A Clare Benediction Composed by John Rutter A Prayer Of St Richard Of Chicheste...(+)
A Clare Benediction
Composed by John Rutter
A Prayer Of St Richard Of
Chichester Composed by L.
J. White
Alleluia Composed by
William Boyce
Author Of Life Divine
Composed by Cecilia
Mcdowall
Be Still For The Presence
Of The Lord Composed by
David Evans; Arranged by
Richard Shephard
Bread Of The World
Composed by Scottish
Traditional; Arranged by
Alan Bullard
Brightest And Best
Composed by Malcolm
Archer
Christ Is The World's
True Light Composed by W.
K. Stanton
Christ The Lord Is Risen
Again Composed by Richard
Shephard
Christians Shout For Joy
And Gladness Composed by
Johann Sebastian Bach
Come Down, O Love Divine
Composed by Hilary
Tadman-robins
Plainsong: Creator Of The
Stars Arranged by John
Scott
Drop, Drop Slow Tears
Composed by Kerry Andrew
Evening Service In C
Composed by Frank Henry
Shera
Fairest Lord Jesus
Composed by Martin How
Gabriel To Mary Came
Composed by 14th Century
Irish; Arranged by Alan
Bullard
Give Thanks To God
Composed by Botswanan
Traditional; Arranged by
Alan Bullard
God Be In My Head
Composed by Armstrong
Gibbs
God In Mine Eternity
Composed by Alan Bullard
God So Loved The World
Composed by Alan Bullard
God That Madest Earth And
Heaven Composed by Welsh
Traditional; Arranged by
David Thorne
Hail, Virgin Mary (Ave
Maria) Composed by Franz
Liszt
Hark, The Glad Sound
Composed by David Thorne
Harvest Carol Composed by
Ian Ray
He Is Risen Composed by
Cecil Cope
Hide Not Thy Face
Composed by Richard
Farrant
see all...
Holy, Holy, Holy, Holy Is
The Lord Composed by
Franz Schubert; Arranged
by Alan Bullard
Holy, Holy, Holy! Lord
God Almighty Composed by
Alan Smith
Hosanna To The Son Of
David Composed by Georg
Philipp Telemann
Irish Blessing Composed
by Bob Chilcott
Jesu, Lamb Of God,
Redeemer (Ave Verum
Corpus) Composed by
Edward Elgar
Jesus Christ The Apple
Tree Composed by English
Traditional; Arranged by
Alan Bullard
Jubilate (Let Us Praise
You) Composed by Wolfgang
Amadeus Mozart
Lamb Of God (Agnus Dei)
Composed by Samuel Webbe
Let All Mortal Flesh Keep
Silence Composed by
Stephen Cleobury
Like The Murmur Of The
Dove's Song Composed by
Alan Smith
Lord, In Thy Mercy
Composed by Felix
Bartholdy Mendelssohn
Magnificat And Nunc
Dimittis In C Composed by
F. H. Shera
Never Weather-beaten Sail
Composed by Thomas
Campion; Arranged by Alan
Bullard
Now The Green Blade
Riseth Composed by French
Traditional; Arranged by
Alan Bullard
O Breath Of Life Composed
by English Traditional;
Arranged by Alan Bullard
O For A Closer Walk With
God Composed by Charles
Villiers Stanford
O God Of Mercy Composed
by Simon Lole
O God, Your Goodness
Composed by Ludwig Van
Beethoven
O Praise God In His
Holiness Composed by John
Weldon
Panis Angelicus Composed
by Cesar Auguste Franck
Peace Between Nations
Composed by Christopher
Wiggins
Pie Jesu Composed by
Gabriel Faure
Praise To The Trinity
Composed by Hildegard Of
Bingen
Psalm 150 Composed by Bob
Chilcott
Rejoice In The Lord
Always Composed by
Christopher Wiggins
Shout For Joy Composed by
African Traditional;
Arranged by Alan Bullard
Star Of Wonder Composed
by Alan Bullard
The Eternal Gifts Of
Christ The King Composed
by Guidetti/henry G. Ley
The Heavens Sing Praises
To God Composed by Ludwig
Van Beethoven
The Lord Ascendeth
Composed by Michael
Praetorius
The Lord Bless You And
Keep You Composed by John
Rutter
The Lord's My Shepherd
Composed by Bob Chilcott
The Peace Of God Composed
by Alan Bullard
The True And Living Bread
Composed by David
Blackwell
There Is No Rose Composed
by Andrew Smith
Thou Visitest The Earth
Composed by Maurice
Greene
To Be A Pilgrim Composed
by Nick Burt
Were You There? Composed
by American Spiritual;
Arranged by Peter Hunt
Where All Charity And
Love Are (Ubi Caritas)
Arranged by Alan Bullard
Wondrous Cross Composed
by Philip Wilby
The Oxford Book of
Flexible Anthems by Alan
Bullard (1947-). For
flexible instrumentation.
