By George Frideric Handel. For SATB Choir, Piano Accompaniment. Baroque, Sacred,...(+)
By George Frideric
Handel. For SATB Choir,
Piano Accompaniment.
Baroque, Sacred, Choral,
Religious. Sheet Music.
264 pages. Published by
Novello and Co Ltd.
By George Frideric Handel (1685-1759). Edited by Horace Wadham Nicholl. Arranged...(+)
By George Frideric Handel
(1685-1759). Edited by
Horace Wadham Nicholl.
Arranged by Felix
Bartholdy Mendelssohn.
Choir and piano. For
Soprano voice, Alto
voice, Tenor voice, and
Bass voice (Soli), SATB
Choir, Piano. This
edition: Paperback.
Oratorio (complete).
Baroque Period;
Sacred/Hymns, English.
Vocal Score. 200 pages.
Published by Serenissima
By George Frideric Handel ; Watkins Shaw (Editor). For 2 Sopranos, Alto, Tenor, ...(+)
By George Frideric Handel
; Watkins Shaw (Editor).
For 2 Sopranos, Alto,
Tenor, Bass, SSATB Choir,
String Orchestra,
Continuo. Baroque,
Sacred, Choral. Sheet
Music. 96 pages.
Published by Novello and
Co Ltd.
Ave Maria Chorale SATB - Intermédiaire Alfred Publishing
Composed by Johann Sebastian Bach and Charles Gounod. Arranged by Russell L. Rob...(+)
Composed by Johann
Sebastian Bach and
Charles Gounod. Arranged
by Russell L. Robinson.
Choir Sacred. SATB choir.
Choral Octavo;
Masterworks. Choral
Designs. Baroque;
Masterwork Arrangement;
Sacred. 12 pages.
Published by Alfred Music
By Thomas Morley; Henry Purcell. For SATB Choir, Oboe Band, Four Slide Trumpets,...(+)
By Thomas Morley; Henry
Purcell. For SATB Choir,
Oboe Band, Four Slide
Trumpets, Kettle Drums,
Military Drums. Baroque,
Choral. Sheet Music. 32
pages. Published by
Novello & Co Ltd.
Composed by George Frideric Handel, edited by T. Tertius Noble. For SATB choir (...(+)
Composed by George
Frideric Handel, edited
by T. Tertius Noble. For
SATB choir (with solos)
and piano accompaniment.
Format: vocal score. With
choral notation, piano
reduction and
introductory text.
Baroque. Text language
English only. 252 pages.
6.7x10.5 inches.
Published by Schirmer.
Solomon Chorale SATB [Vocal Score] Novello & Co Ltd.
By George Frideric Handel. For 4 Soprano, Alto, Tenor, 2 Bass Voice, SATB Choir,...(+)
By George Frideric
Handel. For 4 Soprano,
Alto, Tenor, 2 Bass
Voice, SATB Choir, Piano
Accompaniment. Baroque,
Sacred, Choral. Sheet
Music. 198 pages.
Published by Novello and
Co Ltd.
Choral (SATB) SKU: HL.1471379 A Chorale and Fugue in the Baroque Tradi...(+)
Choral (SATB)
SKU:
HL.1471379
A
Chorale and Fugue in the
Baroque Tradition.
Composed by Mark Hayes.
Choral. Concert, Unity.
Softcover. 80 pages.
Duration 1800 seconds.
Published by Hal Leonard
(HL.1471379).
ISBN
9798350127812. UPC:
196288213611.
6.75x10.5x0.238
inches.
If you
enjoy singing Baroque
music and value the
importance of kindness,
courage and compassion,
this new 30 minute
through-composed work by
Mark Hayes for chorus,
soprano and tenor
soloists and orchestra is
for you. Drawing from the
writings of ancient and
contemporary authors, the
original text of
âKindness,â
written by Hayes, seeks
to answer the question,
âHow then shall we
live, especially in a
world that seems so
dysfunctional?â The
answer: live with
kindness, courage and
compassion. When we are
joined as one in our
pursuit of these values,
we can make a lasting
impact. To quote Margaret
Mead, âNever
underestimate the ability
of a small group of
committed individuals to
change the world.â
âKindnessâ is
set in the Baroque
tradition and features an
original chorale tune
with three separate
texts, a fugue, both
conventional and
retrograde,
recitative-like sections
for the soprano and tenor
soloists and extensive
instrumental interludes.
