SATB (4 or 5 vocal parts) Choir and Piano - Intermediate-Advanced

SKU: YM.GTC01097796

Jazz Chorus Series. Voice. J-POP. Octavo. Yamaha Music Media #GTC01097796. Published by Yamaha Music Media (YM.GTC01097796).

ISBN 9784636977967.

Here comes a great jazz choir music sheet collection of famous songs that you can enjoy!
It is arranged by Tsunenori Lee Abe, an active Associate Professor for Contemporary Writing and Production department at Berklee College of Music.
For those who are new to jazz choir, the basic lecture section is featured on the opening pages to help them to get familiar with the jazz sounds and rhythms. The piano reduction (piano transcription) scores are included for some songs.

Enjoy Japanese Pop music with jazz choir with 4 or 5 voices. All 6 J-POP songs are arranged for A Capella.

Mixed choir (SSATBB) (SATB) - advanced

SKU: HL.49013565

(liturg.). Composed by Schroeder. Sheet music. Edition Schott. Classical. Choral score. Op. 15. 20 pages. Duration 10'. Schott Music #C33719. Published by Schott Music (HL.49013565).

ISBN 9790001134743.

Mixed choir (SSATB) (SSATB) - intermediate to advanced

SKU: HL.49014344

Stracciami pur il core. Composed by Claudio Monteverdi. Edited by Hans Ferdinand Redlich. This edition: Folding. Sheet music. Edition Schott. Classical. Choral score. 16 pages. Schott Music #ED10970. Published by Schott Music (HL.49014344).

ISBN 9790220106767. Italian - English.

Composed by Mack Gordon, music by Harry Warren. Arranged by Paul Langford. Choir Secular. SATB choir. Choral Octavo. Pop Choral. Secular. 12 pages. Published by Alfred Music

By Bulgarian Christmas Song. Arranged by Adela Peeva. For SATB Choir. Christmas and Sacred. Medium Advanced Adult. Octavo. 16 pages. Duration 2 min, 24 sec

Composed by Dimitri S. Bortniansky. Arranged by Anthony Antolini. Advanced/Collegiate. General, church anniversary, confirmation, memorial. Octavo. Published by E.C. Schirmer Publishing (EC.8208).

By Antonio Carlos Jobim. By Antonio Carlos Jobim. Arranged by Mark Hayes. Voices Rising. Bossa Nova, Jazz, Pop. Octavo. 12 pages. Published by Hal Leonard

Choir Secular (SATB choir)

SKU: AP.48512

Composed by Chuck Jackson and Marvin Yancy. Arranged by James Rose. Performance Music Ensemble; Single Titles. Alfred Pop Choral Series. Pop. Choral Octavo. 16 pages. Alfred Music #00-48512. Published by Alfred Music (AP.48512).

UPC: 038081553351. English.

The international a cappella group Accent has put their own spectacular spin on Natalie Cole's classic. Advanced ensembles can truly sink their teeth into the jazz harmonies and stylized melody of this exceptional setting that showcases all six voice parts equally. Special thanks to Accent for providing the extraordinary demo recording.

About Alfred Pop Choral Series

The Alfred Pop Series features outstanding arrangements of songs from the popular music genre. These publications provide exciting, contemporary, and educationally-sound arrangements for singers of all ages, from elementary through high school, to college and adult choirs.

Choir Secular (SATB choir)

SKU: AP.46468

Composed by Cole Porter. Arranged by Monica Pabelonio. Performance Music Ensemble; Single Titles. Alfred Pop Choral Series. Great American Songbook; Jazz; Secular. Choral Octavo. 8 pages. Alfred Music #00-46468. Published by Alfred Music (AP.46468).

UPC: 038081528472. English.

A Cole Porter classic that has been recorded by a multitude of performers including Billie Holiday, Frank Sinatra, and Ella Fitzgerald. Vocal jazz lovers will enjoy this rich a cappella arrangement, designed for more advanced ensembles.

About Alfred Pop Choral Series

The Alfred Pop Series features outstanding arrangements of songs from the popular music genre. These publications provide exciting, contemporary, and educationally-sound arrangements for singers of all ages, from elementary through high school, to college and adult choirs.

SATB choir divisi (a cappella) - Advanced

SKU: MN.50-2504

Composed by Bob Burroughs. Spirituals. African American Heritage. Octavo. MorningStar Music Publishers #50-2504. Published by MorningStar Music Publishers (MN.50-2504).

UPC: 688670525049.

A spirited, festive setting of this popular spiritual. Challenging for choir, but worth the work. Great program piece for college or advanced church choirs.

SATB choir (divisi), piano

SKU: LO.15-3931H

Composed by Ayrian Norman. Concert, General. Heritage Music Press #15/3931H. Published by Heritage Music Press (LO.15-3931H).

