By George Frideric Handel (1685-1759). Edited by Hans Joachim Marx. Arranged by Andreas Kohs. For soprano voice solo, alto voice solo, tenor voice solo, bass voice solo, SSATB choir , violin (2), viola (2), cello, basso continuo (cello, double bass, organ) (2 Solo Sopranos/Solo Alto/Solo Tenor/Solo Bass/Mixed Choir: SSATB/2 Violins/2 Violas/Violoncello/Basses (Violoncello/Contrabass/O rgan)). This edition: Paperback, Urtext edition. Replaces BA 4002-90. Psalm 109. Piano reduction. Language: Latin. HWV 232. 93 pages. Duration 40 minutes. Published by Baerenreiter Verlag

SATB choir, english horn (or clarinet, or viola) and organ (SATB) - Easy to Moderately Difficult

SKU: OU.9780193359802

Composed by John Rutter. This edition: paperback. Sacred choral - mixed voices. Sacred, Choral Leaflet. Part for clarinet in A. 8 pages. Duration 7'. Oxford University Press #9780193359802. Published by Oxford University Press (OU.9780193359802).

ISBN 9780193359802. 12 x 8 inches.

For SATB choir, cor anglais (or clarinet, or viola) and organ This reflective setting of verses from Psalm 139 was composed in memory of George Guest and first performed by the choir of St John's College, Cambridge, on Ash Wednesday, 2007. The work makes a highly effective Lenten or contemplative anthem.

SATB choir, English horn (or clarinet, or viola) and organ (SATB) - Easy to Moderately Difficult

SKU: OU.9780193359796

Composed by John Rutter. This edition: paperback. Sacred choral - mixed voices. Sacred, Choral Leaflet. English horn part. 8 pages. Duration 7'. Oxford University Press #9780193359796. Published by Oxford University Press (OU.9780193359796).

ISBN 9780193359796. 12 x 8 inches.

For SATB choir, cor anglais (or clarinet, or viola) and organ This reflective setting of verses from Psalm 139 was composed in memory of George Guest and first performed by the choir of St John's College, Cambridge, on Ash Wednesday, 2007. The work makes a highly effective Lenten or contemplative anthem.

SATB choir, english horn/clarinet/viola & organ (SATB) - Easy to Moderately Difficult

SKU: OU.9780193359413

Composed by John Rutter. This edition: paperback. Sacred choral - mixed voices. Sacred, Choral Leaflet. Vocal score. 16 pages. Duration 7'. Oxford University Press #9780193359413. Published by Oxford University Press (OU.9780193359413).

ISBN 9780193359413. 10 x 7 inches.

For SATB choir, cor anglais (or clarinet, or viola) and organ This reflective setting of verses from Psalm 139 was composed in memory of George Guest and first performed by the choir of St John's College, Cambridge, on Ash Wednesday, 2007. The work makes a highly effective Lenten or contemplative anthem.

SSATB choir, a cappella

SKU: OU.9780193502598

Composed by Arnold Cooke. Sacred choral - mixed voices. Vocal score. 8 pages. Oxford University Press #9780193502598. Published by Oxford University Press (OU.9780193502598).

ISBN 9780193502598. 10 x 7 inches.

For SATB choir, cor anglais (or clarinet, or viola) and organ This reflective setting of verses from Psalm 139 was composed in memory of George Guest and first performed by the choir of St John's College, Cambridge, on Ash Wednesday, 2007. The work makes a highly effective Lenten or contemplative anthem.

By Franz Schubert. Edited by Paul, Bernhard. For Soli STB, SATB Choir, [2 Trumpets, Timpani], 2 Violins, Viola, Cello/Contrabass, Organ. D 167. Masses, Latin; Stuttgart Urtext editions. Score. Language: Latin. 88 pages. Duration 25 min. Published by Carus Verlag (German import).

Composed by Glenn L. Rudolph. For SATB choir, Organ and English Horn or Viola. Medium. Octavo. Published by MorningStar Music Publishers

By Russell Schulz-Widmar. For SATB choir, organ accompaniment, clarinet or viola. Augsburg Choral Library. Sacred, Christmas. Octavo. 16 pages. Published by Augsburg Fortress

Arranged by Kevin McChesney. For Choir. (SATB). New Life in Christ, Renewal, Ring and Sing and Sacred. Print Music Single (S(S)ATB w/opt. 3-5 oct. Handbell accomp.). 12 pages. Published by Hope Publishing Company.

