
of form. Score and parts
available separately -
see item CA.3116400. $105.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| You, who the name of Christ have taken (Ihr, die ihr euch von Christo nennet) Chorale SATB Carus Verlag
Soli SATB, SATB Choir, 2 Fl, 2 Ob, 2 Vl, Va, Bc SKU: CA.3116403 Cantat...(+)
Soli SATB, SATB Choir, 2
Fl, 2 Ob, 2 Vl, Va, Bc
SKU: CA.3116403
Cantata for the 13th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Frieder Rempp. Arranged
by Paul Horn. Stuttgart
Urtext Edition: Bach
vocal. Sacred vocal
music, Cantatas, Whitsun.
Vocal score. Composed
1725. BWV 164. 28 pages.
Duration 17 minutes.
Carus Verlag #CV
31.164/03. Published by
Carus Verlag
(CA.3116403). ISBN
9790007187187. Language:
German/English. Thi
s six-movement cantata
was performed for the
first time on 26 August
1725 in Leipzig. The text
was written by Bach's
Weimar cantata poet
Salomon Franck and had
been published earlier in
1715 in his collection
Evangelisches
Andachts-Opffer. Here,
Bach bases his work
around the form of the
Weimar cantatas which
take their texts from
Franck's printed
collection (BWV 132, 152,
161-163, 165): movements
1-5 are performed by
vocal soloists, whilst
only the final chorus is
given to the chorus. The
key concepts of the text
are Barmherzigkeit
[compassion], Erbarmen
[mercy] and wahre
Christenliebe [true
Christian love]; the
chamber music arrangement
of the cantata
corresponds with this.
The two arias for tenor
and alto, and the duet
for soprano and bass do
not contain da capo
sections, but repeat the
entire text in a
condensed form. The
instruments do not
contrast as a rule, but
are treated as a string
group (movements 1, 4),
duetting (movement 3),
and as full unison
(movement 5). What is
remarkable in all three
movements is the thematic
linking of the
instrumental ritornello
parts with the vocal
parts through which Bach
achieves a kind of unity
of form. Score available
separately - see item
CA.3116400. $11.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| My Way Is Not His Way Chorale SATB Shawnee Press
Choral (SATB Choir) SKU: HL.35032227 Composed by Diane Hannibal and Wes H...(+)
Choral (SATB Choir)
SKU: HL.35032227
Composed by Diane
Hannibal and Wes
Hannibal. Arranged by
Mary McDonald. Shawnee
Sacred. General Worship,
Lent, Sacred. Octavo. 12
pages. Published by
Shawnee Press
(HL.35032227). UPC:
888680741198. 6.75x10.5
inches. An honest
statement about the
journey of faith is at
the heart of this sacred
ballad. Leaning on the
promises of God's grace,
the text and tune move
with gently rhythmic
elegance. The chorus in
full SATB voicing is an
impassioned
acknowledgement of God's
sovereignty and a
commitment to
surrendering to His
divine will. A sturdy
piano underpinning
supports the refrain with
strong convicting chords
before give way to a
devotional, quiet
conclusion. A paean of
prayer! $2.10 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Hold On Chorale SATB BriLee Music
Composed by Traditional Spiritual. Arranged by Dan Davison. Sws. Octavo. 16 ...(+)
Composed by Traditional
Spiritual. Arranged by
Dan
Davison. Sws. Octavo. 16
pages. Duration 2
minutes, 50
seconds. BriLee Music
#BL1155. Published by
BriLee
Music
$2.75 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| St. John Passion Chorale SATB SATB Schirmer
SATB. By Johann Sebastian Bach. Arranged by A Mendel. (SATB). Choral Large Work...(+)
SATB. By Johann Sebastian
Bach. Arranged by A
Mendel. (SATB). Choral
Large Works. Size 7x10.5
inches. 244 pages.
Published by G. Schirmer,
Inc.
$14.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Johann Sebastian Bach: Chorales 1-91
Chorale SATB SATB [Vocal Score] Schirmer
Composed by Johann Sebastian Bach (1685-1750), edited by Albert Riemenschneider,...(+)
Composed by Johann
Sebastian Bach
(1685-1750), edited by
Albert Riemenschneider,
Charles Boyd. Vocal score
book for SATB choir. With
vocal score notation
(open score in German;
closed score in English),
introductory text and .