ISBN 9780787776800.

Ayri an Norman's limitless creativity shines beautifully in this encouraging and refreshing original work that explores multiple musical styles. The rhythmic piano part lays the foundation for styles such as pop, blues, and gospel with a driving djembe that blends these styles into an intriguing and unique musical experience. A wonderful concert closer for more advanced choirs looking to impress!

Mixed choir (SATB) and organ - intermediate to advanced

SKU: HL.49017921

For SATB choir and organ. Composed by John Casken. This edition: Saddle stitching. Sheet music. Choral. Choral score. Composed 2008. 12 pages. Duration 6'. Schott Music #ED13285. Published by Schott Music (HL.49017921).

ISBN 9790220131509. UPC: 884088567590. 8.25x11.75x0.062 inches. English.

Composed for the Alwinton and Holystone Church Choir near the composer's home in Northumberland, John Casken sets Christina Rossetti's In the bleak mid-winter - a poem popularised by Gustav Holts' setting of the same name for SATB choir and organ. A traditional carol based on the nativity it paints a vivid picture of the chill of winter and is ideal for choirs wishing to move away from the well-known whilst retaining an element of tradition. Constantly flowing organ lines create a sense of unease but this is uplifting music with subtle crescendos and powerful homophonic writing for the voices.

By William S. Gilbert And Arthur S. Sullivan. Arranged by Sally K. Albrecht. For Choir. (SATB). Choral Octavo. Choral Designs. Masterwork. Choral Octavo. 16 pages. Published by Alfred Publishing.

Choral SATB chorus divisi - Advanced Level

SKU: XC.VOC2102

Composed by African-American Spiritual. Arranged by Jamey Ray. Festival. Festival. Octavo. Excelcia Music Publishing #VOC2102. Published by Excelcia Music Publishing (XC.VOC2102).

UPC: 812598038415. 6.75 x 10.5 inches.

This arrangement from the immensely popular vocal group Voctave is sure to be a hit at your next concert. Jamey Ray knows how to make a choir sound great!

Choral SATB chorus divisi - Advanced Level

SKU: XC.VOC2101

Composed by John Stafford Smith. Arranged by Jamey Ray. Patriotic. Patriotic. Octavo. Excelcia Music Publishing #VOC2101. Published by Excelcia Music Publishing (XC.VOC2101).

UPC: 812598038408. 6.75 x 10.5 inches.

This arrangement from the immensely popular vocal group Voctave is sure to be a hit at your next concert. Jamey Ray knows how to make a choir sound great!

Choral SATB choir, piano

SKU: PR.312419280

From Terra Nostra. Composed by Stacy Garrop. Performance Score. 12 pages. Duration 5:30. Theodore Presser Company #312-41928. Published by Theodore Presser Company (PR.312419280).

ISBN 9781491137925. UPC: 680160692613.

Terra Nostra focuses on the relationship between our planet and mankind, how this relationship has shifted over time, and how we can re-establish a harmonious balance. The oratorio is divided into three parts:Part I: Creation of the World celebrates the birth and beauty of our planet. The oratorio begins with creation myths from India, North America, and Egypt that are integrated into the opening lines of Genesis from the Old Testament. The music surges forth from these creation stories into “God’s World” by Edna St. Vincent Millay, which describes the world in exuberant and vivid detail. Percy Bysshe Shelley’s “On thine own child” praises Mother Earth for her role bringing forth all life, while Walt Whitman sings a love song to the planet in “Smile O voluptuous cool-breathed earth!” Part I ends with “A Blade of Grass” in which Whitman muses how our planet has been spinning in the heavens for a very long time.Part II: The Rise of Humanity examines the achievements of mankind, particularly since the dawn of the Industrial Age. Lord Alfred Tennyson’s “Locksley Hall” sets an auspicious tone that mankind is on the verge of great discoveries. This is followed in short order by Charles Mackay’s “Railways 1846,” William Ernest Henley’s “A Song of Speed,” and John Gillespie Magee, Jr.’s “High Flight,” each of which celebrates a new milestone in technological achievement. In “Binsey Poplars,” Gerard Manley Hopkins takes note of the effect that these advances are having on the planet, with trees being brought down and landscapes forever changed. Percy Bysshe Shelley’s “A Dirge” concludes Part II with a warning that the planet is beginning to sound a grave alarm.Part III: Searching for Balance questions how we can create more awareness for our planet’s plight, re-establish a deeper connection to it, and find a balance for living within our planet’s resources. Three texts continue the earth’s plea that ended the previous section: Lord Byron’s “Darkness” speaks of a natural disaster (a volcano) that has blotted out the sun from humanity and the panic that ensues; contemporary poet Esther Iverem’s “Earth Screaming” gives voice to the modern issues of our changing climate; and William Wordsworth’s “The World Is Too Much With Us” warns us that we are almost out of time to change our course. Contemporary/agrarian poet Wendell Berry’s “The Want of Peace” speaks to us at the climax of the oratorio, reminding us that we can find harmony with the planet if we choose to live more simply, and to recall that we ourselves came from the earth. Two Walt Whitman texts (“A Child said, What is the grass?” and “There was a child went forth every day”) echo Berry’s thoughts, reminding us that we are of the earth, as is everything that we see on our planet. The oratorio concludes with a reprise of Whitman’s “A Blade of Grass” from Part I, this time interspersed with an additional Whitman text that sublimely states, “I bequeath myself to the dirt to grow from the grass I love…”My hope in writing this oratorio is to invite audience members to consider how we interact with our planet, and what we can each personally do to keep the planet going for future generations. We are the only stewards Earth has; what can we each do to leave her in better shape than we found her?

