Oratorio: Jesus
Christus schwebt am
Kreuz. Composed by
Franz Schubert. Edited by
Manuela Jahrmärker.
This edition: complete
edition, urtext edition.
Linen. New Schubert
Edition (Neue Ausgabe
samtlicher Werke) Series
I, Volume 7. Complete
edition, Score. D 383.
Baerenreiter Verlag
#BA05547_00. Published by
Baerenreiter Verlag
(BA.BA05547).
ISBN
9790006497089. 33.1 x
25.6 cm
inches.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Opera in tre atti. By George Frideric Handel. Edited by Burrows, Donald. For 2 S...(+)
Opera in tre atti. By
George Frideric Handel.
Edited by Burrows,
Donald. For 2 Soprano
solo, 1 Mezzo-Soprano
solo, 1 Alto solo, 2
Tenor solo, 1 Bass solo,
SATB Chorus, Flute I, II,
Recorder I, II, Oboe I,
II, Bassoon I, II, Horn
I, II, Trumpet I, II,
Violin I-III, Viola,
Bassi (Cello, Contrabass,
Lute, Harpsichord).
(SATB). This edition:
Complete Edition; Urtext
Edition. Hallische
Handel-Ausgabe, Serie II
Band 32. Piano
Reduction/Vocal Score.
235 pages. Published by
Baerenreiter Verlag
(German import).
Solo tenor and bass voices (soprano and alto), SATB choir, 2 horn, 2 violin, vio...(+)
Solo tenor and bass
voices (soprano and
alto), SATB choir, 2
horn, 2 violin, viola,
basso continuo
SKU:
CA.9104812
Composed
by Michael Haydn. Edited
by Otto Biba. Coppenrath
Series. German title:
Duetto Pastorum 1200101.
Sacred vocal music,
Cantatas, Christmas.
Single Part, Violin 2.
MH. 4 pages. Carus Verlag
#CV 91.048/12. Published
by Carus Verlag
(CA.9104812).
Solo tenor and bass voices (soprano and alto), SATB choir, 2 horn, 2 violin, vio...(+)
Solo tenor and bass
voices (soprano and
alto), SATB choir, 2
horn, 2 violin, viola,
basso continuo
SKU:
CA.9104811
Composed
by Michael Haydn. Edited
by Otto Biba. Coppenrath
Series. German title:
Duetto Pastorum 1200101.
Sacred vocal music,
Cantatas, Christmas.
Single Part, Violin 1.
MH. 4 pages. Carus Verlag
#CV 91.048/11. Published
by Carus Verlag
(CA.9104811).
Solo tenor and bass voices (soprano and alto), SATB choir, 2 horn, 2 violin, vio...(+)
Solo tenor and bass
voices (soprano and
alto), SATB choir, 2
horn, 2 violin, viola,
basso continuo
SKU:
CA.9104813
Composed
by Michael Haydn. Edited
by Otto Biba. Coppenrath
Series. German title:
Duetto Pastorum 1200101.
Sacred vocal music,
Cantatas, Christmas.
Single Part, Viola. MH. 4
pages. Carus Verlag #CV
91.048/13. Published by
Carus Verlag
(CA.9104813).
Solo tenor and bass voices (soprano and alto), SATB choir, 2 horn, 2 violin, vio...(+)
Solo tenor and bass
voices (soprano and
alto), SATB choir, 2
horn, 2 violin, viola,
basso continuo
SKU:
CA.9104806
Composed
by Michael Haydn. Edited
by Otto Biba. Coppenrath
Series. German title:
Duetto Pastorum 1200101.
Sacred vocal music,
Cantatas, Christmas.
Choir part. MH. 4 pages.
Carus Verlag #CV
91.048/06. Published by
Carus Verlag
(CA.9104806).
