SATB choir and Ensemble SKU: BT.MUSM570363612 Composed by James Weeks. Sc...(+)
SATB choir and Ensemble
SKU:
BT.MUSM570363612
Composed by James Weeks.
Score Only. 4 pages.
University of York Music
Press #MUSM570363612.
Published by University
of York Music Press
(BT.MUSM570363612).
English.
Commiss
ioned by the New London
Chamber Choir and
Spitalfields Music, and
first performed by the
New London Chamber Choir
and the London
Sinfonietta, conducted by
the composer, at the
Spitalfields Music Summer
Festival, Shoreditch
Church, London, on 13th
June 2011. Text by
Gerrard Winstanley,
Ensemble consists of:
Clarinet in Bb Alto
Saxophone (doubling
Soprano Saxophone) Tenor
Saxophone Bass Clarinet
Violin Viola Double Bass
Amplified Guitar Piano
 .
Composed by Leo Nestor. For Soprano or Tenor solo, SATB choir, 2 obbligato Instr...(+)
Composed by Leo Nestor.
For Soprano or Tenor
solo, SATB choir, 2
obbligato Instruments
(Mixed Voices). Year C:
Epiphany of the Lord.
Epiphany, Christmas,
Services, Concerts, 20th
Century. Medium. Octavo.
Text Language: English.
Published by E.C.
Schirmer Publishing
(With an introduction by Jeremy Summerly). Composed by Various. For Choral, Pian...(+)
(With an introduction by
Jeremy Summerly).
Composed by Various. For
Choral, Piano
Accompaniment (SATB).
Choral. Softcover. 300
pages. Novello and Co
Ltd. #NOV164450.
Published by Novello and
Co Ltd.
SATB Choir a Cappella SKU: HL.14023340 Composed by Per Norgard. Music Sal...(+)
SATB Choir a Cappella
SKU: HL.14023340
Composed by Per Norgard.
Music Sales America.
Classical. Vocal Score.
26 pages. Music Sales
#KP01444. Published by
Music Sales
(HL.14023340).
ISBN
9788759871911.
8.25x11.75x0.115 inches.
English.
To
Nocturner (2001) - for
Chamber Choir (12 or 24
Voices). Texts by Ole
Sarvig and Ib Michael.
English version
available: KP01444E
Programme note: These two
choral pieces for 12
voices consists of
radical recompositions on
of earlier themes: in
Summer's Sleep we hear
new combinations of two
'Sarvig melodies' from
the 1970s (one of which
is now in the Danish
Hymnbook under the title
aret, The Year):
Michael's Night is based
on an earlier, simple
choral song (Star
Mirror,1987), now for 12
voices and composed such
that an original idea of
simultaneously displaced,
opposite motions cf. the
poem) comes out as
desired. Of the Nocturnes
Norgard writes: Summer's
Sleep wascomposed to
stanzas of Ole Sarvig's
poem The Year (from the
collection Forstadsdigte
('Suburban Poems')) and
forms the picture of the
summer of life, which is
asleep - while the heaven
seed waits for the summer
wind (invisible to every
mind). The many layers of
text are expressed
musically in a
multilayered choral
texture with 'looks' up
and down through the
various tempo and
time-worlds: summer
sleep, summer dream. The
second nocturne,
Michael's Night, takes
its name from the author
Ib Michael, whose poem
Star Mirror (from the
collection
Himmelbegravelse ('Sky
Funeral') (1986) I
pushed/coaxed him to
expand from one to nine
stanzas. The four
selected stanzas set in
the nocturne focus on the
pan-erotic elements of
the moonlit, starlit
night. With the titles I
have chosen I have
stressed the mythic layer
of the text, the summer
night not as a dream but
as sensual reality. The
two nocturnes are
dedicated to Ivan Hansen
on the occasion of his
fiftieth birthday on 25th
February 2003, out of
gratitude for over a
quarter of a century of
inspiring
collaboration.
Composed by
Peter Relph. Evoking
Sound. Music Education.
20 pages. GIA
Publications #9610.
Published by GIA
Publications (GI.G-9610).
UPC: 785147961000.
Latin. Text Source: Attr.
Ambrose of Milan,
340–397. Text by
Ambrose of
Milan.
Composer's
Notes When I met Kelsey
Rose in Oxford in St.
Stephen’s House
chapel over the summer of
2017, we had both just
attended a very moving
candlelit concert by
Westminster Williamson
Voices, featuring my
setting of
“Tenebrae
lumini.†I was
delighted to be asked to
write a piece for
compline in Princeton
University Chapel,
celebrating the 150th
anniversary of the
Anglican/Episcopal
chaplaincy at Princeton
University.
“Aurora†is
the result of that
meeting. Composing by
commission often throws
up some interesting
challenges. The piece had
to fit both as an
accompanying piece to the
plainchant of compline,
whilst simultaneously
being a celebratory
anthem. I was instantly
drawn back to the poetry
and hymns of St. Ambrose
of Milan, particularly
“Aurora iam spargit
polum.†Fragments
of chant (both real and
imagined) are used to
create the powerful
imagery of the descending
golden light of dawn. The
piece reaches its climax
with the plea for the
despair of night to
“vanish,â€
which it then does,
leaving the sopranos
alone on a high G.