As a nod to Baroque
masters such as Johann
Sebastian Bach and George
Frideric Handel, Hayes
included passages
imitating âJesu, Joy
of Man's Desiringâ
and âHallelujah
Chorus.â This work
is perfect for high
school and college choirs
as well as community and
church choirs. The text
is intentionally not
sacred, rather universal
in its appeal. Imagine
how the music and message
of this work could join a
community together in the
pursuit of kindness,
courage and compassion.
It's what the world
needs.. now.
(Coronation Anthem
No.1). Composed by
George Frideric Handel.
Arranged by Douglas E.
Wagner. Performance Music
Ensemble; Single Titles.
Alfred Choral Designs.
Baroque; Masterwork
Arrangement; Secular.
Choral Octavo. 12 pages.
Alfred Music #00-50210.
Published by Alfred Music
(AP.50210).
UPC:
038081573809.
English.
This, the
first of Handel's four
Coronation Anthems, has
been a cherished part of
crowning British royalty
from George II in 1727 to
the current sovereign,
Charles III. Commemorate
the grand occasion with
this condensed version of
the majestic Baroque
masterwork. Available in
three fresh editions
designed with student
choirs in mind. Perform
with the accessible piano
reduction, or combine
with your school
orchestra (strings,
brass, and timpani) for a
regal fanfare.
About Alfred
Choral
Designs
Th
e Alfred Choral Designs
Series provides student
and adult choirs with a
variety of secular choral
music that is useful,
practical, educationally
appropriate, and a
pleasure to sing. To that
end, the Choral Designs
series features original
works, folk song
settings, spiritual
arrangements, choral
masterworks, and holiday
selections suitable for
use in concerts,
festivals, and
contests.
SATB choir, organ accompaniment, trumpet 1 in B-flat, trumpet 1 in C, trumpet 2 ...(+)
SATB choir, organ
accompaniment, trumpet 1
in B-flat, trumpet 1 in
C, trumpet 2 in B-flat,
trumpet 2 in C - Early
intermediate
SKU:
GI.G-9040
Composed by
John Gaffney. Ascension
of the Lord. Choral.
Sacred. Octavo. 8 pages.
GIA Publications #9040.
Published by GIA
Publications (GI.G-9040).
UPC: 785147904007.
English. Text Source:
Based on Psalm 47. Text
by John
Gaffney.
This
one-rehearsal anthem is a
lively selection that can
be performed with or
without the trumpet
parts. The composer
describes this piece as
an “interpretation
of the baroque
style†that should
be sung with a
“lightâ€
sound. The organ part may
be played by two
trumpets.
Was ist die Welt? Chorale SATB SATB, Piano [Conducteur] Carus Verlag
SATB Choir, Piano SKU: CA.926610 From: Sonne, Mond und Sterne. Com...(+)
SATB Choir, Piano
SKU:
CA.926610
From:
Sonne, Mond und
Sterne. Composed by
Peter Schindler. Carus
digital: Extra digital
products. Full Score.
Duration 3 minutes.
Published by Carus Verlag
(CA.926610).
ISBN
9790007295578.
German.
Peter
Schindler's full-length
secular choral work
Sonne, Mond und Sterne
(Sun, Moon and Stars)
narrates a love story
based on old texts which
are given a new
interpretation through
these musical settings.
Some individual numbers
were published in spring,
and now more movements
with piano accompaniment
are available in print
and digitally.-
choral work of medium
difficulty- will
appeal to experienced
Brahms Requiem singers as
well as ambitious chamber
or youth choirs with a
gospel, pop or jazz
background-cross-over
between jazz, chanson,
and chamber music
Peter Schindler
about Was ist die
Welt?A strict Allegro
ben ritmato symbolises
how inexorable the course
of the world is. The
choir chants the question
about what Welt (the
world) actually is.
Hectic bustle is
expressed through a
pulsing basic motif. This
is repeated constantly
and moves through the
parts. A lyrical B flat
minor in the central
section allows us to
float like shadows on the
way into a dream.The
song text is a collage.
