SATB choir

SKU: ST.CN12P

Composed by Ronald Corp. ChoralNow. This PRINTED version is available to purchase as a regular sheet music title for delivery by post. Octavo. Stainer & Bell Ltd. #CN12P. Published by Stainer & Bell Ltd. (ST.CN12P).

ISBN 9790220224690.

Amon g the UK's most noted choral composers and conductors, Ronald Corp does not hesitate to bring his own musical vision to a much-loved poem by the sixteenth-century lutenist songwriter and 'Doctor of Physick' Thomas Campion, following the example not only of Campion himself but also of Charles Wood and Hubert Parry. Eschewing the manner of Parry's resonant polyphony for a simple harmonised setting in a flexible verbal rhythm reflecting the measure of the words, this is a heartfelt plea for spiritual release uttered in a quietly elegiac tone, in which the serenity of the entreaty rather than its pathos is to the fore.

Solo voices, choir, orchestra (2 Soprano Voice Solo, Mezzo Voice Solo, Alto Voice Solo, Tenor Voice Solo, Bass Voice Solo, SATB Choir, 2 Ob, 2 Hn, Str, Continuo)

SKU: BA.BA04045

Opera in three acts. Composed by George Frideric Handel. Edited by Bernd Baselt. This edition: complete edition, urtext edition. Linen. Halle Handel Edition (HHA) Serie II-Supplement/1. Oper, Barock (Opera, Baroque). Complete edition, Score. HWV A. Duration 2 hours. Baerenreiter Verlag #BA04045_00. Published by Baerenreiter Verlag (BA.BA04045).

ISBN 9790006443536. 33 x 26.1 cm inches. Text Language: Italian. Anonymus.

In 1734 Handel provided the pasticcio “ Oreste ” for his third operatic enterprise which, following the bankruptcy of the Royal Academy and its successor academy, felt threatened by competition from the newly-founded Opera of the Nobility. Hence, the composer did not compile the work from favourite movements from his own and other composer's pieces as was usual at that time; rather in “ Oreste ” he presented a selection of the most beautiful arias and ensembles exclusively from his own operas. In addition, he expanded the ballet and choral scenes which he thought would make a great impact after the move into the newly built Covent Garden Theatre.
As most of the singers in his Italian company had been enticed away by the competition, Handel increasingly began to engage English virtuosi. He probably even worked on the new version of the libretto himself in order to place the new stars in the limelight to the best effect.

The new vocal score is based on Volume 1 of the Supplement to Series II of the “Halle Handel” Edition edited by Bernd Baselt .

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

By Clean Bandit and Pentatonix. Arranged by Mark A. Brymer. For Choral (SATB). Pop Choral Series. 20 pages. Published by Hal Leonard

By George Beverly Shea and Rhea F. Miller. Arranged by Joseph M. Martin. SATB. Shawnee Press. Sacred. 12 pages

ATB vocal soli, SATB choir, oboe I/oboe d'caccia (viola), oboe II, corno d'caccia, 2 violins, viola, basso continuo

SKU: CA.3101614

Cantata for the New Year's Day. Composed by Johann Sebastian Bach. Edited by Michael Marker. This edition: urtext. Hymns by Martin Luther: Herr Gott, dich loben wir; Stuttgart Urtext Edition: Bach vocal. German title: Herr Gott, dich loben wir. Sacred vocal music, Cantatas, New year. Single Part, Cello/Double Bass. Composed 1725. BWV 16. 8 pages. Duration 18 minutes. Carus Verlag #CV 31.016/14. Published by Carus Verlag (CA.3101614).

ISBN 9790007204808. Language: German/English. Text: Luther, Martin.

This cantata was first performed in Leipzig on New Year's Day 1726. It belongs to a small group of compositions which were composed between Advent 1725 and mid-January 1726 and whose text were written by the same author. There is no reference to the New Year in connection with the circumcision and naming of Jesus in this afternoon worship service. Rather the thoughts in this work are concerned with the praise of God and thanks for his good deeds. Score and part available separately - see item CA.3101600.

