Fassung Ii. Par BACH JOHANN SEBASTIAN. The St. John Passion ranks alongside the St. Matthew Passion, the Christmas Oratorio, the Magnificat and the B minor Mass as one of the great vocal works from Johann Sebastian Bach’s Leipzig years. In contrast to his other large-scale choral works, however, Bach never gave this work a definitive final form. Rather, for every performance he substantially revised the general concept of the piece and also changed numerous details. All previous editions of the St. John Passion have combined readings from various layers of sources and thus present the work in a form which was never heard during Bach’s lifetime. Consequently, the wish often expressed by conductors to perform anauthentic version by Bach could not be easily achieved. The present critical, new edition of the St. John Passion fulfills this wish and for the first time makes available the complete music of the second version of the work as it was performed under Bach’s direction in 1725. Since a number of movements were replaced by others, including the opening chorus, this version differs most dramatically from the “standard” version which is well known today. J. S. Bach's Johannes Passion BWV 245 for SATB and Piano. Die Johannespassion zählt neben der doppelchörigen Matthäuspassion, dem Weihnachtsoratorium, dem Magnificat und der h-Moll-Messe zu den groß en Vokalwerken der Leipziger Jahre Johann Sebastian Bachs. Im Gegensatz zu den ubrigen oratorischen Werken hat Bach / Musique religieuse / Date parution : 2005-12-01/ Répertoire / Solistes SATBB, Choeur SATB, 2 Flûtes Traversières

Choralkantate. Par CRUGER JOHANN / MENDELSSOHN-BARTHOLDY FELIX. also contains an arrangemet for organ During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known chorale melodies for choir, instruments, and sometimes also for soloists. / Date parution : 1979-02-01/ Répertoire / Choeur SATB, 2 Violons, Alto et Violoncelle ou Con

Choralkantate. Par CRUGER JOHANN / MENDELSSOHN-BARTHOLDY FELIX. also contains an arrangemet for organ During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known chorale melodies for choir, instruments, and sometimes also for soloists. / Date parution : 1979-06-01/ Répertoire / Choeur SATB, 2 Violons, Alto et Violoncelle ou Con

Choralkantate. Par CRUGER JOHANN / MENDELSSOHN-BARTHOLDY FELIX. also contains an arrangemet for organ During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known chorale melodies for choir, instruments, and sometimes also for soloists. / Date parution : 1979-06-01/ Répertoire / Choeur SATB, 2 Violons, Alto et Violoncelle ou Con

Horn, Paul (Arr.) - Lunn, Jean (Trad.) -. Par BACH JOHANN CHRISTOPH. Gattungen: Motetten - Reihen bei Carus: Stuttgarter Ausgaben (Urtext) - Langue : Allemand/Anglais / Mottet / Répertoire / Choeur SATB/SATB et Basse Continue

This little tribute to William Ferris and the William Ferris Chorale consists of two sections, the first slow and the second quick. The text is simply the two words of the title, the Amen being the first section and (with minimal overlap) the Alleluia the second. In each part, the relevant word is gradually built up from its component syllables or sounds, and the second section is a gradual progress from a quiet, light texture to a blazing final cadence. Commissioned by the William Ferris Chorale for their 20th Anniversary Season and first performed by them on 27 March 1992 at Mount Carmel Church, Chicago, Illinois, conducted by William Ferris. / SATB

Kantate Zum Reformationsfest (Rekonstruktion: Reinhold Kubik). Par BACH JOHANN SEBASTIAN. Tonalité : D-Dur - Horn, Paul / Kubik, Reinhold (Arr.) - Wicker, Jutta (Trad.) - BWV 80/ Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Hautbois

Kantate Zum Sonntag Septuagesimae. Par BACH JOHANN SEBASTIAN. J. S. Bach's Nimm, Was Dein Ist, Und Gehe Hin (BWV 144; h-Moll) for SATB./ Répertoire / Solistes SAT, Choeur SATB, 2 Hautbois/Hautbois d'A

Kubik, Reinhold (Arr.) - Wicker, Jutta (Trad.) -. Par BACH JOHANN CHRISTOPH. Gattungen: Motetten - Reihen bei Carus: Stuttgarter Ausgaben (Urtext) - Verwendung / Anlässe: Konfirmation, Firmung, Trauer, Tod - Langue : Allemand/Anglais/ Répertoire / Choeur SSATB, (Basse Continue)

