Sing Pop A Cappella is a collection of a cappella arrangements of fantastic pop songs old and new, by renowned teacher, singer and director Gitika Partington. Her arrangements are used by choirs across the UK, and she emphasises that being able to read music is not necessary. Rewarding and enjoyable, Book Three continues her project to bring people together through the power of song.What's great about Gitika Partington's Sing Pop A Cappella series is how she understands that to make great music or to sing a great song, it's not necessary to be able to sight-read. It may be useful, but she has learned that there are other ways to communicate music, namely through ear training, repetition and gesture. Her arrangements, five of which appear in this book, have enabled youth and community choirs to spring up across the country, making singing truly and universally accessible. Included in this book are wonderfully rich a cappella arrangements of Ain't No Sunshine by Bill Withers, Black Is The Colour Of My True Love's Hair, Rick Astley's Never Gonna Give You Up, Adele's Rolling In The Deep and a huge favourite, Sway (Quien Sera). Vocal scores for these innovative and enjoyable arrangements are included in standard notation, although Partington recommends learning by ear as something equally beneficial. To aid with this, the accompanying download card includes five tracks of audio for each song. One features a full performance demonstration while the other four each focus on either soprano, alto, tenor or bass. The easy download of these tracks makes learning efficient and fun, as you are able to listen wherever you are.The great thing about a cappella singing is that it can be done anywhere, with limited resources, with members who don't necessarily have any musical training. Partington has created a book that can be used by a cappella choirs who love pop music that sounds great and will thrill audiences. Sing Pop A Cappella is not just a songbook, though, it also includes an extensive introduction by Partington, as well as performance tips for each song and information on voice care and learning the tunes. It's a personal book for Partington, who is passionate about the power of music to bring people together, and enthusiastic about getting people who wouldn't believe they had the confidence or ability, to sing pop!Sing Pop A Cappella is a brilliant book for choirs of any type or size who would enjoy singing five incredible pop tunes without accompaniment. The fantastic sound of a group of people singing a well-known song in a completely new and interesting way is something that Gitika Partington knows well, and something that she wants to impart to groups across the country. Songs like this were made to be sung, so pick up Book Three and Sing Pop A Cappella! / Choeur Mixte (SATB) Et Piano

Fiche - pour cela nous nous tenons, tous les peuples de la terre, dans l'esprit comme en droit dans l'ensemble de la terre sacrée - une valeur et la dignité accordé à chacun comme droit de naissance, nos vies en interdépendance, pour cela nous stand.rdquo - cet ouvrage agitateur célèbre une vision pour la paix vital pour un monde interdépendant. / Choeur Mixte (SATB) Et Piano

Depuis le Swingle Singers album des Beatles, leur tribu en 1999, le groupe ont été submergés par demandes par a cappella, des groupes et des choeurs pour les dispositions de cet enregistrement. Et maintenant......De la classique, bibliothèque Swingle Singers vient cet superbe volume de dix-sept favoris Lennon et McCartney. Swingle Singers sont un choeur mixte de 8-voix formé à Paris en 1963, fondé par Ward Swingle. Le groupe a été par le biais de nombreuses incarnations, mais leur style unique et le son sont restées pratiquement inchangées. Leur répertoire comprend opéra classique, contemporaine, standards de jazz, gospel, pop et même la musique rock ! Complètement isolés, que tous les sons sont faites par la voix humaine (ou d'autres parties du corps!). Ces chants ont été pris pour plein choeur mixte et sont aptes pour toute occasion chorale. / Voix

Winner of six 2013 Tony Awards, including Best Musical and Best Score, Broadway's new high-heeled hit delivers a powerfully uplifting message of acceptance. This nine-minute feature medley includes seven standouts from the original score, as written by iconic eighties pop star Cyndi Lauper. / Choeur Mixte (SATB)

You just can't stand still when you hear this kickin' original spiritual about shepherds, wise men, a shining star, and the baby boy. Every singer will enjoy the gospel vocal stack- and in the mixed voicings, the guys will have a blast digging into a few energized pick-up licks. Sure to be the highlight of your holiday program! / Choeur Mixte (SATB)

