By Joseph Martin; James Michael Stevens. For SATB / 2-part mixed choir and piano (with optional Cello). Sacred Anthem. Choral octavo. Published by Lorenz Publishing Company

By Mark Sedio. For SATB, opt. congregation with organ and optional brass quartet and timpani. Easter. Medium-Easy. Octavo. Published by MorningStar Music Publishers

SATB chorus and piano - Medium

SKU: JK.01569

Composed by Charles V. Standford. Arranged by Brent Jorgensen. Choral SATB, Difficulty Medium, Piano Choir, Seasonal Music Pioneer Day, Book of Mormon, Eternal Life, Jesus Christ - Savior, Praise and Worship, Prophets, Restoration, Scriptures, Testimony, Truth. Christian, Inspirational. Duration 2:45. Jackman Music Corporation #01569. Published by Jackman Music Corporation (JK.01569).

Matthew 3:16-17, 3 Nephi 11:6-8, Joseph Smith--History 1:17, Doctrine and Covenants 18:34-36.

Resto ration anthem for mixed chorus (SATB) and piano accompaniment.
Whose is that voice declaring truth at last?
A prophet speaks, a blessing unsurpassed...
...Sinc e Jesus all our sins and sorrows bore,
Death is rebuked and rules the earth no more.
Eternal life awaits beyond that door. Alleluia!

Composer : Charles V. Standford
Arranger: Brent Jorgensen
Lyricist: Jan Underwood Pinborough
Difficulty: Medium
Performance time: 2:45
Reference: Matthew 3:16-17, 3 Nephi 11:6-8, Joseph Smith--History 1:17, Doctrine and Covenants 18:34-36.

Composed by David Conte (1955-). E.C. Schirmer Publishing #8894. Published by E.C. Schirmer Publishing

Vocal solos, choir, orchestra (Alto Voice Solo, 17speaker, SATB Choir, ballet, 2 Fl, 2 Ob, 2 clarinet, 2 bassoon, 4Hn, 2 Trp, 3trombone, timpani, 2 Violin, Viola, Cello, Double Bass)

SKU: BA.BA05570-01

Romantic drama in four acts. Composed by Franz Schubert. Edited by Christine Martin and Walther Durr. This edition: complete edition, urtext edition. Linen. New Schubert Edition II, 9. Complete edition, Score. D 797. Duration 50 minutes. Baerenreiter Verlag #BA05570_01. Published by Baerenreiter Verlag (BA.BA05570-01).

ISBN 9790006497386. 33 x 26 cm inches. Language: German. Preface: Christine Martin. Text: Helmina von Chezy.

On 20 December 1823 Helmina von Chezy'sRosamundereceived its premiere performance at Vienna's Theater an der Wien.
Unfortunately the Viennese version of this drama with ghosts, pirates, attempted poisonings and other horrifying ingredients has not survived - unlike Schubert's popular incidental music which also includes choruses and dances. This music was already highly praised by contemporary critics, with special acknowledgment given tothe genius of this much-loved master. As evidence of its popularity, the overture and theHunters' Chorushad to be encored at the premiere.

Now Barenreiter is issuing one of Schubert's best-known compositions in a complete vocal score with piano reduction.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

By Dakers. For Choral Collection: Mixed Choir Paper. Published by Oxford University Press.

Composed by Judith Shatin (1949-). Martin Luther King Day, 21st Century. Octavo. Duration 4 minutes, 45 seconds. E.C. Schirmer Publishing #7149. Published by E.C. Schirmer Publishing

Weddings for Choirs. (40 perfect SATB pieces). By Judy Martin; Peter Parshall. For SATB choir accompanied and a cappella. Mixed Voices. ...for Choirs Collections. Sacred, Choral Collection. Vocal score. 256 pages. Published by Oxford University Press

By Mark Hayes. For SATB choir and soloist (a cappella). Concert. Octavo. Published by Heritage Music Press. (15/2347H)

Mixed choir

SKU: ST.B854

Composed by Ann Griffiths. Edited by Alan Luff. Books & Study Scores. Hymns translated by Alan Gaunt.. Music edited by Alan Luff.. Letters translated and edited by Alan Luff.. Introduction by Kathryn Jenkins. Choral Score. Stainer & Bell Ltd. #B854. Published by Stainer & Bell Ltd. (ST.B854).