Mixed choir SKU: FG.55011-455-5 Composed by Matthew Whittall. Score. Fenn...(+)
Mixed choir
SKU:
FG.55011-455-5
Composed by Matthew
Whittall. Score. Fennica
Gehrman #55011-455-5.
Published by Fennica
Gehrman (FG.55011-455-5).
ISBN
9790550114555.
This
cycle of carols, to the
poetry of Christina
Rossetti, was assembled
piecemeal over a number
of years, gradually
acquiring a larger
dramatic and harmonic
arch shape as new
settings were added. I
was particularly
attracted to Rossetti's
conflation of the dark,
fallow winter landscape
with that of the soul
waiting for salvation.
The cycle traces the long
nights of watchfulness
before Christmas, with
the great event
constantly deferred, only
glimpsed periodically in
different visions before
the music turns inward
again to contemplation.
The opening carol
embodies this spirit,
with passages of diffuse,
roving harmony
interspersed with
meditative, lyrical
pedals, calling out the
night watch and dreaming
of a far-off summer of
the spirit. Earth Grown
Old is a kind of double
carol, setting two
complete poems, their
lines at first presented
separately as a still,
expectant chorale and a
jubilant dance, then
progressively interwoven
toward a fervent climax
before once again
receding into quiet. In
the bleak mid-winter,
which sets a highly
compressed version of
Rossetti's original poem,
presents an enfeebled
landscape frozen in time,
in dire need of
deliverance. A gentle
melody weaves its way
through static drones,
broken by an angels'
chorus announcing the joy
to come. Love Came Down
at Christmas ends the
waiting, with its gently
falling, overlapping
lines building to a final
revelation, the mystery
of Christmas at last made
real.
Summer Is Gone Chorale SATB SATB A Cappella Gentry Publications
SATB a cappella Choral (SATB a cappella) SKU: HL.1197761 Out from the ...(+)
SATB a cappella Choral
(SATB a cappella)
SKU:
HL.1197761
Out
from the Shadows: A
Contemporary Choral
Series. Composed by
Samuel Coleridge-Taylor.
Edited by James E. Green
and Marques L. A.
Garrett. Gentry
Publications. Concert.
Octavo. 8 pages. Duration
180 seconds. Gentry
Publications #JG2655.
Published by Gentry
Publications
(HL.1197761).
UPC:
196288134930.
6.75x10.5x0.019
inches.
The Out
from the Shadows Choral
Series brings you
“Summer Is
Gone,†a new
setting of British poet
Christina Rosetti's 1862
poem “Bitter for
Sweet.†The
composer, Samuel
Coleridge Taylor,
displays superb control
of text painting and
dynamics, creating vocal
lines as natural as
speech. In perfect
harmony with Rosetti's
text, falling chromatic
figures tossed back and
forth among voice parts
create an inescapable
sense of decay and
sorrow. Taylor's harmonic
rhythm conveys the latent
impression of time
stretching and
constricting. A truly
masterful work, this
piece makes for a great
festival or competition
performance. A fun
challenge for an
accomplished chamber or
larger choir, and a
memorable addition to any
concert. Samuel
Coleridge-Taylor
(1875-1912) was an
English-born composer and
conductor who hailed from
an English and African
musical family. After
discovering his inherent
musical ability,
Coleridge-Taylor's family
arranged for him to study
at the Royal College of
Music under composition
professor Charles
Villiers Stanford. After
completing his degree,
Coleridge-Taylor was
appointed a professor at
the Crystal Palace School
of Music and became the
conductor of the Croydon
Conservatoire Orchestra.
With his compositions,
Samuel Coleridge-Taylor
sought to draw from
traditional African music
and integrate it into the
classical tradition, in a
similar fashion to Brahms
and Dvorak with Hungarian
and Bohemian music. He
was a prolific composer
and a well-respected
conductor in England and
America, even touring in
America and being
received at the White
House by President
Theodore Roosevelt. His
most celebrated work was
his cantata Hiawatha's
Wedding Feast. On his
death, close friend and
poet Alfred Noyes said,
“Too young to die:
his great simplicity, his
happy courage in an alien
world, his gentleness,
made all that knew him
love him.â€.
By 5 Seconds of Summer. By Ashton Irwin, John Feldman, Calum Hood, and Nicholas ...(+)
By 5 Seconds of Summer.
By Ashton Irwin, John
Feldman, Calum Hood, and
Nicholas Ras Furlong.
Arranged by Alan
Billingsley. Choir
Secular. SATB choir.
Choral Octavo. Pop
Choral. Pop; Secular. 12
pages. Published by
Alfred Music
Smooth Songs of the '70s and '80s. Arranged by Roger Emerson. Pop Choral Serie...(+)
Smooth Songs of the '70s
and
'80s. Arranged by Roger
Emerson. Pop Choral
Series.