STB vocal soli, SATB choir, [2 trumpets, timpani], 2 violins, viola, cello/contrabass, organ - Level 3

SKU: CA.4067563

Erstausgabe nach den Klosterneuburger Stimmen. Composed by Franz Schubert. Edited by Bernhard Paul. This edition: urtext. Stuttgart Urtext Edition: Stuttgart Schubert Edition. Messe In G-Dur (Klosterneuburg). Innovative practice aids, Sacred vocal music, Masses, Latin. Single Part, Viola. D 167. 8 pages. Duration 25 minutes. Carus Verlag #CV 40.675/63. Published by Carus Verlag (CA.4067563).

ISBN 9790007220068. Key: G major. Language: Latin.

Franz Schubert's Mass in G major is one of the most popular settings of the mass ordinary: the charming song-like melodic writing, especially in the Kyrie and the Credo, forms a magical counterpoint to more concertante passages in the Gloria and the Sanctus. For a long time it was thought that Schubert's final version was scored for purely string orchestra, whilst a version with wind, brass, and timpani was thought to be an expanded orchestration by his brother Ferdinand Schubert. However, since the mid-1990s it has been known that the parts for trumpets and timpani were additionally composed by Franz Schubert himself for use ad libitum. The present edition offers this Klosterneuburg Version - with trumpets and timpani ad libitum, but without Ferdinand's wind parts - in an Urtext edition reflecting Schubert's own intended orchestration. This work is available in carus music, the choir app! Score and part available separately - see item CA.4067500.

SATB choir, cantor, voice solo, assembly, keyboard accompaniment, oboe, violin 1, violin 2, viola, cello, guitar - Early intermediate

SKU: GI.G-8315

Composed by Chris De Silva. Lent. Celebration Series. Sacred. Octavo. With guitar chord names. 12 pages. GIA Publications #8315. Published by GIA Publications (GI.G-8315).

UPC: 785147831501. English, Latin. Text Source: Vv. 'In paradisum' Translation: Chris de Silva. Text by Chris de Silva.

This tender song of farewell incorporates Chris’ original text with a modern harmonization of In paradisum (Mode VII) in Latin. A simple, arpeggiated accompaniment reflects the compassionate comfort of this graceful song for funerals. Optional string quartet and oboe parts are available separately and add to the expressiveness of this piece. For Cantor or Solo, SATB choir, and assembly this touching original work by Chris de Silva quotes the Latin chant In paradisum and offers solace and hope for those who have suffered loss. For cantor or soloist.

STB vocal soli, SATB choir, 3 oboes, bassoon, 2 violins, viola, basso continuo

SKU: CA.3119413

Cantata for Trinity Sunday. Composed by Johann Sebastian Bach. Edited by Tobias Rimek. Arranged by Angelika Tasler. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Viola. Sacred vocal music, Cantatas, Trinity. Single Part, Viola. Composed 1724. BWV 194. 8 pages. Duration 39 minutes. Carus Verlag #CV 31.194/13. Published by Carus Verlag (CA.3119413).

ISBN 9790007210335. Text language: German/English.

The cantata Hochsterwunschtes Freudenfest BWV 194 was composed for an organ dedication on 2 November 1723 in Stormthal, Saxony. A year later, and with just a few alterations, the cantata was performed again in Leipzig on Trinity Sunday. Our edition takes this Leipzig version of 1724 as its source. The special occasion of its composition is reflected in the extent of the composition which has twelve, instead of the usual six, movements. The orchestral scoring is for strings and three obbligato oboes. A special feature of the cantata is its structure as an orchestral suite. The beginning is a spirited opening chorus in the style of a French overture. The bass aria in the third movement has the character of a pastorale, and the following aria (movement 5) in turn has the character of a gavotte, etc. A simple four-part chorale concludes this multifaceted composition, marked by some extremely heartfelt moments. Score and part available separately - see item CA.3119400.

SATB choir, cantor, voice solo, assembly, keyboard accompaniment, flute, horn in f, violin 1, violin 2, viola, cello, guitar - Beginning

SKU: GI.G-8206

Composed by Tony Alonso S.J. Arranged by Chris De Silva. Celebration Series. Sacred. Octavo. With guitar chord names. 16 pages. GIA Publications #8206. Published by GIA Publications (GI.G-8206).

UPC: 785147820604. English. Text Source: Based on Confessions of St. Augustine. Text by Tony Alonso.