ATB vocal soli, SATB choir, oboe I/oboe d'caccia (viola), oboe II, corno d'caccia, 2 violins, viola, basso continuo

SKU: CA.3101609

Cantata for the New Year's Day. Composed by Johann Sebastian Bach. Edited by Michael Marker. This edition: urtext. 1x 31.016/21 oboe 1, 1x 31.016/22 oboe 2, 1x 31.016/31 horn. Hymns by Martin Luther: Herr Gott, dich loben wir; Stuttgart Urtext Edition: Bach vocal. German title: Herr Gott, dich loben wir 3. Sacred vocal music, Cantatas, New year. Set of Orchestra Parts. Composed 1725. BWV 16. 14 pages. Duration 18 minutes. Carus Verlag #CV 31.016/09. Published by Carus Verlag (CA.3101609).

ISBN 9790007204761. Language: German/English. Text: Luther, Martin.

This cantata was first performed in Leipzig on New Year's Day 1726. It belongs to a small group of compositions which were composed between Advent 1725 and mid-January 1726 and whose text were written by the same author. There is no reference to the New Year in connection with the circumcision and naming of Jesus in this afternoon worship service. Rather the thoughts in this work are concerned with the praise of God and thanks for his good deeds. Score and parts available separately - see item CA.3101600.

ATB vocal soli, SATB choir, oboe I/oboe d'caccia (viola), oboe II, corno d'caccia, 2 violins, viola, basso continuo

SKU: CA.3101605

Cantata for the New Year's Day. Composed by Johann Sebastian Bach. Edited by Michael Marker. This edition: urtext. Hymns by Martin Luther: Herr Gott, dich loben wir; Stuttgart Urtext Edition: Bach vocal. German title: Herr Gott, dich loben wir. Sacred vocal music, Cantatas, New year. Choral Score. Composed 1725. BWV 16. 8 pages. Duration 18 minutes. Carus Verlag #CV 31.016/05. Published by Carus Verlag (CA.3101605).

ISBN 9790007102968. Language: German/English. Text: Luther, Martin.

This cantata was first performed in Leipzig on New Year's Day 1726. It belongs to a small group of compositions which were composed between Advent 1725 and mid-January 1726 and whose text were written by the same author. There is no reference to the New Year in connection with the circumcision and naming of Jesus in this afternoon worship service. Rather the thoughts in this work are concerned with the praise of God and thanks for his good deeds. Score available separately - see item CA.3101600.

ATB vocal soli, SATB choir, oboe I/oboe d'caccia (viola), oboe II, corno d'caccia, 2 violins, viola, basso continuo

SKU: CA.3101600

Cantata for the New Year's Day. Composed by Johann Sebastian Bach. Edited by Michael Marker. This edition: urtext. Hymns by Martin Luther: Herr Gott, dich loben wir; Stuttgart Urtext Edition: Bach vocal. German title: Herr Gott, dich loben wir. Sacred vocal music, Cantatas, New year. Full score. Composed 1725. BWV 16. 32 pages. Duration 18 minutes. Carus Verlag #CV 31.016/00. Published by Carus Verlag (CA.3101600).

ISBN 9790007087623. Language: German/English. Text: Luther, Martin.

This cantata was first performed in Leipzig on New Year's Day 1726. It belongs to a small group of compositions which were composed between Advent 1725 and mid-January 1726 and whose text were written by the same author. There is no reference to the New Year in connection with the circumcision and naming of Jesus in this afternoon worship service. Rather the thoughts in this work are concerned with the praise of God and thanks for his good deeds.

ATB vocal soli, SATB choir, oboe I/oboe d'caccia (viola), oboe II, corno d'caccia, 2 violins, viola, basso continuo

SKU: CA.3101619

Cantata for the New Year's Day. Composed by Johann Sebastian Bach. Edited by Michael Marker. This edition: urtext. Hymns by Martin Luther: Herr Gott, dich loben wir; Stuttgart Urtext Edition: Bach vocal. German title: Herr Gott, dich loben wir. Sacred vocal music, Cantatas, New year. Set of Orchestra Parts. Composed 1725. BWV 16. Duration 18 minutes. Carus Verlag #CV 31.016/19. Published by Carus Verlag (CA.3101619).

