(Neun Lieder und Gesange fur gleiche Stimmen (3 und 4stimmig) nach Texten von Hebbel, Morike, Holty u a.). By Karl Marx (1897-1985). For Women's Choir-SSA. Singing Score

Mixed choir (SATB), soloists (SATB) and orchestra (SOLI/CHOR) - intermediate

SKU: HL.49012988

With Offertorium In die solemnitatis (liturgisch). Composed by Carl Maria von Weber. Edited by Dagmar Kreher. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Piano reduction. 64 pages. Duration 30'. Schott Music #ED 8859. Published by Schott Music (HL.49012988).

ISBN 9790001123600. UPC: 842819100959. 8.25x11.75x0.205 inches. Latin.

Die Fledermaus by JohannStrauss / Jr. Johann. Edited by Joachim Freyer. For Vocal Soloists, SATB choir, Piano. (Text Language: German). Opera. Piano/Vocal Score. Text Language: German. Published by Edition Peters

Mixed choir (SATB), soloists (SATB) and orchestra (SOLI/CHOR) - intermediate

SKU: HL.49012987

With Offertorium In die solemnitatis. Composed by Carl Maria von Weber. Edited by Dagmar Kreher. This edition: Paperback/Soft Cover. Sheet music. Edition Schott. Classical. Score. 140 pages. Duration 30'. Schott Music #ED 8858. Published by Schott Music (HL.49012987).

ISBN 9790001123594. 9.0x11.75x0.384 inches. Latin.

Soloists, speakers, mixed choir (SATB) and combo (Score) - easy

SKU: HL.49006394

Eine satirische Chor-Revue in 10 Abteilungen. Composed by Pete Seeger. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Vocal score (also full score). 40 pages. Duration 30'. Schott Music #ED 6524. Published by Schott Music (HL.49006394).

ISBN 9790001069380.

Ware house-Life wurde zum ersten Mal in einem Studio der 'Internationalen Begegnung singender Jugend' des Deutschen Sangerbundes in Berlin aus dem Manuskript aufgefuhrt. Drei Gestalten haben besondere Bedeutung: das Mannequin - ein Reklame- Girl, klischeehaft schon, unpersonlich sexy, in warenbezogenen Kostumen auftretend; der Tenor, der Kaufertyp, der den Lockungen des Girls verfallt; und schliesslich der Dressman, das maskuline Gegenstuck zum Mannequin. Sing- und Spielstil sollten Song und Kabarett parodieren. Im Ubrigen lebt Warehouse- Life vom flotten, luckenlosen und temperamentvollen Ablauf der 10 Abteilungen, von Laune, Witz und Spielfreude der Akteure, sowie von gezielten Uberraschungen optischer und akustischer Art. Der Fantasie sind keine Grenzen gesetzt.'(Fritz Grasshoff) Die Absurditaten der Warenasthetik, die Perfidie der Reklamewelten, das schonungslose Einhammern von Werbespruchen, das rettungslose Ausgeliefertsein an einen Mechanismus des Verkaufens, Anpreisens und An-den-Mann-Bringens um jeden Preis sind Thema dieser Revue und werden mit den Mitteln textlicher wie musikalischer Ironie, Parodie und Persiflage blossgestellt. Die offene Form bietet vielfaltige, unbegrenzte Moglichkeiten zur szenischen Gestaltung; die Einbeziehung anderer Medien (Video, Film) bietet gute Moglichkeiten fur facherubergreifende Arbeit mit Kindern und Jugendlichen ab 10 Jahren.

By Various. Edited by Kircher, Armin. Hymns, Masses, German, Mass Sections, Psalms, German; Occasions: Praise and thanks, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary, Psalms; Use during church year: Lent and Passiontide, Christmas. Choral collection. 224 pages. Published by Carus Verlag (German import).

By Toto. By David Paich (1954-). Arranged by Paul Langford. Pop Choral Series. Concert, Oldies, Jazz, Vocal Jazz, Pop, A Cappella, Classic Rock. Octavo. 24 pages. Published by Hal Leonard

Composed by Brant Adams. Robert J. Ward Choral Series. Concert. Octavo. Santa Barbara Music Publishing #SBMP389. Published by Santa Barbara Music Publishing (SB.SBMP-389).

Composed by Stuart P. O'Neil. For SATB choir, piano accompaniment. Octavo. Santa Barbara Music Publishing #SBMP1247. Published by Santa Barbara Music Publishing

By Franz Schubert (1797-1828). Arranged by Robert Sieving. For SATB choir, piano. Concert, General. Octavo. Published by Santa Barbara Music Publishing

By J Edmund Hughes. Arranged by Mary Ellen Loose. For SATB choir, piano. Edith Copley Choral Series. Concert. Octavo. Published by Santa Barbara Music Publishing

Mixed Choir (SATB) with Children's Choir, with Soloists ad libitum, Speakers, Organ or Wind- and String Instruments and other instruments (Carillonse, Percussion) (Score) - intermediate

SKU: HL.49006584

Das Ottowinder Christspiel. Composed by Franz Mö and ckl. Sheet music. Edition Schott. Classical. Score. 52 pages. Schott Music #ED 6724. Published by Schott Music (HL.49006584).

