| Crossing the Bar Chorale SATB SATB, Piano Carl Fischer
Choral SATB choir, piano SKU: CF.CM9608 Composed by Jamey Ray. Fold. Perf...(+)
Choral SATB choir, piano
SKU: CF.CM9608
Composed by Jamey Ray.
Fold. Performance. 12
pages. Duration 3
minutes, 33 seconds. Carl
Fischer Music #CM9608.
Published by Carl Fischer
Music (CF.CM9608).
ISBN 9781491154304.
UPC: 680160912803. 6.875
x 10.5 inches. Key: E
major. English. Alfred,
Lord Tennyson
(1809-1892). The
beauty in Alfred, Lord
Tennysons poem is
reflected by the music
with the use of text
painting. The piano
creates the sound of
moving water in m. 19,
providing the first
instance of text
painting. When the men
enter, they continue this
idea of the ocean tide
while the descent into
the word deep in m. 27
gives another instance of
text painting. Take
advantage of the minor
second suspension on the
word dark in m. 38 in
order to achieve a
feeling of suspense. The
entrance at m. 41 is
full, and while still
minor, the text gives us
hope for a change. The
change comes in m. 45
with the staggered
entrances creating a
sense of building and
ascent until the climax
of this moment at m. 47
on the word embark, which
is to be an ascent to
Heaven. The melody moves
between voice parts, even
as early as m. 14 where
the altos have the melody
for only a single
measure; it is then
handed back to the
sopranos. From mm. 5764,
the altos trade the
melody back and forth
with the sopranos. Take
note that the alto melody
should be brought out,
but the line does not
actually begin until the
word when. Lastly, be
intentional with syllabic
stress (no two eighth
notes or quarter notes
alike) and to give
direction to any note
longer than a quarter. I
hope you enjoy learning
and performing
Crossing the Bar
as much as I enjoyed
writing it. ~Jamey
Ray. The beauty in
Alfred, Lord Tennysonas
poem is reflected by the
music with the use of
text painting. The piano
creates the sound of
moving water in m.A 19,
providing the first
instance of text
painting. When the men
enter, they continue this
idea of the ocean tide
while the descent into
the word adeepa in m. 27
gives another instance of
text painting. Take
advantage of the minor
second suspension on the
word adarka in m. 38 in
order to achieve a
feeling of suspense. The
entrance at m. 41 is
full, and while still
minor, the text gives us
hope for a change. The
change comes in m. 45
with the staggered
entrances creating a
sense of building and
ascent until the climax
of this moment at m. 47
on the word aembark,a
which is to be an ascent
to Heaven. The melody
moves between voice
parts, even as early as
m. 14 where the altos
have the melody for only
a single measure; it is
then handed back to the
sopranos. From mm. 57a64,
the altos trade the
melody back and forth
with the sopranos. Take
note that the alto melody
should be brought out,
but the line does not
actually begin until the
word awhen.a Lastly, be
intentional with syllabic
stress (no two eighth
notes or quarter notes
alike) and to give
direction to any note
longer than a quarter. I
hope you enjoy learning
and performing
Crossing the Bar
as much as I enjoyed
writing it. ~Jamey
Ray. The beauty in
Alfred, Lord Tennyson's
poem is reflected by the
music with the use of
text painting. The piano
creates the sound of
moving water in m. 19,
providing the first
instance of text
painting. When the men
enter, they continue this
idea of the ocean tide
while the descent into
the word deep in m. 27
gives another instance of
text painting. Take
advantage of the minor
second suspension on the
word dark in m. 38 in
order to achieve a
feeling of suspense. The
entrance at m. 41 is
full, and while still
minor, the text gives us
hope for a change. The
change comes in m. 45
with the staggered
entrances creating a
sense of building and
ascent until the climax
of this moment at m. 47
on the word embark, which
is to be an ascent to
Heaven. The melody moves
between voice parts, even
as early as m. 14 where
the altos have the melody
for only a single
measure; it is then
handed back to the
sopranos. From mm. 57-64,
the altos trade the
melody back and forth
with the sopranos. Take