With a text based on Confessions of St. Augustine, this song of comfort extols the surety of God’s love for us. Appropriate for times of reflection or meditation, this moving work sings of the peace found when we allow our restless hearts to find a home in God. While effective with piano and choir alone, the addition of string quartet, flute, and horn in F adds depth and enhances the legato line of the melody. For cantor or soloist. Instrument parts are optional.

STB vocal soli, SATB choir, [2 trumpets, timpani], 2 violins, viola, cello/contrabass, organ - Level 3

SKU: CA.4067564

Erstausgabe nach den Klosterneuburger Stimmen. Composed by Franz Schubert. Edited by Bernhard Paul. This edition: urtext. Stuttgart Urtext Edition: Stuttgart Schubert Edition. Messe In G-Dur (Klosterneuburg). Innovative practice aids, Sacred vocal music, Masses, Latin. Single Part, Cello/Double Bass. Composed 1696. D 167. 8 pages. Duration 25 minutes. Carus Verlag #CV 40.675/64. Published by Carus Verlag (CA.4067564).

ISBN 9790007220075. Key: G major. Language: Latin.

Franz Schubert's Mass in G major is one of the most popular settings of the mass ordinary: the charming song-like melodic writing, especially in the Kyrie and the Credo, forms a magical counterpoint to more concertante passages in the Gloria and the Sanctus. For a long time it was thought that Schubert's final version was scored for purely string orchestra, whilst a version with wind, brass, and timpani was thought to be an expanded orchestration by his brother Ferdinand Schubert. However, since the mid-1990s it has been known that the parts for trumpets and timpani were additionally composed by Franz Schubert himself for use ad libitum. The present edition offers this Klosterneuburg Version - with trumpets and timpani ad libitum, but without Ferdinand's wind parts - in an Urtext edition reflecting Schubert's own intended orchestration. This work is available in carus music, the choir app! Score and part available separately - see item CA.4067500.

STB vocal soli, SATB choir, [2 trumpets, timpani], 2 violins, viola, cello/contrabass, organ - Level 3

SKU: CA.4067562

Erstausgabe nach den Klosterneuburger Stimmen. Composed by Franz Schubert. Edited by Bernhard Paul. This edition: urtext. Stuttgart Urtext Edition: Stuttgart Schubert Edition. Messe In G-Dur (Klosterneuburg). Innovative practice aids, Sacred vocal music, Masses, Latin. Single Part, Violin 2. D 167. 8 pages. Duration 25 minutes. Carus Verlag #CV 40.675/62. Published by Carus Verlag (CA.4067562).

ISBN 9790007220051. Key: G major. Language: Latin.

Franz Schubert's Mass in G major is one of the most popular settings of the mass ordinary: the charming song-like melodic writing, especially in the Kyrie and the Credo, forms a magical counterpoint to more concertante passages in the Gloria and the Sanctus. For a long time it was thought that Schubert's final version was scored for purely string orchestra, whilst a version with wind, brass, and timpani was thought to be an expanded orchestration by his brother Ferdinand Schubert. However, since the mid-1990s it has been known that the parts for trumpets and timpani were additionally composed by Franz Schubert himself for use ad libitum. The present edition offers this Klosterneuburg Version - with trumpets and timpani ad libitum, but without Ferdinand's wind parts - in an Urtext edition reflecting Schubert's own intended orchestration. This work is available in carus music, the choir app! Score and part available separately - see item CA.4067500.

SATB choir, assembly, piano accompaniment, horn in f, violin 1, violin 2, viola, cello - Beginning

SKU: GI.G-7242

Composed by Tony Alonso S.J. Choral. Choral. Sacred. Octavo. 8 pages. GIA Publications #7242. Published by GIA Publications (GI.G-7242).

UPC: 785147724209. English. Text Source: Inspired by Psalm 133. Text by Tony Alonso. Scripture: Psalm 133.

Written for the sesquicentennial of Austin, Minnesota, this paraphrase and setting of Psalm 133 is ideal for any occasion when a community takes the time to pause the frenetic pace of modern living to reflect on the past, remember those who came before, and recount their stories to the next generation.

Orchestra ATB vocal soli, SATB choir, 2 oboes, 3 trumpets, timpani, 2 violins, viola, basso continuo - Grade 3

SKU: CA.3113749

Cantata for the 12th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Lobe den Herren, den machtigen. Sacred vocal music, Cantatas, Whitsun. Single Part, Organ. Composed 1725. BWV 137. 16 pages. Duration 18 minutes. Carus Verlag #CV 31.137/49. Published by Carus Verlag (CA.3113749).

