For SATB. Modern Christian. Sacred. Hymnal. Published by Brentwood-Benson Music Publishing.

For SATB. Modern Christian. Sacred. Hymnal. Published by Brentwood-Benson Music Publishing.

For SATB. Modern Christian. Sacred. Hymnal. Published by Brentwood-Benson Music Publishing.

Words and Music by Lew King and Barry Lyall; Arranged by Lew King; Orchestrated by Lew King. Choral - SATB. Published by GlorySound.

Choral SATB choir

SKU: CF.CM9700

Composed by Hungarian Folk. Arranged by Stacy Garrop. 20 pages. Duration 4:44. Carl Fischer Music #CM9700. Published by Carl Fischer Music (CF.CM9700).

ISBN 9781491160008. UPC: 680160918607. Key: A minor. Hungarian. Hungarian Folk.

In 2014, Chanticleer commissioned me to make a new arrangement of the Hungarian-Romani folk song Jarba, Mare Jarba for their 2014 touring program. Passed down orally through the Romani communities, this beautiful folk song, with text in a language called Beas (beh-osh), speaks of a deep longing to visit one's homeland, a place where the singer can never return. Chanticleer consists of twelve men whose vocal ranges span from low bass to high soprano, equivalent to the range of a mixed choir of women and men. I composed slow sections of original material to represent the singers' longing to return home; these are interspersed with the folk song's traditional fast sections. The incorporated shouts and calls in the score are typically found in the performance of Central European folk songs. I hope you enjoy singing this new version of Jarba, Mare Jarba that contains all of the vigor and excitement of the Chanticleer version. PERFORMANCE NOTES All spoken sounds (indicated by x noteheads) should be performed by individuals. Feel free to elaborate with more sounds of your own in the tradition of Eastern European folk music. If the piece is memorized, feel free to experiment with clapping on the off-beats of m. 93 to the end. TEXT Transliteration Jarba, mare jarba mas duce a casa, da nu pot ca am jurat, Jarba, mare jarba mas duce a casa, da nu pot ca am jurat. Mare jarba, verde jarba nu me pot duce a casa. Jarba, mare jarba mas duce a casa, da nu pot ca am jurat. O mers mama de pe sat, O lasat coliba goala, Infrunzitu, ingurzitu da plina de saracie, da plina de saracie. Mare jarba, verde jarba nu me pot duce a casa. Jarba, mare jarba mas duce a casa, da nu pot ca am jurat. Translation Green grass, tall grass, I would like to go home, but I cannot, because I have sworn not to. Tall grass, green grass - oh, that I cannot go home! My mother has left the village; she left the hut empty, Adorned with leaves but full of poverty. Tall grass, green grass - oh, that I cannot go home! Tall grass, green grass - I would like to go home. but I cannot, because I have sworn not to. Stacy Garrop's music is centered on dramatic and lyrical storytelling. The sharing of stories is a defining element of our humanity; we strive to share with others the experiences and concepts that we find compelling. She shares stories by taking audiences on sonic journeys - some simple and beautiful, while others are complicated and dark - depending on the needs and dramatic shape of the story. Garrop served as the first Emerging Opera Composer of Chicago Opera Theater's Vanguard Program. She also held a 3-year composer-in-residence position with the Champaign-Urbana Symphony Orchestra, funded by New Music USA and the League of American Orchestras. She has received numerous awards and grants including an Arts and Letters Award in Music from the American Academy of Arts and Letters, Fromm Music Foundation Grant, Barlow Prize, and three Barlow Endowment commissions, along with prizes from competitions sponsored by the Detroit Symphony Orchestra, Civic Orchestra of Chicago, Omaha Symphony, New England Philharmonic, Boston Choral Ensemble, Utah Arts Festival, and Pittsburgh New Music Ensemble. She is a Cedille Records artist; her works are commercially available on more than ten additional labels. Her catalog covers a wide range, with works for orchestra, opera, oratorio, wind ensemble, choir, art song, various sized chamber ensembles, and works for solo instruments. Notable commissions include My Dearest Ruth for soprano and piano with text by Martin Ginsburg, the husband of the late Supreme Court Justice Ruth Bader Ginsburg, The Transformation of Jane Doe for Chicago Opera Theater, The Battle for the Ballot for the Cabrillo Festival Orchestra, Goddess Triptych for the St. Louis Symphony Orchestra, Glorious Mahalia for the Kronos Quartet, Give Me Hunger for Chanticleer, Rites for the Afterlife for the Akropolis and Calefax Reed Quintets, and Terra Nostra: an oratorio about our planet, commissioned by the San Francisco Choral Society and Piedmont East Bay Children's Chorus. Garrop previously served as composer-in-residence with the Albany Symphony and Skaneateles Festival, and as well as on faculty of the Fresh Inc Festival (2012-2017). She taught composition and orchestration full-time at Roosevelt University 2000-2016) before leaving to launch her freelance career. She earned degrees in music composition at the University of Michigan-Ann Arbor (B.M.), University of Chicago (M.A.), and Indiana University-Bloomington (D.M.).
