| Every Time I Think of You Chorale SATB [Octavo] Lorenz Publishing Company
Composed by Ruth Elaine Schram. For SATB choir (with optional cello, flute). Rea...(+)
Composed by Ruth Elaine
Schram. For SATB choir
(with optional cello,
flute). Ready to Worship
Series. Sacred Anthem,
Dedications, Family Days,
General, Mother's Day,
Memorial Services.
Octavo. Lorenz Publishing
Company #10/4713L.
Published by Lorenz
Publishing Company
$2.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Jarba, Mare Jarba Chorale SATB Carl Fischer
Choral SATB choir SKU: CF.CM9700 Composed by Hungarian Folk. Arranged by ...(+)
Choral SATB choir SKU:
CF.CM9700 Composed by
Hungarian Folk. Arranged
by Stacy Garrop. 20
pages. Duration 4:44.
Carl Fischer Music
#CM9700. Published by
Carl Fischer Music
(CF.CM9700). ISBN
9781491160008. UPC:
680160918607. Key: A
minor. Hungarian.
Hungarian Folk. In
2014, Chanticleer
commissioned me to make a
new arrangement of the
Hungarian-Romani folk
song Jarba, Mare Jarba
for their 2014 touring
program. Passed down
orally through the Romani
communities, this
beautiful folk song, with
text in a language called
Beas (beh-osh), speaks of
a deep longing to visit
one's homeland, a place
where the singer can
never return. Chanticleer
consists of twelve men
whose vocal ranges span
from low bass to high
soprano, equivalent to
the range of a mixed
choir of women and men. I
composed slow sections of
original material to
represent the singers'
longing to return home;
these are interspersed
with the folk song's
traditional fast
sections. The
incorporated shouts and
calls in the score are
typically found in the
performance of Central
European folk songs. I
hope you enjoy singing
this new version of
Jarba, Mare Jarba that
contains all of the vigor
and excitement of the
Chanticleer version.
PERFORMANCE NOTES All
spoken sounds (indicated
by x noteheads) should be
performed by individuals.
Feel free to elaborate
with more sounds of your
own in the tradition of
Eastern European folk
music. If the piece is
memorized, feel free to
experiment with clapping
on the off-beats of m. 93
to the end. TEXT
Transliteration Jarba,
mare jarba mas duce a
casa, da nu pot ca am
jurat, Jarba, mare jarba
mas duce a casa, da nu
pot ca am jurat. Mare
jarba, verde jarba nu me
pot duce a casa. Jarba,
mare jarba mas duce a
casa, da nu pot ca am
jurat. O mers mama de pe
sat, O lasat coliba
goala, Infrunzitu,
ingurzitu da plina de
saracie, da plina de
saracie. Mare jarba,
verde jarba nu me pot
duce a casa. Jarba, mare
jarba mas duce a casa, da
nu pot ca am jurat.
Translation Green grass,
tall grass, I would like
to go home, but I cannot,
because I have sworn not
to. Tall grass, green
grass - oh, that I cannot
go home! My mother has
left the village; she
left the hut empty,
Adorned with leaves but
full of poverty. Tall
grass, green grass - oh,
that I cannot go home!
Tall grass, green grass -
I would like to go home.
but I cannot, because I
have sworn not to. Stacy
Garrop's music is
centered on dramatic and
lyrical storytelling. The
sharing of stories is a
defining element of our
humanity; we strive to
share with others the
experiences and concepts
that we find compelling.
She shares stories by
taking audiences on sonic
journeys - some simple
and beautiful, while
others are complicated
and dark - depending on
the needs and dramatic
shape of the story.
Garrop served as the
first Emerging Opera
Composer of Chicago Opera
Theater's Vanguard
Program. She also held a
3-year
composer-in-residence
position with the
Champaign-Urbana Symphony
Orchestra, funded by New
Music USA and the League
of American Orchestras.
She has received numerous
awards and grants
including an Arts and
Letters Award in Music
from the American Academy
of Arts and Letters,
Fromm Music Foundation
Grant, Barlow Prize, and
three Barlow Endowment
commissions, along with
prizes from competitions
sponsored by the Detroit
Symphony Orchestra, Civic
Orchestra of Chicago,
Omaha Symphony, New
England Philharmonic,
Boston Choral Ensemble,
Utah Arts Festival, and
Pittsburgh New Music
Ensemble. She is a
Cedille Records artist;
her works are
commercially available on
more than ten additional
labels. Her catalog
covers a wide range, with
works for orchestra,
opera, oratorio, wind
ensemble, choir, art
song, various sized
chamber ensembles, and
works for solo
instruments. Notable
commissions include My
Dearest Ruth for soprano
and piano with text by
Martin Ginsburg, the
husband of the late
Supreme Court Justice
Ruth Bader Ginsburg, The
Transformation of Jane
Doe for Chicago Opera
Theater, The Battle for
the Ballot for the
Cabrillo Festival
Orchestra, Goddess
Triptych for the St.