Solo tenor and bass voices (soprano and alto), SATB choir, 2 horn, 2 violin, vio...(+)
Solo tenor and bass
voices (soprano and
alto), SATB choir, 2
horn, 2 violin, viola,
basso continuo
SKU:
CA.9104814
Composed
by Michael Haydn. Edited
by Otto Biba. Coppenrath
Series. German title:
Duetto Pastorum 1200101.
Sacred vocal music,
Cantatas, Christmas.
Single Part, basso
continuo. MH. 4 pages.
Carus Verlag #CV
91.048/14. Published by
Carus Verlag
(CA.9104814).
(Cantata for Christmas). Composed by Johann Sebastian Bach (1685-1750). Edited b...(+)
(Cantata for Christmas).
Composed by Johann
Sebastian Bach
(1685-1750). Edited by
Ruprecht Langer. For
SSATB choir, ST vocal
soli, 2 flute, 2 oboe, 3
trumpet, timpani, 2
violin, viola, basso
continuo. This edition:
Paperbound. Cantatas,
Christmas. Full score.
Text language:
German/English. BWV 191.
Duration 18 minutes.
Published by Carus Verlag
Dramatic Oratorio or Opera in One Cathartic Act. By PDQ Bach. Arranged by Peter ...(+)
Dramatic Oratorio or
Opera in One Cathartic
Act. By PDQ Bach.
Arranged by Peter
Schickele. Text by Peter
Schickele. For Flute,
Recorder, Clarinet,
Bassoon, Horn, 2 Trumpet,
Trombone, 5 Violin, 5
Viola, 4 Violoncello, 3
Viola Da Gamba, 2
Contrabass, Soprano,
Mezzo, Tenor, Baritone,
SATB, 11 Percussion, 3
Timpani, Keyboard. Piano
Reduction. S. 150.
Duration 30:0. Published
by Theodore Presser
Company.
Composed by Buddy Greene. Arranged by Jack Schrader. For medium and high voice d...(+)
Composed by Buddy Greene.
Arranged by Jack
Schrader. For medium and
high voice duet (key of D
Minor). Hope's All-Time
Best Sellers series.
Christmas, Devotion,
Contemporary,
Contemporary Gospel.
Vocal score. 12 pages.
Published by Hope
Publishing Company
Composed
by Michael Haydn. Edited
by Otto Biba. Duetto
Pastorum 1200101. Sacred
vocal music, Cantatas,
Christmas. Set of
Orchestra Parts. MH.
Carus Verlag #CV
91.048/19. Published by
Carus Verlag
(CA.9104819).
ISBN
9790007231040. Language:
Latin.
Score and
parts available
separately - see item
CA.9104800.
By Luigi Boccherini. Edited by Martin Banner. Arranged by Luigi Boccherini. Text...(+)
By Luigi Boccherini.
Edited by Martin Banner.
Arranged by Luigi
Boccherini. Text: From
the Ordinary of the Mass;
Series editor: Martin
Banner. For Horn 1-2,
Violin 1-2, Viola
Continuo; Keyboard
accompaniment. (SATB).
Martin Banner Series.
Sacred, Concert. Level:
Medium Advanced Adult. 56
pages. Duration 21 min,
23 sec. Published by
Hinshaw Music Inc.
Cantata for the 8th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Christiane Hausmann. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Violin 2.
Sacred vocal music,
Cantatas, Trinity. Single
Part, Violin 2. Composed
1723. BWV 136. 8 pages.
Duration 22 minutes.
Carus Verlag #CV
31.136/12. Published by
Carus Verlag
(CA.3113612).
ISBN
9790007208127. Text
language:
German/English.
The
cantata Erforsche mich
Gott und erfahre mein
Herz BWV 136 was composed
in Bach's first year as
Kantor of St. Thomas's in
Leipzig and was first
performed on the 8th
Sunday after Trinity, the
18th July 1723. The
librettist is unknown.
The title of the cantata
is taken from verse 23 of
Psalm 139: Erforsche mich
Gott und erfahre mein
Herz; prufe mich und
erfahre, wie ich's meine.