ISBN 9790007135973. Language: German/English. Text: Luther, Martin.

This cantata was first performed in Leipzig on New Year's Day 1726. It belongs to a small group of compositions which were composed between Advent 1725 and mid-January 1726 and whose text were written by the same author. There is no reference to the New Year in connection with the circumcision and naming of Jesus in this afternoon worship service. Rather the thoughts in this work are concerned with the praise of God and thanks for his good deeds. Score and parts available separately - see item CA.3101600.

ATB vocal soli, SATB choir, oboe I/oboe d'caccia (viola), oboe II, corno d'caccia, 2 violins, viola, basso continuo

SKU: CA.3101611

Cantata for the New Year's Day. Composed by Johann Sebastian Bach. Edited by Michael Marker. This edition: urtext. Hymns by Martin Luther: Herr Gott, dich loben wir; Stuttgart Urtext Edition: Bach vocal. German title: Herr Gott, dich loben wir. Sacred vocal music, Cantatas, New year. Single Part, Violin 1. Composed 1725. BWV 16. 4 pages. Duration 18 minutes. Carus Verlag #CV 31.016/11. Published by Carus Verlag (CA.3101611).

ISBN 9790007204778. Language: German/English. Text: Luther, Martin.

This cantata was first performed in Leipzig on New Year's Day 1726. It belongs to a small group of compositions which were composed between Advent 1725 and mid-January 1726 and whose text were written by the same author. There is no reference to the New Year in connection with the circumcision and naming of Jesus in this afternoon worship service. Rather the thoughts in this work are concerned with the praise of God and thanks for his good deeds. Score and part available separately - see item CA.3101600.

ATB vocal soli, SATB choir, oboe I/oboe d'caccia (viola), oboe II, corno d'caccia, 2 violins, viola, basso continuo

SKU: CA.3101613

Cantata for the New Year's Day. Composed by Johann Sebastian Bach. Edited by Michael Marker. This edition: urtext. Hymns by Martin Luther: Herr Gott, dich loben wir; Stuttgart Urtext Edition: Bach vocal. German title: Herr Gott, dich loben wir. Sacred vocal music, Cantatas, New year. Single Part, Viola. Composed 1725. BWV 16. 4 pages. Duration 18 minutes. Carus Verlag #CV 31.016/13. Published by Carus Verlag (CA.3101613).

ISBN 9790007204792. Language: German/English. Text: Luther, Martin.

This cantata was first performed in Leipzig on New Year's Day 1726. It belongs to a small group of compositions which were composed between Advent 1725 and mid-January 1726 and whose text were written by the same author. There is no reference to the New Year in connection with the circumcision and naming of Jesus in this afternoon worship service. Rather the thoughts in this work are concerned with the praise of God and thanks for his good deeds. Score and part available separately - see item CA.3101600.

ATB vocal soli, SATB choir, oboe I/oboe d'caccia (viola), oboe II, corno d'caccia, 2 violins, viola, basso continuo

SKU: CA.3101612

Cantata for the New Year's Day. Composed by Johann Sebastian Bach. Edited by Michael Marker. This edition: urtext. Hymns by Martin Luther: Herr Gott, dich loben wir; Stuttgart Urtext Edition: Bach vocal. German title: Herr Gott, dich loben wir. Sacred vocal music, Cantatas, New year. Single Part, Violin 2. Composed 1725. BWV 16. 4 pages. Duration 18 minutes. Carus Verlag #CV 31.016/12. Published by Carus Verlag (CA.3101612).

ISBN 9790007204785. Language: German/English. Text: Luther, Martin.

This cantata was first performed in Leipzig on New Year's Day 1726. It belongs to a small group of compositions which were composed between Advent 1725 and mid-January 1726 and whose text were written by the same author. There is no reference to the New Year in connection with the circumcision and naming of Jesus in this afternoon worship service. Rather the thoughts in this work are concerned with the praise of God and thanks for his good deeds. Score and part available separately - see item CA.3101600.