Text language English;
lyrics in German and
English. 127 pages.
Published by G. Schirmer,
Inc.
(5)$29.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Alms Chorale SATB SATB, Piano Theodore Presser Co.
Choral SATB Choir and Piano SKU: PR.312418790 No. 3 from Second April<...(+)
Choral SATB Choir and
Piano SKU:
PR.312418790 No. 3
from Second April.
Composed by Eric Ewazen.
Octavo. Performance
Score. Theodore Presser
Company #312-41879.
Published by Theodore
Presser Company
(PR.312418790). ISBN
9781491138144. UPC:
680160640218. Second
April, by Edna St.
Vincent
Millay. Second
April for S.A.T.B. Chorus
and Piano is a
four-movement set, based
on the poetry of Edna St.
Vincent Millay. Ewazen
has long been enamored
with her poetry's
wonderfully vivid and
descriptive imagery of
nature and emotions, and
its powerful and profound
meaning. The third
movement, ALMS is a fast
rondo, intense, bold, and
always dance-like. It is
about both tragedy and
resilience. This music is
primarily minor, yet with
moments of playfulness,
the recollection of happy
times takes over. This
seesaw between emotions
is heard throughout the
movement, and with
Millay’s summing up of
“reality being what it
is,” the piece ends
with strength, boldness,
and
finality. . Program
Notes by Eric
EwazenSECOND APRIL for
S.A.T.B. Chorus and Piano
is a four-movement set,
based on the poetry of
Edna St. Vincent Millay.
I have long been enamored
with the poetry of Millay
for its wonderfully vivid
and descriptive imagery,
and its often powerful
and profound meaning.
Millay’s descriptions
of nature, and of
feelings and emotions,
have always spoken to me.
SECOND APRIL consists of
four of her poems, each
with a distinctive mood,
message, and emotional
feel. They are vivid,
powerful, and beautiful,
inspiring me to capture
these descriptions of the
various scenes she
portrays. Song of a
Second April uses music
to underlie strong
feelings, passions, and
the tragedies of life.
The poem itself is
dramatic, detailing a
time of personal strife
and tragedy, perhaps the
end of a relationship or
even the end of a life.
The music is intense,
fast, in a minor key, and
with rapid, spinning
notes creating a feeling
of powerful, relentless
emotions. Melodies,
motives, and gestures are
tossed between the
voices, increasing the
feelings of intensity and
even desperation. Little
by little, the music
almost dies away, getting
quieter and quieter,
creating a feeling of
resignation, but with a
Picardy Third in the
final chord – maybe a
bit of hope! Mariposa
is a celebration of
nature, wandering through
a field with white and
blue butterflies
appearing almost
wondrously. But there’s
also a profound feeling
of poignancy, noting that
as one relishes such a
beautiful, magical sight,
they should embrace the
experience – the
fleeting, transient
nature of such a perfect
vision and of life
itself. The music
portrays the flying of
the butterflies: gentle,
beautiful, with rich
chords and arpeggios, but
stepping back, as the
fleeting nature of life
is the reality, with
gentle, but sombre chords
interspersed with the
magical flight of the
Mariposa.Alms is a fast
rondo, intense, bold, and
always dance-like. It is
about both tragedy and
resilience. This music is
also in minor, yet with
moments of playfulness,
as a recollection of
happy times or moments
takes over. This seesaw
between emotions is heard
throughout the movement,
as the music continues to
“dance.” And with
Millay’s summing up of
“reality being what it
is,” the piece ends
with strength, boldness,
and finality. Into the
Golden Vessel of Great
Song is an appassionato
call to overcome! The
poem exhorts us to
“sing out” with hope,
determination, and
strength. The music is
full of bright and
lilting energy; but as
the turmoil and times of
strife people can
sometimes feel or
experience, the music
becomes intense,
dramatic, in a minor key,
and with changing
rhythms. BUT, there is a
return to championing the
idea of simply
overcoming, going forward
with hope and
determination, and the
music is in major,
resonant and strong.
