For SATB. Modern Christian. Sacred. Hymnal. Published by Brentwood-Benson Music Publishing.

For SATB. Modern Christian. Sacred. Hymnal. Published by Brentwood-Benson Music Publishing.

For SATB. Modern Christian. Sacred. Hymnal. Published by Brentwood-Benson Music Publishing.

(379 Songs and Hymns) Vocal score songbook for SATB choir. Hymnal. With vocal score notation and lyrics. Published by Brentwood-Benson Music Publishing.

By Felix Bartholdy Mendelssohn (1809-1847). Edited by Alfred Dorffel. Arranged by August Horn. Choir and piano. For Solo voices, SATB Choir, Piano. This edition: Paperback. Oratorio (complete), Transcriptions, Original Works, Choral. Romantic Period; Sacr. Large Vocal Score. Romantic Period; Sacred/Hymns, German.

Choral SATB choir, piano

SKU: CF.CM9713

Composed by Jacob Narverud. 16 pages. Duration 4:01. Carl Fischer Music #CM9713. Published by Carl Fischer Music (CF.CM9713).

ISBN 9781491160084. UPC: 680160918683. Key: G major. English. Robert Bode. Original.

The piece was commissioned by Kevin Scully, Director of Creative Arts, for the Port Washington School District, New York, with special thanks to the Ed Foundation and HEARTS for their unwavering support. Performance Notes This lighthearted piece is a great way to bring multiple choirs together in harmony. It may be sung by a single SATB choir, though it is intended to be performed by multiple choirs of varying age levels. Song of the Sound was written for an all-district feeder festival piece for combined elementary, middle level, and high school choirs. Here is a suggested outline for combining multiple choirs: Rehearsal Letters A to B: Elementary choir only (two-part, Soprano, Alto) Rehearsal Letter B: add Middle Level Soprano, Alto with Elementary choir Rehearsal Letter C: Middle Level choir only Rehearsal Letter D: High School choir only Rehearsal Letter E to the end: Everyone! Song of the Sound: Running on the beach, digging in the sand, Seaweed in my toes, bucket in my hand. When I'm at the shore, way above the rest, These are all the things that I love the best. Skipping like a stone on the water, diving deep in the silvery foam, Swimming far where the land cannot hold us, where the lighthouse calls us home. Flying free above the marshes, soaring high above the sea, Where the tern and cormorant and plover call to lands we cannot see.Come let us go to the water, let us go to the singing shore: Where the gentle breezes whisper and the mighty breakers roar. We will look to the shining ocean, to the East, where the new day dawned: We will sing a song of the edge of the world and the waiting sky beyond. -Poem by Robert Bode (Hope Springs Retreat Center, Ohio. August 2019) About the Composer: Jacob Narverud (b. 1986) is an American composer, arranger, and conductor. Dr. Narverud is an active guest Conductor/Clinician for Choral Festivals and All-State Choirs across the country and is the Founder/Artistic Director of the Tallgrass Chamber Choir, a professional ensemble comprised of musicians from across the Great Plains. As a sought-after composer, Narverud has been commissioned to write new works for a variety of choral ensembles and organizations. Many of his Editors' Choirs compositions are publisher Best Sellers and are performed worldwide by choirs of all levels. Website: www.jnarverud.com YouTube & Spotify: @jacobnarverud.
The piece was commissioned by Kevin Scully, Director of Creative Arts, for the Port Washington School District, New York, with special thanks to the Ed Foundation and HEARTS for their unwavering support.Performance NotesThis lighthearted piece is a great way to bring multiple choirs together in harmony. It may be sung by a single SATB choir, though it is intended to be performed by multiple choirs of varying age levels. Song of the Sound was written for an all-district feeder festival piece for combined elementary, middle level, and high school choirs. Here is a suggested outline for combining multiple choirs:Rehearsal Letters A to B: Elementary choir only (two-part, Soprano, Alto)Rehearsal Letter B: add Middle Level Soprano, Alto with Elementary choirRehearsal Letter C: Middle Level choir onlyRehearsal Letter D: High School choir onlyRehearsal Letter E to the end: Everyone!Song of the Sound:Running on the beach, digging in the sand,Seaweed in my toes, bucket in my hand.When I'm at the shore, way above the rest,These are all the things that I love the best. Skipping like a stone on the water, diving deep in the silvery foam,Swimming far where the land cannot hold us, where the lighthouse calls us home.Flying free above the marshes, soaring high above the sea,Where the tern and cormorant and plover call to lands we cannot see.Come let us go to the water, let us go to the singing shore:Where the gentle breezes whisper and the mighty breakers roar.We will look to the shining ocean, to the East, where the new day dawned:We will sing a song of the edge of the world and the waiting sky beyond.-Poem by Robert Bode (Hope Springs Retreat Center, Ohio. August 2019)About the Composer:Jacob Narverud (b. 1986) is an American composer, arranger, and conductor. Dr. Narverud is an active guest Conductor/Clinician for Choral Festivals and All-State Choirs across the country and is the Founder/Artistic Director of the Tallgrass Chamber Choir, a professional ensemble comprised of musicians from across the Great Plains. As a sought-after composer, Narverud has been commissioned to write new works for a variety of choral ensembles and organizations. Many of his Editors' Choirs compositions are publisher Best Sellers and are performed worldwide by choirs of all levels. Website: www.jnarverud.com  YouTube & Spotify: @jacobnarverud.

