SATB choir, organ accompaniment, trumpet 1 in B-flat, trumpet 1 in C, trumpet 2 in B-flat, trumpet 2 in C - Early intermediate

SKU: GI.G-9040

Composed by John Gaffney. Ascension of the Lord. Choral. Sacred. Octavo. 8 pages. GIA Publications #9040. Published by GIA Publications (GI.G-9040).

UPC: 785147904007. English. Text Source: Based on Psalm 47. Text by John Gaffney.

This one-rehearsal anthem is a lively selection that can be performed with or without the trumpet parts. The composer describes this piece as an “interpretation of the baroque style” that should be sung with a “light” sound. The organ part may be played by two trumpets.

SATB choir, organ accompaniment, flute

SKU: GI.G-002621

Composed by Alan Hommerding. Arranged by Wolfgang W. Lampert. OT 31 B, OT 20 B, Easter 6 B, OT 2 A, Baptism of the Lord, Ascension of the Lord, Annunciation, Pentecost. Tune Name: St. Catherine. Sacred. Octavo. 8 pages. GIA Publications #002621. Published by GIA Publications (GI.G-002621).

UPC: 641151026213. Text by Alan J. Hommerding.

The familiar tune ST. CATHERINE becomes a worthy vehicle for Alan Hommerding's text as arranged here by Wolfgang Lampert in a baroque-like style. The well-written organ part and counter-melodies (or optional flute line) support the unison choir in verses 1 and 3, verse 2, set for four-part chorus a cappella, is an unexpected delight and features an alternate choral harmonization.

Choral (SATB Choir)

SKU: HL.129650

Composed by Bryan Jeffery Leech and Edwin M. Willmington. Fred Bock Publications. Anthem, Hymn, Sacred. Octavo. 12 pages. Jubal House Publications #JH-1139. Published by Jubal House Publications (HL.129650).

UPC: 888680018719. 6.75x10.5 inches. Edwin M. Willmington/Bryan Jeffery Leech.

Composed and scored with a nod to the Baroque, this piece speaks the gift of singing that has been given to the world. Also available as a stand-alone hymn setting for congregation.

From Dixit Dominus, RV 594. Composed by Antonio Vivaldi (1678-1741). Edited by Patrick M. Liebergen. Arranged by Patrick M. Liebergen. Masterworks; Performance Music Ensemble; Single Titles. Alfred Choral Designs. Baroque; Masterwork Arrangement; Sacred. Choral Octavo. 12 pages. Alfred Music #00-46915. Published by Alfred Music

Composed by Antonio Vivaldi (1678-1741), edited by Mason Martens. Octavo for solo voices, SATB choir and orchestra. With piano reduction. Choral. 80 pages. Published by Walton Music.

SATB choir, organ - Intermediate

SKU: MN.50-7049

Composed by William P. Rowan. Octavo. MorningStar Music Publishers #50-7049. Published by MorningStar Music Publishers (MN.50-7049).

UPC: 688670570490.

Compo sers delightful tune FERLAND wedded to a new text by contemporary hymn-writer Mary Louise Bringle. The text is a joyous expression of praise and adoration filled with colorful metaphors. The Baroque-like tune is developed for organ in the composers MorningStar publication, Ferlands March and Recessional (10-962). A successful collaboration between two creative individuals who are very involved in the current church music scene.

Soprano voice solo, SATB choir, 2 violins, viola, basso continuo - Level 3

SKU: CA.3949214

Kantate zum 2. Weihnachtstag. Composed by Georg Philipp Telemann. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. German title: O Jesu Christ, dein Kripplein ist. Sacred vocal music, Cantatas, Advent, Christmas. Single Part, Cello/Double Bass. TVWV 1:1200. 4 pages. Duration 15 minutes. Carus Verlag #CV 39.492/14. Published by Carus Verlag (CA.3949214).

ISBN 9790007056346. Language: German/English.

Two straightforward four-part choral movements frame three solo movements. The tonal language of this easily performable work, taken from a cantata publication of 1748, combines baroque pictorial quality and playfulness with rococo grace and sensitivity. Score and part available separately - see item CA.3949200.