ISBN 9780852498545.

Though little known in her lifetime (1776-1805), Ann Griffiths is now widely regarded as being among the leading hymnwriters in Wales. She is a major figure whose word speaks strongly to a contemporary audience at a time of growing sensitivity to Christian spirituality in its many and varied forms, and to the often unacknowledged role of women in the life and history of the church. As a crystallising of the gifts of many people, this treasure of a book would be hard to rival. (Christoper Idle, News of Hymnody).

Composed by Howard Goodall (1958-). Multi-Movement/Large Choral Work. Lent, Triduum/Three Days, Tenebrae, 21st Century, Heaven, Lament/Grief/Sorrow. Vocal/choral score. MorningStar Music Publishers #56-0002. Published by MorningStar Music Publishers

SATB choir

SKU: WD.080689645174

Composed by Marty Hamby. Book. Word Music #080689645174. Published by Word Music (WD.080689645174).

UPC: 080689645174.

Featu ring 10 of the newest and best Southern Gospel hit songs, with a variety of arrangements to meet all your southern gospel choir needs; songs and arrangements full of grit and attitude, like Gotta Be Saved; songs that celebrate being sons and daughters of the Most High like We Are God’s Children; songs that express the promise of eternal life and declare a longing to go home like I Know I’ll Be There, and Resurrection Morn; songs that speak to the depth of God’s love for us and the lengths to which He will go to rescue us like Lost and Just When You Thought; songs that tell of His faithfulness to us and songs that speak of our desire to be found faithful; songs that will bring a smile to your face, a tear to your eye, and a spring to your step, that will make your heart soar to think of how much He loves us! No sound this side of heaven rivals the sound of a spirited choir raising their voices together to sing an emotion-filled Southern Gospel song of testimony, deliverance, victory, promise, and forgiveness. Gather your choir together soon to let them experience the joy and blessing of ministering to people through the message and sounds of a Southern Gospel song!

SATB chorus and piano

SKU: JK.19990

Composed by Janice Kapp Perry. Choral General Conference, Choral SATB, Difficulty Medium, Piano Choir, Special Events Home and Family, Hope, Jesus Christ - Savior. Christian, Inspirational. Jackman Music Corporation #19990. Published by Jackman Music Corporation (JK.19990).

Hebrews 9:28, John 14:6*** Some Janice Kapp Perry products may require a few days additional shipping time. Thank you!

46 new hymns, inspired by the General Conference addresses of Elder Jeffry R. Holland. (October 1994 - April 2017).
Collection includes:
All Ye Who Watch the Master's Sheep
Are the Heavens Truly Open?
Are We Not All Beggars?
As an Ensign to the Nations
A Sinless, Pure and Holy Man
Be Clean, Oh House of Israel
Be Not Afraid, But Be Believing
Bless Me to Be a Little More Like Thee
Do You Love Me?
Christ Can Heal the Broken Hearted
ever We'll Remember
For God Loves Us With All His Heart
For God So Loved the World
God Has Raised Up Noble Daughters
God will Never Leave the Weary
He Will Bring Rest to Your Soul
His More Excellent Way
Holy Father, King of Heaven
How Fair Upon the Mountain
I Am a Child of Destiny
I Bear My Witness of the Lord
In Heaven There Is a Law
Inviting All to Come to Christ
I Testify
I Would Be Thy True Disciple
let Not Your Heart Be Troubled
Let Thy Word Be In Our Hearts
Lord, Accept My Humble Offering
Lord, I Believe
Lord, I'll Strive to Live Worthy of Thy Love
Lord, We Pray For All the Children
May We Have the Tongues of Angels
My Life is Not My Own
None Were With Him
Oh Come Ye Heavy Laden Come
Our Faith Unites Us With One Heart
The Keys of the Kingdom
The Love of God Is Without End
The Mother of All Living
The Words of God Will Never Cease
The Worth of Souls Is Great Indeed
Through a Thousand Generations
To the Rising Generation
Who Will Now Speak For the Widow?
Wilt Thou, Lord, In Me Abide
You Can Always Come Back Home
Composer: Janice Kapp Perry
Lyricist: David B. Larsen
Reference: Hebrews 9:28, John 14:6
*** Some Janice Kapp Perry products may require a few days additional shipping time. Thank you!

