Par SCHEIDT SAMUEL. Gattungen: Motetten - Verwendung / Anlässe: Vater unser - Verwendung / Kirchenjahr: Ostern und nachösterliche Freudenzeit - Langue : Allemand / Mottet / Répertoire / Choeur SATB/SATB

Tonalité : A-Moll -. Par FRANCK MELCHIOR. Motetten - Verwendung / Anlässe: Vater unser - Verwendung / Kirchenjahr: Ostern und nachösterliche Freudenzeit - Langue : Allemand / Mottet / Répertoire / Choeur SATB

Vater unser. Par KOCH HEINZ / METZGER HANS-ARNOLD / STERN HERMANN. Kantaten, Kirchenlieder, Sätze - Verwendung / Anlässe: Vater unser - Verwendung / Kirchenjahr: Ostern und nachösterliche Freudenzeit -/ Répertoire / Choeur Mixte

Par BACH JOHANN SEBASTIAN / VULPIUS MELCHIOR. Kirchenlieder, Sätze - Verwendung / Anlässe: Vater unser -/ Répertoire / Choeur Mixte

Par TCHAIKOVSKI PIOTR ILITCH. Messen-Sätze - Verwendung / Anlässe: Vater unser -/ Répertoire / Choeur Mixte

Par SILCHER FRIEDRICH. Gattungen: Kirchenlieder, Sätze - Verwendung / Anlässe: Vater unser - Verwendung / Kirchenjahr: Fastenzeit und Passion, Karwoche -/ Répertoire / Choeur Mixte

The Novello Book Of British Folksongs For Mixed-Voice Choirs is an enjoyable collection of diverse tunes that have descended from the folksongs across the British Isles. A variety of arrangements are included, both old and new, of well-loved tunes as well as some lesser-known pieces. All 34 tunes are arranged for SATB Chorus with Piano accompaniment, making this a brilliant way to enhance your choir's repertoire.This Book Of British Folksongs offers a grand selection of favourite folk tunes arranged by composers such as Ralph Vaughan Williams, Gustav Holst, Paul Mealor and George Dyson. Tunes like A-Hunting We Will Go, Auld Lang Syne, Bonny At Morn, Come Lasses And Lads and Scarborough Fair suggest the sheer diversity on offer here. From sad tunes to happy songs, the arrangements here are at once beautiful and touching, coming truly to life when sung by a Mixed-Voice Choir. These thirty four folk songs will enrich a performance programme, whether as one part or the entirety. Choirs of all types and abilities will be able to discover their favourite arrangements, either the most beautiful, the funniest, or the most enjoyable to sing. With the country experiencing a revival in singing traditional folksongs, this collection is a great way to experience the unabashed joy that performing these British tunes can bring. With a great number of favourite tunes as well as some lesser-known songs, this collection includes songs like There Were Three Ravens, Yarmouth Town, My Love Is Like A Red, Red Rose, Dance To Your Daddy and The Rio Grande, as well as an extensive and fascinating introduction by Jeremy Summerly.The wonderful thing about singing folksongs is they are like a window into our country's history. They are occasionally funny, often dramatic, but always enjoyable to sing, and their diversity reflects the different people, landscapes and cultural history of the British Isles. These folk tunes can be traced back through British history, evolving through the oral tradition, continually changing lyrics and melody, being amended and sculpted according to the people who sung them. These timeless tunes have been recorded in this innovative Novello Book Of British Folksongs For Mixed-Voice Choir, however, the joy of these songs is you can put your own spin on them, adapting them to how you want them sung and continuing their legacy. This wonderful collection is a fantastic addition to any choir's performance repertoire, and is sure to lead to success for the choir and audience for many years to come. / Choeur Mixte (SATB) Et Piano

Par RACHMANINOV SERGEI. Rachmaninoff lui-même considéré comme son Vêpres, aussi connu sous le titre de vigiles, l'une de ses meilleures compositions. Le travail est basé sur la vieille de plusieurs siècles orthodoxe chants avec leur forme liturgique stricte qui ont été fusionnés par Rachmaninoff à son propre lat / The Monuments of Russian Sacred Music Series IX, V / Répertoire / Choeur Mixte a Cappella (SATB)