ISBN 9790001071338.

Eine ganze Gemeinde die Geburt Christi feiern zu lassen und dabei die unterschiedlichen Fahigkeiten musikalischer und gestalterischer Art von Kindern, Jugendlichen und Erwachsenen zusammenzufassen und zur Geltung zu bringen, wurde dieses Stuck geschrieben und in den Jahren von 1946 bis 1954 jeweils am Heiligen Abend in der Kirche zu Ottowind bei Coburg aufgefuhrt. Die von Kindern getragene Spielhandlung, die eigentlich nur darin besteht, ein lebendes Krippenspiel aufzubauen, greift die Tradition der Christgeburtsspiele auf; die Besucher werden einbezogen durch den gemeinsamen Gesang von Weihnachtschoralen; die liturgische Bindung ist durch Schriftlesungen und Vertonungen von Bibeltexten gewahrt. [] Die vorliegende Ausgabe ist zugleich auch als ein weihnachtliches Sing- und Spielbuch gedacht, das im hauslichen Kreise ebenso wie in Schule oder Verein gute Dienste leisten wird.' (Franz Mockl) Fur Kinder ab 6 Jahren geeignet; der gemischte Chor und die Solo-Partien konnen mit Jugendlichen besetzt werden.

By J. Edmund Hughes. For SATB. Choral music. Level: Medium. Published by Santa Barbara Music Publishing. (SBMP 54)

By Peter Philips. Edited by Anthony G. Petti. For SSATB Choir (SSATB). Music Sales America. Christmas, Sacred, Renaissance. 10 pages

By George F. Root. Arranged by Ben Allaway. For SATB Choir (div.). Choral. Level: Medium. Choral octavo. Published by Santa Barbara Music Publishing. (SBMP 687)

Mixed choir (SATB) with soloists (ST) and small orchestra (CHP) - intermediate

SKU: HL.49031986

(Europa). Composed by Werner Fussan. Sheet music. Edition Schott. Choral Score. 12 pages. Duration 20'. Schott Music #ED 5906-01. Published by Schott Music (HL.49031986).

ISBN 9790001063746. German.

Mixed choir (SATB) with soloists (ST) and small orchestra (HARM KPL) - intermediate

SKU: HL.49031987

(Europa). Composed by Werner Fussan. Sheet music. Edition Schott. Wind Band Parts. 56 pages. Duration 20'. Schott Music #ED 5906-10. Published by Schott Music (HL.49031987).

ISBN 9790001063753. German.

By Andrea Ramsey. For SATB choir, piano, cello. Concert. Octavo. 12 pages. Duration 3 minutes 50 seconds. Published by Santa Barbara Music Publishing

Arranged by Donald Kendrick. For SATB Choir, piano. Choral music. Level: Easy. Published by Santa Barbara Music Publishing. (SBMP 284)

By Various. Edited by Kreuels, Matthias / Ducker, Martin / Essl, Jurgen / Geismann, Wilm / Kohlmann, Mathias / Langer, Leo / Ochs, Jurgen / Drescher, Thomas / Frohlich, Brigitte / Maag, Jurgen / Rommelspacher, Stephan. Sacred, Hymns, Hymn settings, Magnificat, Masses, Latin, Mass Sections, Motets, Psalms, German, Psalms, Latin; Choral Collections, Mixed Choir; Occasions: Eucharist, Communion, Peace and Justice, Prayer, First Communion, Confirmation, Praise and thanks, F. Choral collection. 256 pages

Orchestra baritone voice solo, SATB choir, ottavino, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, tuba, percussion, 2 violin, viola, cello, contrabass

SKU: CA.2740300

Composed by Giacomo Puccini. Edited by Dieter Schickling. This edition: Paperbound. German title: Mottetto per San Paolino. Sacred, Motets. Full score. SC. 64 pages. Duration 15 minutes. Carus Verlag #CV 27.403/00. Published by Carus Verlag (CA.2740300).

ISBN 9790007058104. Language: Latin.

Puccini's first known sacred work was composed during his school days at the Istituto Pacini in Lucca. It was first performed there in 1877. The text was a hymn to the Patron Saint of Lucca which was probably written by the composer himself. The work was so popular that by 1880 it had received three further performances, though it was also inserted in the Messa a 4 voci, after the Credo. Thereafter it disappeared from the music world and was only first rediscovered in the 1990s. Since, with the exception of the lack of a solo tenor in the piece, it is identical with this one in the Messa, for this reason it would seem only natural to perform these two works together.