Choral (SATB)

SKU: HL.2050271

Praise Gathering Choral. Easter. Softcover. 144 pages. PraiseGathering #A08421. Published by PraiseGathering (HL.2050271).

UPC: 797242157493. 6.75x10.5x0.342 inches.

Greatly influenced by the John Fischer book of the same title,On a Hill Too Far Awayis a clarion call to His church to bring the cross back to the center of our faith. Now with all new drama and a full length DVD that brings the Cross front and center in poignant images.It is the story of Calvary. While it may seem that all of this occurred on a hill too far away, too far removed from our life to speak to us, we cannot stand in the distance and expect to experience the magnitude of the cross. We must draw near. We must face what we can never understand. We must confront the ravaged spotless Lamb to gain just a glimpse of our stain of sin. The cross cannot be explained away. The cross cannot be ignored. The cross cannot be stripped of its cruelty and shame. The cross cannot and will not be denied. The invitation stands- come to the place of mercy and grace. It is the way of the cross that leads us home.Let us fix our eyes on Jesus, the author and perfecter of our faith, who for the joy set before Him endured the cross, scorning its shame, and sat down at the right hand of the throne of God. (Hebrews 12:2 NIV).

Composed by Various. Edited by Dan Damon. For SATB choir, Unison choir. General. Hymn Collection. Published by Hope Publishing Company

Orchestra Soli SATB, SATB Choir, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Tr, Timp, 2 Vl, Va, Basso (Vc, Cb, Org)

SKU: CA.4068891

Composed by Ludwig van Beethoven. Carus Choir Coach. 1 Ex., mp3, Practice-CD, soprano. Sacred vocal music, Masses, Latin. Compact Disc. Op. 86. Duration 50 minutes. Carus Verlag #CV 40.688/91. Published by Carus Verlag (CA.4068891).

Language: Latin.

With its tonal language of subjective avowal, the first of Beethoven's two masses opens up new worlds of expression for the liturgical texts of the Mass which are expressly modern and point towards the future. Not to be considered a preliminary work to the Missa solemnis, it is an entirely independent work which set standards for the further development of settings of the Mass in the 19th century. Its newness, of which the composer himself was fully aware (I do not speak gladly of my Mass, or of myself, but I do believe that I have treated the text in a manner in which only few have treated it.), paves a way to an hitherto unknown, contemporary avenue to faith which today is still current. Carus presents this important work of church music history in a new critical edition by the Beethoven expert Ernst Herttrich. Score available separately - see item CA.4068800.

Orchestra Soli SATB, SATB Choir, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Tr, Timp, 2 Vl, Va, Basso (Vc, Cb, Org)

SKU: CA.4068892

Composed by Ludwig van Beethoven. Carus Choir Coach. 1 Ex., mp3, Practice-CD, alto. Sacred vocal music, Masses, Latin. Compact Disc. Op. 86. Duration 50 minutes. Carus Verlag #CV 40.688/92. Published by Carus Verlag (CA.4068892).

Language: Latin.

With its tonal language of subjective avowal, the first of Beethoven's two masses opens up new worlds of expression for the liturgical texts of the Mass which are expressly modern and point towards the future. Not to be considered a preliminary work to the Missa solemnis, it is an entirely independent work which set standards for the further development of settings of the Mass in the 19th century. Its newness, of which the composer himself was fully aware (I do not speak gladly of my Mass, or of myself, but I do believe that I have treated the text in a manner in which only few have treated it.), paves a way to an hitherto unknown, contemporary avenue to faith which today is still current. Carus presents this important work of church music history in a new critical edition by the Beethoven expert Ernst Herttrich. Score available separately - see item CA.4068800.

Orchestra Soli SATB, SATB Choir, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Tr, Timp, 2 Vl, Va, Basso (Vc, Cb, organ)

SKU: CA.4068804

Composed by Ludwig van Beethoven. Edited by Ernst Herttrich. Carus sheet music series: Vocal scores XL. Messe In C Op. 86. Innovative practice aids, Sacred vocal music, Masses, Latin. Vocal score. Op. 86. 80 pages. Duration 50 minutes. Carus Verlag #CV 40.688/04. Published by Carus Verlag (CA.4068804).