Orchestra ATB vocal soli, SATB choir, oboe I/oboe d'caccia (viola), oboe II, corno d'caccia, 2 violins, viola, basso continuo

SKU: CA.3101607

Cantata for the New Year's Day. Composed by Johann Sebastian Bach. Edited by Michael Marker. This edition: urtext. Hymns by Martin Luther: Herr Gott, dich loben wir; Stuttgart Urtext Edition: Bach vocal. German title: Herr Gott, dich loben wir. Sacred vocal music, Cantatas, New year. Study score. Composed 1725. BWV 16. 32 pages. Duration 18 minutes. Carus Verlag #CV 31.016/07. Published by Carus Verlag (CA.3101607).

ISBN 9790007092962. Language: German/English. Text: Luther, Martin.

This cantata was first performed in Leipzig on New Year's Day 1726. It belongs to a small group of compositions which were composed between Advent 1725 and mid-January 1726 and whose text were written by the same author. There is no reference to the New Year in connection with the circumcision and naming of Jesus in this afternoon worship service. Rather the thoughts in this work are concerned with the praise of God and thanks for his good deeds. Score available separately - see item CA.3101600.

Composed by Kyle Pederson. Graduation. Octavo. Galaxy Music Corporation #1.3613. Published by Galaxy Music Corporation

Mixed choir

SKU: FG.55011-418-0

Composed by Lars Karlsson. Fennica Gehrman #55011-418-0. Published by Fennica Gehrman (FG.55011-418-0).

ISBN 9790550114180.

The main ingredients of Lars Karlsson's musical expression are free-tonality, traditional forms and natural musicianship that builds on the two. According to the composer: there is no such thing as atonality -- as long as you work with fixed tone pitch. I would rather be inclined to think that tonality is inherent in the structure of tones, whether we want it or not. In other words, we are dealing with a law of nature.
Karlsson's setting of Bergman's poem Mina kallor (My springs) dates from 1974. It is dedicated to the Nordic Choir and its master Hans-Erik Dahlgren.

Choral SATB Choir

SKU: CF.CM9698

Composed by Evan Ramos. 8 pages. Duration 0:01:35. Carl Fischer Music #CM9698. Published by Carl Fischer Music (CF.CM9698).

ISBN 9781491159996. UPC: 680160918591. Key: Ab major. Latin. Traditional Latin.

O Magnum Mysterium is a setting of a Latin sacred text written for Christmas. The text depicts the extraordinary occurring among the ordinary: God coming to earth as a tiny baby, and animals in a lowly stable being the first to witness his arrival. Adding dynamic contrast (crescendo/decrescendo) on every phrase and singing legato (smoothly) with a gentle choral tone will reflect the wonder and awe the original text and this setting attempt to communicate. Original Latin Text: English Translation: O magnum mysterium, O great mystery, Et admirabile sacramentum, And wonderful sacrament, Ut animalia viderunt That animals should see Dominum natum the newborn Lord jacentem in praesepio. Lying in a manger. O magnum mysterium. Amen. O great mystery. Amen. General Latin Pronunciation Guidelines: 1. There are only five pure vowel sounds in Latin: A = AH E=EH I = EE O = AW U = OO 2. Strive to flip all R's as if singing in Italian. Latin Pronunciation (accented syllables are UPPER CASE): aw MAH-nyoom mee-STEHR-yoom,* eht ahd-mee-RAH-bee-leh sah-krah-MEHN-toom, oot ah-nee-MAH-lee-ah vee-DEHR-oont DAW-mee-noom NAH-toom, yah-CHEHN-tehm een preh-SEH-pee-aw. aw MAH-nyoom mee-STEHR-yoom. AH-mehn. *The word mysterium in this piece is a three-syllable rather than a four-syllable word. This can be accomplished by pronouncing the last syllable ium as yoom rather than ee-oom.
O Magnum Mysterium is a setting of a Latin sacred text written for Christmas. The text depicts the extraordinary occurring among the ordinary: God coming to earth as a tiny baby, and animals in a lowly stable being the first to witness his arrival. Adding dynamic contrast (crescendo/decrescendo) on every phrase and singing legato (smoothly) with a gentle choral tone will reflect the wonder and awe the original text and this setting attempt to communicate.Original Latin Text: English Translation:O magnum mysterium, O great mystery,Et admirabile sacramentum, And wonderful sacrament,Ut animalia viderunt That animals should seeDominum natum the newborn Lordjacentem in praesepio. Lying in a manger.O magnum mysterium. Amen. O great mystery. Amen.General Latin Pronunciation Guidelines:1. There are only five pure vowel sounds in Latin:A = AH E=EH I = EE O = AW U = OO2. Strive to flip all R’s as if singing in Italian.Latin Pronunciation (accented syllables are UPPER CASE):aw MAH-nyoom mee-STEHR-yoom,*eht ahd-mee-RAH-bee-leh sah-krah-MEHN-toom,oot ah-nee-MAH-lee-ah vee-DEHR-oontDAW-mee-noom NAH-toom,yah-CHEHN-tehm een preh-SEH-pee-aw.aw MAH-nyoom mee-STEHR-yoom. AH-mehn.*The word “mysterium” in this piece is a three-syllable rather than a four-syllable word. This can be accomplished by pronouncing the last syllable “ium” as “yoom” rather than “ee-oom”.

