By Lynn Trapp. For organ (Cantor, SATB choir, Congregation). Choral Music. Chora...(+)
By Lynn Trapp. For organ
(Cantor, SATB choir,
Congregation). Choral
Music. Choral. Liturgy.
Easter. Easy. Octavo.
Published by MorningStar
Music Publishers
SATB (with Organ). Composed by Nicholas Maw (1935-). Choral (Sacred); Choral Wor...(+)
SATB (with Organ).
Composed by Nicholas Maw
(1935-). Choral (Sacred);
Choral Worship
Collection; Collections;
Masterworks; Performance
Music Ensemble; Worship
Resources. Faber Edition.
20th Century; Hymn;
Masterwork; Sacred. Book.
Faber Music
#12-0571511430. Published
by Faber Music
By Robert A. Hobby. For SATB choir, Children's Choir/Treble Voices, Tenor Solo, ...(+)
By Robert A. Hobby. For
SATB choir, Children's
Choir/Treble Voices,
Tenor Solo, and Keyboard
or Orchestra. Good
Shepherd Sunday, General.
Choral. Level: Medium.
Published by MorningStar
Music Publishers.
Composed by Neil Harmon. For SATB choir, keyboard (piano or organ) or chamber or...(+)
Composed by Neil Harmon.
For SATB choir, keyboard
(piano or organ) or
chamber orchestra. Year
C: Easter4. Easter,
General, Good Shepherd
Sunday, 21st Century.
Moderately Easy. Octavo.
Scripture: Psalms 23;
Text Language: English.
Published by MorningStar
Music Publishers
SATB & Piano SKU: SU.YR1C17V2 For SATB & Piano. Composed by Edgar ...(+)
SATB & Piano
SKU:
SU.YR1C17V2
For
SATB & Piano.
Composed by Edgar
Colon-Hernandez.
Vocal/Choral, Secular
Choral. Accompanied by
piano. Choral Octavo.
Subito Music Corporation
#YR1C17v2. Published by
Subito Music Corporation
(SU.YR1C17V2).
Two traditional
Puertorican Villancicos
arranged by Edgar
Colon-HernandezSATB &
piano Composed: 2010
Published by: Yelton
Rhodes Music Minimum
order quantity: 8 copies.
To order quantities fewer
than 8, please email
customer service at
sales@subitomusic.com.
Kumbaya Chorale SATB SATB, Piano [Octavo] Kjos Music Company
By Marc Robinson. For choir. (Satb). Choral Octavos. Music for the Church Year....(+)
By Marc Robinson. For
choir. (Satb). Choral
Octavos. Music for the
Church Year. Sacred,
Advent, Christmas and
Christmastide, General
Worship. Choral Octavo.
Published by Neil A. Kjos
Music Company.
SATB choir a cappella, descant - Intermediate SKU: MN.70-105 Composed by ...(+)
SATB choir a cappella,
descant - Intermediate
SKU: MN.70-105
Composed by Marie Stultz.
Christmas, 21st Century.
Octavo. Duration 15
minutes. MorningStar
Music Publishers #70-105.
Published by MorningStar
Music Publishers
(MN.70-105).
UPC:
688670701054.
German.
Movement V
from the Suite on the
Nativity
Based on
14th and 15th century
German carol tunes for
SATB chorus, SA voices
(children's chorus) and
chamber orchestra (Fute,
Oboe, Clarinet, Bassoon,
Trumpet in C, Harp,
Timpani, Chimes,
Glockenspiel, Triangle,
and Strings) in six
movements. Performance
time of entire suite
approximately 15
minutes.
Composed
by Johann Baptist
Schiedermayr. Edited by
Armin Kircher. German
title: Pastoralmesse.
Sacred vocal music,
Masses, Latin, Christmas.
Set of Orchestra Parts.
Op. 72. Duration 17
minutes. Carus Verlag #CV
27.069/19. Published by
Carus Verlag
(CA.2706919).
ISBN
9790007138882. Key: C
major. Language:
Latin.
In the south
German-Austrian region
the Pastoral Mass of
Johann Baptist
Schiedermayr was regarded
as one of the most
well-known and beloved
works in this genre.