note that the alto melody
should be brought out,
but the line does not
actually begin until the
word when. Lastly, be
intentional with syllabic
stress (no two eighth
notes or quarter notes
alike) and to give
direction to any note
longer than a quarter. I
hope you enjoy learning
and performing
Crossing the Bar
as much as I enjoyed
writing it. ~Jamey
Ray. The beauty in
Alfred, Lord Tennyson's
poem is reflected by the
music with the use of
text painting. The piano
creates the sound of
moving water in m. 19,
providing the first
instance of text
painting. When the men
enter, they continue this
idea of the ocean tide
while the descent into
the word deep in m. 27
gives another instance of
text painting. Take
advantage of the minor
second suspension on the
word dark in m. 38 in
order to achieve a
feeling of suspense. The
entrance at m. 41 is
full, and while still
minor, the text gives us
hope for a change. The
change comes in m. 45
with the staggered
entrances creating a
sense of building and
ascent until the climax
of this moment at m. 47
on the word embark, which
is to be an ascent to
Heaven. The melody moves
between voice parts, even
as early as m. 14 where
the altos have the melody
for only a single
measure; it is then
handed back to the
sopranos. From mm. 57-64,
the altos trade the
melody back and forth
with the sopranos. Take
note that the alto melody
should be brought out,
but the line does not
actually begin until the
word when. Lastly, be
intentional with syllabic
stress (no two eighth
notes or quarter notes
alike) and to give
direction to any note
longer than a quarter. I
hope you enjoy learning
and performing Crossing
the Bar as much as I
enjoyed writing it.
~Jamey Ray. The beauty
in Alfred, Lord
Tennyson’s poem is
reflected by the music
with the use of text
painting. The piano
creates the sound of
moving water in m.Â
19, providing the first
instance of text
painting. When the men
enter, they continue this
idea of the ocean tide
while the descent into
the word
“deep†in m.
27 gives another instance
of text painting.Take
advantage of the minor
second suspension on the
word “darkâ€
in m. 38 in order to
achieve a feeling of
suspense. The entrance at
m. 41 is full, and while
still minor, the text
gives us hope for a
change. The change comes
in m. 45 with the
staggered entrances
creating a sense of
building and ascent until
the climax of this moment
at m. 47 on the word
“embark,â€
which is to be an ascent
to Heaven.The melody
moves between voice
parts, even as early as
m. 14 where the altos
have the melody for only
a single measure; it is
then handed back to the
sopranos. From mm.
57–64, the altos
trade the melody back and
forth with the sopranos.
Take note that the alto
melody should be brought
out, but the line does
not actually begin until
the word
“when.â€Lastly
, be intentional with
syllabic stress (no two
eighth notes or quarter
notes alike) and to give
direction to any note
longer than a quarter.I
hope you enjoy learning
and performing Crossing
the Bar as much as I
enjoyed writing it.~Jamey
Ray. $2.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Popular Voiceworks Chorale SATB [Partition + CD] Oxford University Press
By Beale And Milloy. For Choral Method (Spiralbound Book and CD). Play along. Pu...(+)
By Beale And Milloy. For
Choral Method
(Spiralbound Book and
CD). Play along.
Published by Oxford
University Press.
$75.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Take Me to the Water Chorale SATB SATB divisi, A Cappella [Octavo] MorningStar Music Publishers
By David M. Cherwien. For SATB choir divisi (SSAATBB) a cappella. Baptism of our...(+)
By David M. Cherwien. For
SATB choir divisi
(SSAATBB) a cappella.
Baptism of our Lord,
Baptism, Spiritual.
Medium. Octavo. Published
by MorningStar Music
Publishers
$2.25 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Tell the World Chorale SATB SATB, Clavier GIA Publications
SATB choir, keyboard accompaniment SKU: GI.G-10666 Spirituals and Gosp...(+)
SATB choir, keyboard
accompaniment SKU:
GI.G-10666
Spirituals and Gospel
Songs. Composed by
Valeria A. Foster.
Arranged by Valeria A.