Choral SATB Choir and Piano

SKU: PR.312419020

From Terra Nostra. Composed by Stacy Garrop. Sws. Performance Score. 12 pages. Duration 3:15. Theodore Presser Company #312-41902. Published by Theodore Presser Company (PR.312419020).

ISBN 9781491131862. UPC: 680160680474. 6.875 x 10.5 inches. English.

Commission ed by the San Francisco Choral Society and the Piedmont East Bay Children’s Choir, Terra Nostra is a 70-minute oratorio on the relationship between our planet and humankind, how this relationship has shifted over time, and how we can re-establish a harmonious balance. Part I: Creation of the World explores various creation myths from different cultures, culminating in a joyous celebration of the beauty of our planet. Part II: The Rise of Humanity examines human achievements, particularly since the dawn of our Industrial Age, and how these achievements have impacted the planet. Part III: Searching for Balance questions how to create more awareness for our planet’s plight, re-establish a deeper connection to it, and find a balance for living within our planet’s resources. In addition to the complete oratorio, stand-alone movements for mixed chorus, and for solo voice with piano, are also available separately.
Terra Nostra focuses on the relationship between our planet and mankind, how this relationship has shifted over time, and how we can re-establish a harmonious balance. The oratorio is divided into three parts:Part I: Creation of the World celebrates the birth and beauty of our planet. The oratorio begins with creation myths from India, North America, and Egypt that are integrated into the opening lines of Genesis from the Old Testament. The music surges forth from these creation stories into “God’s World” by Edna St. Vincent Millay, which describes the world in exuberant and vivid detail. Percy Bysshe Shelley’s “On thine own child” praises Mother Earth for her role bringing forth all life, while Walt Whitman sings a love song to the planet in “Smile O voluptuous cool-breathed earth!” Part I ends with “A Blade of Grass” in which Whitman muses how our planet has been spinning in the heavens for a very long time.Part II: The Rise of Humanity examines the achievements of mankind, particularly since the dawn of the Industrial Age. Lord Alfred Tennyson’s “Locksley Hall” sets an auspicious tone that mankind is on the verge of great discoveries. This is followed in short order by Charles Mackay’s “Railways 1846,” William Ernest Henley’s “A Song of Speed,” and John Gillespie Magee, Jr.’s “High Flight,” each of which celebrates a new milestone in technological achievement. In “Binsey Poplars,” Gerard Manley Hopkins takes note of the effect that these advances are having on the planet, with trees being brought down and landscapes forever changed. Percy Bysshe Shelley’s “A Dirge” concludes Part II with a warning that the planet is beginning to sound a grave alarm.Part III: Searching for Balance questions how we can create more awareness for our planet’s plight, re-establish a deeper connection to it, and find a balance for living within our planet’s resources. Three texts continue the earth’s plea that ended the previous section: Lord Byron’s “Darkness” speaks of a natural disaster (a volcano) that has blotted out the sun from humanity and the panic that ensues; contemporary poet Esther Iverem’s “Earth Screaming” gives voice to the modern issues of our changing climate; and William Wordsworth’s “The World Is Too Much With Us” warns us that we are almost out of time to change our course. Contemporary/agrarian poet Wendell Berry’s “The Want of Peace” speaks to us at the climax of the oratorio, reminding us that we can find harmony with the planet if we choose to live more simply, and to recall that we ourselves came from the earth. Two Walt Whitman texts (“A Child said, What is the grass?” and “There was a child went forth every day”) echo Berry’s thoughts, reminding us that we are of the earth, as is everything that we see on our planet. The oratorio concludes with a reprise of Whitman’s “A Blade of Grass” from Part I, this time interspersed with an additional Whitman text that sublimely states, “I bequeath myself to the dirt to grow from the grass I love…”My hope in writing this oratorio is to invite audience members to consider how we interact with our planet, and what we can each personally do to keep the planet going for future generations. We are the only stewards Earth has; what can we each do to leave her in better shape than we found her?