(Search me, O God, and
know my heart: try me,
and know my thoughts) The
opening chorus forms an
extended fugue, framed by
string writing bursting
with energy. The
obbligato horn
accentuates and enriches
the movement with a
special tonal color. The
alto aria in F sharp
minor (movement 3)
comprises a trio movement
with an oboe d'amore as
solo instrument in a
contrasting range - a
presto middle section
which dramatically
charges the words Denn
seines Eifers Grimm
vernichtet (For the fury
of its zeal will
destroy). In the duet
(movement 5) the text is
sung by tenor and bass
line by line, sometimes
imitating contrapuntally,
and sometimes both
singing together
dramatically in
homophonic writing. A
simple chorale setting to
the melody Auf meinen
lieben Gott concludes the
cantata. Particularly
charming here is the
violin which joins the
four vocal parts as an
independent part. Score
and part available
separately - see item
CA.3113600.
Cantata for the 8th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Christiane Hausmann. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Violin 1.
Sacred vocal music,
Cantatas, Trinity. Single
Part, Violin 1. Composed
1723. BWV 136. 8 pages.
Duration 22 minutes.
Carus Verlag #CV
31.136/11. Published by
Carus Verlag
(CA.3113611).
ISBN
9790007208110. Text
language:
German/English.
The
cantata Erforsche mich
Gott und erfahre mein
Herz BWV 136 was composed
in Bach's first year as
Kantor of St. Thomas's in
Leipzig and was first
performed on the 8th
Sunday after Trinity, the
18th July 1723. The
librettist is unknown.
The title of the cantata
is taken from verse 23 of
Psalm 139: Erforsche mich
Gott und erfahre mein
Herz; prufe mich und
erfahre, wie ich's meine.
(Search me, O God, and
know my heart: try me,
and know my thoughts) The
opening chorus forms an
extended fugue, framed by
string writing bursting
with energy. The
obbligato horn
accentuates and enriches
the movement with a
special tonal color. The
alto aria in F sharp
minor (movement 3)
comprises a trio movement
with an oboe d'amore as
solo instrument in a
contrasting range - a
presto middle section
which dramatically
charges the words Denn
seines Eifers Grimm
vernichtet (For the fury
of its zeal will
destroy). In the duet
(movement 5) the text is
sung by tenor and bass
line by line, sometimes
imitating contrapuntally,
and sometimes both
singing together
dramatically in
homophonic writing. A
simple chorale setting to
the melody Auf meinen
lieben Gott concludes the
cantata. Particularly
charming here is the
violin which joins the
four vocal parts as an
independent part. Score
and part available
separately - see item
CA.3113600.
A cappella,SATB choir SKU: GI.G-005790 Composed by William Tortolano. Chr...(+)
A cappella,SATB choir
SKU: GI.G-005790
Composed by William
Tortolano. Christ the
King Year C, Christ the
King Year B, Christ the
King Year A. Sacred.
Octavo. GIA Publications
#005790. Published by GIA
Publications
(GI.G-005790).
UPC:
641151057903. Latin,
English.
With over
six hundred songs (
Lieder.) to his name,
Franz Schubert was one fo
the most prolific and
gifted composers of the
genre who ever lived. His
wonderful sense of
beautiful melody pervades
much of his
music--symphonic, stage
and opera, choral,
chamber, and piano solos
and duets. A devout
Catholic and former
Vienna Boys Choir singer,
he composed six Latin
settings of the Mass as
well as settings of the
Salve Regina, Tantum
Ergo., and numerous other
works. Schubert's
Antiphons for Palm
Sunday., Opus 113, are a
set of four easy
liturgical motets for a
cappella .choir. A
singable English
translation is provided
with the original Latin.
The four Gregorian chant
compositions for the same
Sunday are also provided
in Latin and English.