The first verse, by the
Baroque poet Christian
Hoffmann von
Hoffmannswaldau, is
concerned with the
vanitas motif: the world,
and everything which
seems beautiful to us, is
ephemeral. The second and
third verses were written
in the 18th century by
Johann Gottfried Herder.
Here, the poet expounds
the view that real life
does not take place in
the world and that
people's mathematical
abilities are
insufficient to measure
space and
time.
Soli SATB, SATB Choir, 2 Ob, Tl (Eh), 2 Vl, Va, Vc, organ obl, Bc SKU: CA.311...(+)
Soli SATB, SATB Choir, 2
Ob, Tl (Eh), 2 Vl, Va,
Vc, organ obl, Bc
SKU:
CA.3118800
Cantata
for the 21st Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Pieter Dirksen.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music, End of the church
year, Trinity. Full
score. Composed 1728. BWV
188. 64 pages. Duration
25 minutes. Carus Verlag
#CV 31.188/00. Published
by Carus Verlag
(CA.3118800).
ISBN
9790007181567. Language:
German/English.
The
cantata Ich habe meine
Zuversicht BWV 188 comes
from the so-called
Picander cycle and was
written for the 21st
Sunday after Trinity in
1728 or 1729. There are
some particular problems
associated with its
transmission. The
original set of parts was
lost, and the manuscript
score only survives in
fragmentary form.
Probably as early as the
18th century the score
was divided up into
numerous separate parts
in order to make more
money, or to be able to
provide as many Bach
relics as possible for
posterity. The first
movement, an instrumental
sinfonia, is missing
apart from the final
bars. We simply know that
this sinfonia is based on
the 3rd movement of the
Harpsichord Concerto BWV
1052 in D minor and that
instead of the
harpsichord, an obbligato
organ was envisaged. Its
successful reconstruction
by the baroque specialist
and organist Pieter
Dirksen now makes it
possible to perform the
cantata again complete
with the introductory
sinfonia.
Soli SATB, SATB Choir, 2 Ob, Tl (Eh), 2 Vl, Va, Vc, organ obl, Bc SKU: CA.311...(+)
Soli SATB, SATB Choir, 2
Ob, Tl (Eh), 2 Vl, Va,
Vc, organ obl, Bc
SKU:
CA.3118803
Cantata
for the 21st Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Pieter Dirksen.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music, End of the church
year, Trinity. Vocal
score. Composed 1728. BWV
188. 32 pages. Duration
25 minutes. Carus Verlag
#CV 31.188/03. Published
by Carus Verlag
(CA.3118803).
ISBN
9790007187293. Language:
German/English.
The
cantata Ich habe meine
Zuversicht BWV 188 comes
from the so-called
Picander cycle and was
written for the 21st
Sunday after Trinity in
1728 or 1729. There are
some particular problems
associated with its
transmission. The
original set of parts was
lost, and the manuscript
score only survives in
fragmentary form.
Probably as early as the
18th century the score
was divided up into
numerous separate parts
in order to make more
money, or to be able to
provide as many Bach
relics as possible for
posterity. The first
movement, an instrumental
sinfonia, is missing
apart from the final
bars. We simply know that
this sinfonia is based on
the 3rd movement of the
Harpsichord Concerto BWV
1052 in D minor and that
instead of the
harpsichord, an obbligato
organ was envisaged. Its
successful reconstruction
by the baroque specialist
and organist Pieter
Dirksen now makes it
possible to perform the
cantata again complete
with the introductory
sinfonia. Score available
separately - see item
CA.3118800.
Soli SATB, SATB Choir, 2 Ob, Tl (Eh), 2 Vl, Va, Vc, organ obl, Bc SKU: CA.311...(+)
Soli SATB, SATB Choir, 2
Ob, Tl (Eh), 2 Vl, Va,
Vc, organ obl, Bc
SKU:
CA.3118813
Cantata
for the 21st Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Pieter Dirksen.
Stuttgart Urtext Edition:
Bach vocal. Viola. Sacred
vocal music, End of the
church year, Trinity.
Single Part, Viola.
Composed 1728. BWV 188. 8
pages. Duration 25
minutes. Carus Verlag #CV
31.188/13. Published by
Carus Verlag
(CA.3118813).