Louis Symphony Orchestra,
Glorious Mahalia for the
Kronos Quartet, Give Me
Hunger for Chanticleer,
Rites for the Afterlife
for the Akropolis and
Calefax Reed Quintets,
and Terra Nostra: an
oratorio about our
planet, commissioned by
the San Francisco Choral
Society and Piedmont East
Bay Children's Chorus.
Garrop previously served
as composer-in-residence
with the Albany Symphony
and Skaneateles Festival,
and as well as on faculty
of the Fresh Inc Festival
(2012-2017). She taught
composition and
orchestration full-time
at Roosevelt University
2000-2016) before leaving
to launch her freelance
career. She earned
degrees in music
composition at the
University of
Michigan-Ann Arbor
(B.M.), University of
Chicago (M.A.), and
Indiana
University-Bloomington
(D.M.). In 2014,
Chanticleer commissioned
me to make a new
arrangement of the
Hungarian-Romani folk
song Jarba, Mare Jarba
for their 2014 touring
program. Passed down
orally through the Romani
communities, this
beautiful folk song, with
text in a language called
Beas (beh-osh), speaks of
a deep longing to visit
one’s homeland, a
place where the singer
can never return.
Chanticleer consists of
twelve men whose vocal
ranges span from low bass
to high soprano,
equivalent to the range
of a mixed choir of women
and men. I composed slow
sections of original
material to represent the
singers’ longing
to return home; these are
interspersed with the
folk song’s
traditional fast
sections. The
incorporated shouts and
calls in the score are
typically found in the
performance of Central
European folk songs. I
hope you enjoy singing
this new version of
Jarba, Mare Jarba that
contains all of the vigor
and excitement of the
Chanticleer
version.PERFORMANCE
NOTESAll spoken sounds
(indicated by x
noteheads) should be
performed by individuals.
Feel free to elaborate
with more sounds of your
own in the tradition of
Eastern European folk
music.If the piece is
memorized, feel free to
experiment with clapping
on the off-beats of m. 93
to the
end.TEXTTransliterationJa
rba, mare jarba mas duce
a casa, da nu pot ca am
jurat, Jarba, mare jarba
mas duce a casa, da nu
pot ca am jurat. Mare
jarba, verde jarba nu me
pot duce a casa.Jarba,
mare jarba mas duce a
casa, da nu pot ca am
jurat.O mers mama de pe
sat, O lasat coliba
goala,Infrunzitu,
ingurzitu da plina de
saracie, da plina de
saracie. Mare jarba,
verde jarba nu me pot
duce a casa.Jarba, mare
jarba mas duce a casa, da
nu pot ca am
jurat.TranslationGreen
grass, tall grass, I
would like to go home,
but I cannot, because I
have sworn not to.Tall
grass, green grass
– oh, that I
cannot go home!My mother
has left the village; she
left the hut empty,
Adorned with leaves but
full of poverty.Tall
grass, green grass
– oh, that I
cannot go home! Tall
grass, green grass
– I would like to
go home.but I cannot,
because I have sworn not
to.Stacy Garrop’s
music is centered on
dramatic and lyrical
storytelling. The sharing
of stories is a defining
element of our humanity;
we strive to share with
others the experiences
and concepts that we find
compelling. She shares
stories by taking
audiences on sonic
journeys – some
simple and beautiful,
while others are
complicated and dark
– depending on the
needs and dramatic shape
of the story.Garrop
served as the first
Emerging Opera Composer
of Chicago Opera
Theater’s Vanguard
Program. She also held a
3-year
composer-in-residence
position with the
Champaign-Urbana Symphony
Orchestra, funded by New
Music USA and the League
of American Orchestras.
She has received
numerous awards and
grants including an
Arts and Letters Award in
Music from the American
Academy of Arts and
Letters, Fromm Music
Foundation Grant, Barlow
Prize, and three Barlow
Endowment commissions,
along with prizes from
competitions sponsored by
the Detroit Symphony
Orchestra, Civic
Orchestra of Chicago,
Omaha Symphony, New
England Philharmonic,
Boston Choral Ensemble,
Utah Arts Festival, and
Pittsburgh New Music
Ensemble. She is a
Cedille Records artist;
her works are
commercially available on
more than ten additional
labels.Her catalog covers
a wide range, with works
for orchestra, opera,
oratorio, wind ensemble,
choir, art song, various
sized chamber ensembles,
and works for solo
instruments. Notable
commissions include My
Dearest Ruth for
soprano and piano with
text by Martin Ginsburg,
the husband of the late
Supreme Court Justice
Ruth Bader
Ginsburg, The
Transformation of Jane
Doe for Chicago Opera
Theater, The Battle for
the Ballot for the
Cabrillo Festival
Orchestra, Goddess
Triptych for the St.