Une comédie musicale stand-out sur ??la rivière de Billy Joel a frappé l'album de rêves, ce coeur-senti ballade est exquis dans sa simplicité. Superbe! Disponible: SATB, SAB, SSA. Temps de Performance: Env. 03:30. / Voix Mixtes

This uplifting ballad was originally from Mitch Leigh's 1965 musical Man From La Mancha . Alternatively known as The Quest it has become a popular hit as a stand alone song inspiring numerous cover versions. Notable performances of the song include such artists as Diana Ross and The Supremes, Andy Williams, Elvis Presley, Frank Sinatra, The Temptations, Roberta Flack, Shirley Bassey, The Carpenters, Susan Boyle and many more. The Impossible Dream by musicroom / SATB

Arch Gwyn (Arranger). Par ARCH GWYN. Feuilles d'automne ' sont une collection intéressante de trois normes - jazz, de feuilles d'automne, caravane et Fly me to the Moon - tout brillamment disposée dans un style cabaret vocal pour choeur accompagné par Gwyn arche. Ce volume sera un coup avec coirs et le public. La série de la chorale Programme Faber musique fournit une multitude de concert précieux répertoire incluant les oeuvres de Brahms, Holst, pont Standford, Warlock, Faure, Saint-Saens, Schubert et Schumann, ainsi que répertoire Noël, choeurs de l'Evangile, arrangements de chansons folkloriques et succès de la montre./ Feuillet / SATB

Niels W. Gade. Works Iv-9. Par WILHELM GADE NIELS. Works for Mixed Choir Niels W. Gade. Werks Volume IV/9 Niels Wilhelm Gade (1817& 1890) Works Edited by the Foundation for the Publication of the Works of Niels W. Gade, Copenhagen Niels W. Gade is one of the leading Danish composers of the nineteenth century. However only about half of his prolific œ uvre has appeared in print. Given this fact and the growing current interest in Gade, there is an urgent need for a scholarly-critical Urtext edition of his music to meet the demands of both scholars and performers. This edition will contain all of Gade's completed compositions and separate movements as well as the arrangements he madeof his own works and those of other composers. In general, the main text presents the ; definitive version based on Gade's personal copy of the printed work. However, all the remaining sources have also been consulted for purposes of comparison. Every editorial decision is mentioned and justified in the critical report (English). Gade's interest in choral music spanned his entire career. This volume presents more than 40 of his shorter works for mixed chorus, both without and with accompaniment (piano, organ, harmonium or, in one case, brass ensemble). They occupy a no less prominent place in his oeuvre than his large-scale choral works with orchestra. Written between 1839 and 1885, they were intended for many different areas of application: songs for school chorus stand alongside liturgical music, pièces d'occasion, chorales and freely composed works for amateur choirs. The best-known are his Five Songs (op. 13) on poems by Emmanuel Geibel and Ludwig Tieck and the motet O du, der du die Liebe bist, both composed in Leipzig in 1846./ Répertoire / Choeur Mixte

Arch Gwyn (Arranger). Par ARCH GWYN. These five classic jazz standards have been arranged in a superb vocal jazz style for SATB and Piano by Gwyn Arch. This is a must-have collection for any choir wanting to extend their repertoire beyond the traditional. These are lively, fun to sing, arrangements and will please both choirs and audiences time and again. / Niveau : Assez Facile / Date parution : 2002-11-13/ Feuillet / SATB

From our popular Fanfare and Concertato series comes this confident call of faith. The journey of promises in the text place the people of God marching to life everlasting. Though intended for choir and congregation, the anthem works just as well as a standalone. Accompany with the optional brass and handbells and make this a wonderful worship exclamation a festive opportunity for all. Superb! Score and Parts (tpt 1-2, tbn 1-2, timp) and Parts for Handbells (3 oct.) each available as a digital download. / SATB and Congregation