Concert, Eighties,
Medley,
Pop, Rock, Seventies,
Show
Choir, Soft Rock. Octavo.
32
pages. Duration 460
seconds.
Published by Hal Leonard
SATB choir and organ SKU: ST.Y222 Composed by Rhian Samuel. SATB and orga...(+)
SATB choir and organ
SKU: ST.Y222
Composed by Rhian Samuel.
SATB and organ. Choral.
Octavo. Stainer & Bell
Ltd. #Y222. Published by
Stainer & Bell Ltd.
(ST.Y222).
ISBN
9790220221491.
A
short choral nocturne for
SATB and organ, Pan
ddaw ust y nos is a
setting of a poem by
Nesta Wyn Jones. Welsh
speakers will respond to
the subtle imagery and
verbal nuance of the
poet's wordplay, as well
as to the intense lyric
moment of charged
reminiscence captured
both in her evocation of
bygone summer evenings
and in Rhian Samuel's
simple, evocative music.
Pan ddaw ust y
nos was written for
the London Welsh Chorale,
conductor Kenneth Bowen,
was premiered at St
David's Cathedral, West
Wales, on 24 September
2005. An English
translation by the
composer is also
included.
SATB double choir, a
cappella (SATB) -
Moderately Difficult
SKU:
OU.9780193413450
Composed by David
Bednall. Secular Choral -
Mixed Voices. New
Horizons. Vocal score. 16
pages. Duration 5'.
Oxford University Press
#9780193413450. Published
by Oxford University
Press (OU.9780193413450).
ISBN 9780193413450. 10
x 7 inches.
for
SATB double choir
unaccompanied A
setting of Shakespeare's
much-loved Sonnet 18,
Bednall's expressive work
highlights this timeless
text with sumptuous
harmony, including
pleasing tonal shifts and
topical false relations.
Various choral textures
are explored, from the
imitative lines of
'Sometime too hot', to
the warm richness of the
closing pages, where the
choir divides into eight
parts. This work is part
of the New Horizons
series and a piano
reduction is included for
rehearsal
purposes.
About Oxford
New
Horizons
N
ew Horizons showcases the
wealth of exciting,
innovative, and
occasionally challenging
choral music being
written today. It
encompasses the whole
gamut of small-scale
choral genres, both
secular and sacred, and
includes pieces for
upper-voice and mixed
choirs. With titles by
some of the most
accomplished choral
composers active in Great
Britain and abroad, the
series introduces new
repertoire and fresh
talent to a broad
spectrum of choirs. New
Horizons features
composers with growing
reputations for quality
composition reflecting a
strong individual voice.
The series is continually
expanding and should be
the first place to look
for attractive and
performable contemporary
choral music.
SATB choir, a cappella (SATB) - easy SKU: OU.9780193524811 Composed by Jo...(+)
SATB choir, a cappella
(SATB) - easy
SKU:
OU.9780193524811
Composed by John Rutter.
Secular Choral - Mixed
Voices. Vocal score. 8
pages. Duration 3'.
Oxford University Press
#9780193524811. Published
by Oxford University
Press (OU.9780193524811).
ISBN 9780193524811. 11
x 7 inches.
For
SATB unaccompanied This
secular work by John
Rutter sets the text of
Shakespeare's Sonnet No.
18. Rutter skilfully
weaves the figurative
language of the sonnet
within the melodic lines
of the music.
Shakespeare's text is
passed between the
voices, with the warm
harmonies enveloping the
sonnet's use of
imagery.
Sing With Me Chorale SATB SATB, Piano Carl Fischer
Choral SATB Choir and Piano SKU: CF.CM9765 Composed by Richard Waters. Du...(+)
Choral SATB Choir and
Piano
SKU:
CF.CM9765
Composed by
Richard Waters. Duration
1:45. Carl Fischer Music
#CM9765. Published by
Carl Fischer Music
(CF.CM9765).
ISBN
9781491162538. UPC:
680160921287. Key: A
major. Original.
I
composed Sing with Me
during the summer of 2020
as my own personal
response to the
relentless series of
heartaches that we faced:
the uncertainty of the
COVID-19 pandemic, the
anguish of not being able
to sing together and the
rise of social justice
crises across the
country. It is the first
piece for which I have
also written the text. At
the time, I was unsure of
what the fall semester
would look like for my
own choir. Would we be in
person? If so, for how
long? Therefore, I
designed the piece to be
accessible and adaptable
to whatever situation we
faced. It is my wish that
the message of hope and
unity will resonate with
all who sing or hear
it.Sing with me, as I
sing with you,Let the
music revive us
anew;Yearning for
beautiful harmony,Come
and sing with me. All
the world is longing for
peace,For all meaningless
hatred to cease;Joining
together, your hand in
mine,Let our voices
shine! Dream with us,
together as one,For the
day when the battle is
done;Fervently striving
for unity,Come and dream
with me.Come and sing
with me. .