. $4.25 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Ultimate Gospel Choir Book 4 - Vocal Score Chorale SATB SATB, Piano [Vocal Score] Zebe Publishing
By Jeff Guillen. Arranged by Jeff Guillen. For SATB choir and piano. The Ultimat...(+)
By Jeff Guillen. Arranged
by Jeff Guillen. For SATB
choir and piano. The
Ultimate Gospel Choir
Book. Collection of 17
lively, invigorating
songs which are all in
delightful settings for
Mixed Voices and piano.
Includes: Pass Me Not,
Jesus On The Mainline,
What A Friend, My Soul Is
A Witness, Hush and many
more.. Gospel Music, CCM.
Intermediate. Vocal
score. 44 pages.
Published by Zebe
Publishing
$9.95 $9.4525 (- 5%) Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Pass Me Not, O Gentle Savior Chorale SATB SATB, Piano [Octavo] Monarch Music
| | |
| Into the Golden Vessel of Great Song Chorale SATB SATB, Piano Theodore Presser Co.
Choral SATB Choir and Piano SKU: PR.312418800 No. 4 from Second April<...(+)
Choral SATB Choir and
Piano SKU:
PR.312418800 No. 4
from Second April.
Composed by Eric Ewazen.
Octavo. Performance
Score. Theodore Presser
Company #312-41880.
Published by Theodore
Presser Company
(PR.312418800). ISBN
9781491138151. UPC:
680160640225. Second
April, by Edna St.
Vincent
Millay. Second
April for S.A.T.B. Chorus
and Piano is a
four-movement set, based
on the poetry of Edna St.
Vincent Millay. Ewazen
has long been enamored
with her poetry's
wonderfully vivid and
descriptive imagery of
nature and emotions, and
its powerful and profound
meaning. The final
movement, INTO THE GOLDEN
VESSEL OF GREAT SONG is
an appassionato call to
overcome! The poem
exhorts us to “sing
out” with hope,
determination, and
strength. The music
contrasts turmoil and
times of strife with a
return to championing the
idea of simply
overcoming, going forward
with hope and
determination, with the
closing music in major,
resonant and strong.
. SECOND APRIL for
S.A.T.B. Chorus and Piano
is a four-movement set,
based on the poetry of
Edna St. Vincent Millay.
I have long been enamored
with the poetry of Millay
for its wonderfully vivid
and descriptive imagery,
and its often powerful
and profound meaning.
Millay’s descriptions
of nature, and of
feelings and emotions,
have always spoken to me.
SECOND APRIL consists of
four of her poems, each
with a distinctive mood,
message, and emotional
feel. They are vivid,
powerful, and beautiful,
inspiring me to capture
these descriptions of the
various scenes she
portrays. Song of a
Second April uses music
to underlie strong
feelings, passions, and
the tragedies of life.
The poem itself is
dramatic, detailing a
time of personal strife
and tragedy, perhaps the
end of a relationship or
even the end of a life.
The music is intense,
fast, in a minor key, and
with rapid, spinning
notes creating a feeling
of powerful, relentless
emotions. Melodies,
motives, and gestures are
tossed between the
voices, increasing the
feelings of intensity and
even desperation. Little
by little, the music
almost dies away, getting
quieter and quieter,
creating a feeling of
resignation, but with a
Picardy Third in the
final chord – maybe a
bit of hope! Mariposa
is a celebration of
nature, wandering through
a field with white and
blue butterflies
appearing almost
wondrously. But there’s
also a profound feeling
of poignancy, noting that
as one relishes such a
beautiful, magical sight,
they should embrace the
experience – the
fleeting, transient
nature of such a perfect
vision and of life
itself. The music
portrays the flying of
the butterflies: gentle,
beautiful, with rich
chords and arpeggios, but
stepping back, as the
fleeting nature of life
is the reality, with
gentle, but sombre chords
interspersed with the
magical flight of the
Mariposa.Alms is a fast
rondo, intense, bold, and
always dance-like. It is
about both tragedy and
resilience. This music is
also in minor, yet with
moments of playfulness,
as a recollection of
happy times or moments
takes over. This seesaw
between emotions is heard
throughout the movement,
as the music continues to
“dance.” And with
Millay’s summing up of
“reality being what it
is,” the piece ends
with strength, boldness,
and finality. Into the
Golden Vessel of Great
Song is an appassionato
call to overcome! The
poem exhorts us to
“sing out” with hope,
determination, and
strength. The music is
full of bright and
lilting energy; but as
the turmoil and times of
strife people can
sometimes feel or
experience, the music
becomes intense,
dramatic, in a minor key,
and with changing
rhythms. BUT, there is a
return to championing the
idea of simply
overcoming, going forward
with hope and
determination, and the
music is in major,
resonant and strong.