Arrangeur: Paul Horn. Par BACH JOHANN SEBASTIAN / TELEMANN GEORG PHILIPP. Gattungen: Motetten - Reihen bei Carus: Chorsammlungen für gemischten Chor, Stuttgarter Ausgaben (Urtext) - Verwendung / Anlässe: L Hautbois und Dank - Verwendung / Kirchenjahr: Ostern und nachösterliche Freudenzeit, Pianoingsten - / Mottet / Répertoire / Choeur Mixte

Wicker, Jutta (Trad.). Par BACH JOHANN CHRISTOPH. Gattungen: Motetten - Reihen bei Carus: Stuttgarter Ausgaben (Urtext) - Verwendung / Anlässe: Trauer, Tod - Langue : Allemand/Anglais / Mottet / Répertoire / Choeur SSATB, ou Basse Continue

Par BACH JOHANN SEBASTIAN. Study score format 22. 5 x 16. 5 cm; With an introduction in English and German by Alfred Dürr. The 2nd version with the 4 inserts from the E-flat major version (transposed into D major). Barenreiter Urtext: In the international music world “Bärenreiter Urtext” is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarly critical criteria. Editors which include prominent musicologists as well as musicians take all available sources into account, thus guaranteeing an authentic musical text which represents the latest in musicological research. For Bärenreiter, “Urtext” ismore than just a label – it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research, enabling musicians to get as close to the composer’s intentions as the surviving sources will allow. There are no arbitrary editorial additions, and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye./ Répertoire / Partition de Poche

Par RUTTER JOHN. Composé par John Rutter Interprétation personnelle de Missa brevis texte Très efficace demi-programmme de travail Comprend les adultes et les choeurs d'enfants pour solistes soprano et baryton, choeur d'enfants, choeur d'adultes et orchestre ou ensemble de chambre Le texte est celui d'une norme Missa brevis latine, à laquelle plusieurs pertinentes en anglais des textes poétiques ont été ajoutées. La première et la dernière de ces hymnes sont tirées de l'évêque Thomas Ken matin et le soir réputée pour les savants de Winchester College. Ils donnent toute l'oeuvre du cadre d'une journée complète, du lever au coucher, au sein duquel d'autres textes et les humeurs apparaissent comme des événements en ce jour ou de repères dans une vie. Partitions vocales sont disponibles à la vente ou en location. Matériau instrumental est disponible à la location. John Rutter est né à Londres en 1945 et a étudié la musique au Clare College, Cambridge. Ses compositions embrassent la musique chorale, orchestrale et instrumentale, et il a édité ou co-édité plusieurs anthologies chorale dont quatre pour des volumes de Carols chorales avec Sir David Willcocks et l'Oxford Choral Classics série. De 1975 à 1979, il a été directeur de la musique au Clare College, et en 1981 il a formé son propre choeur, les Cambridge Singers. Il partage maintenant son temps entre la composition et la conduite et est recherché comme un chef d'orchestre invité pour le leader mondial des chorales et orchestres. / Niveau : Facile / Répertoire / Chant

Kantate Zum Epiphaniasfest. Par BACH JOHANN SEBASTIAN. This six-movement cantata uses the hymn of the same name by Ahasverus Fritsch, first recorded in 1698 in the Darmstädter Liederbuch. This places it amongst those chorale cantatas which use a hymn from the repertoire associated with Pietism. As was customary, the hymn text is retained in the outer movements, whereas the text for the inner movements - two secco recitatives and a tenor and a bass aria - are concerned with the contrast between the hostile world and the certainty of Jesus- the links between the cantata text and the Feast of the Epiphany are correspondingly tenuous. In the first movement the soprano sings the hymn melody complete, accompanied by mainly homophonic vocal parts, whilst the instrumental writing is largely influenced by the melody of the first line of the hymn. Remarkable is the tenor aria, with its contrasting central section and its chromatic twists and turns, in which Bach once again proves himself to be a master of harmony. The demands on the chorus are fairly modest, whereas the instrumentalists are challenged in the first movement and in both the arias./ Répertoire / Choeur Mixte (SATB) et Orchestre

Aus: Israelsbrünnlein. Par SCHEIN JOHANN HERMANN. Johann Hermann Schein’s Israelsbrünnlein, published in Leipzig in 1623, is a supreme achievement not only among the works of this composer, who had been Thomaskantor in Leipzig since 1616, but also for the entire body of German music written during the first half of the 17th century. Among the 26 motets written “in the Italian madrigal manner” 23 are settings of Old Testament texts, a fact to which the collection owes its title. The source for the text of this collection is the “inexhaustible fountain” of the Psalms, the books of Moses, the Prophets, the Songs of Solomon, and other books of the Old Testament. / Mottet / Répertoire / Choeur SSATB