ISBN 9790007049096. Key: C major. Language: German/English. Text: Neander, Joachim. Text: Joachim Neander.

Bach's chorale cantata Lobe den Herren, den machtigen Konig der Ehren BWV 137, has long been, thanks to its popular chorale text, one of the most frequently-performed works by the Kantor of St. Thomas's. Unlike the cantatas in the cycle of chorale cantatas, the text of the hymn is not only used in the opening and final chorales, but Bach uses it in all the movements. The new edition reflects the current state of research and presents this work in Carus's clear-to-read music setting. Score and part available separately - see item CA.3113700.

STB vocal soli, SATB choir, 3 oboes, bassoon, 2 violins, viola, basso continuo

SKU: CA.3119414

Cantata for Trinity Sunday. Composed by Johann Sebastian Bach. Edited by Tobias Rimek. Arranged by Angelika Tasler. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Basso continuo. Sacred vocal music, Cantatas, Trinity. Single Part, basso continuo. Composed 1724. BWV 194. 24 pages. Duration 39 minutes. Carus Verlag #CV 31.194/14. Published by Carus Verlag (CA.3119414).

ISBN 9790007210342. Text language: German/English.

The cantata Hochsterwunschtes Freudenfest BWV 194 was composed for an organ dedication on 2 November 1723 in Stormthal, Saxony. A year later, and with just a few alterations, the cantata was performed again in Leipzig on Trinity Sunday. Our edition takes this Leipzig version of 1724 as its source. The special occasion of its composition is reflected in the extent of the composition which has twelve, instead of the usual six, movements. The orchestral scoring is for strings and three obbligato oboes. A special feature of the cantata is its structure as an orchestral suite. The beginning is a spirited opening chorus in the style of a French overture. The bass aria in the third movement has the character of a pastorale, and the following aria (movement 5) in turn has the character of a gavotte, etc. A simple four-part chorale concludes this multifaceted composition, marked by some extremely heartfelt moments. Score and part available separately - see item CA.3119400.

STB vocal soli, SATB choir, 3 oboes, bassoon, 2 violins, viola, basso continuo

SKU: CA.3119423

Cantata for Trinity Sunday. Composed by Johann Sebastian Bach. Edited by Tobias Rimek. Arranged by Angelika Tasler. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Oboe 3. Sacred vocal music, Cantatas, Trinity. Single Part, Oboe 3. Composed 1724. BWV 194. 4 pages. Duration 39 minutes. Carus Verlag #CV 31.194/23. Published by Carus Verlag (CA.3119423).

Text language: German/English.

The cantata Hochsterwunschtes Freudenfest BWV 194 was composed for an organ dedication on 2 November 1723 in Stormthal, Saxony. A year later, and with just a few alterations, the cantata was performed again in Leipzig on Trinity Sunday. Our edition takes this Leipzig version of 1724 as its source. The special occasion of its composition is reflected in the extent of the composition which has twelve, instead of the usual six, movements. The orchestral scoring is for strings and three obbligato oboes. A special feature of the cantata is its structure as an orchestral suite. The beginning is a spirited opening chorus in the style of a French overture. The bass aria in the third movement has the character of a pastorale, and the following aria (movement 5) in turn has the character of a gavotte, etc. A simple four-part chorale concludes this multifaceted composition, marked by some extremely heartfelt moments. Score and part available separately - see item CA.3119400.

STB vocal soli, SATB choir, 3 oboes, bassoon, 2 violins, viola, basso continuo

SKU: CA.3119422

Cantata for Trinity Sunday. Composed by Johann Sebastian Bach. Edited by Tobias Rimek. Arranged by Angelika Tasler. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Oboe 2. Sacred vocal music, Cantatas, Trinity. Single Part, Oboe 2. Composed 1724. BWV 194. 8 pages. Duration 39 minutes. Carus Verlag #CV 31.194/22. Published by Carus Verlag (CA.3119422).

Text language: German/English.