In 2014, Chanticleer commissioned me to make a new arrangement of the Hungarian-Romani folk song Jarba, Mare Jarba for their 2014 touring program. Passed down orally through the Romani communities, this beautiful folk song, with text in a language called Beas (beh-osh), speaks of a deep longing to visit one’s homeland, a place where the singer can never return. Chanticleer consists of twelve men whose vocal ranges span from low bass to high soprano, equivalent to the range of a mixed choir of women and men. I composed slow sections of original material to represent the singers’ longing to return home; these are interspersed with the folk song’s traditional fast sections. The incorporated shouts and calls in the score are typically found in the performance of Central European folk songs. I hope you enjoy singing this new version of Jarba, Mare Jarba that contains all of the vigor and excitement of the Chanticleer version.PERFORMANCE NOTESAll spoken sounds (indicated by x noteheads) should be performed by individuals. Feel free to elaborate with more sounds of your own in the tradition of Eastern European folk music.If the piece is memorized, feel free to experiment with clapping on the off-beats of m. 93 to the end.TEXTTransliterationJa rba, mare jarba mas duce a casa, da nu pot ca am jurat, Jarba, mare jarba mas duce a casa, da nu pot ca am jurat. Mare jarba, verde jarba nu me pot duce a casa.Jarba, mare jarba mas duce a casa, da nu pot ca am jurat.O mers mama de pe sat, O lasat coliba goala,Infrunzitu, ingurzitu da plina de saracie, da plina de saracie. Mare jarba, verde jarba nu me pot duce a casa.Jarba, mare jarba mas duce a casa, da nu pot ca am jurat.TranslationGreen grass, tall grass, I would like to go home, but I cannot, because I have sworn not to.Tall grass, green grass – oh, that I cannot go home!My mother has left the village; she left the hut empty, Adorned with leaves but full of poverty.Tall grass, green grass – oh, that I cannot go home! Tall grass, green grass – I would like to go home.but I cannot, because I have sworn not to.Stacy Garrop’s music is centered on dramatic and lyrical storytelling. The sharing of stories is a defining element of our humanity; we strive to share with others the experiences and concepts that we find compelling. She shares stories by taking audiences on sonic journeys – some simple and beautiful, while others are complicated and dark – depending on the needs and dramatic shape of the story.Garrop served as the first Emerging Opera Composer of Chicago Opera Theater’s Vanguard Program. She also held a 3-year composer-in-residence position with the Champaign-Urbana Symphony Orchestra, funded by New Music USA and the League of American Orchestras. She has received numerous awards and grants including an Arts and Letters Award in Music from the American Academy of Arts and Letters, Fromm Music Foundation Grant, Barlow Prize, and three Barlow Endowment commissions, along with prizes from competitions sponsored by the Detroit Symphony Orchestra, Civic Orchestra of Chicago, Omaha Symphony, New England Philharmonic, Boston Choral Ensemble, Utah Arts Festival, and Pittsburgh New Music Ensemble. She is a Cedille Records artist; her works are commercially available on more than ten additional labels.Her catalog covers a wide range, with works for orchestra, opera, oratorio, wind ensemble, choir, art song, various sized chamber ensembles, and works for solo instruments. Notable commissions include My Dearest Ruth for soprano and piano with text by Martin Ginsburg, the husband of the late Supreme Court Justice Ruth Bader Ginsburg, The Transformation of Jane Doe for Chicago Opera Theater, The Battle for the Ballot for the Cabrillo Festival Orchestra, Goddess Triptych for the St. Louis Symphony Orchestra, Glorious Mahalia for the Kronos Quartet, Give Me Hunger for Chanticleer, Rites for the Afterlife for the Akropolis and Calefax Reed Quintets, and Terra Nostra: an oratorio about our planet, commissioned by the San Francisco Choral Society and Piedmont East Bay Children’s Chorus.Garrop previously served as composer-in-residence with the Albany Symphony and Skaneateles Festival, and as well as on faculty of the Fresh Inc Festival (2012-2017). She taught composition and orchestration full-time at Roosevelt University 2000-2016) before leaving to launch her freelance career. She earned degrees in music composition at the University of Michigan-Ann Arbor (B.M.), University of Chicago (M.A.), and Indiana University-Bloomington (D.M.).­­.