Hosanna Filio David .is
sung for the blessing of
the palms. The responsory
In Monte Oliveti .can be
sung between the Epistle
reading and the Gospel,
followed by Pueri
Hebraeorum .for the
distribution of the palms
and Cum Angelis. for the
procession of the
palms.--Dr. William
Tortolano.
Cantata for the Sunday
of Estomihi. Composed
by Johann Sebastian Bach.
Edited by Hans Grischkat,
Felix Loy. Stuttgart
Urtext Edition: Bach
vocal. German title: Herr
Jesu Christ. Sacred vocal
music, Cantatas, Special
days, Lent and
Passiontide, Holy Week,
Mourning, death. Single
Part, Violin 2. Composed
1725. BWV 127. 8 pages.
Duration 21 minutes.
Carus Verlag #CV
31.127/12. Published by
Carus Verlag
(CA.3112712).
ISBN
9790007048877. Key: F
major. Language:
German/English. Text:
Eber, Paul. Text: Paul
Eber.
Cantata BWV
127 belongs to the cycle
of chorale cantatas which
Bach performed in 1724/25
in Leipzig. It bears
close links to the St
John Passion, which was
performed on Good Friday
1725 in its second
version. In formal terms
and in the interpretation
of the text and its
orchestration, it is one
of the most astonishing
vocal works by Bach. The
opening chorus, with its
multi-layered
construction, is nothing
less than a preliminary
version for the chorale
fantasia O Mensch bewein
dein Sunde gross. The
aria Die Seele ruht in
Jesu Handen is
distinguished by its
exquisite scoring: a solo
oboe and the soprano form
a duet, whilst the
background comprises
delicate chords on
recorders and continuo,
intended to symbolize
funeral bells. A solo
trumpet gives the
following movement
particular brilliance.
The words Ich breche mit
starker und helfender
Hand unmistakably
anticipate the chorus
Sind Blitze, sind Donner
in Wolken verschwunden
from the St Matthew
Passion. New revised
edition. Score and part
available separately -
see item CA.3112700.
Cantata for the Sunday
of Estomihi. Composed
by Johann Sebastian Bach.
Edited by Hans Grischkat,
Felix Loy. Stuttgart
Urtext Edition: Bach
vocal. German title: Herr
Jesu Christ. Sacred vocal
music, Cantatas, Special
days, Lent and
Passiontide, Holy Week,
Mourning, death. Single
Part, Violin 1. Composed
1725. BWV 127. 8 pages.
Duration 21 minutes.
Carus Verlag #CV
31.127/11. Published by
Carus Verlag
(CA.3112711).
ISBN
9790007048860. Key: F
major. Language:
German/English. Text:
Eber, Paul. Text: Paul
Eber.
Cantata BWV
127 belongs to the cycle
of chorale cantatas which
Bach performed in 1724/25
in Leipzig. It bears
close links to the St
John Passion, which was
performed on Good Friday
1725 in its second
version. In formal terms
and in the interpretation
of the text and its
orchestration, it is one
of the most astonishing
vocal works by Bach. The
opening chorus, with its
multi-layered
construction, is nothing
less than a preliminary
version for the chorale
fantasia O Mensch bewein
dein Sunde gross. The
aria Die Seele ruht in
Jesu Handen is
distinguished by its
exquisite scoring: a solo
oboe and the soprano form
a duet, whilst the
background comprises
delicate chords on
recorders and continuo,
intended to symbolize
funeral bells. A solo
trumpet gives the
following movement
particular brilliance.
The words Ich breche mit
starker und helfender
Hand unmistakably
anticipate the chorus
Sind Blitze, sind Donner
in Wolken verschwunden
from the St Matthew
Passion. New revised
edition. Score and part
available separately -
see item CA.3112700.
Cantata for the 1st
Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Hans Grischkat.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Liebster Jesu. Sacred
vocal music, Cantatas,
Epiphany. Single Part,
Violin 2. Composed 1726.
BWV 32. 4 pages. Duration
24 minutes. Carus Verlag
#CV 31.032/12. Published
by Carus Verlag
(CA.3103212).