Mixed Voices. Sacred.
Paperback. 296 pages.
Published by Oxford
University Press
SATB choir SKU: ST.EM21 Composed by Thomas Bateson. Edited by Edmund H Fe...(+)
SATB choir
SKU:
ST.EM21
Composed by
Thomas Bateson. Edited by
Edmund H Fellowes.
Library Volumes. Edited
Edmund Fellowes. Revised
Thurston Dart. Paperback.
Madrigals. Choral Score.
Stainer & Bell Ltd.
#EM21. Published by
Stainer & Bell Ltd.
(ST.EM21).
ISBN
9790220200854.
CONT
ENTS Adieu, sweet
love (SSA(or T)B)
Alas, where is my love?
(SSA(or T)TB) And
must I needs depart?
(SSATB) Ay me, my
mistress scorns (SST)
Beauty is a lovely sweet
(SAT) Come, follow
me, fair nymphs (SAT)
Dame Venus hence to
Paphos go (SSAT) Dear
if you wish my dying
(SSATTB) Down from
above falls Jove
(SATB) Fair Hebe,
when dame Flora (SST(or
A)T(or A)TB) Hark,
hear you not? - Oriana's
farewell (SSATB) If
love be blind (SATB)
Love would discharge
(SST) Merrily my love
and I (SST(or A)T(or
A)B(or T)B) Music
some think no music is
(SSATTB) O fly not,
love (SSA(or T)A(or
T)T) Phyllis,
farewell (SATB)
Phyllis, farewell (SSA(or
T)A(or T)TB) Sister,
awake (SSATB) Strange
were the life (SAATB)
Sweet Gemma (SSATB)
The nightingale so soon
as April (SST(orA))
Those sweet delightful
lilies (SSATB)
Thyrsis on his fair
Phyllis' breast (SSAA(or
T)TB) When Oriana
walked (SSATTB) Who
prostrate lies (SSAT(or
A)B) Wither so fast?
(SATB) Yet stay alway
(SSA(or T)TB) Your
shining eyes (SAB).
SATB and 5-10 instruments Composed by Nico Muhly. Secular. Vocal Score. Compose...(+)
SATB and 5-10 instruments
Composed by Nico Muhly.
Secular. Vocal Score.
Composed
2021. 72 pages. St. Rose
Music
#SRO100180-01. Published
by
St. Rose Music
SATB Choir, Orchestra (SATB) SKU: HL.14005363 Composed by Geoffrey Burgon...(+)
SATB Choir, Orchestra
(SATB)
SKU:
HL.14005363
Composed
by Geoffrey Burgon. Music
Sales America. Classical.
Part. Composed 2002.
Chester Music #CH55437.
Published by Chester
Music (HL.14005363).
Composed in
1981, this work is a
setting of a sequence
from the Mass for the
Feast of St Thomas, found
in the missal of the
Hereford use. The text is
a conventional hymn of
praise but it is
distinguished by a lively
and attractive rhythm,
and as this rhythm would
have been lost in
translation, I have set
it in the original Latin.
The work is in the form
of theme and variations
and is characterised by a
gradual crescendo
throughout. It begins
very quietly with solo
timpani and then the
choir sing the theme in
unison, unaccompanied by
flutes, bells, timpani
and lower strings.
SATB Choir and Organ SKU: C4.9790902260473 Composed by Various. Classical...(+)
SATB Choir and Organ
SKU:
C4.9790902260473
Composed by Various.
Classical. Score.
Crescendo Music
Publications
#9790902260473. Published
by Crescendo Music
Publications
(C4.9790902260473).
ISBN 9790902260473.
8.27 x 11.7
inches.
Forming
part of the A Distant
Music anthology, Praise:
Psalms and Prayers 1
showcases 20 sacred
choral works by
Australian composers,
most published here for
the first
time.
Containing a
variety of accompanied
and unaccompanied works,
Praise: Psalms and
Prayers 1 offers choirs
access to quality
Australian sacred music.
Settings include texts
from the Book of Psalms,
well-known prayers as
well as a spiritual poem
by Australian Erica
Jolly.
The 90-page
volume covers a range of
abilities and variety of
compositional styles.
(SATB AND ORGAN) SKU: HL.1122017 For Treble Semichorus, SATB Chorus, P...(+)
(SATB AND ORGAN)
SKU:
HL.1122017
For
Treble Semichorus, SATB
Chorus, Percussion and
Organ. Composed by
Nico Muhly. Choral.
Softcover. St. Rose Music
#SRO100013-01. Published
by St. Rose Music
(HL.1122017).
ISBN
9781705181744. UPC:
196288108986.
