Composed by David Conte (1955-). 20th Century, Creation/Nature. Piano/choral score. E.C. Schirmer Publishing #7928. Published by E.C. Schirmer Publishing

Composed by David Conte (1955-). 20th Century, Creation/Nature. Piano/choral score. Duration 5 minutes, 30 seconds. E.C. Schirmer Publishing #7926. Published by E.C. Schirmer Publishing

(No. 6) Composed by Franz Schubert (1797-1828), edited by Fritz Stein. D. 950. Vocal score for SATB solos, SATB choir and piano accompaniment. With choral notation, piano reduction and introductory text. Eb Major. Text language Latin. 101 pages. Published by C.F. Peters.

SATB Choir and Piano

SKU: HL.14028199

Composed by Franz Schubert. Music Sales America. Classical. Choral Score. Music Sales #NOV950014. Published by Music Sales (HL.14028199).

Composed by Franz Schubert (1797-1828), arranged by Kirby Shaw. Octavo for SATB choir and piano accompaniment (optional flute/violin part). Choral. Ab Major. 12 pages. Published by Hal Leonard.

ClassiChor 1 < 10. By Franz Schubert. Arranged by Dieter Frommlet. For Mixed Voice Choir (SATB), Piano. Published by Tonos (German import).

Composed by Franz Schubert (1797-1828). Arranged by Craig Courtney. Capital University Choral Series. Sacred. Octavo. 7 pages. Published by Beckenhorst Press (BP.CU1037).

By Mark Hayes. For SATB choir and piano (with optional alto saxophone, tenor saxophone, 2 trumpets, 2 trombones, rhythm). Christmas. Octavo

By Alexander Borodin (1833-1887). Arranged by Edler. For SATB Choir with piano accompaniment. Women's Parts

For SATB and Piano (SATB). Classic Chorals. Vocal score. Published by Aspen Grove Music

BH Large Choral. Octavo. 32 pages. Hal Leonard #M060131110. Published by Hal Leonard

SATB and Piano Choral; Piano Accompaniment (SATB with Piano)

SKU: HL.49045961

Classical Meets Jazzy 2: 3 Classical Themes in Jazzy Arrangements SATB and Piano. Edited by Bernd Frank. Choral Collection. Classical. Softcover. 52 pages. Schott Music #ED20099. Published by Schott Music (HL.49045961).

For many choirs, 'Classic meets Jazz' is a welcome theme, especially if a choir wants to learn and rehearse a stylistically wide-ranging repertoire. These arrangements which are based on works by Schubert (serenade 'Leise flehen meine Lieder'), Brahms (Intermezzo Op. 118/6) and Chopin (Nocturne Op. 9/2) use several jazz styles such as swing, bossa nova and jazz waltz. Content text: Serenade (F. Schubert: Leise flehen meine Lieder) I'm free (J. Brahms: Intermezzo op. 118/6) Amelie's Lullaby (F. Chopin, Nocturne op. 9/2).

SATB Choir and Piano (SATB)

SKU: HL.14003991

Composed by Richard Rodney Bennett. Music Sales America. Classical. Book [Softcover]. 32 pages. Music Sales #NOV957374. Published by Music Sales (HL.14003991).

8.0x11.75x0.187 inches.

Written for unaccompanied SATB chorus.

(from Mass in G Major, D.167). By Franz Schubert (1797-1828). Arranged by Russell L. Robinson. For SATB choir, Keyboard. Octavo. 16 pages. Duration 2 minutes, 44 seconds. Published by Carl Fischer

Soprano voice solo, SATB choir, piano - Level 3

SKU: CA.4028705

Composed by Franz Schubert. Edited by Salome Reiser. This edition: urtext. Stuttgart Urtext Edition: Schubert. German title: Mirjams Siegesgesang. Secular choral music. Choral Score. Composed 1828. D 942. Duration 18 minutes. Carus Verlag #CV 40.287/05. Published by Carus Verlag (CA.4028705).

ISBN 9790007104443. Key: C major. Language: German.

Score available separately - see item CA.4028700.

Composed by Mark Hayes. For SATB choir, piano (with optional 2 trumpets, 2 trombones, alto saxophone, electric guitar, percussion, piano, bass, tenor saxophone). Sacred anthem. Octavo. Published by Lorenz Publishing Company

Composed by Bob Chilcott. Vocal score. 32 pages. Duration 11'. Published by Oxford University Press (OU.9780193406537).

SATB choir, piano

SKU: GH.GE-11527

Composed by Franz Schubert. Arranged by Agneta Skold. Octavo. With Language: Swedish. Gehrmans Musikforlag #GE 11527. Published by Gehrmans Musikforlag (GH.GE-11527).

ISBN 9790070115278. 185 x 262 mm inches. Text: Kjell Svensson (Swedish).

Arrangem ang for SATB och piano.
Detta ar en ny och reviderad version av en utgava som tidigare varit publicerad pa Sveriges korforbund.