Sing Pop A Cappella is a collection of a cappella arrangements of fantastic pop songs old and new, by renowned teacher, singer and director Gitika Partington. Her arrangements are used by choirs across the UK, and she emphasises that being able to read music is not necessary. Rewarding and enjoyable, Book Three continues her project to bring people together through the power of song.What's great about Gitika Partington's Sing Pop A Cappella series is how she understands that to make great music or to sing a great song, it's not necessary to be able to sight-read. It may be useful, but she has learned that there are other ways to communicate music, namely through ear training, repetition and gesture. Her arrangements, five of which appear in this book, have enabled youth and community choirs to spring up across the country, making singing truly and universally accessible. Included in this book are wonderfully rich a cappella arrangements of Ain't No Sunshine by Bill Withers, Black Is The Colour Of My True Love's Hair, Rick Astley's Never Gonna Give You Up, Adele's Rolling In The Deep and a huge favourite, Sway (Quien Sera). Vocal scores for these innovative and enjoyable arrangements are included in standard notation, although Partington recommends learning by ear as something equally beneficial. To aid with this, the accompanying download card includes five tracks of audio for each song. One features a full performance demonstration while the other four each focus on either soprano, alto, tenor or bass. The easy download of these tracks makes learning efficient and fun, as you are able to listen wherever you are.The great thing about a cappella singing is that it can be done anywhere, with limited resources, with members who don't necessarily have any musical training. Partington has created a book that can be used by a cappella choirs who love pop music that sounds great and will thrill audiences. Sing Pop A Cappella is not just a songbook, though, it also includes an extensive introduction by Partington, as well as performance tips for each song and information on voice care and learning the tunes. It's a personal book for Partington, who is passionate about the power of music to bring people together, and enthusiastic about getting people who wouldn't believe they had the confidence or ability, to sing pop!Sing Pop A Cappella is a brilliant book for choirs of any type or size who would enjoy singing five incredible pop tunes without accompaniment. The fantastic sound of a group of people singing a well-known song in a completely new and interesting way is something that Gitika Partington knows well, and something that she wants to impart to groups across the country. Songs like this were made to be sung, so pick up Book Three and Sing Pop A Cappella! / Choeur Mixte (SATB) Et Piano

The Queens Service. Par STANFORD CHARLES VILLIERS. SATB and organ Stanford's Magnificat and Nunc Dimittis in F was written in 1872, while the composer was a choral and organ scholar at Queens' College, Cambridge. Though early in date, the work already shows his remarkable talent for composition and his gift for writing large-scale choral music. Edited by Ralph Woodward, a latter-day organ scholar of Stanford's old college, the setting is entitled The Queens' Service to distinguish it from the more well-known service in the same key. The work has been recorded by Queens' College Chapel Choir on Mirabilis Records (MMSCD4)./ Répertoire / SATB et Orgue

Originally composed for treble voices and part of Nick's 'Nursery Rhyme Cantata,? this new arrangement for SATB voices captures the innocence of the original but adds lush beautiful harmonies. / Choeur Mixte (SATB) Et Piano

2016 marks the first centenary of the death of Max Reger. In addition to his best-known field of creativity - organ music - his choral compositions form another major part of his oeuvre.This edition contains a selection of his sacred a cappella choral works. Their scoring, level of difficulty and length make them ideal for choirs who are wary of tackling the large-scale op. 110 motets. For the first time, the selection of works includes the previously unpublished 'Acht Grabgesänge? (1900). The pieces are arranged in chronological order, culminating in the well-known cycle of 'Acht geistliche Gesänge? op. 138 (1914).Contents- 'Tantum ergo Sacramentum? (1895)- 'Maria Himmelsfreud!? (1899-1900)- 'Acht Grabgesänge? (ca. 1900)- 'Acht Marienlieder? op. 61d (1901)- 'Sechs Trauergesänge? op. 61g (1901)- 'Palmsonntagmorgen? (1902)- 'Vier Kirchengesänge? (1904)- 'Easter motet: Lasset uns den Herren preisen? (1911)- 'Abschiedslied? (1914)- 'Acht geistliche Gesänge? op. 138 (1914)The EditorMichael Chizzali has been a scholarly assistant at the Institute of Musicology in Weimar-Jena (Germany) since 2014. His dissertation on Reger's contemporary, the Tyrolean composer Josef Gasser (1873-1957), was published in Innsbruck in 2014.- All extant sources consulted- Edition for the first centenary of Reger's death- Cross-section of Reger's music for a cappella choir- Foreword (Ger/Eng) and Critical Commentary (Eng) / Choeur Mixte (SATB) A Cappella

La référence AL19231 de l'éditeur Leduc dont l'auteur célèbre est Busser Henri, qui a pour titre Berceuse Bressane, a été écrite et composée pour Chant/Vocal/Choeur et plus particulièrement pour 4 Voix Mixtes Sans Accompagnement. Cette partition musicale appartient à la catégorie Classique. / 4 Voix Mixtes Sans Accompagnement / Partition