A
Good Understanding (2005)
was written for Tim Brown
and the choir of Clare
College, Cambridge with
the generous cooperation
of John Scott and the
Boys of Saint Thomas
Church Fifth Avenue. A
Good Understanding, with
texts culled from two
psalms, is designed to
share a program with
Rutter's expansive and
expressive Mass of the
Children. The piece
unfolds episodically
short choral phrases
alternating with longer
instrumental interludes.
The first half of the
text is typical psaltry
praise-making: outlining
agreements, explaining
the rules; the music is,
accordingly, severe but
practical. The second
half of the text begins,
The fear of the Lord is
the beginning of wisdom/a
good understanding have
all they that do his
commandments.?I find the
idea of a good
understanding?to be an
especially exciting
reward for following the
rules; the boys sing
pulsed syllables and long
descants to celebrate the
covenant while the choir
sings a lilting,
repetitive refrain.
(Psalm 111, 10). - Nico
Muhly.
Soli ATB, SATB Choir, 2 Vl, Va, Bc SKU: CA.3115314 Cantata for the Sun...(+)
Soli ATB, SATB Choir, 2
Vl, Va, Bc
SKU:
CA.3115314
Cantata
for the Sunday after New
Year. Composed by
Johann Sebastian Bach.
Edited by Karin
Wollschlager. Stuttgart
Urtext Edition: Bach
vocal. Basso continuo.
Sacred vocal music,
Cantatas, New year.
Single Part, basso
continuo. Composed 1724.
BWV 153. 8 pages.
Duration 15 minutes.
Carus Verlag #CV
31.153/14. Published by
Carus Verlag
(CA.3115314).
ISBN
9790007208707. Language:
German/English.
Bac
h chose an unconventional
beginning for his
nine-movement cantata
Schau, lieber Gott, wie
meine Feind BWV 153,
which he composed in his
first year as Kantor of
St. Thomas's for the
Sunday after New Year
1724. Instead of the
usual opening chorus, the
cantata opens with a
simple four-part chorale
movement. There are also
chorales in the middle of
the work (movement 5) and
at the end. By avoiding
extended or demanding
choral movements, Bach
probably wanted to save
the voices of his choir
members at St Thomas's,
who had just been
involved in a demanding
week of almost constant
singing. This may also be
why the cantata uses just
three soloists (alto,
tenor, bass). In the
arias, each preceded by a
secco recitative, the
accompaniment is provided
by 2 violins and viola.
Score and part available
separately - see item
CA.3115300.
Soli ATB, SATB Choir, 2 Vl, Va, Bc SKU: CA.3115319 Cantata for the Sun...(+)
Soli ATB, SATB Choir, 2
Vl, Va, Bc
SKU:
CA.3115319
Cantata
for the Sunday after New
Year. Composed by
Johann Sebastian Bach.
Edited by Karin
Wollschlager. Stuttgart
Urtext Edition: Bach
vocal. Complete
orchestral parts. Sacred
vocal music, Cantatas,
New year. Set of
Orchestra Parts. Composed
1724. BWV 153. Duration
15 minutes. Carus Verlag
#CV 31.153/19. Published
by Carus Verlag
(CA.3115319).
ISBN
9790007183448. Language:
German/English.
Bac
h chose an unconventional
beginning for his
nine-movement cantata
Schau, lieber Gott, wie
meine Feind BWV 153,
which he composed in his
first year as Kantor of
St. Thomas's for the
Sunday after New Year
1724. Instead of the
usual opening chorus, the
cantata opens with a
simple four-part chorale
movement. There are also
chorales in the middle of
the work (movement 5) and
at the end. By avoiding
extended or demanding
choral movements, Bach
probably wanted to save
the voices of his choir
members at St Thomas's,
who had just been
involved in a demanding
week of almost constant
singing. This may also be
why the cantata uses just
three soloists (alto,
tenor, bass). In the
arias, each preceded by a
secco recitative, the
accompaniment is provided
by 2 violins and viola.
Score and parts available
separately - see item
CA.3115300.
Cantata
for the Sunday after New
Year. Composed by
Johann Sebastian Bach.
Edited by Karin
Wollschlager. Stuttgart
Urtext Edition: Bach
vocal. Sacred vocal
music, Cantatas, New
year. Full score.
Composed 1724. BWV 153.
24 pages. Duration 15
minutes. Carus Verlag #CV
31.153/00. Published by
Carus Verlag
(CA.3115300).
ISBN
9790007181543. Text
language:
German/English.