SATB Choir

SKU: BT.MUSMF272

Composed by Blandet Kor Antologi. Arranged by Svend-G. Asmussen and Thomas Alvad. Hymns & Chorals. Book Only. Composed 2013. 184 pages. Edition Wilhelm Hansen #MUSMF272. Published by Edition Wilhelm Hansen (BT.MUSMF272).

ISBN 9788774840954.

Anth ology for mixed choir. Suitable for use colleges, high schools etc.

SATB choir, piano accompaniment - Early intermediate

SKU: GI.WW1725

Composed by Daniel Elder. Concert, School. Andrew Crane Choral Series. Classical. Octavo. 16 pages. Walton Music #WW1725. Published by Walton Music (GI.WW1725).

UPC: 785147015260. English. Text by Daniel Elder.

October Sun is a love song to a time of the year filled with exquisite beauty. Each return to the “October Sun” refrain brings with it a new flavor, guiding the piece through the transition to winter step by step. For high school, collegiate, and community choirs.

SATB a cappella

SKU: SU.80200208

For SATB a cappella. Composed by Daniel E. Gawthrop. Vocal/Choral, Sacred Choral. A cappella. Choral Octavo. Subito Music Corporation #80200208. Published by Subito Music Corporation (SU.80200208).

Suitable for memorial occasions; lush harmonic setting Text: adapted from scripture by Jane Griner 12 page octavo Published by: Dunstan House Minimum order quantity: 8 copies. Perusal copies are available by contacting office@DunstanHouse.com (Please include the organization name with your request). To order quantities less than 8.

SATB choir

SKU: GI.G-7795

Ash Wednesday through Holy Week, SATB. Lent, Ash Wednesday, Holy Week. Sacred. Collection. GIA Publications #7795. Published by GIA Publications (GI.G-7795).

UPC: 785147779537. English, German, Latin.

The cornerstone of your choral library Compiled from GIA's best sellers and newer gems, each volume in the CHORAL ESSENTIALS series highlights a particular season and includes pieces in a variety of styles, voicings, and instrumentation. Invaluable as a planning tool…   …affordable enough to purchase copies for your entire choir! Included in this edition: G-3537 Return to God - Marty Haugen G-3980 Hosanna: An Introit for Palm Sunday - Glenn Rudolph G-4213 Glory in the Cross - Steven R. Janco G-4841 So You Must Do - Marty Haugen G-5082 From Deep Distress and Troubled Thoughts - arranged Alice Parker G-5253 Love Is His Word - Ronald F. Krisman G-5791 Ah, Holy Jesus - arranged Hal H. Hopson G-6662 Be with Me, Lord - Ken Macek, arranged Paul A. Tate G-6726 For God So Loved the World - Marty Haugen G-6871 When He Died upon the Tree - Patrick M. Liebergen G-6891 Aus meiner Su_nden Tiefe / How Deep Has Been My Sinning - Orlando di Lasso, edited Austin C. Lovelace G-6917 Crucifixus etiam pro nobis / He Was Crucified for Us - J. S. Bach, arranged Carlton R. Young G-7196 A Broken Heart - Luke Mayernik G-7495 In manus tuas, Pater / Into Your Hands, O Father - Taizé Community G-7592 Velum templi - Paul Nicholson .

Composed by Jason Shelton. This edition: Saddle stitching. Sheet music. Pavane Choral. Festival, Concert, Sacred. Octavo. Composed 1915. Op. 11. 12 pages. Pavane Publishing #P1586. Published by Pavane Publishing

By Eric William Barnum. SATB. Walton Choral. 16 pages. Walton Music #WW1455. Published by Walton Music

Composed by Richard J. Clark. Text: The Roman Missal. Our most popular Mass setting! Liturgy. Published by CanticaNOVA Publications (C5.3136-2).