Louis Symphony Orchestra,
Glorious Mahalia for
the Kronos Quartet, Give
Me Hunger for
Chanticleer, Rites for
the Afterlife for the
Akropolis and Calefax
Reed Quintets,
and Terra
Nostra:Â an oratorio
about our planet,
commissioned by the San
Francisco Choral Society
and Piedmont East Bay
Children’s
Chorus.Garrop previously
served as
composer-in-residence
with the Albany Symphony
and Skaneateles Festival,
and as well as on faculty
of the Fresh Inc Festival
(2012-2017). She taught
composition and
orchestration full-time
at Roosevelt University
2000-2016) before leaving
to launch her freelance
career. She earned
degrees in music
composition at the
University of
Michigan-Ann Arbor
(B.M.), University of
Chicago (M.A.), and
Indiana
University-Bloomington
(D.M.).ÂÂ. $3.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| New Songs of Inspiration ? Volume 10 Chorale SATB SATB [Partition] Brentwood-Benson
For SATB. Modern Christian. Sacred. Hymnal. Published by Brentwood-Benson Music ...(+)
For SATB. Modern
Christian. Sacred.
Hymnal. Published by
Brentwood-Benson Music
Publishing.
$8.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| We Thank You, God Chorale SATB SATB A Cappella Hal Leonard
Judith Clurman - Rejoice: Honoring the Jewish Spirit Series. Composed by Ryan ...(+)
Judith Clurman - Rejoice:
Honoring the Jewish
Spirit
Series. Composed by Ryan
Nowlin. Edited by Judith
Clurman. Rejoice Honoring
Jewish Spirit. Concert,
Jewish, Sacred. Octavo.
12
pages. Published by Hal
Leonard
$2.25 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| A Summer Night, and You, and Paradise Chorale SATB SATB divisi - Facile Walton Music
SATB choir, divisi - Early intermediate SKU: GI.WW1534 Composed by Benjam...(+)
SATB choir, divisi -
Early intermediate
SKU: GI.WW1534
Composed by Benjamin
Kornelis. Walton Choral.
Music Education. Octavo.
12 pages. Walton Music
#WW1534. Published by
Walton Music (GI.WW1534).
UPC: 888680005269.
English. Text by Garrison
Keillor. The
composer has set Garrison
Keillor's lovely words
with sensitivity and
care. Evoking the warmth,
longing, and hopefulness
of love. The setting
allows for the choir to
be driven by the natural
rhythm and text stress of
the poetry to shape each
phrase. A beautiful love
song not to be missed.
Length: 5:10. $2.15 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Good Lovin' Chorale SATB Hal Leonard
By Young Rascals. Arranged by Kirby Shaw. Pop Choral Series. Oldies, Pop, Rock...(+)
By Young Rascals.
Arranged by
Kirby Shaw. Pop Choral
Series. Oldies, Pop,
Rock,
Show Choir, Sixties.
Octavo.
16 pages. Published by
Hal
Leonard
$2.25 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Torch Is Passed Chorale SATB PraiseGathering
Choral (SATB) SKU: HL.2050285 Arranged by Camp Kirkland. Praise Gathering...(+)
Choral (SATB) SKU:
HL.2050285 Arranged
by Camp Kirkland. Praise
Gathering Choral.
Patriotic. Softcover. 168
pages. Duration 3540
seconds. PraiseGathering
#A08435. Published by
PraiseGathering
(HL.2050285). UPC:
797242220791.
6.75x10.5x0.411
inches. The story
of our trust in God - our
acknowledgment of His
intervention in the
history of this nation -
our experience of faith -
our assurance of a loving
and gracious Heavenly
Father has been shaped by
the lives and the
testimony of our elders.
God told us to
“...watch yourselves
closely so that you do
not forget the things
your eyes have seen or
let them slip from your
heart as long as you
live. Teach them to your
children and to their
children after them.”
Deuteronomy 4:9. $15.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Light dawns on a weary world Chorale SATB SATB, Piano [Vocal Score] Oxford University Press
Composed by Mack Wilberg (1955-). Vocal score. 16 pages. Duration 2.5'. Publishe...(+)
Composed by Mack Wilberg
(1955-). Vocal score. 16
pages. Duration 2.5'.