. $3.75 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Pass Me Not Chorale SATB Hope Publishing Company
Composed by William H. Doane. Arranged by Larry Shackley. For SATB choir. Text: ...(+)
Composed by William H.
Doane. Arranged by Larry
Shackley. For SATB choir.
Text: Revelation 19:12.
Choral octavo. Published
by Hope Publishing
Company
$3.25 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Mariposa Chorale SATB SATB, Piano Theodore Presser Co.
Choral SATB Choir and Piano SKU: PR.312418780 No. 2 From Second April<...(+)
Choral SATB Choir and
Piano SKU:
PR.312418780 No. 2
From Second April.
Composed by Eric Ewazen.
Fold. Performance Score.
Theodore Presser Company
#312-41878. Published by
Theodore Presser Company
(PR.312418780). ISBN
9781491138137. UPC:
680160640201. Second
April, by Edna St.
Vincent
Millay. Second
April for S.A.T.B. Chorus
and Piano is a
four-movement set, based
on the poetry of Edna St.
Vincent Millay. Ewazen
has long been enamored
with her poetry's
wonderfully vivid and
descriptive imagery of
nature and emotions, and
its powerful and profound
meaning. The second
movement, MARIPOSA
celebrates nature,
wandering through a field
of white and blue
butterflies appearing
wondrously, with rich
chords and arpeggios. Yet
also stepping back, the
fleeting nature of life
is the reality, with
gentle, somber chords
interspersed with the
magical flight of the
Mariposa. Program
Notes by Eric
EwazenSECOND APRIL for
S.A.T.B. Chorus and Piano
is a four-movement set,
based on the poetry of
Edna St. Vincent Millay.
I have long been enamored
with the poetry of Millay
for its wonderfully vivid
and descriptive imagery,
and its often powerful
and profound meaning.
Millay’s descriptions
of nature, and of
feelings and emotions,
have always spoken to me.
SECOND APRIL consists of
four of her poems, each
with a distinctive mood,
message, and emotional
feel. They are vivid,
powerful, and beautiful,
inspiring me to capture
these descriptions of the
various scenes she
portrays. Song of a
Second April uses music
to underlie strong
feelings, passions, and
the tragedies of life.
The poem itself is
dramatic, detailing a
time of personal strife
and tragedy, perhaps the
end of a relationship or
even the end of a life.
The music is intense,
fast, in a minor key, and
with rapid, spinning
notes creating a feeling
of powerful, relentless
emotions. Melodies,
motives, and gestures are
tossed between the
voices, increasing the
feelings of intensity and
even desperation. Little
by little, the music
almost dies away, getting
quieter and quieter,
creating a feeling of
resignation, but with a
Picardy Third in the
final chord – maybe a
bit of hope! Mariposa
is a celebration of
nature, wandering through
a field with white and
blue butterflies
appearing almost
wondrously. But there’s
also a profound feeling
of poignancy, noting that
as one relishes such a
beautiful, magical sight,
they should embrace the
experience – the
fleeting, transient
nature of such a perfect
vision and of life
itself. The music
portrays the flying of
the butterflies: gentle,
beautiful, with rich
chords and arpeggios, but
stepping back, as the
fleeting nature of life
is the reality, with
gentle, but sombre chords
interspersed with the
magical flight of the
Mariposa.Alms is a fast
rondo, intense, bold, and
always dance-like. It is
about both tragedy and
resilience. This music is
also in minor, yet with
moments of playfulness,
as a recollection of
happy times or moments
takes over. This seesaw
between emotions is heard
throughout the movement,
as the music continues to
“dance.” And with
Millay’s summing up of
“reality being what it
is,” the piece ends
with strength, boldness,
and finality. Into the
Golden Vessel of Great
Song is an appassionato
call to overcome! The
poem exhorts us to
“sing out” with hope,
determination, and
strength. The music is
full of bright and
lilting energy; but as
the turmoil and times of
strife people can
sometimes feel or
experience, the music
becomes intense,
dramatic, in a minor key,
and with changing
rhythms. BUT, there is a
return to championing the
idea of simply
overcoming, going forward
with hope and
determination, and the
music is in major,
resonant and strong.
