By Traditional. Arranged by Vaughn, Jesse. (SATB). Celebration, Spiritual, Contemporary and Sacred. Print Music Single (SATB a cappella). 8 pages. Published by Hope Publishing Company.

By Mary Mcdonald. For SATB choir (divisi) and piano (with optional orchestra, congregation). All Saints Day, Ascension, Christ the King, Eastertide, General, Trinity Sunday, Sacred. Sacred Anthem

Composed by Mary McDonald. Choral, cantatas. Eastertide, Holy Week. Choral score. Lorenz Publishing Company #55/1188L. Published by Lorenz Publishing Company (LO.55-1188L).

Unison voices, SATB choir, piano reduction - Beginning

SKU: GI.G-5269

Arranged by William Tortolano. Eastertide, Easter Sunday, Easter 2 A, Easter 2 B, Easter 2 C. Choral. Tune Name: O Filii Et Filae. Sacred. Octavo. 4 pages. GIA Publications #5269. Published by GIA Publications (GI.G-5269).

English, Latin. Translation: John Mason Neale. Text by Jean Tisserand.

The chant melody, o filii et filiae, alternates with a 4-part, rhythmic chorale setting scored a fourth higher. In addition to the traditional nine stanzas that tell the story of “doubting” Thomas, the first and last stanzas are also given in Latin. Intended for unaccompanied choir. .

Orchestra Soli SATB, SATB Choir, 2 Oboes ( Ob I auch Obda), Trumpet, Violin solo, 2 Violins, Viola, Viola da gamba, Basso continuo - Grade 3

SKU: CA.3107649

Cantata for the 2nd Sunday afer Trinity / Reformation Day. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. Arranged by Paul Horn. Organ. Sacred vocal music, Cantatas, Psalms, German. Single Part, Organ. Composed 1723. BWV 76. 32 pages. Duration 35 minutes. Carus Verlag #CV 31.076/49. Published by Carus Verlag (CA.3107649).

Key: C major / a minor. Language: German/English.

The cantata Die Himmel erzahlen die Ehre Gottes (The heavens are telling of God in glory) BWV 76 by Johann Sebastian Bach was written for the 2nd Sunday after Trinity, which fell on 6 June 1723 in the year it was first performed. This ambitious two-part work was the second cantata which Bach wrote after taking up the position of Kantor of St. Thomas's in Leipzig. Bach's aim was evidently to demonstrate a particularly wide range of musical forms in both the arias and the recitatives in this cantata. The opening chorus is based on verses 2 and 4 of Psalm 19, with verse 4 structured as a choral fugue. Both parts of the cantata end with a chorale movement with different verses from the Lutheran hymn Es woll uns Gott genadig sein. The text refers loosely to the epistle reading from the 1st letter of St John, but deals more with general thoughts about the temptations of the Christian which can be overcome through love. Bach also performed the first part of the cantata later with minor revisions, but evidently no alterations to the text, on Reformation Day in Leipzig. Score and part available separately - see item CA.3107600.

Orchestra Soli SATB, SATB Choir, 2 Oboes ( Ob I auch Obda), Trumpet, Violin solo, 2 Violins, Viola, Viola da gamba, Basso continuo - Grade 3

SKU: CA.3107615

Cantata for the 2nd Sunday afer Trinity / Reformation Day. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. Arranged by Paul Horn. BWV 76. Viola da gamba. Sacred vocal music, Cantatas, Psalms, German. Single Part, Viola da gamba. Composed 1723. BWV 76. 16 pages. Duration 35 minutes. Carus Verlag #CV 31.076/15. Published by Carus Verlag (CA.3107615).

Key: C major / a minor. Language: German/English.

The cantata Die Himmel erzahlen die Ehre Gottes (The heavens are telling of God in glory) BWV 76 by Johann Sebastian Bach was written for the 2nd Sunday after Trinity, which fell on 6 June 1723 in the year it was first performed. This ambitious two-part work was the second cantata which Bach wrote after taking up the position of Kantor of St. Thomas's in Leipzig. Bach's aim was evidently to demonstrate a particularly wide range of musical forms in both the arias and the recitatives in this cantata. The opening chorus is based on verses 2 and 4 of Psalm 19, with verse 4 structured as a choral fugue. Both parts of the cantata end with a chorale movement with different verses from the Lutheran hymn Es woll uns Gott genadig sein. The text refers loosely to the epistle reading from the 1st letter of St John, but deals more with general thoughts about the temptations of the Christian which can be overcome through love. Bach also performed the first part of the cantata later with minor revisions, but evidently no alterations to the text, on Reformation Day in Leipzig. Score and part available separately - see item CA.3107600.

Choral (SATB)

SKU: HL.380310

Arranged by Stewart Harris. Shawnee Sacred. Easter, Palm Sunday. Octavo. 12 pages. Duration 195 seconds. Published by Shawnee Press (HL.380310).

UPC: 196288018926. 6.75x10.5x0.029 inches. Luke 23:21, Mark 15:1-47, Matthew 21:11-27.

This dramatic offering takes us from the hosannas of Palm Sunday to Good Friday's cries of Crucify! The music is approachable yet inventive, while the theater elements of the arrangement tell the story in vivid colors. A folksong-like main theme, interesting choral echoes, expressive harmonies, and a descriptive piano accompaniment all dialogue together in this sacred journey.

Arranged by Hal H. Hopson. For Choral (SATB). Choral - SATB. Harold Flammer Easter. Print on demand - publisher prints this title after order is received. Octavo. 8 pages. Shawnee Press #A5752. Published by Shawnee Press

SATB choir, a cappella - Medium/Medium Difficult

SKU: PL.0323

Composed by Michael Sitton. Choral, General, Pentecost. Octavo. Paraclete Press #0323. Published by Paraclete Press (PL.0323).

This brief, yet heartfelt anthem uses a text of Thomas Cranmer for Quinquagesima Sunday. It tells us that . . .our doing without charity are nothing worth. This is an intimate piece, staying well within the middle range of the voices and expressing the text with lines of simple beauty and imagination. Works are often highlighted with a single voice and the harmonic language is mildly dissonant. This anthem would also make a lovely introit.

SATB choir, voice solo - Intermediate

SKU: GI.G-10620

Composed by Danielle Rose. Arranged by James J Wright. Lent, Palm Sunday, Good Friday. Choral. Sacred. Octavo. 20 pages. GIA Publications #10620. Published by GIA Publications (GI.G-10620).

UPC: 785147062011. English. Text by Danielle Rose. Scripture: Matthew 27:27–29, Mark 15:17, John 19:1–3.

Watc h this piece performed by Danielle Rose with the Notre Dame Folk Choir in the video below:

This hauntingly beautiful arrangement is a devotion for reflecting on Jesus' suffering in his Passion. The allegorical technique used here tells the story of Jesus' crowning with thorns from the perspective of the rose bush that was used to assemble the crown of thorns. This arrangement may be sung as a solo or by a small group of treble singers.

SATB choir, piano

SKU: LO.10-4298L

Composed by David Lantz. Choral. Sacred Anthem, Holy Week, Maundy Thursday, Palm/Palm-Passion Sunday. Octavo. Lorenz Publishing Company #10/4298L. Published by Lorenz Publishing Company (LO.10-4298L).

ISBN 9781429130387.

Litt le Tears is a tender telling of Jesus in the Garden of Gethsemane, which gives us a glimpse into both His struggle and His remarkable courage. Colored by delicate harmonies, optional solos, and rubato moments, this piece is a simple yet captivating anthem for any choir.