Foster. Sacred.
Collection. 34 pages. GIA
Publications #10666.
Published by GIA
Publications
(GI.G-10666). ISBN
9781622776511.
English. Ms.
Foster’s deep
faith and musicology are
amplified in one another
to a profound degree. Her
gifts and skills in
performance, choir
direction and
congregational singing
are exceptional. The goal
of her work, however, is
worship, and the songs in
this collection easily
invite us there.
—The Reverend
Msgr. Eddie
Tolentino, Saint
Michael the Archangel
Catholic
Church, Silver Spring,
Maryland As You Go, Tell
the World • Go Tell
it on the Mountain
• God Is a Wonder
to My Soul • He
Arose / They Crucified
My Savior • I
Know the Lord Has Laid
His Hands on Me • I
Will Bless the Lord
• Is There Any Room
in Your Heart for
Jesus? • Jesus
• Oh, Freedom
• Take Me to the
Water • We Are One
• What a Friend
We Have in Jesus. $9.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Isthmus Chorale SATB [Conducteur] University Of York Music Press
SATB Choir SKU: BT.MUSM570368679 For choir and fixed media. Compos...(+)
SATB Choir SKU:
BT.MUSM570368679
For choir and fixed
media. Composed by
Evis Sammoutis. Score
Only. Composed 2019. 14
pages. University of York
Music Press
#MUSM570368679. Published
by University of York
Music Press
(BT.MUSM570368679).
Isthmus denotes
a narrow strip of land
with sea on either side,
forming a link between
two larger ars of land.
The title is a metaphor
for an effort to bond
artistically my
experiences of living in
Cyprus, my birthplace,
and in the USA, my
recently adopted
homeland. Having lived in
a small, partitioned
island for my formative
years and in England for
eleven years, water has
always had a double
meaning: it has at once
served as a gateway to
other cultures but also
as a border, a violent
and absolute interruption
of a continuum. While in
the USA, or indeed in a
now connected Europe, it
is possible to travel on
land for days without
having to encounter a
border, in the countries
where I lived for most of
my life, that was not
possible. As an artist,
this notion of
establishing boundaries
and consciously trying to
break them is very close
to me, as my music deals
both with modernity but
also with tradition and,
similarly, with metaphor
and reality. As a
Cypriot, the sea, the
world of antiquity, the
mysteries of the oracles,
the notion of borders and
the pastoral are all very
central to my way of
thinking. In Cyprus,
different layers of
history are frequently
superimposed on a single
building that might still
preserve its Roman,
Byzantine, Venetian and
Ottoman features in its
layers of stone and
architecture. Similarly,
ancient ruins or the
barbed wire of modern
conflict often interrupt
placid fields. An
isthmus, therefore, can
be seen to symbolize my
artistic struggle to join
strikingly different
experiences and notions
in a cohesive way.
Similar to an isthmus, in
this short piece, I
connect these experiences
with the purpose of
creating a distinct and
unique sonic context,
connecting technology and
tradition, the pastoral
with the urban, the
musical with the
extra-musical and the
abstract with the
concrete. For example,
the choir does not always
sing in the traditional
sense, but the singers
imitate various natural
sounds, such as water,
air, crickets or birds,
to create a vivid visual
impression for the work.
Scandinavian herding
calls blend with field
recordings from the seas
of Cyprus and the lakes
of Upstate New York,
communicated within
clearly defined, singular
acoustic sources and
spaces through wireless
speakers. The text used
is both onomatopoeic,
articulating an imaginary
language, but also
literal, with a setting
of the poem, “To make a
prairie” by the iconic
American poet Emily
Dickinson and a tiny
fragment from
Callimachus’ “Hymn to
Demeter.” Technology is
used sparsely and very
intentionally to
articulate the expressive
qualities of pastoral
imagery, creating one
unified synthetic timbre
with the choristers’
sounds. This piece is
dedicated to the
wonderful singers of the
Georgia Institute of
Technology Chamber Choir
with special thanks to
Professors Hsu and
Ulrich, without whose
support this composition
would not have been
possible. Practical
notes: A choir of no
less than 24 singers is
sought with 4 additional
soloists (2 Sopranos and
2 Altos). Each singer
must have their own
wireless speaker, secured
either in the music
folder or as a strap
inside their shirts. All
sounds must match in
volume the sound from the
speakers, creating one
unified timbre. The
speakers should not be
noticeable to the public.