Composed by Patti Drennan. For SATB choir, piano (with optional brass and rhythm). Sacred Anthem, All Saints' Day, Christ the King, General. Octavo. Lorenz Publishing Company #10/4756L. Published by Lorenz Publishing Company

Choral (SATB)

SKU: HL.1255554

Composed by Diane Hannibal. Arranged by Stewart Harris. Brookfield Choral Series. Octavo. Duration 200 seconds. Published by Brookfield Press (HL.1255554).

UPC: 196288155959. 6.75x10.5x0.029 inches. 1 Peter 5:10, Ephesians 2:8.

Simply beautiful. This engaging anthem speaks eloquently to the journey of faith. A memorable theme calls the anthem to purpose, with heart-felt melodic contours and effective part writing. The marriage of message and music are exquisitely displayed in this worshipful offering.

Choral (SATB)

SKU: HL.14032885

Composed by John Tavener. Music Sales America. A Cappella, Classical, General Worship, Sacred. Choral Score. Composed 1999. 12 pages. Chester Music #CH55909. Published by Chester Music (HL.14032885).

ISBN 9780711943261. UPC: 884088593339. 6.75x9.75x0.046 inches.

A piece for unaccompanied SATB choir, the text of which is based on a line from St. Matthew 9:9. The music was written to represent the work of St. Matthew. In three mounting steps, the music represents the work of St. Matthew: the ascent of the spirit into silence. The first performance was given during evensong on 25th September 1988 by the choir of St. Matthew's Church conducted by Andrew Shenton.

(The Passion, the Question, the Call). By Pepper Choplin. For SATB choir (with optional orchestration). Cantatas. Holy Week, Eastertide. SATB Score with Performance CD. Published by Lorenz Publishing Company

(The Passion, the Question, the Call). By Pepper Choplin. For SATB choir, piano (with optional orchestration). Cantatas. Holy Week, Eastertide, Sacred. Published by Lorenz Publishing Company

By Stan Pethel. (SATB). General Worship, Unity, Worshiping and Sacred. Print Music Single (SATB). 12 pages. Published by Hope Publishing Company.

Composed by Joey Hoelscher. For SATB choir, piano (with optional cello, acoustic guitar). Sacred Anthem, Holy Week, Lent. Octavo. SoundForth #10/5049SF. Published by SoundForth

(When the Roll Is Called Up Yonder/When We All Get to Heaven/On Jordan's Stormy Banks). By Mary Mcdonald. For SATB choir, piano (with optional rhythm section, 2 trumpets, 2 trombones). Sacred Anthem, Eastertide, General. Octavo. Published by Lorenz Publishing Company

Choral SATB choir

SKU: CF.CM9700

Composed by Hungarian Folk. Arranged by Stacy Garrop. 20 pages. Duration 4:44. Carl Fischer Music #CM9700. Published by Carl Fischer Music (CF.CM9700).

ISBN 9781491160008. UPC: 680160918607. Key: A minor. Hungarian. Hungarian Folk.

