Soprano voice solo (tenor voice), recorder f1 (violin), oboe (violin), basso continuo, [SATB choir, 2 violins, viola, cello/contrabass]

SKU: CA.3912013

Kantate zum 12. Sonntag nach Trinitatis. Composed by Georg Philipp Telemann. Edited by Klaus Hofmann. Arranged by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. German title: Da, Jesu, deinen Ruhm zu mehren. Sacred vocal music, Cantatas, Trinity, Praise and thanks. Single Part, Cello/Double Bass. TVWV 1:531a. 4 pages. Duration 12 minutes. Carus Verlag #CV 39.120/13. Published by Carus Verlag (CA.3912013).

ISBN 9790007055653. Language: German/English.

Thi s three-movement solo cantata can be performed in several ways. The instruments basically required are the trio sonata ensemble of recorder, oboe and keyboard instrument (+ a continuo melody instrument ad lib.). If necessary, as Telemann stated, the two woodwind parts can be placed by violins. The instrumental parts can also be augmented by a body of strings, playing in the ritornello sections of the two arias. Moreover, the new edition expands the performance possibilities for the work by adding a four-part chorus from the more fully scored original version, which Telemann did not publish. Score and part available separately - see item CA.3912000.

Soprano voice solo (tenor voice), recorder f1 (violin), oboe (violin), basso continuo, [SATB choir, 2 violins, viola, cello/contrabass]

SKU: CA.3912005

Kantate zum 12. Sonntag nach Trinitatis. Composed by Georg Philipp Telemann. Edited by Klaus Hofmann. Arranged by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. German title: Da, Jesu, deinen Ruhm zu mehren. Sacred vocal music, Cantatas, Trinity, Praise and thanks. Choral Score. TVWV 1:531a. 2 pages. Duration 12 minutes. Carus Verlag #CV 39.120/05. Published by Carus Verlag (CA.3912005).

ISBN 9790007055622. Language: German/English.

Thi s three-movement solo cantata can be performed in several ways. The instruments basically required are the trio sonata ensemble of recorder, oboe and keyboard instrument (+ a continuo melody instrument ad lib.). If necessary, as Telemann stated, the two woodwind parts can be placed by violins. The instrumental parts can also be augmented by a body of strings, playing in the ritornello sections of the two arias. Moreover, the new edition expands the performance possibilities for the work by adding a four-part chorus from the more fully scored original version, which Telemann did not publish. Score available separately - see item CA.3912000.

Soprano voice solo (tenor voice), recorder f1 (violin), oboe (violin), basso continuo, [SATB choir, 2 violins, viola, cello/contrabass]

SKU: CA.3912019

Kantate zum 12. Sonntag nach Trinitatis. Composed by Georg Philipp Telemann. Edited by Klaus Hofmann. Arranged by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. Complete orchestral parts. Sacred vocal music, Cantatas, Trinity, Praise and thanks. Set of Orchestra Parts. TVWV 1:531a. Duration 12 minutes. Carus Verlag #CV 39.120/19. Published by Carus Verlag (CA.3912019).

ISBN 9790007144296. Text language: German/English.

Thi s three-movement solo cantata can be performed in several ways. The instruments basically required are the trio sonata ensemble of recorder, oboe and keyboard instrument (+ a continuo melody instrument ad lib.). If necessary, as Telemann stated, the two woodwind parts can be placed by violins. The instrumental parts can also be augmented by a body of strings, playing in the ritornello sections of the two arias. Moreover, the new edition expands the performance possibilities for the work by adding a four-part chorus from the more fully scored original version, which Telemann did not publish. Score and parts available separately - see item CA.3912000.

Mixed choir (SATB), 2 flutes, 2 oboes, 2 clarinets, 2 bassoons - 2 horns, 2 trumpets, 3 trombones, timpani and strings (P+KRB)

SKU: HL.49042434

Composed by Carl Maria von Weber. Edited by Frank Ziegler and Johannes Kepper. This edition: Full-cloth binding. Sheet music. Edition Schott. Score and critical commentary, complete edition. 306 pages. Schott Music #WGA1021. Published by Schott Music (HL.49042434).

ISBN 9783795794491. 10.25x13.5x1.141 inches. German.