The four soloists are
placed offstage at the
beginning of the work.
From 1:35’ onwards they
enter the hall and take
their positions, ideally
at the four corners of
the hall. If the hall is
too large, the singers
can find alternate
positions, but these
should always be
antiphonal. The four
soloists sing
predominantly in the
“kulning” style and
the antiphonal aspect is
very important to the
work. There are two sound
files for each section
(SATB) that are triggered
by each singer’s mobile
device. The first occurs
at the start of the
piece, and the second,
about a minute before the
end. The sound files are
able to be purchased
separately, on CD, or are
available directly from
UYMP. $5.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Take Me To The Water Chorale SATB SATB Hal Leonard
By Rollo Dilworth. (SATB). Creating Artistry. 12 pages. Published by Hal Leonar...(+)
By Rollo Dilworth.
(SATB). Creating
Artistry. 12 pages.
Published by Hal Leonard.
$2.35 $2.2325 (- 5%) Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Take Me to the Water Chorale SATB SATB, Piano - Débutant GIA Publications
SATB choir, cantor, assembly, keyboard accompaniment - Beginning SKU: GI.G-00...(+)
SATB choir, cantor,
assembly, keyboard
accompaniment - Beginning
SKU: GI.G-001262
Composed by W. Clifford
Petty. Arranged by W.
Clifford Petty. OT 24 A,
Lent 4 A, Baptism of the
Lord, Children. Sacred.
Octavo. With guitar chord
names. 8 pages. GIA
Publications #001262.
Published by GIA
Publications
(GI.G-001262).
English. $1.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Inspirational New Hymns for Choir and Home - Vol 1 Chorale SATB [Partition] - Intermédiaire Jackman Music Corporation
By Janice Kapp Perry. Text: John V. Pearson / Rodney Turner / Janice Kapp Perry ...(+)
By Janice Kapp Perry.
Text: John V. Pearson /
Rodney Turner / Janice
Kapp Perry / Neal A.
Maxwell / Orrin G. Hatch
/ David B. Larsen / Olga
S. Whitaker / Ruth S.
Kapp. For SATB Choir.
Level: Medium. Published
by Jackman Music
Corporation.
$6.98 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Take Me to the Water Chorale SATB Hal Leonard
Composed by Austin C. Lovelace. For Choral (SATB). National/Emerson Fred Bock. 6...(+)
Composed by Austin C.
Lovelace. For Choral
(SATB). National/Emerson
Fred Bock. 6 pages. Hal
Leonard #NMCH178.
Published by Hal Leonard
$2.75 - Voir plus => AcheterDélais: 3 to 5 business days | | |
| Is There Anybody Here Chorale SATB SATB A Cappella [Octavo] GIA Publications
(Traditional Spiritual) Arranged by Alice Parker. Vocal score for SATB choir (a ...(+)
(Traditional Spiritual)
Arranged by Alice Parker.
Vocal score for SATB
choir (a cappella, with
solo). From the
collection Take Me To the
Water. Easy. F Major. 6
pages. Published by GIA
Publications.
$1.40 $1.33 (- 5%) Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Hymns for Our Time Chorale SATB SATB [Partition] Hope Publishing Company
By Hal Hopson / Various authors. For Unison choir. Devotion, Hymntune, Sacred. H...(+)
By Hal Hopson / Various
authors. For Unison
choir. Devotion,
Hymntune, Sacred. Hymn
Collection. Author's
Collections. 114 pages
$14.95 - Voir plus => AcheterDélais: 4 to 6 business days | | |
| The Passion of our Lord Jesus Christ Chorale SATB [Vocal Score] Oxford University Press
Composed by Gabriel Jackson (1962-). For SATB choir divisi, soprano voice solo, ...(+)
Composed by Gabriel
Jackson (1962-). For SATB
choir divisi, soprano
voice solo, tenor voice
solo, and 10 players
(piccolo/alto flute, bass
clarinet, soprano
saxophone (B flat) / alto
saxophone (E flat), horn,
percussion (1 player)
(bass drum, vibraphone,
tub, wind chimes (metal),
tam-tam, brake drum,
water gong, suspended
cymbal, vibraslap, 3
temple blocks (high,
med). Oratorios. New
Horizons. Level C
(moderately difficult).