In 2014, Chanticleer commissioned me to make a new arrangement of the Hungarian-Romani folk song Jarba, Mare Jarba for their 2014 touring program. Passed down orally through the Romani communities, this beautiful folk song, with text in a language called Beas (beh-osh), speaks of a deep longing to visit one's homeland, a place where the singer can never return. Chanticleer consists of twelve men whose vocal ranges span from low bass to high soprano, equivalent to the range of a mixed choir of women and men. I composed slow sections of original material to represent the singers' longing to return home; these are interspersed with the folk song's traditional fast sections. The incorporated shouts and calls in the score are typically found in the performance of Central European folk songs. I hope you enjoy singing this new version of Jarba, Mare Jarba that contains all of the vigor and excitement of the Chanticleer version. PERFORMANCE NOTES All spoken sounds (indicated by x noteheads) should be performed by individuals. Feel free to elaborate with more sounds of your own in the tradition of Eastern European folk music. If the piece is memorized, feel free to experiment with clapping on the off-beats of m. 93 to the end. TEXT Transliteration Jarba, mare jarba mas duce a casa, da nu pot ca am jurat, Jarba, mare jarba mas duce a casa, da nu pot ca am jurat. Mare jarba, verde jarba nu me pot duce a casa. Jarba, mare jarba mas duce a casa, da nu pot ca am jurat. O mers mama de pe sat, O lasat coliba goala, Infrunzitu, ingurzitu da plina de saracie, da plina de saracie. Mare jarba, verde jarba nu me pot duce a casa. Jarba, mare jarba mas duce a casa, da nu pot ca am jurat. Translation Green grass, tall grass, I would like to go home, but I cannot, because I have sworn not to. Tall grass, green grass - oh, that I cannot go home! My mother has left the village; she left the hut empty, Adorned with leaves but full of poverty. Tall grass, green grass - oh, that I cannot go home! Tall grass, green grass - I would like to go home. but I cannot, because I have sworn not to. Stacy Garrop's music is centered on dramatic and lyrical storytelling. The sharing of stories is a defining element of our humanity; we strive to share with others the experiences and concepts that we find compelling. She shares stories by taking audiences on sonic journeys - some simple and beautiful, while others are complicated and dark - depending on the needs and dramatic shape of the story. Garrop served as the first Emerging Opera Composer of Chicago Opera Theater's Vanguard Program. She also held a 3-year composer-in-residence position with the Champaign-Urbana Symphony Orchestra, funded by New Music USA and the League of American Orchestras. She has received numerous awards and grants including an Arts and Letters Award in Music from the American Academy of Arts and Letters, Fromm Music Foundation Grant, Barlow Prize, and three Barlow Endowment commissions, along with prizes from competitions sponsored by the Detroit Symphony Orchestra, Civic Orchestra of Chicago, Omaha Symphony, New England Philharmonic, Boston Choral Ensemble, Utah Arts Festival, and Pittsburgh New Music Ensemble. She is a Cedille Records artist; her works are commercially available on more than ten additional labels. Her catalog covers a wide range, with works for orchestra, opera, oratorio, wind ensemble, choir, art song, various sized chamber ensembles, and works for solo instruments. Notable commissions include My Dearest Ruth for soprano and piano with text by Martin Ginsburg, the husband of the late Supreme Court Justice Ruth Bader Ginsburg, The Transformation of Jane Doe for Chicago Opera Theater, The Battle for the Ballot for the Cabrillo Festival Orchestra, Goddess Triptych for the St. Louis Symphony Orchestra, Glorious Mahalia for the Kronos Quartet, Give Me Hunger for Chanticleer, Rites for the Afterlife for the Akropolis and Calefax Reed Quintets, and Terra Nostra: an oratorio about our planet, commissioned by the San Francisco Choral Society and Piedmont East Bay Children's Chorus. Garrop previously served as composer-in-residence with the Albany Symphony and Skaneateles Festival, and as well as on faculty of the Fresh Inc Festival (2012-2017). She taught composition and orchestration full-time at Roosevelt University 2000-2016) before leaving to launch her freelance career. She earned degrees in music composition at the University of Michigan-Ann Arbor (B.M.), University of Chicago (M.A.), and Indiana University-Bloomington (D.M.).