ISBN 9790007183547. Language: Latin.

With its tonal language of subjective avowal, the first of Beethoven's two masses opens up new worlds of expression for the liturgical texts of the Mass which are expressly modern and point towards the future. Not to be considered a preliminary work to the Missa solemnis, it is an entirely independent work which set standards for the further development of settings of the Mass in the 19th century. Its newness, of which the composer himself was fully aware (I do not speak gladly of my Mass, or of myself, but I do believe that I have treated the text in a manner in which only few have treated it.), paves a way to an hitherto unknown, contemporary avenue to faith which today is still current. Carus presents this important work of church music history in a new critical edition by the Beethoven expert Ernst Herttrich. Score available separately - see item CA.4068800.

Orchestra Soli SATB, SATB Choir, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Tr, Timp, 2 Vl, Va, Basso (Vc, Cb, Org)

SKU: CA.4068893

Composed by Ludwig van Beethoven. Carus Choir Coach. 1 Ex., mp3, Practice-CD, tenore. Sacred vocal music, Masses, Latin. Compact Disc. Op. 86. Duration 50 minutes. Carus Verlag #CV 40.688/93. Published by Carus Verlag (CA.4068893).

Language: Latin.

With its tonal language of subjective avowal, the first of Beethoven's two masses opens up new worlds of expression for the liturgical texts of the Mass which are expressly modern and point towards the future. Not to be considered a preliminary work to the Missa solemnis, it is an entirely independent work which set standards for the further development of settings of the Mass in the 19th century. Its newness, of which the composer himself was fully aware (I do not speak gladly of my Mass, or of myself, but I do believe that I have treated the text in a manner in which only few have treated it.), paves a way to an hitherto unknown, contemporary avenue to faith which today is still current. Carus presents this important work of church music history in a new critical edition by the Beethoven expert Ernst Herttrich. Score available separately - see item CA.4068800.

Orchestra Soli SATB, SATB Choir, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Tr, Timp, 2 Vl, Va, Basso (Vc, Cb, Org)

SKU: CA.4068894

Composed by Ludwig van Beethoven. Carus Choir Coach. 1 Ex., mp3, Practice-CD, basso. Sacred vocal music, Masses, Latin. Compact Disc. Op. 86. Duration 50 minutes. Carus Verlag #CV 40.688/94. Published by Carus Verlag (CA.4068894).

Language: Latin.

With its tonal language of subjective avowal, the first of Beethoven's two masses opens up new worlds of expression for the liturgical texts of the Mass which are expressly modern and point towards the future. Not to be considered a preliminary work to the Missa solemnis, it is an entirely independent work which set standards for the further development of settings of the Mass in the 19th century. Its newness, of which the composer himself was fully aware (I do not speak gladly of my Mass, or of myself, but I do believe that I have treated the text in a manner in which only few have treated it.), paves a way to an hitherto unknown, contemporary avenue to faith which today is still current. Carus presents this important work of church music history in a new critical edition by the Beethoven expert Ernst Herttrich. Score available separately - see item CA.4068800.

Completed and edited by Frieder Bernius and Uwe Wolf. Composed by Wolfgang Amadeus Mozart (1756-1791). Edited by Uwe Wolf, Frieder Bernius. Arranged by Frieder Bernius, Uwe Wolf. Paperback. Stuttgart Urtext Edition: Mozart. Missa In C Ed. Bernius,Wolf. Innovative practice aids, Sacred vocal music, Masses, Latin. Vocal score. KV 427. 104 pages. Duration 55 minutes. Carus Verlag #CV 51.651/03. Published by Carus Verlag (CA.5165103).

SATB Choir

SKU: BT.MUSM570368679

For choir and fixed media. Composed by Evis Sammoutis. Score Only. Composed 2019. 14 pages. University of York Music Press #MUSM570368679. Published by University of York Music Press (BT.MUSM570368679).