Bac
h chose an unconventional
beginning for his
nine-movement cantata
Schau, lieber Gott, wie
meine Feind BWV 153,
which he composed in his
first year as Kantor of
St. Thomas's for the
Sunday after New Year
1724. Instead of the
usual opening chorus, the
cantata opens with a
simple four-part chorale
movement. There are also
chorales in the middle of
the work (movement 5) and
at the end. By avoiding
extended or demanding
choral movements, Bach
probably wanted to save
the voices of his choir
members at St Thomas's,
who had just been
involved in a demanding
week of almost constant
singing. This may also be
why the cantata uses just
three soloists (alto,
tenor, bass). In the
arias, each preceded by a
secco recitative, the
accompaniment is provided
by 2 violins and
viola.
Soli ATB, SATB Choir, 2 Vl, Va, Bc SKU: CA.3115349 Cantata for the Sun...(+)
Soli ATB, SATB Choir, 2
Vl, Va, Bc
SKU:
CA.3115349
Cantata
for the Sunday after New
Year. Composed by
Johann Sebastian Bach.
Edited by Karin
Wollschlager. Stuttgart
Urtext Edition: Bach
vocal. Organ. Sacred
vocal music, Cantatas,
New year. Single Part,
Organ. Composed 1724. BWV
153. 12 pages. Duration
15 minutes. Carus Verlag
#CV 31.153/49. Published
by Carus Verlag
(CA.3115349).
ISBN
9790007208714. Language:
German/English.
Bac
h chose an unconventional
beginning for his
nine-movement cantata
Schau, lieber Gott, wie
meine Feind BWV 153,
which he composed in his
first year as Kantor of
St. Thomas's for the
Sunday after New Year
1724. Instead of the
usual opening chorus, the
cantata opens with a
simple four-part chorale
movement. There are also
chorales in the middle of
the work (movement 5) and
at the end. By avoiding
extended or demanding
choral movements, Bach
probably wanted to save
the voices of his choir
members at St Thomas's,
who had just been
involved in a demanding
week of almost constant
singing. This may also be
why the cantata uses just
three soloists (alto,
tenor, bass). In the
arias, each preceded by a
secco recitative, the
accompaniment is provided
by 2 violins and viola.
Score and part available
separately - see item
CA.3115300.
Soli ATB, SATB Choir, 2 Vl, Va, Bc SKU: CA.3115303 Cantata for the Sun...(+)
Soli ATB, SATB Choir, 2
Vl, Va, Bc
SKU:
CA.3115303
Cantata
for the Sunday after New
Year. Composed by
Johann Sebastian Bach.
Edited by Karin
Wollschlager. Stuttgart
Urtext Edition: Bach
vocal. Sacred vocal
music, Cantatas, New
year. Vocal score.
Composed 1724. BWV 153.
24 pages. Duration 15
minutes. Carus Verlag #CV
31.153/03. Published by
Carus Verlag
(CA.3115303).
ISBN
9790007183424. Language:
German/English.
Bac
h chose an unconventional
beginning for his
nine-movement cantata
Schau, lieber Gott, wie
meine Feind BWV 153,
which he composed in his
first year as Kantor of
St. Thomas's for the
Sunday after New Year
1724. Instead of the
usual opening chorus, the
cantata opens with a
simple four-part chorale
movement. There are also
chorales in the middle of
the work (movement 5) and
at the end. By avoiding
extended or demanding
choral movements, Bach
probably wanted to save
the voices of his choir
members at St Thomas's,
who had just been
involved in a demanding
week of almost constant
singing. This may also be
why the cantata uses just
three soloists (alto,
tenor, bass). In the
arias, each preceded by a
secco recitative, the
accompaniment is provided
by 2 violins and viola.
Score available
separately - see item
CA.3115300.
Soli ATB, SATB Choir, 2 Vl, Va, Bc SKU: CA.3115311 Cantata for the Sun...(+)
Soli ATB, SATB Choir, 2
Vl, Va, Bc
SKU:
CA.3115311
Cantata
for the Sunday after New
Year. Composed by
Johann Sebastian Bach.
Edited by Karin
Wollschlager. Stuttgart
Urtext Edition: Bach
vocal. Violin 1. Sacred
vocal music, Cantatas,
New year. Single Part,
Violin 1. Composed 1724.
BWV 153. 8 pages.
Duration 15 minutes.
Carus Verlag #CV
31.153/11. Published by
Carus Verlag
(CA.3115311).
ISBN
9790007208677. Language:
German/English.
Bac
h chose an unconventional
beginning for his
nine-movement cantata
Schau, lieber Gott, wie
meine Feind BWV 153,
which he composed in his
first year as Kantor of
St. Thomas's for the
Sunday after New Year
1724. Instead of the
usual opening chorus, the
cantata opens with a
simple four-part chorale
movement. There are also
chorales in the middle of
the work (movement 5) and
at the end. By avoiding
extended or demanding
choral movements, Bach
probably wanted to save
the voices of his choir
members at St Thomas's,
who had just been
involved in a demanding
week of almost constant
singing. This may also be
why the cantata uses just
three soloists (alto,
tenor, bass). In the
arias, each preceded by a
secco recitative, the
accompaniment is provided
by 2 violins and viola.