Vocal score. 152 pages.
Duration 60 minutes.
Published by Oxford
University Press
$20.50 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Down To The Water To Pray Chorale SATB SATB A Cappella Shawnee Press
By Pepper Choplin. For SATB Choir, a cappella. A Cappella, Arrangements, General...(+)
By Pepper Choplin. For
SATB Choir, a cappella. A
Cappella, Arrangements,
General Use, Baptism and
Sacred. Sheet Music.
Published by GlorySound.
$2.65 $2.5175 (- 5%) Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Proverb Chorale SATB SATB, Piano Schirmer
From '03 This New, Immense, Unbounded World. By Robert Kapilow. (SATB). Choral....(+)
From '03 This New,
Immense, Unbounded World.
By Robert Kapilow.
(SATB). Choral. 24 pages.
Published by G. Schirmer,
Inc.
$1.60 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Pacific Dreams Chorale SATB [Conducteur et Parties séparées] - Facile De Haske Publications
SATB Choir - Grade 3 SKU: BT.DHP-0991451-050 Composed by Jacob De Haan. I...(+)
SATB Choir - Grade 3
SKU:
BT.DHP-0991451-050
Composed by Jacob De
Haan. Inspiration Series.
Set (Score & Parts).
Composed 1999. De Haske
Publications #DHP
0991451-050. Published by
De Haske Publications
(BT.DHP-0991451-050).
English. Pacific
Dreams describes the
experience of Miguel, a
traveling composer from
Spain who, feeling
somewhat alienated from
his homeland, is
wandering through an area
of Sydney known as The
Rocks. At a small outdoor
market in a typical
street of this
oldcolonial
neighbourhood, he
discovers a print of
William DeShazos painting
Pacific Dreams Portrayed
in the painting is the
surf of one of the exotic
islands in the Pacific.
Next, with the impressive
Sydney Harbour Bridge
looming over the
narrowstreets of The
Rocks, he envisions
sultry Pacific beaches.
Suddenly a theme he once
composed about the lakes
in Japan comes to him. Is
it the Asian influences
present in cosmopolitan
Sydney that bring this
theme to mind? Or perhaps
the waters aroundSydney,
over which he could sail
to Tahiti? He is
uncertain. Could this
same theme be used to
create a new composition
about his feelings for
the metropolis Sydney?
How then to work his
Pacific Dreams into the
mix? Miguel is certainly
no fan ofHawaiian music.
Mayby he could use the
vocabularies of islands
like Hawaii and Tahiti,
their beautiful vowel
combinations being sung
ad libitum by a mixed
choir.With these ideas
and his newly purchased
print of Pacific Dreams,
he boards the Metroat
Circular Quay. He has a
final glimpse of the
harbour and the Sydney
Opera House as the train
races into the ground. On
to the hotel! To work! He
must compose!Maestoso :
Miguel is impressed as he
gazes upon the Sydney
Harbour Bridge. And yet,
hewants to go away from
this city. Away, to an
exotic island in the
Pacific.Steady Rock : In
the Rocks, musicians are
playing at a square.
Miguel basks in the
atmosphere but at the
same time he is
fantasizing about Hawaii
and Tahiti.Andante
Lamentoso :In his hotel
room, Miguel is feeling
sad and lonely in this
big city. He takes
comfort in his Pacific
Dreams.Allegro : Miguel
boards the boat that
takes him from Darling
Harbour to Circular Quay.
In his mind he is
traveling on to Hawaii.