Engaging melodies,
passages in thirds and
sixths, and typical
pastoral motives, such as
horn calls and open
fifths, the latter a
reminder of the bourdon
of bagpipes or a
hurdy-gurdy, characterize
the movements of the
Mass. Lyrical sections,
such as the Et incarnatus
est, which is the center
of Shiedermayr's setting
of the Ordinary,
alternate with festive
passages in which
trumpets and timpani
brilliantly express the
festive joy of Christmas.
Score and parts available
separately - see item
CA.2706900.
Composed
by Johann Baptist
Schiedermayr. Edited by
Armin Kircher. This
edition: Paperbound.
German title:
Pastoralmesse. Sacred
vocal music, Masses,
Latin, Christmas. Full
score. Op. 72. 80 pages.
Duration 17 minutes.
Carus Verlag #CV
27.069/00. Published by
Carus Verlag
(CA.2706900).
ISBN
9790007093624. Key: C
major. Language:
Latin.
In the south
German-Austrian region
the Pastoral Mass of
Johann Baptist
Schiedermayr was regarded
as one of the most
well-known and beloved
works in this genre.
Engaging melodies,
passages in thirds and
sixths, and typical
pastoral motives, such as
horn calls and open
fifths, the latter a
reminder of the bourdon
of bagpipes or a
hurdy-gurdy, characterize
the movements of the
Mass. Lyrical sections,
such as the Et incarnatus
est, which is the center
of Shiedermayr's setting
of the Ordinary,
alternate with festive
passages in which
trumpets and timpani
brilliantly express the
festive joy of
Christmas.
Composed by Richard A. Nichols. Fred Bock Publications. Advent, Christmas Sacre...(+)
Composed by Richard A.
Nichols. Fred Bock
Publications. Advent,
Christmas Sacred,
Anthem. Octavo. 8 pages.
Fred Bock Music Company
#BG2639. Published by
Fred Bock Music Company
(HL.232927).
Composed by Richard Nichols. Fred Bock Publications. Anthem, Easter, Sacred....(+)
Composed by Richard
Nichols.
Fred Bock Publications.
Anthem, Easter, Sacred.
Octavo. 8 pages. Fred
Bock
Music Company #BG2636.
Published by Fred Bock
Music
Company
Isthmus Chorale SATB [Conducteur] University Of York Music Press
SATB Choir SKU: BT.MUSM570368679 For choir and fixed media. Compos...(+)
SATB Choir
SKU:
BT.MUSM570368679
For choir and fixed
media. Composed by
Evis Sammoutis. Score
Only. Composed 2019. 14
pages. University of York
Music Press
#MUSM570368679. Published
by University of York
Music Press
(BT.MUSM570368679).
Isthmus denotes
a narrow strip of land
with sea on either side,
forming a link between
two larger ars of land.
The title is a metaphor
for an effort to bond
artistically my
experiences of living in
Cyprus, my birthplace,
and in the USA, my
recently adopted
homeland. Having lived in
a small, partitioned
island for my formative
years and in England for
eleven years, water has
always had a double
meaning: it has at once
served as a gateway to
other cultures but also
as a border, a violent
and absolute interruption
of a continuum. While in
the USA, or indeed in a
now connected Europe, it
is possible to travel on
land for days without
having to encounter a
border, in the countries
where I lived for most of
my life, that was not
possible. As an artist,
this notion of
establishing boundaries
and consciously trying to
break them is very close
to me, as my music deals
both with modernity but
also with tradition and,
similarly, with metaphor
and reality. As a
Cypriot, the sea, the
world of antiquity, the
mysteries of the oracles,
the notion of borders and
the pastoral are all very
central to my way of
thinking. In Cyprus,
different layers of
history are frequently
superimposed on a single
building that might still
preserve its Roman,
Byzantine, Venetian and
Ottoman features in its
layers of stone and
architecture. Similarly,
ancient ruins or the
barbed wire of modern
conflict often interrupt
placid fields. An
isthmus, therefore, can
be seen to symbolize my
artistic struggle to join
strikingly different
experiences and notions
in a cohesive way.
