By Glenn Burleigh. Arranged by Jack Schrader. For Choir. (SATB). Blues/Gospel, Commitment, Dedication, Devotion, Discipleship, Gospel, Guidance, Renewal, Spiritual, Wisdom, Blues-Gospel-Spirituals and Sacred. Print Music Single (SATB). Published by Hope Publishing Company.

Composed by Glenn Burleigh. Arranged by Jay Rouse. For SATB choir, piano (with optional vocal solo, rhythm). Sacred anthem. Octavo. Published by Lorenz Publishing Company

Composed by R. Kevin Boesiger. Glory Sound. Octavo. 12 pages. Published by Glory Sound (HL.35031729).

Composed by Craig Courtney. Octavo. Beckenhorst Press #BP2166. Published by Beckenhorst Press

By Modest Petrovich Mussorgsky (1839-1881). Arranged by Vadim Prokhorov. For SATB Choir and piano [or full orchestra] (Mixed Voices). Secular. Choral. Moderately difficult. Octavo. 16 pages

(For Chorus, S.A.T.B., A Cappella). By Thomas Pasatieri. SATB chorus. For SATB, Keyboard Rehearsal. Ithaca College Choral Series. Choral. Piano/Vocal Score. Standard notation. 20 pages

Piano (SATB) - early intermediate

SKU: CR.984242

Composed by David von Kampen. Choral. Octavo. With music. 7 pages. Concordia Publishing House #984242. Published by Concordia Publishing House (CR.984242).

ISBN 9780758655981. 7 x 10.25 inches.

Trace the steps from the cross to the empty grave. Using vivid imagery, this Easter text by Henry L. Lettermann comes alive in a gentle yet powerful arrangement by David von Kampen for SATB and piano. Rich harmonies borrowing from jazz reinforce the resurrection message.

SATB choir, flute, and piano - Intermediate

SKU: MN.50-6126

Composed by Michael John Trotta. Epiphany, 21st Century, Dedication. Instrument parts. Duration 4 minutes, 30 seconds. MorningStar Music Publishers #50-6126. Published by MorningStar Music Publishers (MN.50-6126).

UPC: 688670561269. English. Micah 6:6-8; Matthew 6:33.

This is the kind of piece that might sound more difficult than it is. Michael Trotta employs an economy of choral writing: The SATB parts are sometimes unison, move often by steps, are repeated in the outer sections, and have only occasional divisi in the treble voices. The text is an innovative combination of Old and New Testament passages, put in a question-and-answer format with the question sung in a subdued matter and the answer intensifying in range, complexity, and volume. The piano and flute parts flow more quickly than the voices—save for a short, contrasting middle section—and provide an underlying momentum to this expressive work. Duration: 4:30.

SATB Choral (SATB divisi)

SKU: HL.1145664

Composed by Greg Gilpin. Shawnee Press. Concert, Festival, Poetry. Octavo. 12 pages. Duration 220 seconds. Published by Shawnee Press (HL.1145664).

ISBN 9781705185322. UPC: 196288117469. 6.75x10.5x0.029 inches.

This lesser-known poem is intriguing and mysterious, perfect for singers to discuss and interpret in rehearsal. The piano accompaniment gently steps and tiptoes under the haunting melody and harmonic writing. Drama, tempo, and dynamic contrast create a mixture of moments in storytelling, and are sure to capture your singers' and audience's attention.

(Through the Passion and Resurrection of Christ). By Pepper Choplin. For SATB choir. Cantata. Choral: Easter, Holy Week. Choral Score and CD. Published by Lorenz Publishing Company

SATB choir, organ or piano - Early Intermediate

SKU: MN.CH-1314

Composed by Hank Beebe. 21st Century, Commitment/Discipleship. Octavo. Duration 2 minutes, 50 seconds. Laurendale Associates #CH-1314. Published by Laurendale Associates (MN.CH-1314).

The text calls for discipleship. This is symbolized musically by a five-note figure that, once stated, is followed by a host of similar figures throughout the piece. Duration 2:50.