Or is ithome, where the
bolero is playing? He is
pulled back to reality by
the skyline of
Sydney.
Wir
schlüpfen in die Haut
von Miguel und reisen mit
ihm nach Australien.
Einigermaßen
entfremdet von seiner
spanischen Heimat
schlendert er durch das
Viertel The Rocks in
Sydney. Auf einem kleinen
Markt entdeckt er einen
Druck des Gemäldes
Pacific Dreams von
William DeShazo. Das Bild
stellt die Meeresbrandung
auf einer exotischen
Insel im Pazifik dar.
Während die
eindrucksvolle Harbour
Bridge von Sidney vor ihm
auftaucht, ist er in
Gedanken bei den
heißen Stränden im
Stillen Ozean. Auf einmal
kommt ihm das Thema in
den Sinn, das er einst
über die Gewässer
Japans komponiert hatte.
Liegt es an den
asiatischen
Einflüssen, die im
kosmopolitischen Sydney
so vielfältig
vertretensind? Oder sind
es die Wasser rund um
Sydney, über die er
nach Tahiti segeln
könnte? Er ist sich
unsicher. Könnte er
genau dieses Thema für
eine neue Komposition
über die Metropole
Sydney verwenden? Wie
sollte er seine Träume
vom Pazifik, seine
Pacific Dreams, in
diese Mixtur einbringen?
Vielleicht könnte er
den Wortschatz von Inseln
wie Hawaii und Tahiti
für seine Komposition
verwenden. Und einen
gemischten Chor die
schönen
Vokalverbindungen ad
libitum singen lassen.
Mit diesen Ideen im Kopf
steigt er in die Metro am
Circular Quay. Auf ins
Hotel und frisch ans
Werk! Jetzt muss er
einfach
komponieren.... $31.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Die Flamingos Chorale SATB SATB divisi [Octavo] Schirmer
(No. 3 from Rilke Songs ). Composed by Julian Wachner (1969-). For SATB choir, ...(+)
(No. 3 from Rilke Songs
). Composed by Julian
Wachner (1969-). For SATB
choir, divisi. Secular.
Octavo. 20 pages.
Published by E.C.
Schirmer Publishing
$3.15 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Moonlight Music Chorale SATB SATB A Cappella [Octavo] Alliance Music Publications
Composed by Eric Barnum. For SATB choir, a cappella. Octavo. Published by Allian...(+)
Composed by Eric Barnum.
For SATB choir, a
cappella. Octavo.
Published by Alliance
Music Publications
$2.10 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Water Chorale SATB Carus Verlag
Orchestra narrator, SABar vocal soli, SATB choir, piccolo, 2 flutes, oboe, engli...(+)
Orchestra narrator, SABar
vocal soli, SATB choir,
piccolo, 2 flutes, oboe,
english horn, clarinet,
bass clarinet, bassoon,
contra-bassoon, 4 horns,
2 trumpets, 3 trombones,
harp, timpani, marimba,
celesta, synthesizer
(sampler), computer,
percussion (3 players), 2
SKU: CA.2810307
Oratorio. Composed
by Gonzalo Grau. This
edition: Paperbound.
Contemporary Choir Music.
German title: Aqua.
Oratorio. Oratorios.
Study score. Composed
2010. Duration 62
minutes. Carus Verlag #CV
28.103/07. Published by
Carus Verlag
(CA.2810307). ISBN
9790007135836. Language:
Spanish. Text: Palacios,
Maria Fernanda. Text:
Maria Fernanda
Palacios. Gonzalo
Grau's oratorio Aqua,
commissioned by the
International
Bachakademie Stuttgart,
is concerned with the
important global theme of
water. It is precisely in
central Europe that this
precious commodity is
frequently and
thoughtlessly wasted,
while in other parts of
the world it is so
scarce. Moreover, water
shows two sides, which
Grau makes audible in his
oratorio: It gives, but
it can also take life -
in some places rain
brings luck, while in
others it brings
destruction. Worldwide
water is a theme, it
means different things in
different cultures -
this, for example, is
reflected in the music of
Indian and African
cultures. Gonzalo Grau's
compositional style is
marked by a variety of
influences: For me a
Gregorian chant is just
as beautiful as a Cuban
Santeria song. Indian
ornamentation and baroque
articulation can both
appear in the same piece,
says the composer.