ISBN
9790007042516. Key: E
minor / g major.
Language: German/English.
Text: Lehms, Georg
Christian. Text: Georg
Christian
Lehms.
The text of
the cantata Dearest
Jesus, sore I need Thee
for the 1st Epiphany
Sunday 1726 was written
by the Darmstadt poet
Georg Christian Lehms. It
is conceived as a dialog
between Jesus and the
Faithful Soul. Bach
titled his cantata
Concerto in Dialogo and
accordingly, it is
structured as a dialog
between soprano and bass,
set in the voice types
that were - not only for
Bach - typically used for
the soul (soprano) and
Jesus (bass). The cantata
is based on the narrative
of the twelve-year-old
boy Jesus in the temple;
however, in spite of
closely following the
gospel text, it is
interpreted more widely
here: it is through Jesus
that the believer finds
God's dwelling. Bach
creates a great arch from
the opening aria full of
yearning and searching
through to the joyful
duet Nun verschwinden
alle Plagen. He himself
added the four-part
closing chorale to the
text model, thus
communicating the sense
of joyous certainty to
the congregation of
believers. Score and part
available separately -
see item CA.3103200.
Cantata for the 8th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Christiane Hausmann. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Viola. Sacred
vocal music, Cantatas,
Trinity. Single Part,
Viola. Composed 1723. BWV
136. 4 pages. Duration 22
minutes. Carus Verlag #CV
31.136/13. Published by
Carus Verlag
(CA.3113613).
ISBN
9790007208134. Text
language:
German/English.
The
cantata Erforsche mich
Gott und erfahre mein
Herz BWV 136 was composed
in Bach's first year as
Kantor of St. Thomas's in
Leipzig and was first
performed on the 8th
Sunday after Trinity, the
18th July 1723. The
librettist is unknown.
The title of the cantata
is taken from verse 23 of
Psalm 139: Erforsche mich
Gott und erfahre mein
Herz; prufe mich und
erfahre, wie ich's meine.
(Search me, O God, and
know my heart: try me,
and know my thoughts) The
opening chorus forms an
extended fugue, framed by
string writing bursting
with energy. The
obbligato horn
accentuates and enriches
the movement with a
special tonal color. The
alto aria in F sharp
minor (movement 3)
comprises a trio movement
with an oboe d'amore as
solo instrument in a
contrasting range - a
presto middle section
which dramatically
charges the words Denn
seines Eifers Grimm
vernichtet (For the fury
of its zeal will
destroy). In the duet
(movement 5) the text is
sung by tenor and bass
line by line, sometimes
imitating contrapuntally,
and sometimes both
singing together
dramatically in
homophonic writing. A
simple chorale setting to
the melody Auf meinen
lieben Gott concludes the
cantata. Particularly
charming here is the
violin which joins the
four vocal parts as an
independent part. Score
and part available
separately - see item
CA.3113600.
Cantata for the 8th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Christiane Hausmann. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Basso
continuo. Sacred vocal
music, Cantatas, Trinity.
Single Part, basso
continuo. Composed 1723.
BWV 136. 8 pages.
Duration 22 minutes.
Carus Verlag #CV
31.136/14. Published by
Carus Verlag
(CA.3113614).
ISBN
9790007208141. Text
language:
German/English.
The
cantata Erforsche mich
Gott und erfahre mein
Herz BWV 136 was composed
in Bach's first year as
Kantor of St. Thomas's in
Leipzig and was first
performed on the 8th
Sunday after Trinity, the
18th July 1723. The
librettist is unknown.
The title of the cantata
is taken from verse 23 of
Psalm 139: Erforsche mich
Gott und erfahre mein
Herz; prufe mich und
erfahre, wie ich's meine.