Score and part available
separately - see item
CA.3115300.
Soli ATB, SATB Choir, 2 Vl, Va, Bc SKU: CA.3115313 Cantata for the Sun...(+)
Soli ATB, SATB Choir, 2
Vl, Va, Bc
SKU:
CA.3115313
Cantata
for the Sunday after New
Year. Composed by
Johann Sebastian Bach.
Edited by Karin
Wollschlager. Stuttgart
Urtext Edition: Bach
vocal. Viola. Sacred
vocal music, Cantatas,
New year. Single Part,
Viola. Composed 1724. BWV
153. 4 pages. Duration 15
minutes. Carus Verlag #CV
31.153/13. Published by
Carus Verlag
(CA.3115313).
ISBN
9790007208691. Language:
German/English.
Bac
h chose an unconventional
beginning for his
nine-movement cantata
Schau, lieber Gott, wie
meine Feind BWV 153,
which he composed in his
first year as Kantor of
St. Thomas's for the
Sunday after New Year
1724. Instead of the
usual opening chorus, the
cantata opens with a
simple four-part chorale
movement. There are also
chorales in the middle of
the work (movement 5) and
at the end. By avoiding
extended or demanding
choral movements, Bach
probably wanted to save
the voices of his choir
members at St Thomas's,
who had just been
involved in a demanding
week of almost constant
singing. This may also be
why the cantata uses just
three soloists (alto,
tenor, bass). In the
arias, each preceded by a
secco recitative, the
accompaniment is provided
by 2 violins and viola.
Score and part available
separately - see item
CA.3115300.
Soli ATB, SATB Choir, 2 Vl, Va, Bc SKU: CA.3115305 Cantata for the Sun...(+)
Soli ATB, SATB Choir, 2
Vl, Va, Bc
SKU:
CA.3115305
Cantata
for the Sunday after New
Year. Composed by
Johann Sebastian Bach.
Edited by Karin
Wollschlager. Stuttgart
Urtext Edition: Bach
vocal. Sacred vocal
music, Cantatas, New
year. Choral Score.
Composed 1724. BWV 153. 4
pages. Duration 15
minutes. Carus Verlag #CV
31.153/05. Published by
Carus Verlag
(CA.3115305).
ISBN
9790007183431. Language:
German/English.
Bac
h chose an unconventional
beginning for his
nine-movement cantata
Schau, lieber Gott, wie
meine Feind BWV 153,
which he composed in his
first year as Kantor of
St. Thomas's for the
Sunday after New Year
1724. Instead of the
usual opening chorus, the
cantata opens with a
simple four-part chorale
movement. There are also
chorales in the middle of
the work (movement 5) and
at the end. By avoiding
extended or demanding
choral movements, Bach
probably wanted to save
the voices of his choir
members at St Thomas's,
who had just been
involved in a demanding
week of almost constant
singing. This may also be
why the cantata uses just
three soloists (alto,
tenor, bass). In the
arias, each preceded by a
secco recitative, the
accompaniment is provided
by 2 violins and viola.
Score available
separately - see item
CA.3115300.
Soli ATB, SATB Choir, 2 Vl, Va, Bc SKU: CA.3115312 Cantata for the Sun...(+)
Soli ATB, SATB Choir, 2
Vl, Va, Bc
SKU:
CA.3115312
Cantata
for the Sunday after New
Year. Composed by
Johann Sebastian Bach.
Edited by Karin
Wollschlager. Stuttgart
Urtext Edition: Bach
vocal. Violin 2. Sacred
vocal music, Cantatas,
New year. Single Part,
Violin 2. Composed 1724.
BWV 153. 8 pages.
Duration 15 minutes.
Carus Verlag #CV
31.153/12. Published by
Carus Verlag
(CA.3115312).
ISBN
9790007208684. Language:
German/English.
Bac
h chose an unconventional
beginning for his
nine-movement cantata
Schau, lieber Gott, wie
meine Feind BWV 153,
which he composed in his
first year as Kantor of
St. Thomas's for the
Sunday after New Year
1724. Instead of the
usual opening chorus, the
cantata opens with a
simple four-part chorale
movement. There are also
chorales in the middle of
the work (movement 5) and
at the end. By avoiding
extended or demanding
choral movements, Bach
probably wanted to save
the voices of his choir
members at St Thomas's,
who had just been
involved in a demanding
week of almost constant
singing. This may also be
why the cantata uses just
three soloists (alto,
tenor, bass). In the
arias, each preceded by a
secco recitative, the
accompaniment is provided
by 2 violins and viola.
Score and part available
separately - see item
CA.3115300.