Carl Maria von Weber's fame rests mainly on 'Der Freischutz'. The unprecedented success of this opera overshadowed all his other works and contributed to their increasing fall into oblivion. Certain works such as 'Preciosa', 'Oberon', and 'Euryanthe', the overtures, solo concertos and piano sonatas, the lieder and chamber works enjoyed great popularity and were widely known in Germany and abroad as late as the second half of the 19th century. However, any chance of a revival of Weber's influential and substantial oeuvre was wasted in the 1920s, when a complete edition - begun by Hans Joachim Moser and with potential contributors including Wilhelm Kempff, Hans Pfitzner, Max von Schillings, Fritz Stein and Richard Strauss - failed after the third volume.Ever since there have been numerous attempts to restart a complete edition of Weber's works, but as this kind of project would have required the co-operation of scholars from both sides of the inter-German border, the political situation after 1945 was not conducive to any such enterprise. Careful negotiations led to the first tangible steps in the 1980s. The intention, right from the beginning, was to place Weber's work in context, and not to separate his musical output from his influential work as a writer, critic and organiser in the musical field, but to publish his compositions together with his letters, diaries and other literary output as the best way to document the cross-fertilisation between his musical, literary and practical activities.Since the German re-unification both working-parties concerned - at the Staatsbibliothek zu Berlin, and at the Musikwissenschaftliches Seminar, Detmold/Paderborn - have co-operated on the complete edition of the musical works (c. 45 volumes in 10 series: sacred music; cantatas, odes and other occasional works; stage works; lieder and vocal works; orchestral works; chamber music; music for piano; piano reductions; miscellanea, arrangements and orchestrations; works of doubtful attribution). The diaries (6-8 vols.) are edited in Berlin and the letters (8-10 vols.) and other writings (2 vols.) in Detmold. This complete edition aims to be a reliable basis of scholarly debate as well as for the authentic performance practice of Carl Maria von Weber's music. Conforming to the standards of recent historico-critical editions, the textual material will be based on all available authentic sources, accompanied by a detailed documentation of the genesis and a list of variants for each work. The musicological importance of the works will be evaluated by placing them in their historical context, the presentation of their genesis, history and Critical Commentaries. The letters, writings and diaries will be treated as inter-related and relevant to each other in the commentaries, therefore readers should benefit from a wealth of concise information and cross-references.

Arranged by Audrey Snyder. (SATB). Choral. Festival. Size 6.75x10.5 inches. 16 pages. Published by Hal Leonard.

SATB Choir, Basso Continuo - Level 3

SKU: CA.2729211

Composed by Heinrich Ignaz Franz von Biber. Edited by Daniel E. Abraham. Sacred vocal music. Basso continuo. Sacred vocal music. Single Part, basso continuo. ChaB 50. Duration 9 minutes. Carus Verlag #CV 27.292/11. Published by Carus Verlag (CA.2729211).

ISBN 9790007248789. Language: Latin.

Well-known for his magnificent instrumental works and violin sonatas, Heinrich Ignaz Franz Biber is unjustly less recognized as a composer of sacred music. His works for Salzburg Cathedral were mainly written after 1670. The Stabat Mater is an impressive setting for use in worship, and includes four or six verses of the hymn. The four-part composition displays great simplicity yet stunning beauty, particularly in the concise contrapuntal presentation of each individual verse. Score and part available separately - see item CA.2729200.

SATB Choir, Basso Continuo - Level 3

SKU: CA.2729205

Composed by Heinrich Ignaz Franz von Biber. Edited by Daniel E. Abraham. Sacred vocal music. Sacred vocal music. Choral Score. ChaB 50. Duration 9 minutes. Carus Verlag #CV 27.292/05. Published by Carus Verlag (CA.2729205).

ISBN 9790007240554. Language: Latin.

Well-known for his magnificent instrumental works and violin sonatas, Heinrich Ignaz Franz Biber is unjustly less recognized as a composer of sacred music. His works for Salzburg Cathedral were mainly written after 1670. The Stabat Mater is an impressive setting for use in worship, and includes four or six verses of the hymn. The four-part composition displays great simplicity yet stunning beauty, particularly in the concise contrapuntal presentation of each individual verse. Score available separately - see item CA.2729200.

SATB Choir, Basso Continuo - Level 3

SKU: CA.2729200

Composed by Heinrich Ignaz Franz von Biber. Edited by Daniel E. Abraham. Sacred vocal music. Sacred vocal music. Full score. ChaB 50. Duration 9 minutes. Carus Verlag #CV 27.292/00. Published by Carus Verlag (CA.2729200).

ISBN 9790007240547. Language: Latin.

Well-known for his magnificent instrumental works and violin sonatas, Heinrich Ignaz Franz Biber is unjustly less recognized as a composer of sacred music. His works for Salzburg Cathedral were mainly written after 1670. The Stabat Mater is an impressive setting for use in worship, and includes four or six verses of the hymn. The four-part composition displays great simplicity yet stunning beauty, particularly in the concise contrapuntal presentation of each individual verse.

SATB choir, piano

SKU: LO.10-5242L

Composed by Patti Drennan. Choral. Sacred Anthem, Good Friday, Holy Week, Maundy Thursday. Octavo. Lorenz Publishing Company #10/5242L. Published by Lorenz Publishing Company (LO.10-5242L).

ISBN 9780787764210.

Beet hoven’s Moonlight Sonata is the foundation of this stunning piece depicting the garden of Gethsemane and the Crucifixion of Jesus. Herb Frombach’s contemplative text pairs with Patti Drennan’s rich choral writing and piano accompaniment, all complemented by an expressive optional cello part. The somber nature of the piece is concluded with the promise of God’s redeeming grace as a result of Christ’s sacrifice.