2002 marque le 100e anniversaire de l'un des compositeurs de Broadway en Amérique du sommet. Richard Rodgers contributions 'au théâtre musical de son époque étaient extraordinaires, et son influence sur le théâtre musical d'aujourd'hui et de demain est sans comparaison. Sa carrière s'étend sur plus de six décennies, et sa frappe allait de l'écran d'argent de Hollywood pour les lumières de Broadway, Londres et au-delà. Ce medley nouvelle pour choeur, orchestre et cordes option salue les réalisations de cette légende de Broadway. Chansons comprennent: Do-Re-Mi, je siffler un air joyeux, Juin est Bustin 'Out All Over, Le Mars de l'enfance siamois, My Funny Valentine, l'Oklahoma, Slaughter on Tenth Avenue, The Sound of Music, The Surrey avec la Fringe on Top, Il Est Nothin 'Like a Dame.Available séparément: SATB, SAB, 2-Partie, concert Band (Gr. 3), String Pak et ShowTrax CD. Temps de Performance: Env. 09:15. / Chant Et Piano

Richard Allain sets the Christmas poem 'What sweeter music' by Robert Herrick (1591-1674) for SATB chorus and Piano (or Organ). / Satb, Piano Et Orgue

Référence unique par son ISBN 29156301588 cette partition musique n'est autre que Format Exsultate Justi Satb/Po Perry qui a été composée pour Chant Et Piano. Les droits d'auteur de cette partition de musique de style Classique se trouvent chez les éditions ID Music. La référence catalogue de cette oeuvre est SV9705. / Chant Et Piano / Partition Séparée

Quien Fuera Como El Jazmin' (Who Could Be Like the Jasmine') is No. 2 of the Indianas suite by Carlos Guastavino, which may be performed individually or as a suite. 1. Gala del Dia (Finery of the Day) KJS8911 2. Quien Fuera Como El Jazmin' (Who Could Be Like the Jasmine') KJS8912 3. Chanarcito, Chanarcito (A Thorny Bush) KJS8913 4. Viento Norte (Northern Wind) KJS8914 5. Al Tribunal de Tu Pecho (For the Court of Your Heart) KJS8915 6. Una de Dos (One Or the Other) KJS8916 Carlos Guastavino writes in a romantic-nationalistic style, and even though he does not incorporate folk music, his music is permeated by the Argentine influence.

Chanarcito, Chanarcito' (A Thorny Bush) is No. 3 of the Indianas suite by Carlos Guastavino, which may be performed individually or as a suite. 1. Gala del Dia (Finery of the Day) KJS8911 2. Quien Fuera Como El Jazmin' (Who Could Be Like the Jasmine') KJS8912 3. Chanarcito, Chanarcito (A Thorny Bush) KJS8913 4. Viento Norte (Northern Wind) KJS8914 5. Al Tribunal de Tu Pecho (For the Court of Your Heart) KJS8915 6. Una de Dos (One Or the Other) KJS8916 Carlos Guastavino writes in a romantic-nationalistic style, and even though he does not incorporate folk music, his music is permeated by the Argentine influence.

Par PARRY BEN / L'ESTRANGE A.. Music For Special Occasions brings together 10 secular choral works in on volume, carefully selected to cater for a wide variety of performance contexts - whether joyful, reflective, or commemorative. Practically and flexibly arranged for Soprano and Baritone or Low Alto, this unique collection of best-loved classics and new pieces is a must-have resource for all school, community and church choirs./ Recueil / Voix Mixtes

Par BRUCKNER ANTON. Great art in small forms ? Bruckner's smaller sacred works reveal a more personal side to the master symphonist and creator of large-scale orchestral masses. Throughout his life, Bruckner?s deep faith and dedication to the Catholic liturgy inspired him to write church music in smaller forms suitable for performance at Sunday services or in sacred concerts. The long phrases and shimmering sounds of Locus iste, the chromatic modulations and thrilling climaxes in Christus factus est (1884) and in Virga Jesse (1885), or the use of church modes in almost all the motets present a range of fascinating challenges to any choir.In addition to the well-known motets, the choral collection includes smaller sacred works such as short mass settings (a cappella or with organ) and simple liturgical songs and hymns, some with organ or occasionally with trombones. In addition, the volume presents two somewhat longer works from Bruckner?s youth: a Magnificat and a setting of Psalm 23, both with piano accompaniment.The Choral Collection Bruckner. Sacred Choral Music is an expanded new edition of the successful choral collection Anton Bruckner für Gottesdienst und Konzert (Sacred works for worship and concert, Carus 2.065).A detailed preface and several indexes supplement the musical scores in the editionCHORLEITUNG with information on the works and their liturgical usability. An affordable volume (editionCHOR) is also available for purchase, as well as separate editions in print and digital form.?,New expanded volume featuring 39 sacred choral works at all levels of difficulty?,For use both in worship and in concert / Date parution : 2023-06-01/ Répertoire / SATB et Piano