In 2014, Chanticleer commissioned me to make a new arrangement of the Hungarian-Romani folk song Jarba, Mare Jarba for their 2014 touring program. Passed down orally through the Romani communities, this beautiful folk song, with text in a language called Beas (beh-osh), speaks of a deep longing to visit one’s homeland, a place where the singer can never return. Chanticleer consists of twelve men whose vocal ranges span from low bass to high soprano, equivalent to the range of a mixed choir of women and men. I composed slow sections of original material to represent the singers’ longing to return home; these are interspersed with the folk song’s traditional fast sections. The incorporated shouts and calls in the score are typically found in the performance of Central European folk songs. I hope you enjoy singing this new version of Jarba, Mare Jarba that contains all of the vigor and excitement of the Chanticleer version.PERFORMANCE NOTESAll spoken sounds (indicated by x noteheads) should be performed by individuals. Feel free to elaborate with more sounds of your own in the tradition of Eastern European folk music.If the piece is memorized, feel free to experiment with clapping on the off-beats of m. 93 to the end.TEXTTransliterationJa rba, mare jarba mas duce a casa, da nu pot ca am jurat, Jarba, mare jarba mas duce a casa, da nu pot ca am jurat. Mare jarba, verde jarba nu me pot duce a casa.Jarba, mare jarba mas duce a casa, da nu pot ca am jurat.O mers mama de pe sat, O lasat coliba goala,Infrunzitu, ingurzitu da plina de saracie, da plina de saracie. Mare jarba, verde jarba nu me pot duce a casa.Jarba, mare jarba mas duce a casa, da nu pot ca am jurat.TranslationGreen grass, tall grass, I would like to go home, but I cannot, because I have sworn not to.Tall grass, green grass – oh, that I cannot go home!My mother has left the village; she left the hut empty, Adorned with leaves but full of poverty.Tall grass, green grass – oh, that I cannot go home! Tall grass, green grass – I would like to go home.but I cannot, because I have sworn not to.Stacy Garrop’s music is centered on dramatic and lyrical storytelling. The sharing of stories is a defining element of our humanity; we strive to share with others the experiences and concepts that we find compelling. She shares stories by taking audiences on sonic journeys – some simple and beautiful, while others are complicated and dark – depending on the needs and dramatic shape of the story.Garrop served as the first Emerging Opera Composer of Chicago Opera Theater’s Vanguard Program. She also held a 3-year composer-in-residence position with the Champaign-Urbana Symphony Orchestra, funded by New Music USA and the League of American Orchestras. She has received numerous awards and grants including an Arts and Letters Award in Music from the American Academy of Arts and Letters, Fromm Music Foundation Grant, Barlow Prize, and three Barlow Endowment commissions, along with prizes from competitions sponsored by the Detroit Symphony Orchestra, Civic Orchestra of Chicago, Omaha Symphony, New England Philharmonic, Boston Choral Ensemble, Utah Arts Festival, and Pittsburgh New Music Ensemble. She is a Cedille Records artist; her works are commercially available on more than ten additional labels.Her catalog covers a wide range, with works for orchestra, opera, oratorio, wind ensemble, choir, art song, various sized chamber ensembles, and works for solo instruments. Notable commissions include My Dearest Ruth for soprano and piano with text by Martin Ginsburg, the husband of the late Supreme Court Justice Ruth Bader Ginsburg, The Transformation of Jane Doe for Chicago Opera Theater, The Battle for the Ballot for the Cabrillo Festival Orchestra, Goddess Triptych for the St. Louis Symphony Orchestra, Glorious Mahalia for the Kronos Quartet, Give Me Hunger for Chanticleer, Rites for the Afterlife for the Akropolis and Calefax Reed Quintets, and Terra Nostra: an oratorio about our planet, commissioned by the San Francisco Choral Society and Piedmont East Bay Children’s Chorus.Garrop previously served as composer-in-residence with the Albany Symphony and Skaneateles Festival, and as well as on faculty of the Fresh Inc Festival (2012-2017). She taught composition and orchestration full-time at Roosevelt University 2000-2016) before leaving to launch her freelance career. She earned degrees in music composition at the University of Michigan-Ann Arbor (B.M.), University of Chicago (M.A.), and Indiana University-Bloomington (D.M.).­­.