(No. 3 from Three Sacred Songs ). Composed by Derek Healey. For SATB choir, flute, piano ad lib. General, 21st Century. Moderately Difficult. Octavo. Text Language: English. 12 pages. Published by Ione Press

SATB and Organ. By Benjamin Britten. (SATB). Boosey and Hawkes Sacred Choral. Size 7.25x10.25 inches. 12 pages. Published by Boosey and Hawkes.

By Pepper Choplin. For SATB choir and piano. Sacred: Christ the King, Discipleship, General. Octavo. Published by Lorenz Publishing Company

By Johann Ludwig Bach (1677-1731). Edited by Hermann Max. For Soli SATB, SATB Choir, 2 Violins, Viola, Basso continuo. This edition: Paperbound. German title: Ja, mir hast du Arbeit gemacht. Lent and Passiontide. Full score. Language: German/English. 40 p full score Lent and Passiontide

Composed by David Lantz. Octavo. Beckenhorst Press #BP2131. Published by Beckenhorst Press (BP.BP2131).

SSATB choir/orchestra (Mixed choir: SSATB, Orch)

SKU: BA.BA10557

Composed by Johann Pachelbel. Edited by Thomas Röder. This edition: Edition of selected works, Urtext edition. Linen. Johann Pachelbel. Complete Vocal Works, Volume 7. Edition of selected works, Score, anthology. Baerenreiter Verlag #BA10557_00. Published by Baerenreiter Verlag (BA.BA10557).

ISBN 9790006553068. 33 x 25.8 cm inches. Language: German.

The Complete Vocal Works Johann Pachelbel is known today as a composer of organ music and of a world-famous instrumental canon which frequently features in concert programmes and recording catalogues. However, the same can be said of only a few of his vocal compositions. At most, the motets appear occasionally in church music repertoire. Pachelbelâ??s arias, vocal concerti and large-scale Magnificats have received little attention up to now.

Church musicians and musicologists have long wished for a critical edition of these important works, which survive in Pachelbelâ??s manuscript and were largely composed in his main places of work, Erfurt and Nuremberg . As always with such ventures, new discoveries are to be expected regarding the body of works, source material and the context of the works. This concerns not only beautiful music, but rather a deepening of our understanding of Pachelbel as a key figure between southern and central German traditions, and the recognition of an oeuvre which has all too often been pushed into the shadows by the mighty Bach.


The Critical Edition

The edition aims to make available all of Johann Pachelbelâ??s surviving vocal works in the best possible form. It is edited by the Institut für Musikwissenschaft at the University of Erlangen-Nuremberg and the Institut für Kirchenmusik at the Kunstuniversität Graz.

Two volumes per year are planned.