By Lloyd Larson. For SATB choir and piano. Holy Week, Lent, Sacred. Sacred Anthem. Published by Exaltation Publications. (10/3645L)

By Brad Nix. For SATB choir, piano. Sacred Anthem, General, Holy Week, Lent, Palm/Palm-Passion Sunday. Octavo. Published by Lorenz Publishing Company

By Tim Hayden And Patrice Villines. Arranged by Jay Althouse. For Choir. (SATB). Choral Octavo. Choral Designs. Choral Octavo. 12 pages. Published by Alfred Publishing.

By Various. Arranged by Jack Schrader. For SATB choir. Choral Collections. Sacred. Choral Collection. 82 pages

By Joseph M. Martin. For SATB choir and piano accompaniment. Cantata. IPrint Orchestration CD. Published by Music Sales.

Composed by Edwin T. Childs. For SATB choir, Organ. Christmas. Moderately Easy. Octavo. Published by MorningStar Music Publishers

SATB choir, piano

SKU: LO.10-5770L

Composed by Ken Bible. Arranged by Stan Pethel. Choral. Sacred Anthem. Octavo. Lorenz Publishing Company #10/5770L. Published by Lorenz Publishing Company (LO.10-5770L).

ISBN 9780787778927.

Ken Bible’s popular song is given a fresh treatment in this Stan Pethel arrangement. The music flows along in a gentle 2/2, and Stan has taken extra care to make sure the choral part-writing is accessible and easy to learn. With a timeless lyric that speaks of the joy we have in living life with Christ as our friend and guide, it’s a perfect selection for general Sundays as well as times of commissioning and service.

Sacred Anthem. Octavo. Medallion Music #10/5076MD. Published by Medallion Music

Choral (SATB)

SKU: HL.14032885

Composed by John Tavener. Music Sales America. A Cappella, Classical, General Worship, Sacred. Choral Score. Composed 1999. 12 pages. Chester Music #CH55909. Published by Chester Music (HL.14032885).

ISBN 9780711943261. UPC: 884088593339. 6.75x9.75x0.046 inches.

A piece for unaccompanied SATB choir, the text of which is based on a line from St. Matthew 9:9. The music was written to represent the work of St. Matthew. In three mounting steps, the music represents the work of St. Matthew: the ascent of the spirit into silence. The first performance was given during evensong on 25th September 1988 by the choir of St. Matthew's Church conducted by Andrew Shenton.

Open My Eyes. Composed by Lee Dengler. Brookfield Choral Series. A Cappella, General Worship, Sacred. Octavo. 4 pages. Published by Brookfield Press

Alto, Mixed choir (SATB), Piano

SKU: BA.BA11309

Composed by Camille Saint-Saens. Edited by Christina M. Stahl. This edition: urtext edition. Paperback. Score. Baerenreiter Verlag #BA11309. Published by Baerenreiter Verlag (BA.BA11309).

ISBN 9790006577705. 27 x 19 cm inches. Text Language: English.

It is a small music history sensation: Thanks to Yves Grard an unknown and unpublished manuscript penned by Camille Saint-Saëns has been unearthed in the Mdiathèque Jean Renoir in Dieppe in France.

It is the top four instrumental parts which make this manuscript something of a sensation. Placed under each other are â??Saxophone Soprano en Si bâ?, â??Saxophone Alto en Mi bâ?, â??Saxophone Tnor en Si bâ? and â??Saxophone Baryton en Mi bâ?, strings, soprano solo with chorus and organ. Musical history has hitherto credited Jean-Baptiste Singele (1812â??1875) with having written the first saxophone quartet, his opus 53, which he completed in 1857. Now this historiography clearly has to be revised. The date 1854 has been found under the first page of the treasure from Dieppe, which is pasted over and also sewn, meaning that Saint-Saënsâ?? work was written three years earlier than that of Singele.

In contrast to Singele, Saint-Saëns does not have the wind instruments taking solo parts but rather uses their tonal colour to depict textual moods and nuances. On the one hand the saxophones accompany the choral parts (certainly singable by amateurs) and support the human voices in fugal passages. On the other hand, they take the melody in the purely orchestral passages.