Published by Oxford
University Press
(OU.9780193517776).
$4.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| High Flight Chorale SATB SATB, Piano Theodore Presser Co.
Choral SATB Choir and Piano SKU: PR.312419020 From Terra Nostra. C...(+)
Choral SATB Choir and
Piano SKU:
PR.312419020 From
Terra Nostra.
Composed by Stacy Garrop.
Sws. Performance Score.
12 pages. Duration 3:15.
Theodore Presser Company
#312-41902. Published by
Theodore Presser Company
(PR.312419020). ISBN
9781491131862. UPC:
680160680474. 6.875 x
10.5 inches.
English. Commission
ed by the San Francisco
Choral Society and the
Piedmont East Bay
Children’s Choir,
Terra Nostra is a
70-minute oratorio on the
relationship between our
planet and humankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. Part
I: Creation of the World
explores various creation
myths from different
cultures, culminating in
a joyous celebration of
the beauty of our planet.
Part II: The Rise of
Humanity examines human
achievements,
particularly since the
dawn of our Industrial
Age, and how these
achievements have
impacted the planet. Part
III: Searching for
Balance questions how to
create more awareness for
our planet’s
plight, re-establish a
deeper connection to it,
and find a balance for
living within our
planet’s
resources. In addition to
the complete oratorio,
stand-alone movements for
mixed chorus, and for
solo voice with piano,
are also available
separately. Terra
Nostra focuses on the
relationship between our
planet and mankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. The
oratorio is divided into
three parts:Part I:
Creation of the World
celebrates the birth and
beauty of our planet. The
oratorio begins with
creation myths from
India, North America, and
Egypt that are integrated
into the opening lines of
Genesis from the Old
Testament. The music
surges forth from these
creation stories into
“God’s
World†by Edna St.
Vincent Millay, which
describes the world in
exuberant and vivid
detail. Percy Bysshe
Shelley’s
“On thine own
child†praises
Mother Earth for her role
bringing forth all life,
while Walt Whitman sings
a love song to the planet
in “Smile O
voluptuous cool-breathed
earth!†Part I ends
with “A Blade of
Grass†in which
Whitman muses how our
planet has been spinning
in the heavens for a very
long time.Part II: The
Rise of Humanity examines
the achievements of
mankind, particularly
since the dawn of the
Industrial Age. Lord
Alfred Tennyson’s
“Locksley
Hall†sets an
auspicious tone that
mankind is on the verge
of great discoveries.
This is followed in short
order by Charles
Mackay’s
“Railways
1846,†William
Ernest Henley’s
“A Song of
Speed,†and John
Gillespie Magee,
Jr.’s “High
Flight,†each of
which celebrates a new
milestone in
technological
achievement. In
“Binsey
Poplars,†Gerard
Manley Hopkins takes note
of the effect that these
advances are having on
the planet, with trees
being brought down and
landscapes forever
changed. Percy Bysshe
Shelley’s “A
Dirge†concludes
Part II with a warning
that the planet is
beginning to sound a
grave alarm.Part III:
Searching for Balance
questions how we can
create more awareness for
our planet’s
plight, re-establish a
deeper connection to it,
and find a balance for
living within our
planet’s
resources. Three texts
continue the
earth’s plea that
ended the previous
section: Lord
Byron’s
“Darknessâ€
speaks of a natural
disaster (a volcano) that
has blotted out the sun
from humanity and the
panic that ensues;
contemporary poet Esther
Iverem’s
“Earth
Screaming†gives
voice to the modern
issues of our changing
climate; and William
Wordsworth’s
“The World Is Too
Much With Us†warns
us that we are almost out
of time to change our
course.
Contemporary/agrarian
poet Wendell
Berry’s “The
Want of Peaceâ€
speaks to us at the
climax of the oratorio,
reminding us that we can
find harmony with the
planet if we choose to
live more simply, and to
recall that we ourselves
came from the earth. Two
Walt Whitman texts
(“A Child said,
What is the grass?â€
and “There was a
child went forth every
dayâ€) echo
Berry’s thoughts,
reminding us that we are
of the earth, as is
everything that we see on
our planet. The oratorio
concludes with a reprise
of Whitman’s
“A Blade of
Grass†from Part I,
this time interspersed
with an additional
Whitman text that
sublimely states,
“I bequeath myself
to the dirt to grow from
the grass I
love…â€My hope
in writing this oratorio
is to invite audience
members to consider how
we interact with our
planet, and what we can
each personally do to
keep the planet going for
future generations. We
are the only stewards
Earth has; what can we
each do to leave her in
better shape than we
found her? $3.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Let US Sing God's Song Chorale SATB SATB, Piano Shawnee Press
By Joseph M. Martin. For SATB choir, flute and piano. Choral. Octavo. Published ...(+)
By Joseph M. Martin. For
SATB choir, flute and
piano. Choral. Octavo.