As a chronological order is not possible in many cases, the individual works have been arranged according to scoring within their groups. Fragments and works where Johann Pachelbelâ??s authorship is doubtful appear at the end of the respective group.

Each volume includes an introduction (Ger/Eng) and a Critical Commentary (Ger). Format 25.5 x 32.5 cm; cloth-bound

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Composed by Mary Mcdonald. For SATB choir, piano (orchestra). Sacred Anthem. Octavo. Published by Lorenz Publishing Company

With I'd Rather Have Jesus. Composed by Lynn DeShazo and George Beverly Shea. Arranged by Stacey Nordmeyer. Daybreak Choral Series. General Worship, Lent, Sacred. Octavo. 12 pages. Published by Daybreak Music

Mixed choir

SKU: FG.55011-417-3

Composed by Lars Karlsson. Fennica Gehrman #55011-417-3. Published by Fennica Gehrman (FG.55011-417-3).

ISBN 9790550114173.

The main ingredients of Lars Karlsson's musical expression are free-tonality, traditional forms and natural musicianship that builds on the two. According to the composer: there is no such thing as atonality -- as long as you work with fixed tone pitch. I would rather be inclined to think that tonality is inherent in the structure of tones, whether we want it or not. In other words, we are dealing with a law of nature.
Karlsson's setting of Lagerkvists classic Som en vag (Like a wave) dates from 1976. The poem is a love story.

Choral SATB choir

SKU: CF.CM9736

Composed by Stephen Foster. Arranged by Russell L. Robinson. 8 pages. Duration 3:45. Carl Fischer Music #CM9736. Published by Carl Fischer Music (CF.CM9736).

ISBN 9781491161166. UPC: 680160919758. Key: Bb major. English.

Stephen Collins Foster lived from 1826 to 1864, until only age 37. He was extremely prolific, with numerous songs that have lasted to this day. I first had the idea to arrange Beautiful Dreamer for SATB choirs a cappella, after hearing Kristen Chenoweth in concert. She ended her concert, in a 1,600 seat hall, with Beautiful Dreamer, an a cappella solo, with no microphone. Given the beautiful melody, text and Ms. Chenoweth's voice, one could have heard a pin drop in the audience. Her performance concluded to thunderous applause and a standing ovation. The power of music. Throughout this arrangement, the harmonies support the beautiful melody and text (rather than get in its' way). Opportunities abound for vocal parts to be showcased as well as an optional solo/duet at the beginning. Sing freely, with pure vowels, crisp diction and sensitivity, allowing the text to prevail by giving special attention to stressed and unstressed syllables and words. I hope you enjoy singing this arrangement in rehearsal and performance to the delight of your audience. Tell the story through song because that's what we should always do when performing choral music. Russell Robinson, Arranger  .
Stephen Collins Foster lived from 1826 to 1864, until only age 37. He was extremely prolific, with numerous songs that have lasted to this day.  I first had the idea to arrange Beautiful Dreamer for SATB choirs a cappella, after hearing Kristen Chenoweth in concert.  She ended her concert, in a 1,600 seat hall, with Beautiful Dreamer, an a cappella solo, with no microphone.  Given the beautiful melody, text and Ms. Chenoweth’s voice, one could have heard a pin drop in the audience. Her performance concluded to thunderous applause and a standing ovation.  The power of music.Throughout this arrangement, the harmonies support the “beautiful” melody and text (rather than get in its' way).  Opportunities abound for vocal parts to be showcased as well as an optional solo/duet at the beginning.Sing freely, with pure vowels, crisp diction and sensitivity, allowing the text to prevail by giving special attention to stressed and unstressed  syllables and words.I hope you enjoy singing this arrangement in rehearsal and performance to the delight of your audience.  Tell the story through song because that’s what we should always do when performing choral music.Russell Robinson, Arranger .

Angel. Composed by Fadhilli William Mdawida. Arranged by Russell L. Robinson. Sws. Octavo. 16 pages. Duration 3 minutes, 4 seconds. Carl Fischer Music #CM9650. Published by Carl Fischer Music