ISBN
9790007210052. Language:
German/English.
The
cantata Ich habe meine
Zuversicht BWV 188 comes
from the so-called
Picander cycle and was
written for the 21st
Sunday after Trinity in
1728 or 1729. There are
some particular problems
associated with its
transmission. The
original set of parts was
lost, and the manuscript
score only survives in
fragmentary form.
Probably as early as the
18th century the score
was divided up into
numerous separate parts
in order to make more
money, or to be able to
provide as many Bach
relics as possible for
posterity. The first
movement, an instrumental
sinfonia, is missing
apart from the final
bars. We simply know that
this sinfonia is based on
the 3rd movement of the
Harpsichord Concerto BWV
1052 in D minor and that
instead of the
harpsichord, an obbligato
organ was envisaged. Its
successful reconstruction
by the baroque specialist
and organist Pieter
Dirksen now makes it
possible to perform the
cantata again complete
with the introductory
sinfonia. Score and part
available separately -
see item CA.3118800.
Soli SATB, SATB Choir, 2 Ob, Tl (Eh), 2 Vl, Va, Vc, organ obl, Bc SKU: CA.311...(+)
Soli SATB, SATB Choir, 2
Ob, Tl (Eh), 2 Vl, Va,
Vc, organ obl, Bc
SKU:
CA.3118849
Cantata
for the 21st Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Pieter Dirksen.
Stuttgart Urtext Edition:
Bach vocal. Organ. Sacred
vocal music, End of the
church year, Trinity.
Single Part, Organ.
Composed 1728. BWV 188.
16 pages. Duration 25
minutes. Carus Verlag #CV
31.188/49. Published by
Carus Verlag
(CA.3118849).
ISBN
9790007210090. Language:
German/English.
The
cantata Ich habe meine
Zuversicht BWV 188 comes
from the so-called
Picander cycle and was
written for the 21st
Sunday after Trinity in
1728 or 1729. There are
some particular problems
associated with its
transmission. The
original set of parts was
lost, and the manuscript
score only survives in
fragmentary form.
Probably as early as the
18th century the score
was divided up into
numerous separate parts
in order to make more
money, or to be able to
provide as many Bach
relics as possible for
posterity. The first
movement, an instrumental
sinfonia, is missing
apart from the final
bars. We simply know that
this sinfonia is based on
the 3rd movement of the
Harpsichord Concerto BWV
1052 in D minor and that
instead of the
harpsichord, an obbligato
organ was envisaged. Its
successful reconstruction
by the baroque specialist
and organist Pieter
Dirksen now makes it
possible to perform the
cantata again complete
with the introductory
sinfonia. Score and part
available separately -
see item CA.3118800.
Soli SATB, SATB Choir, 2 Ob, Tl (Eh), 2 Vl, Va, Vc, organ obl, Bc SKU: CA.311...(+)
Soli SATB, SATB Choir, 2
Ob, Tl (Eh), 2 Vl, Va,
Vc, organ obl, Bc
SKU:
CA.3118811
Cantata
for the 21st Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Pieter Dirksen.
Stuttgart Urtext Edition:
Bach vocal. Violin 1.
Sacred vocal music, End
of the church year,
Trinity. Single Part,
Violin 1. Composed 1728.
BWV 188. 8 pages.
Duration 25 minutes.
Carus Verlag #CV
31.188/11. Published by
Carus Verlag
(CA.3118811).
ISBN
9790007210038. Language:
German/English.
The
cantata Ich habe meine
Zuversicht BWV 188 comes
from the so-called
Picander cycle and was
written for the 21st
Sunday after Trinity in
1728 or 1729. There are
some particular problems
associated with its
transmission. The
original set of parts was
lost, and the manuscript
score only survives in
fragmentary form.
Probably as early as the
18th century the score
was divided up into
numerous separate parts
in order to make more
money, or to be able to
provide as many Bach
relics as possible for
posterity. The first
movement, an instrumental
sinfonia, is missing
apart from the final
bars. We simply know that
this sinfonia is based on
the 3rd movement of the
Harpsichord Concerto BWV
1052 in D minor and that
instead of the
harpsichord, an obbligato
organ was envisaged. Its
successful reconstruction
by the baroque specialist
and organist Pieter
Dirksen now makes it
possible to perform the
cantata again complete
with the introductory
sinfonia. Score and part
available separately -
see item CA.3118800.
