With optional Chorus and Narrator. Par HOSAY JAMES L.. With Optional Chorus And Narrator / Niveau : 3 / Pièce de concert / Feuillet / SATB

Par PART ARVO. Composed in 1990, and revised in 1991, for SATB Choir or soloists with organ accompaniment, Pärt's setting of The Beatitudes is one of only a handful of works ('Litany' and 'And One of the Pharisees' also falling into that category) composed in English. Taken from Jesus' Sermon on the Mount, as found in Matthew 5:3-12, The Beatitudes provide a fitting structure for Pärt's setting. Each verse states a godly quality and the blessing attached to it; all except the last verse begin with the word 'blessed'. The Beatitudes was premiered on 25 May 1990 at the Nathanaelkirche, Berlin, by the Theatre of Voices choir, conducted by Paul Hillier. Blessed are the poor in spirit: for theirs is the kingdom of heaven. Blessed are they that mourn: for they shall be comforted. Blessed are the meek: for they shall inherit the earth. Blessed are they which do hunger and thirst after righteousness: for they shall be filled. Blessed are the merciful: for they shall obtain mercy. Blessed are the pure in heart: for they shall see God. Blessed are the peacemakers: for they shall be called the children of God. Blessed are they which are persecuted for righteousness sake: for theirs is the kingdom of heaven. Blessed are ye, when men shall revile you, and persecute you, and shall say all manner of evil against you falsely, for my sake. Rejoice, and be exceeding glad: for great is your reward in heaven: for so persecuted they the prophets which before you. The gospel according to St. Matthew, 5, 3 - 12 / Musique contemporaine / Répertoire / Choeur Mixte SATB et Orgue

Slipknot, the instantly-recognisable heavy metal band from Des Moines, Iowa, shot to fame after the release of their first album in 1999, grabbing the attention of millions of adoring fans, and some not-so-adoring conservative commentators. From the first, Paul Harries photographed them on stage, backstage and through artistic eyes, and Dysfunctional Family Portraits is a fascinatingly creative look at this distinctive band.The name Dysfunctional Family Portraits perfectly sums up the band, a dysfunctional melee of chaos and aggressive music, while the humans behind the monstrous masks remained truly close, and their camaraderie comes across in these intimate photographic portraits. The energy and chaos of their live shows is particularly well-captured by Harries' brilliant shots, showing them in their natural habitat: that of loud, sweaty, energetic and adrenaline-fuelled music.Throughout Dysfunctional Family Portraits, Paul Harries guides the reader on a journey from Slipknot's beginnings with their truly terrifying masks and red boiler suits, through their changing looks and their artistic developments. As Paul Harries says, being a rock photographer is not an easy task. You have to be able to capture personality and the essence of a musical style in a visual medium. But photographing Slipknot is a whole new endeavour, capturing masked madmen straight out of a horror film while maintaining order among the chaos must have been difficult, but the brilliance of this book is testament to his ability as a photographer.Featuring full colour photographs of Slipknot throughout their journey as a band, you will get to see exclusive backstage antics, dynamic shots of their legendary live shows, as well as hundreds of other behind-the-scenes pictures and words from Harries and members of the band. Perfect for a Slipknot fan, but also ideal for anyone interested in modern heavy metal music or even darkly comic theatrics. A ridiculously entertaining band, the vibrant photographs in Dysfunctional Family Portraits are full of life and full of the energy that Slipknot, as a band, have transmitted through their music. / Livre

Nothing says class like an Irving Berlin standard, and this favorite tune from the Fred Astaire film TOP HAT is first class for your group. / Voix Mixtes

Largement admiré comme l'une des plus belles réalisations de MacMillan, cela promet une expérience absorbante et émouvante en concert, pour les artistes et le public alike. Cette cantate suit diffamations finales du Christ à la Crucifixion, méditant sur chacun pour former une séquence dramatique et émotionnelle. / Choeur Mixte (SATB) Et Orchestre A Cordes