. $2.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Song of a Second April Chorale SATB SATB, Piano Theodore Presser Co.
Choral SATB Choir and Piano SKU: PR.312418770 No. 1 from Second April<...(+)
Choral SATB Choir and
Piano SKU:
PR.312418770 No. 1
from Second April.
Composed by Eric Ewazen.
Octavo. Performance
Score. Theodore Presser
Company #312-41877.
Published by Theodore
Presser Company
(PR.312418770). ISBN
9781491138120. UPC:
680160640195. Second
April, by Edna St.
Vincent
Millay. Second
April for S.A.T.B. Chorus
and Piano is a
four-movement set, based
on the poetry of Edna St.
Vincent Millay. Ewazen
has long been enamored
with her poetry's
wonderfully vivid and
descriptive imagery of
nature and emotions, and
its powerful and profound
meaning. The first
movement, SONG OF A
SECOND APRIL is dramatic,
detailing a time of
personal strife and
tragedy, perhaps the end
of a relationship or even
the end of a life. The
music is intense, fast,
in a minor key, creating
a feeling of powerful,
relentless emotions.
Little by little, the
music almost dies away,
getting quieter and
quieter, creating a
feeling of resignation,
but with a surprise
Picardy Third in the
final chord –
suggesting a bit of
hope!. SECOND APRIL
for S.A.T.B. Chorus and
Piano is a four-movement
set, based on the poetry
of Edna St. Vincent
Millay. I have long been
enamored with the poetry
of Millay for its
wonderfully vivid and
descriptive imagery, and
its often powerful and
profound meaning.
Millay’s descriptions
of nature, and of
feelings and emotions,
have always spoken to me.
SECOND APRIL consists of
four of her poems, each
with a distinctive mood,
message, and emotional
feel. They are vivid,
powerful, and beautiful,
inspiring me to capture
these descriptions of the
various scenes she
portrays. Song of a
Second April uses music
to underlie strong
feelings, passions, and
the tragedies of life.
The poem itself is
dramatic, detailing a
time of personal strife
and tragedy, perhaps the
end of a relationship or
even the end of a life.
The music is intense,
fast, in a minor key, and
with rapid, spinning
notes creating a feeling
of powerful, relentless
emotions. Melodies,
motives, and gestures are
tossed between the
voices, increasing the
feelings of intensity and
even desperation. Little
by little, the music
almost dies away, getting
quieter and quieter,
creating a feeling of
resignation, but with a
Picardy Third in the
final chord – maybe a
bit of hope! Mariposa
is a celebration of
nature, wandering through
a field with white and
blue butterflies
appearing almost
wondrously. But there’s
also a profound feeling
of poignancy, noting that
as one relishes such a
beautiful, magical sight,
they should embrace the
experience – the
fleeting, transient
nature of such a perfect
vision and of life
itself. The music
portrays the flying of
the butterflies: gentle,
beautiful, with rich
chords and arpeggios, but
stepping back, as the
fleeting nature of life
is the reality, with
gentle, but sombre chords
interspersed with the
magical flight of the
Mariposa.Alms is a fast
rondo, intense, bold, and
always dance-like. It is
about both tragedy and
resilience. This music is
also in minor, yet with
moments of playfulness,
as a recollection of
happy times or moments
takes over. This seesaw
between emotions is heard
throughout the movement,
as the music continues to
“dance.” And with
Millay’s summing up of
“reality being what it
is,” the piece ends
with strength, boldness,
and finality. Into the
Golden Vessel of Great
Song is an appassionato
call to overcome! The
poem exhorts us to
“sing out” with hope,
determination, and
strength. The music is
full of bright and
lilting energy; but as
the turmoil and times of
strife people can
sometimes feel or
experience, the music
becomes intense,
dramatic, in a minor key,
and with changing
rhythms. BUT, there is a
return to championing the
idea of simply
overcoming, going forward
with hope and
determination, and the
music is in major,
resonant and strong.