Soprano voice solo, SATB choir, 2 violins, viola, basso continuo - Level 3

SKU: CA.3949211

Kantate zum 2. Weihnachtstag. Composed by Georg Philipp Telemann. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. German title: O Jesu Christ, dein Kripplein ist. Sacred vocal music, Cantatas, Advent, Christmas. Single Part, Violin 1. TVWV 1:1200. 8 pages. Duration 15 minutes. Carus Verlag #CV 39.492/11. Published by Carus Verlag (CA.3949211).

ISBN 9790007056315. Language: German/English.

Two straightforward four-part choral movements frame three solo movements. The tonal language of this easily performable work, taken from a cantata publication of 1748, combines baroque pictorial quality and playfulness with rococo grace and sensitivity. Score and part available separately - see item CA.3949200.

Soprano voice solo, SATB choir, 2 violins, viola, basso continuo - Level 3

SKU: CA.3949213

Kantate zum 2. Weihnachtstag. Composed by Georg Philipp Telemann. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. German title: O Jesu Christ, dein Kripplein ist. Sacred vocal music, Cantatas, Advent, Christmas. Single Part, Viola. TVWV 1:1200. 2 pages. Duration 15 minutes. Carus Verlag #CV 39.492/13. Published by Carus Verlag (CA.3949213).

ISBN 9790007056339. Language: German/English.

Two straightforward four-part choral movements frame three solo movements. The tonal language of this easily performable work, taken from a cantata publication of 1748, combines baroque pictorial quality and playfulness with rococo grace and sensitivity. Score and part available separately - see item CA.3949200.

Soprano voice solo, SATB choir, 2 violins, viola, basso continuo - Level 3

SKU: CA.3949219

Kantate zum 2. Weihnachtstag. Composed by Georg Philipp Telemann. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. Complete orchestral parts. Sacred vocal music, Cantatas, Advent, Christmas. Set of Orchestra Parts. TVWV 1:1200. Duration 15 minutes. Carus Verlag #CV 39.492/19. Published by Carus Verlag (CA.3949219).

ISBN 9790007144227. Text language: German/English.

Two straightforward four-part choral movements frame three solo movements. The tonal language of this easily performable work, taken from a cantata publication of 1748, combines baroque pictorial quality and playfulness with rococo grace and sensitivity. Score and parts available separately - see item CA.3949200.

Soprano voice solo, SATB choir, 2 violins, viola, basso continuo - Level 3

SKU: CA.3949212

Kantate zum 2. Weihnachtstag. Composed by Georg Philipp Telemann. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. German title: O Jesu Christ, dein Kripplein ist. Sacred vocal music, Cantatas, Advent, Christmas. Single Part, Violin 2. TVWV 1:1200. 4 pages. Duration 15 minutes. Carus Verlag #CV 39.492/12. Published by Carus Verlag (CA.3949212).

ISBN 9790007056322. Language: German/English.

Two straightforward four-part choral movements frame three solo movements. The tonal language of this easily performable work, taken from a cantata publication of 1748, combines baroque pictorial quality and playfulness with rococo grace and sensitivity. Score and part available separately - see item CA.3949200.

Mixed choir

SKU: BR.SON-339

Motetten fur 5 Stimmen. Composed by Orlande De Lassus. Edited by Bernhold Schmid. Softbound. Complete Works. Vocal Music Between Genres. Renaissance/early Baroque. Complete Works. 302 pages. Breitkopf and Haertel #SON 339. Published by Breitkopf and Haertel (BR.SON-339).

ISBN 9790004802854. 10.5 x 13.5 inches. Latin.

The present volume contains the Psalmi Davidis Poenitentiales, seven penitential psalms that had already been supplemented with the motet Laudate Dominum de coelis in the first edition (1584). In the Complete Edition, however, the compilation is preceded by the vocal piece S u Su p e r per Super (1567), which experiments with syllables. Though reprinted many times, it was assigned to various genres according to its place of publication: while the piece was considered as a motet in Germany, in France it was classified as a chanson and in Italy as a madrigal a unique case in the reception history of vocal music in the 16th century. To this day we still do not know the significance of the vocal text Super flumina Babylonis, which gradually evolves out of syllables. Perhaps Lasso wanted to depict a biblical scene that evokes the gradual learning of a language.