The cantata Hochsterwunschtes Freudenfest BWV 194 was composed for an organ dedication on 2 November 1723 in Stormthal, Saxony. A year later, and with just a few alterations, the cantata was performed again in Leipzig on Trinity Sunday. Our edition takes this Leipzig version of 1724 as its source. The special occasion of its composition is reflected in the extent of the composition which has twelve, instead of the usual six, movements. The orchestral scoring is for strings and three obbligato oboes. A special feature of the cantata is its structure as an orchestral suite. The beginning is a spirited opening chorus in the style of a French overture. The bass aria in the third movement has the character of a pastorale, and the following aria (movement 5) in turn has the character of a gavotte, etc. A simple four-part chorale concludes this multifaceted composition, marked by some extremely heartfelt moments. Score and part available separately - see item CA.3119400.

STB vocal soli, SATB choir, 3 oboes, bassoon, 2 violins, viola, basso continuo

SKU: CA.3119411

Cantata for Trinity Sunday. Composed by Johann Sebastian Bach. Edited by Tobias Rimek. Arranged by Angelika Tasler. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violin 1. Sacred vocal music, Cantatas, Trinity. Single Part, Violin 1. Composed 1724. BWV 194. 8 pages. Duration 39 minutes. Carus Verlag #CV 31.194/11. Published by Carus Verlag (CA.3119411).

ISBN 9790007210311. Text language: German/English.

The cantata Hochsterwunschtes Freudenfest BWV 194 was composed for an organ dedication on 2 November 1723 in Stormthal, Saxony. A year later, and with just a few alterations, the cantata was performed again in Leipzig on Trinity Sunday. Our edition takes this Leipzig version of 1724 as its source. The special occasion of its composition is reflected in the extent of the composition which has twelve, instead of the usual six, movements. The orchestral scoring is for strings and three obbligato oboes. A special feature of the cantata is its structure as an orchestral suite. The beginning is a spirited opening chorus in the style of a French overture. The bass aria in the third movement has the character of a pastorale, and the following aria (movement 5) in turn has the character of a gavotte, etc. A simple four-part chorale concludes this multifaceted composition, marked by some extremely heartfelt moments. Score and part available separately - see item CA.3119400.

STB vocal soli, SATB choir, 3 oboes, bassoon, 2 violins, viola, basso continuo

SKU: CA.3119412

Cantata for Trinity Sunday. Composed by Johann Sebastian Bach. Edited by Tobias Rimek. Arranged by Angelika Tasler. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violin 2. Sacred vocal music, Cantatas, Trinity. Single Part, Violin 2. Composed 1724. BWV 194. 8 pages. Duration 39 minutes. Carus Verlag #CV 31.194/12. Published by Carus Verlag (CA.3119412).

ISBN 9790007210328. Text language: German/English.

The cantata Hochsterwunschtes Freudenfest BWV 194 was composed for an organ dedication on 2 November 1723 in Stormthal, Saxony. A year later, and with just a few alterations, the cantata was performed again in Leipzig on Trinity Sunday. Our edition takes this Leipzig version of 1724 as its source. The special occasion of its composition is reflected in the extent of the composition which has twelve, instead of the usual six, movements. The orchestral scoring is for strings and three obbligato oboes. A special feature of the cantata is its structure as an orchestral suite. The beginning is a spirited opening chorus in the style of a French overture. The bass aria in the third movement has the character of a pastorale, and the following aria (movement 5) in turn has the character of a gavotte, etc. A simple four-part chorale concludes this multifaceted composition, marked by some extremely heartfelt moments. Score and part available separately - see item CA.3119400.

STB vocal soli, SATB choir, 3 oboes, bassoon, 2 violins, viola, basso continuo

SKU: CA.3119421

Cantata for Trinity Sunday. Composed by Johann Sebastian Bach. Edited by Tobias Rimek. Arranged by Angelika Tasler. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Oboe 1. Sacred vocal music, Cantatas, Trinity. Single Part, Oboe 1. Composed 1724. BWV 194. 12 pages. Duration 39 minutes. Carus Verlag #CV 31.194/21. Published by Carus Verlag (CA.3119421).

Text language: German/English.

The cantata Hochsterwunschtes Freudenfest BWV 194 was composed for an organ dedication on 2 November 1723 in Stormthal, Saxony. A year later, and with just a few alterations, the cantata was performed again in Leipzig on Trinity Sunday. Our edition takes this Leipzig version of 1724 as its source. The special occasion of its composition is reflected in the extent of the composition which has twelve, instead of the usual six, movements. The orchestral scoring is for strings and three obbligato oboes. A special feature of the cantata is its structure as an orchestral suite. The beginning is a spirited opening chorus in the style of a French overture. The bass aria in the third movement has the character of a pastorale, and the following aria (movement 5) in turn has the character of a gavotte, etc. A simple four-part chorale concludes this multifaceted composition, marked by some extremely heartfelt moments. Score and part available separately - see item CA.3119400.