Par HAHN. Having been considered as a 'fashionable' and 'cliche' composer of his day, Hahn 's compositions are possibly not as well-known as they ought to be. Rondels for SATB choir and Piano however, shatter these prejudices held, representing the engaging diversity of the composer's music. Venezuelan born Reynaldo Hahn (1875-1947) entered the Paris Conservatoire at 10 years old. He received a high standard of musical education from Decombes, Lavignac, Dubois and Massenet before becoming a prolific and versatile composer himself, writing works for all genres. For Hahn, music was a magical art and his compositionsoften contain expressions of his otherwise hidden emotions and moods. Rondels is made up of twelve movements, depicting different aspects of nature. Hahn 's Rondels contains a variety of different features, making for a pleasant and evocative work for advanced choirs./ Répertoire / Voix Mixtes et Piano

Par LLOYD WEBBER ANDREW. Skimbleshanks is a song taken from the popular Andrew Lloyd Webber musical, Cats, which was based on T. S. Eliot’s Old Possum’s Book of Practical Cats, the show is set amongst a larger-than-life junkyard playground and is alive with our favourite feline characters, including Skimbleshanks, the railway cat. This arrangement is for SATB mixed voices choir and piano accompaniment by David Cullen.  / Choral Music / Répertoire / Voix Mixtes et Piano

Un des compositeurs best-regarded de l'Amérique, une fanfare choral pleine de passion et de raffinement musical. Poésie par Philip Littell donne le ton: and ldquo - Music est un cadeau : Comment puis-je le rembourser? and rdquo - / Choeur Mixte (SATB) Et Piano

Par GOODALL HOWARD. Every Purpose under the Heaven is a musical tribute to one of the most important cultural landmarks of the Western civilisation - the 1611 King James Bible . Written in celebration of the Bible's 400- year anniversary, Goodall has brought together ten of the most expressive passages, from Genesis to Revelation, to create an oratorio that is at once steeped in historic grandeur and utterly relevant in today's society. Musically, it displays all the hallmarks of Goodall's well-loved style - soaring melodies, rhythmic vitality and perfectly crafted lines. However, this work offers singers and audiences something more: an opportunity to introduce new generations to the expressive power and ancient truths of this historic text. Commissioned as a gift to the United Learning Trust, Every purpose under the heaven is suitable for young singers, choral societies and church choirs of all abilities. It may be accompanied by piano, using the reduction provided, or chamber orchestra (score and parts available from the Faber Music Hire Library). Duration: 45 Minutes/ Recueil / Voix Mixtes

Par PORTER COLE. Written by Cole Porter, I’ve Got You Under My Skin became a signature song for Frank Sinatra and was one of his most requested songs at concerts. In 1966, the song became a top ten hit for the Four Seasons and has also been covered by countless others since. A key piece to include in any programme celebrating the Great American Songbook. This piece is part of the Faber Choral Singles series, offering a selection of beautifully crafted arrangements in a diversity of musical styles. From Broadway, pop and folk to spirituals, gospel and original works, the series is arranged for 3-part choir (soprano, alto and a combined male-voice part) providing flexibility for any choir. Complete with straight-forward piano accompaniments supporting the vocal lines, the Faber Choral Singles series guarantees the perfect repertoire for every occasion – so get exploring and get singing! / Choral Music / Répertoire / Voix Mixtes et Piano

Par KANDER JOHN / BEALE CHARLES (Arr.). This is a vibrant and accessible arrangement of All I care about, from the Broadway hit Chicago! With opportunities for whistling, staging and lyrics full of double meanings, this will add a bit of spice to your concert programme. This piece is part of the Faber Choral Singles series, offering a selection of beautifully crafted arrangements in a diversity of musical styles. From Broadway, pop and folk to spirituals, gospel and original works, the series is arranged for 3 part choirs (soprano, alto and a combined male-voice part) providing flexibility for any choir. Complete with straight-forward piano accompaniments supporting the vocal lines, the Faber Choral Singles series guarantees the perfect repertoire for every occasion – so get exploring and get singing! / Choral Music / Répertoire / Voix Mixtes et Piano