Isthmus denotes a narrow strip of land with sea on either side, forming a link between two larger ars of land. The title is a metaphor for an effort to bond artistically my experiences of living in Cyprus, my birthplace, and in the USA, my recently adopted homeland. Having lived in a small, partitioned island for my formative years and in England for eleven years, water has always had a double meaning: it has at once served as a gateway to other cultures but also as a border, a violent and absolute interruption of a continuum. While in the USA, or indeed in a now connected Europe, it is possible to travel on land for days without having to encounter a border, in the countries where I lived for most of my life, that was not possible. As an artist, this notion of establishing boundaries and consciously trying to break them is very close to me, as my music deals both with modernity but also with tradition and, similarly, with metaphor and reality. As a Cypriot, the sea, the world of antiquity, the mysteries of the oracles, the notion of borders and the pastoral are all very central to my way of thinking. In Cyprus, different layers of history are frequently superimposed on a single building that might still preserve its Roman, Byzantine, Venetian and Ottoman features in its layers of stone and architecture. Similarly, ancient ruins or the barbed wire of modern conflict often interrupt placid fields. An isthmus, therefore, can be seen to symbolize my artistic struggle to join strikingly different experiences and notions in a cohesive way. Similar to an isthmus, in this short piece, I connect these experiences with the purpose of creating a distinct and unique sonic context, connecting technology and tradition, the pastoral with the urban, the musical with the extra-musical and the abstract with the concrete. For example, the choir does not always sing in the traditional sense, but the singers imitate various natural sounds, such as water, air, crickets or birds, to create a vivid visual impression for the work. Scandinavian herding calls blend with field recordings from the seas of Cyprus and the lakes of Upstate New York, communicated within clearly defined, singular acoustic sources and spaces through wireless speakers. The text used is both onomatopoeic, articulating an imaginary language, but also literal, with a setting of the poem, “To make a prairie” by the iconic American poet Emily Dickinson and a tiny fragment from Callimachus’ “Hymn to Demeter.” Technology is used sparsely and very intentionally to articulate the expressive qualities of pastoral imagery, creating one unified synthetic timbre with the choristers’ sounds. This piece is dedicated to the wonderful singers of the Georgia Institute of Technology Chamber Choir with special thanks to Professors Hsu and Ulrich, without whose support this composition would not have been possible. Practical notes: A choir of no less than 24 singers is sought with 4 additional soloists (2 Sopranos and 2 Altos). Each singer must have their own wireless speaker, secured either in the music folder or as a strap inside their shirts. All sounds must match in volume the sound from the speakers, creating one unified timbre. The speakers should not be noticeable to the public. The four soloists are placed offstage at the beginning of the work. From 1:35’ onwards they enter the hall and take their positions, ideally at the four corners of the hall. If the hall is too large, the singers can find alternate positions, but these should always be antiphonal. The four soloists sing predominantly in the “kulning” style and the antiphonal aspect is very important to the work. There are two sound files for each section (SATB) that are triggered by each singer’s mobile device. The first occurs at the start of the piece, and the second, about a minute before the end. The sound files are able to be purchased separately, on CD, or are available directly from UYMP.

SATB choir, piano

SKU: LO.15-3162H

Composed by Douglas E. Wagner. Choral. Octavo. Heritage Music Press #15/3162H. Published by Heritage Music Press (LO.15-3162H).

ISBN 9780787712884.

This reflective setting based on the Irish folk tune SLANE features warm harmonies, accessible vocal parts, and richly textured lyrics that speak of love’s powerful grasp on our lives. Love has no ending, no borders or bounds. For those with a heart that sings know where true joy is found..

SATB choir

SKU: WD.080689681233

Composed by Marty Parks. Choral. Sacred Anthem. Octavo. Word Music #080689681233. Published by Word Music (WD.080689681233).

UPC: 080689681233.

The Psalms speak of lifting our voices to the Lord and letting all who walk on this Earth know of His name…and that is the very heart of this new anthem. Arranged and orchestrated by Marty Parks, I Will Sing of the Lord’s Great Love is overflowing with adoration for the Lord’s great love for us.

Solo voice and SATB choir unaccompanied - Early Intermediate

SKU: EC.9280

Composed by Ysaÿe M. Barnwell. African American Heritage. E.C. Schirmer Publishing #9280. Published by E.C. Schirmer Publishing (EC.9280).

UPC: 600313492808. English.

Wanting Memories is on Ysaÿe Barnwell's most frequently performed and best-known compositions. Her words speak to the power of relationships and how those relationships form and shape who we become as people.