SATB Chorus, a cappella SKU: SU.91480530 For SATB Chorus, a cappella(+)
SATB Chorus, a cappella
SKU: SU.91480530
For SATB Chorus, a
cappella. Composed by
Dan Locklair.
Vocal/Choral, Sacred
Choral. Choral Octavo.
Composed 2009. Duration
4'. Subito Music
Corporation #91480530.
Published by Subito Music
Corporation
(SU.91480530).
Vs. 2-5
Text: The First Letter of
Peter: Chapter
2.
The
words, Surely thou hast
tasted that the Lord is
good, open the anthem.
This gentle and lyrical
section, marked by
dialogue between the
sections of the choir,
unfolds and eventually
reaches a climax on the
words precious in the
sight of God. A quick,
energetic and imitative
middle section soon
emerges to proclaim the
words, Come, and let
yourselves be built, as
living stones, into a
spiritual temple. Here
the spirit of medieval
music, the building
stones for Western music,
is invoked. After the
anthem’s primary
climax is reached on the
words Jesus Christ, a
solo soprano emerges from
the choral texture to
close this work with a
serene Amen. The first
performance of Dan
Locklair’s anthem,
In the sight of God took
place on Sunday 4 October
2009. The occasion was
Dedication Sunday, and
the text was selected by
John Scott from The First
Letter of Peter, vv 2-5.
Professor Locklair has
provided us with a
delightful addition to
our repertoire at St
Thomas. The work is
grateful to sing, well
written for voices,
lyrical in style with a
well-crafted sense of
architecture and climax.
In every sense it is an
enjoyable piece for the
choir, quite
approachable, and judging
from the many positive
comments I heard
afterwards from members
of the congregation, it
was very well received.
-- Reflections on the
premiere by John Scott,
Director of Music, St.
Thomas Church Fifth
Avenue, New York, NY
SATB Chorus, a
cappella Duration: 4'
Text: The First Letter of
Peter: Chapter 2, vs. 2-5
Composed: 2009 Published
by: Subito Music
Publishing Minimum order
quantity: 8 copies.
Perusal copies are
available by contacting
perusalrequest@subitomusi
c.com (include the
organization name with
your request). To order
quantities fewer than 8,
please call customer
service at (973)
857-3440. YouTube:.
SATB choir SKU: ST.EM4 Composed by Thomas Morley. Edited by Edmund H Fell...(+)
SATB choir
SKU:
ST.EM4
Composed by
Thomas Morley. Edited by
Edmund H Fellowes.
Library Volumes. Edited
Edmund Fellowes. Revised
Thurston Dart. Paperback.
Madrigals. Choral Score.
Stainer & Bell Ltd. #EM4.
Published by Stainer &
Bell Ltd. (ST.EM4).
ISBN
9790220211263.
CONT
ENTS About the
maypole (SATTB)
Dainty fine sweet nymph
(SSATB) Fire, fire my
heart (SST (or A) TB)
I love, alas, I love thee
(SAABB) I saw my
lovely Phillis
(SSATB) Lady those
cherries plenty (ST (or
A) TTB) Leave alas
this tormenting
(SSATB) Lo she flies
(SSATB) My bonny lass
she smileth (Questo dulce
sirena) (SAATB) My
lovely wanton jewel
(SSATB) No no Nigella
(SSATB) Now is the
month of Maying
(SATTB) Phillis I
fain would die now
(Dialogue SSAATTB)
Shoot false love I care
not (SSATB) Sing we
and chant it (A lieta
vita) (SSATB) Singing
alone (SAATB) Those
dainty daffadillies (SAT
(or A) BB) Thus saith
my Galatea (SSATB)
What saith my dainty
darling? (SSAA (or T)
B) Why weeps alas
(SATTB) You that want
to my pipes sound
(SSATB).
Mass in Honor of St. Thomas More. By Carroll Thomas Andrews. For SATB Chorus and...(+)
Mass in Honor of St.
Thomas More. By Carroll
Thomas Andrews. For SATB
Chorus and Keyboard
accompaniment. Mass.
Sacred. Level: easy. 12
pages. Published by GIA
Publications.
Sacris solemniis Chorale SATB SATB A Cappella CanticaNOVA Publications
Composed by Claudio Casciolini. Arranged by Timothy Flynn. A beautiful, yet easy...(+)
Composed by Claudio
Casciolini. Arranged by
Timothy Flynn. A
beautiful, yet easy
addition to your choir's
Eucharistic repertoire,
this motet by the former
Maestro di cappella at
the church of San Lorenzo
in Damaso (Rome) features
comfortable vocal ranges
and primarily homophonic
textures with some
imitative count.
Communion, General.
Published by CanticaNOVA
Publications (C5.7085).