. $3.75 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Selectae harmoniae de Passione Domini (1538) Chorale SATB Barenreiter
SATB Choir (Mixed choir) SKU: BA.BA04270 18 meist mehrteilige Komposit...(+)
SATB Choir (Mixed choir)
SKU: BA.BA04270
18 meist mehrteilige
Kompositionen (Passionen,
Antiphonen u. a.) von
anonymen und 11 bekannten
Meistern des 15. und 16.
Jahrhunderts. Edited
by Wolfgang Reich. This
edition: complete
edition, urtext edition.
Half-cloth binding. Georg
Rhau. Musikdrucke aus den
Jahren 1538-1545, 10.
Complete edition,
anthology. Composed 1538.
Baerenreiter Verlag
#BA04270_00. Published by
Baerenreiter Verlag
(BA.BA04270). ISBN
9790006446605. 27.5 x
19.6 cm inches. 18
meist mehrteilige
Kompositionen (Passionen,
Antiphonen u. a.) von
anonymen und 11 bekannten
Meistern des 15. und 16.
Jahrhunderts.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
$277.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Responsorium numero octoginta I Chorale SATB Barenreiter
SATB Choir (Mixed choir (SATB)) SKU: BA.BA03131 Composed by Balthasar Res...(+)
SATB Choir (Mixed choir
(SATB)) SKU:
BA.BA03131 Composed
by Balthasar Resinarius.
Edited by Inge-Maria
Schröder. This
edition: complete
edition, urtext edition.
Half-cloth binding. Georg
Rhau. Musikdrucke aus den
Jahren 1538-1545, 1.
Sacred. Complete edition,
Singing Score.
Baerenreiter Verlag
#BA03131_00. Published by
Baerenreiter Verlag
(BA.BA03131). ISBN
9790006429875. 27.7 x
19.7 cm inches. De
Christo, et regno eius,
Doctrina, Vita, Passione,
Resurrrectione et
Ascensione. 42 meist
vierstimmige Motetten.
Urtext der
Rhau-Ausgabe.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
$192.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Do Not Be Afraid Chorale SATB SATB, Piano - Facile Concordia Publishing House
Piano (SATB) - early intermediate SKU: CR.984328 Composed by Michael Lark...(+)
Piano (SATB) - early
intermediate SKU:
CR.984328 Composed by
Michael Larkin. Choral.
Octavo. With music.
Concordia Publishing
House #984328. Published
by Concordia Publishing
House (CR.984328).
ISBN 9780758666147. 7
X 10.25
inches. Michael
Larkin's gentle anthem of
comfort is based on
Isaiah 43:1 - 4. The
luscious choral textures
are supported by a
decorative piano
accompaniment, making
this an accessible piece
for choirs of all
abilities. The text
appears in Lutheran
Service Book's
Three-Year Lectionary,
Series C, as the Old
Testament Reading for the
Baptism of Our Lord. The
piece also makes a
wonderful anthem for
baptisms and
confirmations.
Do not be afraid,
for I have redeemed
you. I have
called you by your name,
and you are
Mine. Do not
be afraid, for you are
Mine.
When you pass
through deep waters the
waves will not cover
you. When
you pass through the fire
the flames will not touch
you. The
flames will not touch
you. Do not
be afraid, for I have
redeemed
you. I have
called you by your name,
and you are
Mine. For I
am the Lord your God; you
are precious in My
sight. I
love you with a perfect
love. I love
you with a perfect love,
a perfect
love. $2.30 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Child of God's Compassion Chorale SATB - Facile GIA Publications
By Lori True. For Voices: SATB, assembly. Instruments: Flute, violin, 28 handbel...(+)
By Lori True. For Voices:
SATB, assembly.
Instruments: Flute,
violin, 28 handbells
(instruments required).
Keyboard accompaniment.
Originally "Child of
Christmas Story," (on the
recording) a Shirley
Erena Murray text. GIA
was denied permission to
use this text in this
setting. Christmas
Sacred. Level: easy. 7
pages. Published by GIA
Publications.
$2.40 $2.28 (- 5%) Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Taize: Songs for Prayer
Chorale SATB SATB - Facile GIA Publications
By Jacques Berthier. For Voices: Cantor, assembly, SATB?. Instruments: (instrume...(+)
By Jacques Berthier. For
Voices: Cantor, assembly,
SATB?. Instruments:
(instruments optional).
Taize; Coll Sacred.
Level: easy. 99 pages.
Published by GIA
Publications.
(1)$13.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
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