Soli SATB, SATB Choir, 2 Ob, Tl (Eh), 2 Vl, Va, Vc, organ obl, Bc SKU: CA.311...(+)
Soli SATB, SATB Choir, 2
Ob, Tl (Eh), 2 Vl, Va,
Vc, organ obl, Bc
SKU:
CA.3118814
Cantata
for the 21st Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Pieter Dirksen.
Stuttgart Urtext Edition:
Bach vocal. Basso
continuo. Sacred vocal
music, End of the church
year, Trinity. Single
Part, basso continuo.
Composed 1728. BWV 188.
16 pages. Duration 25
minutes. Carus Verlag #CV
31.188/14. Published by
Carus Verlag
(CA.3118814).
ISBN
9790007210069. Language:
German/English.
The
cantata Ich habe meine
Zuversicht BWV 188 comes
from the so-called
Picander cycle and was
written for the 21st
Sunday after Trinity in
1728 or 1729. There are
some particular problems
associated with its
transmission. The
original set of parts was
lost, and the manuscript
score only survives in
fragmentary form.
Probably as early as the
18th century the score
was divided up into
numerous separate parts
in order to make more
money, or to be able to
provide as many Bach
relics as possible for
posterity. The first
movement, an instrumental
sinfonia, is missing
apart from the final
bars. We simply know that
this sinfonia is based on
the 3rd movement of the
Harpsichord Concerto BWV
1052 in D minor and that
instead of the
harpsichord, an obbligato
organ was envisaged. Its
successful reconstruction
by the baroque specialist
and organist Pieter
Dirksen now makes it
possible to perform the
cantata again complete
with the introductory
sinfonia. Score and part
available separately -
see item CA.3118800.
Soli SATB, SATB Choir, 2 Ob, Tl (Eh), 2 Vl, Va, Vc, organ obl, Bc SKU: CA.311...(+)
Soli SATB, SATB Choir, 2
Ob, Tl (Eh), 2 Vl, Va,
Vc, organ obl, Bc
SKU:
CA.3118805
Cantata
for the 21st Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Pieter Dirksen.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music, End of the church
year, Trinity. Choral
Score. Composed 1728. BWV
188. 2 pages. Duration 25
minutes. Carus Verlag #CV
31.188/05. Published by
Carus Verlag
(CA.3118805).
ISBN
9790007210014. Language:
German/English.
The
cantata Ich habe meine
Zuversicht BWV 188 comes
from the so-called
Picander cycle and was
written for the 21st
Sunday after Trinity in
1728 or 1729. There are
some particular problems
associated with its
transmission. The
original set of parts was
lost, and the manuscript
score only survives in
fragmentary form.
Probably as early as the
18th century the score
was divided up into
numerous separate parts
in order to make more
money, or to be able to
provide as many Bach
relics as possible for
posterity. The first
movement, an instrumental
sinfonia, is missing
apart from the final
bars. We simply know that
this sinfonia is based on
the 3rd movement of the
Harpsichord Concerto BWV
1052 in D minor and that
instead of the
harpsichord, an obbligato
organ was envisaged. Its
successful reconstruction
by the baroque specialist
and organist Pieter
Dirksen now makes it
possible to perform the
cantata again complete
with the introductory
sinfonia. Score available
separately - see item
CA.3118800.
Soli SATB, SATB Choir, 2 Ob, Tl (Eh), 2 Vl, Va, Vc, organ obl, Bc SKU: CA.311...(+)
Soli SATB, SATB Choir, 2
Ob, Tl (Eh), 2 Vl, Va,
Vc, organ obl, Bc
SKU:
CA.3118809
Cantata
for the 21st Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Pieter Dirksen.
1x 31.188/21 oboe 1, 1x
31.188/22 oboe 2, 1x
31.188/23 taille.
Stuttgart Urtext Edition:
Bach vocal. Harmony
parts. Sacred vocal
music, End of the church
year, Trinity. Set of
Orchestra Parts. Composed
1728. BWV 188. Duration
25 minutes. Carus Verlag
#CV 31.188/09. Published
by Carus Verlag
(CA.3118809).