Composed
by Heinrich von
Herzogenberg. Children's
choir. Sacred vocal
music, Oratorios,
Christmas. Choral Score.
Op. 90. 4 pages. Carus
Verlag #CV 40.196/06.
Published by Carus Verlag
(CA.4019606).
ISBN
9790007181482. Language:
German.
The
Christmas oratorio Die
Geburt Christi op. 90 was
first performed in 1894
in the St. Thomas Church
in Strassburg and today
it has been rediscovered.
It is the first of a trio
of so-called church
oratorios by Brahms's
friend, Heinrich von
Herzogenberg. It was
followed by Die Passion
op. 93 and Erntefeier op.
104, all of which have
been published by Carus
in reprints of earlier
editions. With these
works which are partly
neo-baroque, partly late
romantic choral works,
Herzogenberg commits
himself to a new form of
the Protestant worship
service characterized by
a high artistic level,
but still near to the
congregation. Allowing
the choir to be
accompanied by
instruments outside the
closed liturgical form of
the service goes back to
a concept of the
theologian from
Strasbourg, Friedrich
Spitta. Since Christmas
was a good occasion for
the choir to perform
independently, Spitta
decided to put together
the text for a Christmas
oratorio and to
commission Herzogenberg
to realize it musically.
Score available
separately - see item
CA.4019600.
Composed
by Heinrich von
Herzogenberg. Complete
orchestral parts. Sacred
vocal music, Oratorios,
Christmas. Set of
Orchestra Parts. Op. 90.
Carus Verlag #CV
40.196/19. Published by
Carus Verlag
(CA.4019619).
ISBN
9790007133146. Language:
German.
The
Christmas oratorio Die
Geburt Christi op. 90 was
first performed in 1894
in the St. Thomas Church
in Strassburg and today
it has been rediscovered.
It is the first of a trio
of so-called church
oratorios by Brahms's
friend, Heinrich von
Herzogenberg. It was
followed by Die Passion
op. 93 and Erntefeier op.
104, all of which have
been published by Carus
in reprints of earlier
editions. With these
works which are partly
neo-baroque, partly late
romantic choral works,
Herzogenberg commits
himself to a new form of
the Protestant worship
service characterized by
a high artistic level,
but still near to the
congregation. Allowing
the choir to be
accompanied by
instruments outside the
closed liturgical form of
the service goes back to
a concept of the
theologian from
Strasbourg, Friedrich
Spitta. Since Christmas
was a good occasion for
the choir to perform
independently, Spitta
decided to put together
the text for a Christmas
oratorio and to
commission Herzogenberg
to realize it musically.
Score and parts available
separately - see item
CA.4019600.
Composed
by Heinrich von
Herzogenberg.
Congregation. Sacred
vocal music, Oratorios,
Christmas. Single Part,
Gemeinde. Op. 90. 4
pages. Carus Verlag #CV
40.196/08. Published by
Carus Verlag
(CA.4019608).
ISBN
9790007076221. Language:
German.
The
Christmas oratorio Die
Geburt Christi op. 90 was
first performed in 1894
in the St. Thomas Church
in Strassburg and today
it has been rediscovered.
It is the first of a trio
of so-called church
oratorios by Brahms's
friend, Heinrich von
Herzogenberg. It was
followed by Die Passion
op. 93 and Erntefeier op.
104, all of which have
been published by Carus
in reprints of earlier
editions. With these
works which are partly
neo-baroque, partly late
romantic choral works,
Herzogenberg commits
himself to a new form of
the Protestant worship
service characterized by
a high artistic level,
but still near to the
congregation. Allowing
the choir to be
accompanied by
instruments outside the
closed liturgical form of
the service goes back to
a concept of the
theologian from
Strasbourg, Friedrich
Spitta. Since Christmas
was a good occasion for
the choir to perform
independently, Spitta
decided to put together
the text for a Christmas
oratorio and to
commission Herzogenberg
to realize it musically.
Score and part available
separately - see item
CA.4019600.
Composed
by Heinrich von
Herzogenberg. Sacred
vocal music, Oratorios,
Christmas. Choral Score.
Op. 90. 40 pages. Carus
Verlag #CV 40.196/05.
Published by Carus Verlag
(CA.4019605).
ISBN
9790007064877. Language:
German.
The
Christmas oratorio Die
Geburt Christi op. 90 was
first performed in 1894
in the St. Thomas Church
in Strassburg and today
it has been rediscovered.
It is the first of a trio
of so-called church
oratorios by Brahms's
friend, Heinrich von
Herzogenberg. It was
followed by Die Passion
op. 93 and Erntefeier op.