Special sound effects
make Aqua a
multi-cultural oratorio
in which man and the
environment is the
central theme. Score
available separately -
see item CA.2810300. $85.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| A Treasury of Song for Sight-Singing and Performance Chorale SATB SATB Hal Leonard
Choral Collection. A Cappella, Collection, Concert, Sightsinging. Octavo. 64 pag...(+)
Choral Collection. A
Cappella, Collection,
Concert, Sightsinging.
Octavo. 64 pages.
Published by Hal Leonard
$4.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Au bord de l'eau Chorale SATB SATB, Piano [Conducteur] - Intermédiaire Carus Verlag
SSATB Choir, Piano - Level 3 SKU: CA.925400 Composed by Gabriel Faure. Ar...(+)
SSATB Choir, Piano -
Level 3 SKU:
CA.925400 Composed by
Gabriel Faure. Arranged
by Denis Rouger. Separate
edition to the CD.
Lieder, Secular choral
music. Full Score. Op.
8,1. Duration 2 minutes.
Carus Verlag #CV
09.254/00. Published by
Carus Verlag (CA.925400).
ISBN M-007-24916-8.
Key: C sharp minor.
Language: French. Text:
Prudhomme,
Sully. In Au bord
de l'eau (By the water)
two lovers sit as in a
dream, removed from the
real world with all its
conflicts. They only take
themselves seriously, the
surrounding nature lies
as beneath a dream-like
veil: steadily like the
river flowing by, the
passing clouds, the
babbling brook, time also
passes. The poet Sully
Prudhomme, the first
Nobel prizewinner for
literature (1901), ends
the poem with the
assertion that only love
is immortal. With this
knowledge, Gabriel
Faure's setting turns
from a dreamy, deceptive
C sharp minor to a more
promising C sharp major.
These art songs were
originally composed not
for chamber choir, but
for solo voice and piano.
Denis Rouger has
carefully adapted them to
suit the requirements and
expressive possibilities
offered by a larger
ensemble, without losing
the any of the qualities
of the original in the
process. Each part in the
choir has a melodic line
drawn from the harmonic
and rhythmic framework.
In the process, the
variety and refinement of
the choral language
combines with an enormous
flexibility in form and
expression, as French
melodies or German art
song demand from a
soloist and pianist. The
songs have been recorded
by the figure humaine
chamber choir on the CD
Kennst du das Land ...
(Carus 83.495). $4.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Geoffrey Burgon: Dos Coros For 12 Solo Voices Or Choir Chorale SATB Chester
SATB Choir SKU: HL.14005357 Composed by Geoffrey Burgon. Music Sales Amer...(+)
SATB Choir SKU:
HL.14005357 Composed
by Geoffrey Burgon. Music
Sales America. Sacred.
Book [Softcover].
Composed 1999. 40 pages.
Chester Music #CH61337.
Published by Chester
Music (HL.14005357).
ISBN
9780711975767. De
Algunos Canciones de Juan
de la Cruz. This work was
commissioned by the BBC
for the 10th anniversary
of the BBC Northern
Singers in 1975. 'Dos
Coros is a setting for
voices of two poems by
the 16th century Spanish
mystic St John of the
Cross. St John is widely
considered to be the
greatest of the Spanish
mystic poets, because he
comes closest to
expressing what is
usually considered to be
inexpressible - mystical
experience. His poetry is
all about the intense
excitement of the union
with God, but,
paradoxically, the word
God is rarely used, and
not at all in the two
poems set here. Another
paradox is that he is
able to express great
serenity by employing the
imagery of rushing water,
flight and even
drunkenness. If mystical
experience is near
impossible to convey in
words, then maybe it is
natural that many
composers have taken up
the challenge of
conveying it in their own
medium.' Geoffrey
Burgon. $13.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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