ISBN
9790007210021. Language:
German/English.
The
cantata Ich habe meine
Zuversicht BWV 188 comes
from the so-called
Picander cycle and was
written for the 21st
Sunday after Trinity in
1728 or 1729. There are
some particular problems
associated with its
transmission. The
original set of parts was
lost, and the manuscript
score only survives in
fragmentary form.
Probably as early as the
18th century the score
was divided up into
numerous separate parts
in order to make more
money, or to be able to
provide as many Bach
relics as possible for
posterity. The first
movement, an instrumental
sinfonia, is missing
apart from the final
bars. We simply know that
this sinfonia is based on
the 3rd movement of the
Harpsichord Concerto BWV
1052 in D minor and that
instead of the
harpsichord, an obbligato
organ was envisaged. Its
successful reconstruction
by the baroque specialist
and organist Pieter
Dirksen now makes it
possible to perform the
cantata again complete
with the introductory
sinfonia. Score and parts
available separately -
see item CA.3118800.
Soli SATB, SATB Choir, 2 Ob, Tl (Eh), 2 Vl, Va, Vc, organ obl, Bc SKU: CA.311...(+)
Soli SATB, SATB Choir, 2
Ob, Tl (Eh), 2 Vl, Va,
Vc, organ obl, Bc
SKU:
CA.3118848
Cantata
for the 21st Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Pieter Dirksen.
Stuttgart Urtext Edition:
Bach vocal. Harpsichord.
Sacred vocal music, End
of the church year,
Trinity. Single Part,
Cembalo. Composed 1728.
BWV 188. 20 pages.
Duration 25 minutes.
Carus Verlag #CV
31.188/48. Published by
Carus Verlag
(CA.3118848).
ISBN
9790007210083. Language:
German/English.
The
cantata Ich habe meine
Zuversicht BWV 188 comes
from the so-called
Picander cycle and was
written for the 21st
Sunday after Trinity in
1728 or 1729. There are
some particular problems
associated with its
transmission. The
original set of parts was
lost, and the manuscript
score only survives in
fragmentary form.
Probably as early as the
18th century the score
was divided up into
numerous separate parts
in order to make more
money, or to be able to
provide as many Bach
relics as possible for
posterity. The first
movement, an instrumental
sinfonia, is missing
apart from the final
bars. We simply know that
this sinfonia is based on
the 3rd movement of the
Harpsichord Concerto BWV
1052 in D minor and that
instead of the
harpsichord, an obbligato
organ was envisaged. Its
successful reconstruction
by the baroque specialist
and organist Pieter
Dirksen now makes it
possible to perform the
cantata again complete
with the introductory
sinfonia. Score and part
available separately -
see item CA.3118800.
Soli SATB, SATB Choir, 2 Ob, Tl (Eh), 2 Vl, Va, Vc, organ obl, Bc SKU: CA.311...(+)
Soli SATB, SATB Choir, 2
Ob, Tl (Eh), 2 Vl, Va,
Vc, organ obl, Bc
SKU:
CA.3118819
Cantata
for the 21st Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Pieter Dirksen.
Stuttgart Urtext Edition:
Bach vocal. Complete
orchestral parts. Sacred
vocal music, End of the
church year, Trinity. Set
of Orchestra Parts.
Composed 1728. BWV 188.
Duration 25 minutes.
Carus Verlag #CV
31.188/19. Published by
Carus Verlag
(CA.3118819).
ISBN
9790007210076. Language:
German/English.
The
cantata Ich habe meine
Zuversicht BWV 188 comes
from the so-called
Picander cycle and was
written for the 21st
Sunday after Trinity in
1728 or 1729. There are
some particular problems
associated with its
transmission. The
original set of parts was
lost, and the manuscript
score only survives in
fragmentary form.
Probably as early as the
18th century the score
was divided up into
numerous separate parts
in order to make more
money, or to be able to
provide as many Bach
relics as possible for
posterity. The first
movement, an instrumental
sinfonia, is missing
apart from the final
bars. We simply know that
this sinfonia is based on
the 3rd movement of the
Harpsichord Concerto BWV
1052 in D minor and that
instead of the
harpsichord, an obbligato
organ was envisaged. Its
successful reconstruction
by the baroque specialist
and organist Pieter
Dirksen now makes it
possible to perform the
cantata again complete
with the introductory
sinfonia. Score and parts
available separately -
see item CA.3118800.