Anthems from the Psalms for Mixed Voice Choirs. Edited by Barry Rose. Music Sales America. Sacred, Collection, Classical. 256 pages. Novello and Co Ltd. #NOV040062. Published by Novello and Co Ltd.

SATB a cappella Choral (SATB a cappella)

SKU: HL.1108588

Arranged by Michael Ware. Daybreak Choral Series. A Cappella, General Worship, Sacred. Octavo. 8 pages. Duration 180 seconds. Published by Daybreak Music (HL.1108588).

UPC: 196288103332. 6.75x10.5x0.019 inches. Mark 5:36, Proverbs 3:5-6.

A unique offering, this unaccompanied anthem takes on the character of a sea chanty in style and spirit. Featuring a soloist, the call and response format invites creative singer placements, along with two voicings, as performance options.

Choral (SATB)

SKU: HL.417939

Composed by John Leavitt. Sacred Choral. Christmas. Octavo. 16 pages. Duration 295 seconds. Published by Hal Leonard (HL.417939).

UPC: 196288059295. 6.75x10.5x0.036 inches. II Corinthians 9:15, Revelation 12:5.

Floating effortlessly, this anthem for soloist and choir is the perfect Christmas Eve offering. Surprising harmonies delight while the theologically rich lyric reminds us of the true meaning of Christmas. Score and Parts (fl 1-2, ob, cl 1-2, bn, perc 1-3, hp, vn 1-2, va, vc, db) available as a digital download.

SATB choir - Moderate

SKU: WD.080689649172

Composed by Johnathan Crumpton. Book. Word Music #080689649172. Published by Word Music (WD.080689649172).

UPC: 080689649172.

Bring ing you new and refreshing songs that are perfect for any worship service throughout the year, Cliff Duren has arranged and orchestrated this exceptional group of bold and powerful praise and worship songs into this unique, enlivening collection. The first of its kind, The Worship Mashups Collection takes your favorite, chart-topping worship songs and entwines them into 9 over-the-top, dynamically rich selections that your choir and congregation are guaranteed to love. With seamless transitions and complimentary lyrical themes, these mashups will not only sound meant-to-be, but they are sure to give you the perfect combination of praise, worship, reflection, and inspiration for any Sunday morning service. With 19 powerful songs in 9 incredible arrangements, The Worship Mashups Collection will be one of your favorite and most versatile resources yet!

For SATB choir with piano accompaniment (SATB). Choral. Shawnee Press. Supports: Proverbs 3:5-6, Psalms 5:8, 4:8, Jeremiah 20:7-13, Genesis 21:8-21. Sacred, Lent, Christ the Good Shepherd, youth choir, 5th Sunday after Pentecost. 16 pages. Shawnee Press #A8789. Published by Shawnee Press

Piano (SATB) - early intermediate

SKU: CR.984348

Composed by K. Lee Scott. Choral. Octavo. With music. Concordia Publishing House #984348. Published by Concordia Publishing House (CR.984348).

ISBN 9780758668868. 7 X 10.25 inches.

From K. Lee Scott, this anthem is based on verses from Psalm 116. Lyrical and memorable, the tune is in ABA form and features a contrasting middle section. The accompaniment works well for piano but is easily adapted for organ.

What shall I offer to the Lord for all His goodness to me? I will lift up salvation's cup and call upon the name of the Lord.

I will make my vows to the Lord in the presence of His people; in the courts of the house of the Lord; in your midst, O Jerusalem.

(Celebrating Mother's Day or Family Day). By Pepper Choplin. For SATB/SAB choir, piano. Sacred Anthem, Eastertide, Family Days, General, Mother's Day. Octavo. Published by Lorenz Publishing Company

((Lift Up Your Heads and Come, Savior, Come)). Arranged by David Kellermeyer. For SATB choir and piano accompaniment (SATB). Shawnee Press. Choral. 8 pages. Shawnee Press #A8649. Published by Shawnee Press

By Dakers. For Choral Collection: Mixed Choir Paper. Published by Oxford University Press.

Composed by Brad Nix. Daybreak Christmas Choral. A Cappella, Christmas, Sacred. Octavo. 8 pages. Published by Daybreak Music