(Search me, O God, and
know my heart: try me,
and know my thoughts) The
opening chorus forms an
extended fugue, framed by
string writing bursting
with energy. The
obbligato horn
accentuates and enriches
the movement with a
special tonal color. The
alto aria in F sharp
minor (movement 3)
comprises a trio movement
with an oboe d'amore as
solo instrument in a
contrasting range - a
presto middle section
which dramatically
charges the words Denn
seines Eifers Grimm
vernichtet (For the fury
of its zeal will
destroy). In the duet
(movement 5) the text is
sung by tenor and bass
line by line, sometimes
imitating contrapuntally,
and sometimes both
singing together
dramatically in
homophonic writing. A
simple chorale setting to
the melody Auf meinen
lieben Gott concludes the
cantata. Particularly
charming here is the
violin which joins the
four vocal parts as an
independent part. Score
and part available
separately - see item
CA.3113600.
Cantata for the 8th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Christiane Hausmann. This
edition: urtext. 1x
31.136/21 oboe 1, 1x
31.136/22 oboe 2, 1x
31.136/31 horn. Stuttgart
Urtext Edition: Bach
vocal. Harmony parts.
Sacred vocal music,
Cantatas, Trinity. Set of
Orchestra Parts. Composed
1723. BWV 136. Duration
22 minutes. Carus Verlag
#CV 31.136/09. Published
by Carus Verlag
(CA.3113609).
ISBN
9790007208103. Text
language:
German/English.
The
cantata Erforsche mich
Gott und erfahre mein
Herz BWV 136 was composed
in Bach's first year as
Kantor of St. Thomas's in
Leipzig and was first
performed on the 8th
Sunday after Trinity, the
18th July 1723. The
librettist is unknown.
The title of the cantata
is taken from verse 23 of
Psalm 139: Erforsche mich
Gott und erfahre mein
Herz; prufe mich und
erfahre, wie ich's meine.
(Search me, O God, and
know my heart: try me,
and know my thoughts) The
opening chorus forms an
extended fugue, framed by
string writing bursting
with energy. The
obbligato horn
accentuates and enriches
the movement with a
special tonal color. The
alto aria in F sharp
minor (movement 3)
comprises a trio movement
with an oboe d'amore as
solo instrument in a
contrasting range - a
presto middle section
which dramatically
charges the words Denn
seines Eifers Grimm
vernichtet (For the fury
of its zeal will
destroy). In the duet
(movement 5) the text is
sung by tenor and bass
line by line, sometimes
imitating contrapuntally,
and sometimes both
singing together
dramatically in
homophonic writing. A
simple chorale setting to
the melody Auf meinen
lieben Gott concludes the
cantata. Particularly
charming here is the
violin which joins the
four vocal parts as an
independent part. Score
and parts available
separately - see item
CA.3113600.
Composed by Ray Jones
Andrea Jones. Arranged by
Brian Duncan. Anthems.
Inspirational, Christmas
and Sacred. Orchestration
on CD-ROM. Published by
Lillenas Publishing
Company
(LP.765762204300).
UPC:
765762204300.
Soul-
stirring and evocative,
this new ballad from the
worship ministry of
Community Bible Church in
San Antonio, TX is a
tender reflection on the
birth of Christ and what
it means to us, the
miracle that He Came.
This soprano and tenor
duet with choir and
accompanying video will
make for a poignant
moment in any Christmas
celebration.
Composed by Tracey Barker
& Mark Harris. Arranged
by Steven V. Taylor.
Anthems. Contemporary and
Sacred. Orchestration on
CD-ROM. Published by
Lillenas Publishing
Company
(LP.765762195400).
UPC:
765762195400.
Arran
ged by Steven V. Taylor,
this new song, penned by
Tracey Barker and
Christian music veteran
Mark Harris speaks of the
woman at the well.
Arranged for duet feature
with choir, this is a
very special song of
complete surrender.
Cantata
for Christmas.
Composed by Johann
Sebastian Bach. Edited by
Ruprecht Langer. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Violin 2.
Sacred vocal music,
Cantatas, Christmas.