Soli SATB, SATB Choir, 2 Ob, Tl (Eh), 2 Vl, Va, Vc, organ obl, Bc SKU: CA.311...(+)
Soli SATB, SATB Choir, 2
Ob, Tl (Eh), 2 Vl, Va,
Vc, organ obl, Bc
SKU:
CA.3118812
Cantata
for the 21st Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Pieter Dirksen.
Stuttgart Urtext Edition:
Bach vocal. Violin 2.
Sacred vocal music, End
of the church year,
Trinity. Single Part,
Violin 2. Composed 1728.
BWV 188. 8 pages.
Duration 25 minutes.
Carus Verlag #CV
31.188/12. Published by
Carus Verlag
(CA.3118812).
ISBN
9790007210045. Language:
German/English.
The
cantata Ich habe meine
Zuversicht BWV 188 comes
from the so-called
Picander cycle and was
written for the 21st
Sunday after Trinity in
1728 or 1729. There are
some particular problems
associated with its
transmission. The
original set of parts was
lost, and the manuscript
score only survives in
fragmentary form.
Probably as early as the
18th century the score
was divided up into
numerous separate parts
in order to make more
money, or to be able to
provide as many Bach
relics as possible for
posterity. The first
movement, an instrumental
sinfonia, is missing
apart from the final
bars. We simply know that
this sinfonia is based on
the 3rd movement of the
Harpsichord Concerto BWV
1052 in D minor and that
instead of the
harpsichord, an obbligato
organ was envisaged. Its
successful reconstruction
by the baroque specialist
and organist Pieter
Dirksen now makes it
possible to perform the
cantata again complete
with the introductory
sinfonia. Score and part
available separately -
see item CA.3118800.
Composed by Jean Anne Shafferman. Choral (Sacred); Choral Octavo; Worship Resour...(+)
Composed by Jean Anne
Shafferman. Choral
(Sacred); Choral Octavo;
Worship Resources. Alfred
Sacred. Sacred. Published
by Jubilate Music Group
(AP.45738).
Motetten fur 5
Stimmen. Composed by
Orlande De Lassus. Edited
by Bernhold Schmid.
Softbound. Complete
Works. Vocal Music
Between Genres.
Renaissance/early
Baroque. Complete Works.
302 pages. Breitkopf and
Haertel #SON 339.
Published by Breitkopf
and Haertel (BR.SON-339).
ISBN 9790004802854.
10.5 x 13.5 inches.
Latin.
The present
volume contains the
Psalmi Davidis
Poenitentiales, seven
penitential psalms that
had already been
supplemented with the
motet Laudate Dominum de
coelis in the first
edition (1584). In the
Complete Edition,
however, the compilation
is preceded by the vocal
piece S u Su p e r per
Super (1567), which
experiments with
syllables. Though
reprinted many times, it
was assigned to various
genres according to its
place of publication:
while the piece was
considered as a motet in
Germany, in France it was
classified as a chanson
and in Italy as a
madrigal a unique case in
the reception history of
vocal music in the 16th
century. To this day we
still do not know the
significance of the vocal
text Super flumina
Babylonis, which
gradually evolves out of
syllables. Perhaps Lasso
wanted to depict a
biblical scene that
evokes the gradual
learning of a
language.
SATB choir divisi (a cappella) - Advanced SKU: MN.CH-1243 Composed by Dal...(+)
SATB choir divisi (a
cappella) - Advanced
SKU: MN.CH-1243
Composed by Dale
Jergenson. 21st Century.
Collection. Laurendale
Associates #CH-1243.
Published by Laurendale
Associates (MN.CH-1243).
(Vocal Jazz
Suite) Commissioned for
the Gregg Smith Singers
40th Anniversary. A three
movement Vocal Jazz Suite
that was inspired by many
composers and arrangers
of many dispirit styles
of music - from the
Baroque period through
the most sophisticated,
modern jazz era. Suite
contains: 1. Red Hot!, 2.
Green Peace, 3. Blue
Ice.