Similar to an isthmus, in
this short piece, I
connect these experiences
with the purpose of
creating a distinct and
unique sonic context,
connecting technology and
tradition, the pastoral
with the urban, the
musical with the
extra-musical and the
abstract with the
concrete. For example,
the choir does not always
sing in the traditional
sense, but the singers
imitate various natural
sounds, such as water,
air, crickets or birds,
to create a vivid visual
impression for the work.
Scandinavian herding
calls blend with field
recordings from the seas
of Cyprus and the lakes
of Upstate New York,
communicated within
clearly defined, singular
acoustic sources and
spaces through wireless
speakers. The text used
is both onomatopoeic,
articulating an imaginary
language, but also
literal, with a setting
of the poem, “To make a
prairie” by the iconic
American poet Emily
Dickinson and a tiny
fragment from
Callimachus’ “Hymn to
Demeter.” Technology is
used sparsely and very
intentionally to
articulate the expressive
qualities of pastoral
imagery, creating one
unified synthetic timbre
with the choristers’
sounds. This piece is
dedicated to the
wonderful singers of the
Georgia Institute of
Technology Chamber Choir
with special thanks to
Professors Hsu and
Ulrich, without whose
support this composition
would not have been
possible. Practical
notes: A choir of no
less than 24 singers is
sought with 4 additional
soloists (2 Sopranos and
2 Altos). Each singer
must have their own
wireless speaker, secured
either in the music
folder or as a strap
inside their shirts. All
sounds must match in
volume the sound from the
speakers, creating one
unified timbre. The
speakers should not be
noticeable to the public.
The four soloists are
placed offstage at the
beginning of the work.
From 1:35’ onwards they
enter the hall and take
their positions, ideally
at the four corners of
the hall. If the hall is
too large, the singers
can find alternate
positions, but these
should always be
antiphonal. The four
soloists sing
predominantly in the
“kulning” style and
the antiphonal aspect is
very important to the
work. There are two sound
files for each section
(SATB) that are triggered
by each singer’s mobile
device. The first occurs
at the start of the
piece, and the second,
about a minute before the
end. The sound files are
able to be purchased
separately, on CD, or are
available directly from
UYMP.
Composed
by Johann Baptist
Schiedermayr. Edited by
Armin Kircher. Sacred
vocal music, Masses,
Latin, Christmas. Choral
Score. Op. 72. 16 pages.
Duration 17 minutes.
Carus Verlag #CV
27.069/05. Published by
Carus Verlag
(CA.2706905).
ISBN
9790007130077. Key: C
major. Language:
Latin.
In the south
German-Austrian region
the Pastoral Mass of
Johann Baptist
Schiedermayr was regarded
as one of the most
well-known and beloved
works in this genre.
Engaging melodies,
passages in thirds and
sixths, and typical
pastoral motives, such as
horn calls and open
fifths, the latter a
reminder of the bourdon
of bagpipes or a
hurdy-gurdy, characterize
the movements of the
Mass. Lyrical sections,
such as the Et incarnatus
est, which is the center
of Shiedermayr's setting
of the Ordinary,
alternate with festive
passages in which
trumpets and timpani
brilliantly express the
festive joy of Christmas.
Score available
separately - see item
CA.2706900.
Composed
by Johann Baptist
Schiedermayr. Edited by
Armin Kircher. Organ.
Sacred vocal music,
Masses, Latin, Christmas.
Single Part, Organ. Op.
72. 20 pages. Duration 17
minutes. Carus Verlag #CV
27.069/49. Published by
Carus Verlag
(CA.2706949).
ISBN
9790007199937. Key: C
major. Language:
Latin.
In the south
German-Austrian region
the Pastoral Mass of
Johann Baptist
Schiedermayr was regarded
as one of the most
well-known and beloved
works in this genre.
Engaging melodies,
passages in thirds and
sixths, and typical
pastoral motives, such as
horn calls and open
fifths, the latter a
reminder of the bourdon
of bagpipes or a
hurdy-gurdy, characterize
the movements of the
Mass. Lyrical sections,
such as the Et incarnatus
est, which is the center
of Shiedermayr's setting
of the Ordinary,
alternate with festive
passages in which
trumpets and timpani
brilliantly express the
festive joy of Christmas.
Score and part available
separately - see item
CA.2706900.
