Arranged by Audrey Snyder. (SATB). Choral. Festival. Size 6.75x10.5 inches. 16 pages. Published by Hal Leonard.

By Cindy Ovokaitys. Arranged by Mary Mcdonald. For SATB choir, piano. Sacred Anthem, Holy Week, Palm/Palm-Passion Sunday. Octavo. Published by Lorenz Publishing Company

Choir Secular For SATB Choir, Unison Voices and Piano (SATB choir)

SKU: PE.EP73501

VOCES8 Singles. By Voces8. By Ludwig van Beethoven. Choral Works (Secular) - Mixed Voices. Edition Peters. Choral Octavo. 12 pages. Edition Peters #98-EP73501. Published by Edition Peters (PE.EP73501).

ISBN 9790577020471. 272 x 190mm inches. English.

VOCES8 present a dreamlike choral fantasia based on the first movement of Beethoven's famous Moonlight piano sonata. Particularly suitable for mixed ability choirs, this piece has been used by VOCES8 in many of their school workshops.

The internationally-renowned British vocal ensemble VOCES8 is proud to inspire people through music and share the joy of singing. The celebration of diverse musical expression is central to the ensemble's ethos, and this is shown in their versatile concert programmes and innovative educational work.

The 'VOCES8 singles' series includes songs for which the group is particularly well known, in choral arrangements produced specifically for VOCES8.

SATB choir, piano

SKU: LO.10-5242L

Composed by Patti Drennan. Choral. Sacred Anthem, Good Friday, Holy Week, Maundy Thursday. Octavo. Lorenz Publishing Company #10/5242L. Published by Lorenz Publishing Company (LO.10-5242L).

ISBN 9780787764210.

Beet hoven’s Moonlight Sonata is the foundation of this stunning piece depicting the garden of Gethsemane and the Crucifixion of Jesus. Herb Frombach’s contemplative text pairs with Patti Drennan’s rich choral writing and piano accompaniment, all complemented by an expressive optional cello part. The somber nature of the piece is concluded with the promise of God’s redeeming grace as a result of Christ’s sacrifice.

SATB choir, piano

SKU: LO.10-5372L

Composed by Mary McDonald. Choral. Sacred Anthem, General, Pentecost. Octavo. Lorenz Publishing Company #10/5372L. Published by Lorenz Publishing Company (LO.10-5372L).

ISBN 9780787767303.

Mary McDonald adapts Beethoven’s beautiful Adagio Cantabile from his Sonata No 8. Pathetique into a flowing, delicate prayer for peace and mercy. The melodic phrases provide stunning opportunities for musical shaping and choral expression. Grant us Thy mercy never to cease. Come, Holy Spirit, grant us Thy peace; come, Holy Spirit, grant us Thy peace..

(Bach Gesellschaft Ausgabe). Composed by Johann Sebastian Bach (1685-1750). Edited by Wilhelm Rust. Arranged by Gustav Rosler. Choir and piano. For Soprano voice, Alto voice, Tenor voice, and Bass voice (Soli), SATB Choir, Piano. This edition: Paperback. Sacred Cantata, Original Works, Transcriptions, Choral. Baroque Period; Sacred/Hymns, German. Vocal Score. Text Language: German. Composed 1715. 32 pages. Duration 21 minutes. Published by Serenissima

Mixed choir (SATB), 2 flutes, 2 oboes, 2 clarinets, 2 bassoons - 2 horns, 2 trumpets, 3 trombones, timpani and strings (P+KRB)

SKU: HL.49042434

Composed by Carl Maria von Weber. Edited by Frank Ziegler and Johannes Kepper. This edition: Full-cloth binding. Sheet music. Edition Schott. Score and critical commentary, complete edition. 306 pages. Schott Music #WGA1021. Published by Schott Music (HL.49042434).

ISBN 9783795794491. 10.25x13.5x1.141 inches. German.

Carl Maria von Weber's fame rests mainly on 'Der Freischutz'. The unprecedented success of this opera overshadowed all his other works and contributed to their increasing fall into oblivion. Certain works such as 'Preciosa', 'Oberon', and 'Euryanthe', the overtures, solo concertos and piano sonatas, the lieder and chamber works enjoyed great popularity and were widely known in Germany and abroad as late as the second half of the 19th century. However, any chance of a revival of Weber's influential and substantial oeuvre was wasted in the 1920s, when a complete edition - begun by Hans Joachim Moser and with potential contributors including Wilhelm Kempff, Hans Pfitzner, Max von Schillings, Fritz Stein and Richard Strauss - failed after the third volume.Ever since there have been numerous attempts to restart a complete edition of Weber's works, but as this kind of project would have required the co-operation of scholars from both sides of the inter-German border, the political situation after 1945 was not conducive to any such enterprise. Careful negotiations led to the first tangible steps in the 1980s. The intention, right from the beginning, was to place Weber's work in context, and not to separate his musical output from his influential work as a writer, critic and organiser in the musical field, but to publish his compositions together with his letters, diaries and other literary output as the best way to document the cross-fertilisation between his musical, literary and practical activities.Since the German re-unification both working-parties concerned - at the Staatsbibliothek zu Berlin, and at the Musikwissenschaftliches Seminar, Detmold/Paderborn - have co-operated on the complete edition of the musical works (c. 45 volumes in 10 series: sacred music; cantatas, odes and other occasional works; stage works; lieder and vocal works; orchestral works; chamber music; music for piano; piano reductions; miscellanea, arrangements and orchestrations; works of doubtful attribution). The diaries (6-8 vols.) are edited in Berlin and the letters (8-10 vols.) and other writings (2 vols.) in Detmold. This complete edition aims to be a reliable basis of scholarly debate as well as for the authentic performance practice of Carl Maria von Weber's music. Conforming to the standards of recent historico-critical editions, the textual material will be based on all available authentic sources, accompanied by a detailed documentation of the genesis and a list of variants for each work. The musicological importance of the works will be evaluated by placing them in their historical context, the presentation of their genesis, history and Critical Commentaries. The letters, writings and diaries will be treated as inter-related and relevant to each other in the commentaries, therefore readers should benefit from a wealth of concise information and cross-references.

By Josef Gabriel Rheinberger. For Choir. (SATB or SAATTB with S,T,Bar,B Soli). Choral Worship Cantata. Kalmus Edition. Masterwork; Sacred, Christmas. Book. 80 pages. Published by Alfred Publishing.