Saint-Sa ëns wrote the motet in the period when he had taken up his first permanent appointment as organist at the Church of Saint-Merri in Paris. He revised the work several times over the decades, changing the motifs at the beginning, correcting obvious mistakes, reworking the ending, eventually changing the instrumentation several times and even â?? probably in the final stage â?? replacing the Latin text with an English one. Today, three-and-a-half versions have been handed down, one of them stopping after just a few pages. The compositional steps have been successfully reconstructed by means of detailed detective work. Furthermore, the first saxophone version (BA 11305) and the last English piano version (BA 11309) have been edited to produce a scholarly-critical edition.

The present edition of the English version for soprano solo, choir and piano (BA 11309) serves both as a full score and as a vocal score due to the instrumentation.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Arranged by Greg Gilpin. Choir Secular. SATB choir. Choral Octavo. Choral Designs. Folk; Secular. 16 pages. Published by Alfred Music

Mixed choir (SATB), 2 flutes, 2 oboes, 2 clarinets, 2 bassoons - 2 horns, 2 trumpets, 3 trombones, timpani and strings (P+KRB)

SKU: HL.49042434

Composed by Carl Maria von Weber. Edited by Frank Ziegler and Johannes Kepper. This edition: Full-cloth binding. Sheet music. Edition Schott. Score and critical commentary, complete edition. 306 pages. Schott Music #WGA1021. Published by Schott Music (HL.49042434).

ISBN 9783795794491. 10.25x13.5x1.141 inches. German.

Carl Maria von Weber's fame rests mainly on 'Der Freischutz'. The unprecedented success of this opera overshadowed all his other works and contributed to their increasing fall into oblivion. Certain works such as 'Preciosa', 'Oberon', and 'Euryanthe', the overtures, solo concertos and piano sonatas, the lieder and chamber works enjoyed great popularity and were widely known in Germany and abroad as late as the second half of the 19th century. However, any chance of a revival of Weber's influential and substantial oeuvre was wasted in the 1920s, when a complete edition - begun by Hans Joachim Moser and with potential contributors including Wilhelm Kempff, Hans Pfitzner, Max von Schillings, Fritz Stein and Richard Strauss - failed after the third volume.Ever since there have been numerous attempts to restart a complete edition of Weber's works, but as this kind of project would have required the co-operation of scholars from both sides of the inter-German border, the political situation after 1945 was not conducive to any such enterprise. Careful negotiations led to the first tangible steps in the 1980s. The intention, right from the beginning, was to place Weber's work in context, and not to separate his musical output from his influential work as a writer, critic and organiser in the musical field, but to publish his compositions together with his letters, diaries and other literary output as the best way to document the cross-fertilisation between his musical, literary and practical activities.Since the German re-unification both working-parties concerned - at the Staatsbibliothek zu Berlin, and at the Musikwissenschaftliches Seminar, Detmold/Paderborn - have co-operated on the complete edition of the musical works (c. 45 volumes in 10 series: sacred music; cantatas, odes and other occasional works; stage works; lieder and vocal works; orchestral works; chamber music; music for piano; piano reductions; miscellanea, arrangements and orchestrations; works of doubtful attribution). The diaries (6-8 vols.) are edited in Berlin and the letters (8-10 vols.) and other writings (2 vols.) in Detmold. This complete edition aims to be a reliable basis of scholarly debate as well as for the authentic performance practice of Carl Maria von Weber's music. Conforming to the standards of recent historico-critical editions, the textual material will be based on all available authentic sources, accompanied by a detailed documentation of the genesis and a list of variants for each work. The musicological importance of the works will be evaluated by placing them in their historical context, the presentation of their genesis, history and Critical Commentaries. The letters, writings and diaries will be treated as inter-related and relevant to each other in the commentaries, therefore readers should benefit from a wealth of concise information and cross-references.

By Marty Hamby. For SATB choir. Anthems. Adult Choral Anthem for Worship. Southern Gospel and Sacred. Moderate. Octavo. 16 pages. Published by Lillenas Publishing Company

By Samuel Adler. For four equal voices (Accompaniment: Keyboard). Spiritual, Concert. Main Key: E Minor. Sacred, Concert. Medium Advanced Adult. Octavo. 12 pages. Duration 1 minute 18 seconds. Published by Hinshaw Music Inc.