Orchestra solo soprano/baritone voices, SATB choir, flute, oboe, clarinet, bassoon, trumpet, 2 horns, trombone, timpani, percussion, 2 violins, viola, cello/double bass, jazz bass, piano

SKU: CA.1060100

Szenische Kantate in zwei Akten. Composed by Peter Schindler. German title: Sonne, Mond und Sterne. Lieder for choir, Sacred vocal music - Jazz, Cantatas. Full score. Duration 110 minutes. Carus Verlag #CV 10.601/00. Published by Carus Verlag (CA.1060100).

ISBN 9790007096687. Language: German.

In his new work Sonne, Mond und Sterne (Sun, moon and stars), composer Peter Schindler combines texts from five centuries to form a kaleidoskope of life. The music, closely reflecting the many and diverse texts, borrows influences from classical music and jazz, chanson, pop and chamber music, and is merged into a unique and unmistakable musical language by Peter Schindler.

AT vocal soli, SATB choir, 2 flutes, 2 violins, viola, basso continuo

SKU: CA.3116149

Cantata for the 16th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Organ. Sacred vocal music, Cantatas, Whitsun, Mourning, death. Single Part, Organ. Composed 1716. BWV 161. 12 pages. Duration 19 minutes. Carus Verlag #CV 31.161/49. Published by Carus Verlag (CA.3116149).

ISBN 9790007208882. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.

The cantate was most likely performed for the first time on 27 September, the 16th Sunday after Trinity, 1716 at the Schlosskirche in Weimar. The text originated from the Kantatenjahrgang (yearly cantata cycle), Evangelisches Andachts-Opffer (Evangelical Devotional Offering) by the secretary of the Weimar high conistory, Salomon Franck. The sermon text for the 16th Sunday after Trinity, the raising of the boy from the dead at Nain (Luke 7: 11-14), is only indirectly reflected in Franck's cantata text. In a prevalent interpretation from that period of this biblical text, the raising of the dead is seen as an allegory for the resurrection of the faithful. Score and part available separately - see item CA.3116100.

AT vocal soli, SATB choir, 2 flutes, 2 violins, viola, basso continuo

SKU: CA.3116105

Cantata for the 16th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Whitsun, Mourning, death. Choral Score. Composed 1716. BWV 161. 4 pages. Duration 19 minutes. Carus Verlag #CV 31.161/05. Published by Carus Verlag (CA.3116105).

ISBN 9790007113070. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.

The cantate was most likely performed for the first time on 27 September, the 16th Sunday after Trinity, 1716 at the Schlosskirche in Weimar. The text originated from the Kantatenjahrgang (yearly cantata cycle), Evangelisches Andachts-Opffer (Evangelical Devotional Offering) by the secretary of the Weimar high conistory, Salomon Franck. The sermon text for the 16th Sunday after Trinity, the raising of the boy from the dead at Nain (Luke 7: 11-14), is only indirectly reflected in Franck's cantata text. In a prevalent interpretation from that period of this biblical text, the raising of the dead is seen as an allegory for the resurrection of the faithful. Score available separately - see item CA.3116100.

AT vocal soli, SATB choir, 2 flutes, 2 violins, viola, basso continuo

SKU: CA.3116119

Cantata for the 16th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Komm, du susse Todesstunde. Sacred vocal music, Cantatas, Whitsun, Mourning, death. Set of Orchestra Parts. Composed 1716. BWV 161. Duration 19 minutes. Carus Verlag #CV 31.161/19. Published by Carus Verlag (CA.3116119).

ISBN 9790007136871. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.

The cantate was most likely performed for the first time on 27 September, the 16th Sunday after Trinity, 1716 at the Schlosskirche in Weimar. The text originated from the Kantatenjahrgang (yearly cantata cycle), Evangelisches Andachts-Opffer (Evangelical Devotional Offering) by the secretary of the Weimar high conistory, Salomon Franck. The sermon text for the 16th Sunday after Trinity, the raising of the boy from the dead at Nain (Luke 7: 11-14), is only indirectly reflected in Franck's cantata text. In a prevalent interpretation from that period of this biblical text, the raising of the dead is seen as an allegory for the resurrection of the faithful. Score and parts available separately - see item CA.3116100.