Origin altiteln ar Ellens dritter Gesang, ursprungligen skriven for sopran och piano 1825.
Originaltexten ar hamtat ur Adam Storcks tyska oversattning av den engelska diktcykeln The Lady of the Lake av Sir Walter Scott. Den latinska bonen Ave Maria har senare lagts till denna musik.

Composed by Mary Mcdonald. For SATB choir, piano (with optional tenor saxophone, bass, guitar, percussion, alto saxophone, 2 trumpets, 2 trombones). Sacred anthem. Octavo. Published by Lorenz Publishing Company

Composed by Jay Rouse. For SATB choir, piano accompaniment (with optional tenor saxophone, brass and rhythm, alto saxophone). Sacred Anthem, Christmas. Octavo. Lorenz Publishing Company #10/4669L. Published by Lorenz Publishing Company

Composed by Mary McDonald. For SATB choir, piano (with optional alto saxophone, electric guitar, electric bass, drum set, tenor saxophone, 2 trumpets, 2 trombones). Sacred Anthem, Easter, General, Memorial Services. Octavo. Lorenz Publishing Company #10/4707L. Published by Lorenz Publishing Company

SATB choir and Piano (E-flat Soprano saxophone, 2 Horns in F, Piano, Organ (or digital keyboard), Double String Quartet, Double Bass) - Early Intermediate

SKU: MN.56-0107

Composed by Howard Goodall. Lent, Holy Week, Triduum/Three Days, Tenebrae, 21st Century. Score and instrument parts. Duration 3 minutes, 32 seconds. MorningStar Music Publishers #56-0107. Published by MorningStar Music Publishers (MN.56-0107).

UPC: 688670221248. English, Latin.

Invictus: A Passion addresses one of the world’s most powerful stories through the lens of the modern world. The texts, written or inspired by women, describe not only human suffering and persecution but also the human capacity for love and humility in the face of tyranny. Composer Howard Goodall is uniquely suited to bring these texts to life with music of emotional clarity and sweeping force. This excerpt is scored for SATB (divisi) choir and piano. A text by Æmelia Lanyer (née Bassano) (“Why should unlawful actions use the Light?”) is set as a homophonic chorale with a supportive accompaniment. Duration 3:32.

SATB choir, piano

SKU: GH.SK-631

Titelsang. Composed by Franz Schubert. Arranged by Lars Bagge. With Language: Swedish. 12 pages. Gehrmans Musikforlag #SK 631. Published by Gehrmans Musikforlag (GH.SK-631).

ISBN 9790070017367. 185 x 262 mm inches. Text: Hans Alfredson / Tage Danielsson.

Titelsa ngen till revyn Spader Madame i arrangemang for blandad kor och piano.

(SATB and Piano). By Franz Schubert (1797-1828). Arranged by Ralph Allwood. For Choral, Piano Accompaniment. Choral. Book only. 4 pages. Novello and Co Ltd. #NOV720027. Published by Novello and Co Ltd.

By Franz Schubert. Edited by Kube, Michael. For Mixed Choir (SATB), Piano. Piano Reduction/Vocal Score; Urtext Edition. D 872. Published by Baerenreiter-Ausgaben (German import). (BA7599 90)

(For Four-Part Chorus of Mixed Voices with Keyboard). By Franz Schubert (1797-1828). Arranged by Hal. H. Hopson. SATB chorus. For SATB, Keyboard. Hal H. Hopson Choral Series. Choral. Piano/Vocal Score. Standard notation. 12 pages

SSATB Choir, Piano - Grade 4

SKU: CA.928000

Composed by Gabriel Faure. Arranged by Denis Rouger. Carus digital: Extra digital products. Fleur jetée. Full Score. Composed 1885. Op. 39,2. Duration 2 minutes. Carus Verlag #928000. Published by Carus Verlag (CA.928000).

ISBN 9790007299330. Key: F minor. French. Text: Silvestre, Armand.

This setting of Fleur jetée is often called Fauré⠀™s Erlkönig. The hammering ferocity of the piano accompaniment and the drama of the song in fact recall Schubert’s musical setting of Goethe’s ballad Erlköni g. However, in Armand Silvestre’s < i>Fleur jetée, it is lost love to which it is dedicated. Just as a flower, carelessly plucked and thrown away, is blown by the wind and withers, so the wind carries the “madness” of the unhappy lover away and lets his heart wither. Just as a flower, carelessly plucked and thrown away, is blown by the wind and withers, so the wind carries the “madness” of the unhappy lover away and lets his heart wither.

This art song was originally composed not for chamber choir, but for solo voice and piano. Denis Rouger has carefully adapted it to suit the requirements and expressive possibilities offered by a larger ensemble, without losing any of the qualities of the original in the process. Each part in the choir has a melodic line drawn from the harmonic and rhythmic framework. In the process, the variety and refinement of the choral language combines with an enormous flexibility in form and expression, as French melodies or German art song demand from a soloist and pianist.