Published by Shawnee
Press.
$2.50 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Gospel Songs: The Gospel Ship (Piano/Choral Score) Chorale SATB [Octavo] - Facile Schirmer
Composed by Gwyneth W. Walker (1947-). Americana, Faith, Folk Song, Hope/Assu...(+)
Composed by Gwyneth W.
Walker (1947-).
Americana, Faith, Folk
Song, Hope/Assurance,
Spiritual, Children's
Sabbath/Emphasis. Octavo.
Published by E.C.
Schirmer Publishing
(EC.8230).
$3.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Big Sky Chorale SATB SATB A Cappella [Octavo] Santa Barbara Music Publishing
Composed by Seth Houston. For SATB choir (a cappella). Jo-Michael Scheibe Choral...(+)
Composed by Seth Houston.
For SATB choir (a
cappella). Jo-Michael
Scheibe Choral Series.
Concert, General. Octavo.
Santa Barbara Music
Publishing #SBMP1185.
Published by Santa
Barbara Music Publishing
$2.15 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| I’m A-Gonna Eat at the Welcome Table Chorale SATB SATB A Cappella GIA Publications
SATB a cappella SKU: GI.G-009451 Arranged by Steven R. Janco. Sacred. Oct...(+)
SATB a cappella SKU:
GI.G-009451 Arranged
by Steven R. Janco.
Sacred. Octavo. 8 pages.
GIA Publications #009451.
Published by GIA
Publications
(GI.G-009451). UPC:
641151094519. This
traditional
African-American
spiritual speaks of hope
and trust in its biblical
references to feasting
with all believers at a
common table. Steve has
shaped his arrangement to
be expressive and
spirited, with interplay
among the four-part
voices, developing
differently in each
verse. The fourth verse
mimcs the text of flying
with the upper voices
while the basses hold the
melody. Your choir will
sound impeccably polished
with this fine a cappella
writing. $1.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| My Lord's Gettin' Us Ready for That Great Day Chorale SATB SATB, Piano - Facile GIA Publications
SATB choir, piano reduction - Early intermediate SKU: GI.G-8574 Arranged ...(+)
SATB choir, piano
reduction - Early
intermediate SKU:
GI.G-8574 Arranged by
Uzee Brown, Jr. Advent 4
A. African American
Church Music Series.
Sacred. Octavo. 8 pages.
GIA Publications #8574.
Published by GIA
Publications (GI.G-8574).
UPC: 785147857402.
English. Text source:
Spiritual. Choirs
of all shapes and sizes
will love singing this a
cappella spiritual. The
modulation into the third
verse creates a surge of
excitement into the final
declaration,
“Christians will be
shoutin’ on that
great day!†This
rousing arrangement is
sure to inspire your
congregation and bring
them to their feet.
 . $2.40 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Wake Every Breath and String! / Let Heaven with Gladness Ring! Chorale SATB - Débutant GIA Publications
SATB choir, keyboard, reduction, none accompaniment - Beginning SKU: GI.G-596...(+)
SATB choir, keyboard,
reduction, none
accompaniment - Beginning
SKU: GI.G-5965
Composed by Lewis Edson.
Edited by William Rowan.
Arranged by William
Rowan. Christmastide,
Eastertide, Ordinary
Time, Christmas Vigil,
Christmas Night. Choral.
Tune Name: Lenox. Sacred.
Octavo. 8 pages. GIA
Publications #5965.
Published by GIA
Publications (GI.G-5965).
UPC: 785147596509.
English. Text Source: 1)
Billings, William,
Bringle, Mary Louise, 2)
Bringle, Mary Louise.
Text by Mary Louise
Bringle. This early
American “fuguing
tune†allows
singers to let loose with
rustic and boisterous
joy. If your choir has
never sung indigenous
shapenote style, this
arrangement would make a
fun and satisfying
introduction. Poet Mary
Louise Bringle provides
two new hymn texts for
this lively music.
It’s easy to catch
on to the style.
Don’t be afraid,
try it! “Wake Every
Breath†is suitable
for a Sunday of Ordinary
Time, Eastertide, or
celebrations of music in
worship. An alternative
text, “Let Heavens
with Gladness
Ring,†is specific
to Christmas. Optional
keyboard part can double
voices. Christmas and
general texts by Mary
Louise Bringle. $1.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
1 |