Single Part, Violin 2.
BWV 191. 8 pages.
Duration 18 minutes.
Carus Verlag #CV
31.191/12. Published by
Carus Verlag
(CA.3119112).
ISBN
9790007210182. Text
language:
German/English.
The
Christmas cantata Gloria
in excelsis Deo BWV 191,
which has always
presented researchers
with many challenging
problems, is among the
few works to Latin words
set by Johann Sebastian
Bach. It consists of
three sections - a
finely-woven duet flanked
by two festive choral
movements - which we are
to encounter again almost
note for note in the
world-famous Mass in B
minor. Score and part
available separately -
see item CA.3119100.
Cantata
for Christmas.
Composed by Johann
Sebastian Bach. Edited by
Ruprecht Langer. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Violin 1.
Sacred vocal music,
Cantatas, Christmas.
Single Part, Violin 1.
BWV 191. 8 pages.
Duration 18 minutes.
Carus Verlag #CV
31.191/11. Published by
Carus Verlag
(CA.3119111).
ISBN
9790007210175. Text
language:
German/English.
The
Christmas cantata Gloria
in excelsis Deo BWV 191,
which has always
presented researchers
with many challenging
problems, is among the
few works to Latin words
set by Johann Sebastian
Bach. It consists of
three sections - a
finely-woven duet flanked
by two festive choral
movements - which we are
to encounter again almost
note for note in the
world-famous Mass in B
minor. Score and part
available separately -
see item CA.3119100.
By Geron Davis. Arranged by Mike Speck. For SATB choir with vocal solo and duet ...(+)
By Geron Davis. Arranged
by Mike Speck. For SATB
choir with vocal solo and
duet (flute, oboe, F horn
1and2/3, trumpet 1/2and3,
trombone 1and2/3and4,
percussion, rhythm, harp,
violin 1, violin 2,
viola, cello/bassoon,
string bass). Christmas.
Moderate. Orchestration
on CD-ROM. Published by
Lillenas Publishing
Company
ATB vocal soli, SATB choir, orchestra SKU: CA.3113600 Cantata for the ...(+)
ATB vocal soli, SATB
choir, orchestra
SKU:
CA.3113600
Cantata
for the 8th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Christiane
Hausmann. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
Sacred vocal music,
Cantatas, Trinity. Full
score. Composed 1723. BWV
136. 36 pages. Duration
22 minutes. Carus Verlag
#CV 31.136/00. Published
by Carus Verlag
(CA.3113600).
ISBN
9790007171636. Language:
German/English.
Translation: Henry
Drinker. Scripture:
Matthew
7:15-23.
The
cantata Erforsche mich
Gott und erfahre mein
Herz BWV 136 was composed
in Bach's first year as
Kantor of St. Thomas's in
Leipzig and was first
performed on the 8th
Sunday after Trinity, the
18th July 1723. The
librettist is unknown.
The title of the cantata
is taken from verse 23 of
Psalm 139: Erforsche mich
Gott und erfahre mein
Herz; prufe mich und
erfahre, wie ich's meine.
(Search me, O God, and
know my heart: try me,
and know my thoughts) The
opening chorus forms an
extended fugue, framed by
string writing bursting
with energy. The
obbligato horn
accentuates and enriches
the movement with a
special tonal color. The
alto aria in F sharp
minor (movement 3)
comprises a trio movement
with an oboe d'amore as
solo instrument in a
contrasting range - a
presto middle section
which dramatically
charges the words Denn
seines Eifers Grimm
vernichtet (For the fury
of its zeal will
destroy). In the duet
(movement 5) the text is
sung by tenor and bass
line by line, sometimes
imitating contrapuntally,
and sometimes both
singing together
dramatically in
homophonic writing. A
simple chorale setting to
the melody Auf meinen
lieben Gott concludes the
cantata. Particularly
charming here is the
violin which joins the
four vocal parts as an
independent part.