By Taylor Scott Davis. For SATB choir, Piano, Cello. Lent, Holy Week. Medium. Choral score. Published by MorningStar Music Publishers

Composed by Tomas Luis de Victoria (1548-1611). Edited by Andrea Angelini. Text: Hail Mary. Renaissance treasure. Marian. Octavo. Published by CanticaNOVA Publications (C5.7019).

SATB choir, cantor, priest, assembly, keyboard accompaniment, 2 C instruments, trumpet 1 in C, trumpet 1 in B-flat, trumpet 2 in C, trumpet 2 in B-flat, trombone 1, trombone 2

SKU: GI.G-10698

Composed by Paul Hillebrand. This edition: Choral / Accompaniment edition. Advent. Mass. Tune Name: Veni Emmanuel. Sacred. Octavo. With guitar chord names. 24 pages. GIA Publications #10698. Published by GIA Publications (GI.G-10698).

English. Text Source: Revised Order of Mass 2010, Lectionary for Mass

Come, Emmanuel Mass, based on the familiar hymn tune VENI EMMANUEL, is a setting to return to year after year during both the Advent and Christmas seasons. Written in triple meters, this seasonal Mass setting is easily singable by choir and assembly and works beautifully whether using simple keyboard accompaniment or using full instrumentation. A wonderful addition to your seasonal repertoire!

By Marty Haugen. For Voices: SATB, assembly. Instruments: C instrument, bass instrument (instruments optional). Keyboard accompaniment. Celebration Series Sacred. Level: easy. 4 pages. Published by GIA Publications.

(Volume 1: SATB). For SATB choir. Lent, Ash Wednesday, Holy Week. Sacred. Collection. Published by GIA Publications

Composed by Riika Pietilainenen-Caffrey. Edited by Lawrence Kaptein. Octavo. Alliance Music Publications #AMP 1072. Published by Alliance Music Publications

SATB choir, cantor, assembly, keyboard accompaniment, woodwinds, timpani, brass quartet, guitar

SKU: GI.G-018040

Composed by Steven R. Janco. Sacred. Full score. With guitar chord names. GIA Publications #018040. Published by GIA Publications (GI.G-018040).

What has made this Mass rise to the top in popularity in parishes across the English-speaking world? Its adaptability. From parishes with keyboard and/or guitar and cantor to cathedrals with a large SATB choir and multiple instruments (organ, brass quartet, timpani, handbells), Mass of Wisdom has proven itself as a “Mass for the masses.” Its step-wise melodic patterns make it easy to learn without sounding musically trite in any way. Music directors agree that the through-composed Gloria is one of the most finely crafted of all the new musical settings of the prayer. That fine crafting extends to all components of this Mass, especially the acclamations sung during the Eucharistic Prayer. The multi-layered Hosannas in the Sanctus will delight the members of the choir as well as the singing assembly. This is a Mass setting that simply soars. It is a perfect setting for Ordinary Time, but music directors tell us that the Christmas and Easter seasons are made more glorious and joyful when this setting is sung, especially when the additional instrumentation is added. Dioceses and parishes that employed Mass of Wisdom as the first setting during the implementation of the new translation have found themselves returning to it time and time again. It truly has become part of the “Catholic musical DNA” across the United States and beyond.

Composed by English Ballad. Arranged by Russell L. Robinson. Fold. Octavo. 8 pages. Duration 2 minutes, 47 seconds. Carl Fischer Music #CM9657. Published by Carl Fischer Music

Composed by Rhian Samuel. For SATB choir, a cappella with divisions. ChoralNow. Choral score. 7 pages. Published by Stainer and Bell Ltd.

Composed by Craig Carnahan. For SATB choir divisi, a cappella. Medium. Octavo. Published by MorningStar Music Publishers

SATB and Organ. By Benjamin Britten. (SATB). Boosey and Hawkes Sacred Choral. Size 7.25x10.25 inches. 12 pages. Published by Boosey and Hawkes.

By Susan Borwick. For SATB divisi, a cappella. General. Level: Medium. Choral Score. Published by MorningStar Music Publishers.