Musik für 32 Stimmen in vier Gruppen / Mit Textprojektionen aus: Die Ästhetik des Widerstands . Par BRASS NIKOLAUS. Musik Für 32 Stimmen In Vier Gruppen / Mit Textprojektionen Aus: Die Ästhetik Des Widerstands / Niveau : Intermédiaire / Date parution : 1905-07-08/ Répertoire / Choeur Mixte (SATB)

Following the publication of Francis Jackson's organ reduction of Finzi's Requiem da Camera in 2014, Robert Gower, chairman of the Finzi Trust, recitalist and organist of Nottingham Cathedral, has created reductions of the full orchestra accompaniments to two more of Finzi's choral works. These reductions broaden the reach of these works to choirs which do not wish to present the works with orchestra, as with other standards from the sacred repertoire such the Requiems of Fauré and Duruflé. The reductions sympathetically recreate the orchestra scoring for a three-manual organ. Ingeniously, the manual couplings (II to III, II and III to I) are unaltered throughout, with pedal coupled to manuals as appropriate. Detailed registrations are not indicated as these are best left to the performer, taking into account the unique circumstances of the particular instrument, size of choir and acoustic setting at each performance. The scores are user-friendly, in landscape format and with at least one principal vocal line cued throughout, and a cappella choral passages are reproduced in full. The reductions are fully compatible with the published piano vocal scores of the respective works which the singers will use. For St Cecilia, Ceremonial Ode for tenor solo, chorus and orchestra - words by Edmund Blunden. The original work was commissioned by the St Cecilia's Day Festival Committee for the 1947 celebration of music's patron saint. The ceremonial mood is established with fanfares, and the sonorous sweep of the choral writing reflects Finzi's admiration for Parry and Elgar. The 'catalogue' of saints, shared between the soloist and chorus, are deftly delineated: St Valentine, St George, St Dunstan, St Swithin and St Cecilia herself. In rapt stillness, the English composers of the past - Merbecke, Byrd, Dowland and Purcell - are summoned. To close, Finzi creates a festal summation with exultant counterpoint and the saint's name pealing around the chorus. / Choeur Mixte (SATB) Et Orchestre

3 morality plays after Aesop's fables. Par HENZE HANS WERNER. „I. Frösche wünschen sich einen König. Sie mißverstehen die Warnung Jupiters vor diesem dummen Wunsch, darauf schickt er ihnen einen Kranich, der sie frißt. II. Früher konnten die Krähen wunderschön singen. Doch als sie versuchen, das modische Gewiehere von Pferden nachzuahmen, verlieren sie diese Fähigkeit. III. Eine Schiffsgesellschaft gerät in einen Seesturm und fleht zu den Göttern um Hilfe. Nach dem schadlos überstandenen Seegang lachen sie in der wiedergewonnenen Lebensfreude alle Autoritäten aus und feiern ein ausgelassenes Fest.” (Einführungstext im Programmheft des Jugendmusikfestes Deutschlandsberg 1991) „Dies sind drei Lehrstücke oder Schulopern, komponiert Anfang 1967 für das Musikfest in Cincinnati, wo sie im Mai 1968 uraufgeführt wurden. Ich stelle mir vor, dass sie in Musikschulen, Opernstudios und Colleges aufgeführt werden können, konzertant oder szenisch. [...] Das erste Lehrstück handelt von der Schwierigkeit, die Vorzüge anarchistischer Lebensweise zu erkennen, das zweite vom Modernismus und das dritte vom schnellen Vergessen einer Gesellschaft, die glaubt, noch einmal davongekommen zu sein. Jedes der drei Operchen ist in Nummern aufgeteilt, es sind Kurzformen, kleine Arien, Rezitative, Chorensembles.” (Hans Werner Henze)/ Répertoire / Choeur Mixte

Voici pour la première fois dans une collection sont bien connus spirituals traditionnels chez les chanteurs du Roi propres éditions du spectacle. Ce troisième volume de la couleur de la série morceau contient des oeuvres de leur répertoire passé aussi bien que deux arrangements nouvelle marque. Contient aussi des notes de performance pour chaque chanson. / Rép International / Recueil / Chant