104, all of which have
been published by Carus
in reprints of earlier
editions. With these
works which are partly
neo-baroque, partly late
romantic choral works,
Herzogenberg commits
himself to a new form of
the Protestant worship
service characterized by
a high artistic level,
but still near to the
congregation. Allowing
the choir to be
accompanied by
instruments outside the
closed liturgical form of
the service goes back to
a concept of the
theologian from
Strasbourg, Friedrich
Spitta. Since Christmas
was a good occasion for
the choir to perform
independently, Spitta
decided to put together
the text for a Christmas
oratorio and to
commission Herzogenberg
to realize it musically.
Score available
separately - see item
CA.4019600.
SATB choir SKU: ST.EM34 Composed by Thomas Vautor. Edited by Edmund H Fel...(+)
SATB choir
SKU:
ST.EM34
Composed by
Thomas Vautor. Edited by
Edmund H Fellowes.
Library Volumes. Edited
Edmund Fellowes. Revised
Thurston Dart. Paperback.
Madrigals. Collection.
Stainer & Bell Ltd.
#EM34. Published by
Stainer & Bell Ltd.
(ST.EM34).
ISBN
9790220217746.
Chie
fly remembered in
performance nowadays for
his beautiful Sweet
Suffolk Owl, Vautor
represented the
conventional, anonymous
polyphony of the
successors to Gibbons and
Weelkes - but there are
still trouvailles
in these 22
pieces.
CONTENTS Ah, sweet,
whose beauty (SSATB)
And yet, O dream (SSA (or
T) TB) Blush, my rude
present (SSATTB) Come
forth, sweet nymph (SSAT
(or A) B) Cruel
Madame (SSATB) Dainty
sweet bird (SSATTB)
Fairest are the words
(SSATB) Lock up, fair
lids (SSATB)
Melpomene, bewail (SS and
instruments) Mira
cano, sol occubuit
(SSATB) Mother I will
have a husband
(SSATB) Never did any
more delight (SSATB)
O merry world (SSAT (or
A) B) Shepherds and
nymphs (SSATTB) Sing
on, sister, and well met
(SSATB) Sweet Suffolk
owl (SSAT (or A) B)
Sweet thief (SSATB)
Thou are not fair (SSAT
(or A) B) Unkind, is
this the meed?
(SSATTB) Weep, weep,
mine eyes (SS and
instruments) Whilst
fatal sisters
(SSATTB) Yet love me
not (SSAT (or A) B).
SATB choir SKU: ST.EM18 Composed by Thomas Tomkins. Edited by Edmund H Fe...(+)
SATB choir
SKU:
ST.EM18
Composed by
Thomas Tomkins. Edited by
Edmund H Fellowes.
Library Volumes. Edited
Edmund Fellowes. Revised
Thurston Dart. Paperback.
Madrigals. Collection.
Stainer & Bell Ltd.
#EM18. Published by
Stainer & Bell Ltd.
(ST.EM18).
ISBN
9790220216930.
Thou
gh better known as a
composer of church and
keyboard music, Tomkins
wrote secular vocal music
that offers a compendium
of all the various
styles: canzonets,
balletts, madrigals and
'sacred songs'. Each was
dedicated to one of his
relatives, a friend or a
colleague. The names of
these 28 dedicatees form
a fascinating list at the
end of the
book.
CONTENTS
Adieu, ye city-poisoning
towers (SSATB)
Cloris, whenas I woo
(SSATB) Come,
shepherds sing with me
(SSATB) Fond men,
that do so highly prize
(SST (or A)) Fusca,
in thy starry eyes
(SSATB) How great
delight (SST) It is
my well-beloved's voice
(SSATTB) Love, cease
tormenting (SSA (or
T)) Music divine
(SSATTB) No more I
will thy love (SATB)
O let me die for true
love (SATB) O let me
live for true love
(SATB) Oft did I
marle (SSAATB) Our
hasty life away dost post
(SST) Oyez! Has any
found a lad? (SATB)
Phyllis, now cease to
move me (SSATB)
Phyllis, yet see him
dying (SSATB) See,
see the shepherds' Queen
(SSATB) Sure there is
no god of love (SSA)
The fauns and satyrs
tripping (SSATB) To
the shady woods
(SSATB) Too much I
once lamented (SSATB)
Turn unto the Lord
(SSATTB) Was ever
wretch tormented? (ST (or
A) TB) Weep no more,
thou sorry Boy (SATB)
When David heard
(SAATB) When I
observe (SSAATB) Woe
is me (SSATBB) Yet
again, as soon revived
(SAT (or A) B).
(A Classic Carol Celebration). Composed by Thomas Fettke. Arranged by Thomas...(+)
(A Classic Carol
Celebration).
Composed by Thomas
Fettke.
Arranged by Thomas
Grassi. For
SATB choir, piano (with
optional orchestration).
Cantatas. Christmas. SATB
Score with Performance
CD.
Published by Lorenz
Publishing
Company
