Arranged by Hal H. Hopson. For Choir. (Satb). Love, Hymntune and Sacred. Print Music Single (SATB). Published by Hope Publishing Company.

By Liam Lawton. Arranged by John Mccann. For Voices: SATB, solo, assembly. Instruments: Oboe, string quartet (2 violins, viola, cello) (instruments optional). Keyboard accompaniment. Celebration Series Sacred. Level: easy. 10 pages. Published by GIA Publications.

Orchestra ATB vocal soli, SATB choir, 2 oboes, [4 trombones], violin solo, 2 violins, viola, basso continuo - Grade 3

SKU: CA.3100213

2nd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Reinhold Kubik. Hymns by Martin Luther: Ach Gott, vom Himmel sieh darein. German title: Ach Gott, vom Himmel. Sacred vocal music, Cantatas. Single Part, Viola. Composed 1724. BWV 2. 8 pages. Duration 20 minutes. Carus Verlag #CV 31.002/13. Published by Carus Verlag (CA.3100213).

ISBN 9790007041366. Key: D minor. Language: German/English. Text: Luther, Martin. Text: Martin Luther.

Bach composed the cantata O God, from heaven look on us BWV 2 for the 2nd Trinity Sunday 1724 as the second cantata of the annual cycle of chorale cantatas. It is based on Martin Luther's rewriting of Psalm 112. The opening movement is one of a group of cantata opening movements which are not concertante but kept entirely in the motet style, with the instruments serving only to reinforce the singers. The archaic character of this movement is heightened by the addition of a trombone quartet. The concertante style is all the more significant in the first aria for contralto, solo violin and continuo. The first secco recitative represents a special feature: two fragments of the chorale are woven as arioso into the recitative, both in text and melody; futhermore, they are also taken up canonically by the continuo. Score and part available separately - see item CA.3100200.

Orchestra ATB vocal soli, SATB choir, 2 oboes, [4 trombones], violin solo, 2 violins, viola, basso continuo - Grade 3

SKU: CA.3100209

2nd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Reinhold Kubik. 2x 31.002/21 2 oboes, 1x 31.002/31 trumpet, 1x 31.002/32 trombone 1, 1x 31.002/33 trombone 2, 1x 31.002/34 trombone 3, 1x 31.002/35 trombone 4. Hymns by Martin Luther: Ach Gott, vom Himmel sieh darein. German title: Ach Gott, vom Himmel sieh darein 7. Sacred vocal music, Cantatas. Set of Orchestra Parts. Composed 1724. BWV 2. 20 pages. Duration 20 minutes. Carus Verlag #CV 31.002/09. Published by Carus Verlag (CA.3100209).

ISBN 9790007041335. Key: D minor. Language: German/English. Text: Luther, Martin. Text: Martin Luther.

Bach composed the cantata O God, from heaven look on us BWV 2 for the 2nd Trinity Sunday 1724 as the second cantata of the annual cycle of chorale cantatas. It is based on Martin Luther's rewriting of Psalm 112. The opening movement is one of a group of cantata opening movements which are not concertante but kept entirely in the motet style, with the instruments serving only to reinforce the singers. The archaic character of this movement is heightened by the addition of a trombone quartet. The concertante style is all the more significant in the first aria for contralto, solo violin and continuo. The first secco recitative represents a special feature: two fragments of the chorale are woven as arioso into the recitative, both in text and melody; futhermore, they are also taken up canonically by the continuo. Score and parts available separately - see item CA.3100200.

Orchestra ATB vocal soli, SATB choir, 2 oboes, [4 trombones], violin solo, 2 violins, viola, basso continuo - Grade 3

SKU: CA.3100205

2nd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Reinhold Kubik. Hymns by Martin Luther: Ach Gott, vom Himmel sieh darein. German title: Ach Gott, vom Himmel sieh darein. Sacred vocal music, Cantatas. Choral Score. Composed 1724. BWV 2. 12 pages. Duration 20 minutes. Carus Verlag #CV 31.002/05. Published by Carus Verlag (CA.3100205).

ISBN 9790007041311. Key: D minor. Language: German/English. Text: Luther, Martin. Text: Martin Luther.

Bach composed the cantata O God, from heaven look on us BWV 2 for the 2nd Trinity Sunday 1724 as the second cantata of the annual cycle of chorale cantatas. It is based on Martin Luther's rewriting of Psalm 112. The opening movement is one of a group of cantata opening movements which are not concertante but kept entirely in the motet style, with the instruments serving only to reinforce the singers. The archaic character of this movement is heightened by the addition of a trombone quartet. The concertante style is all the more significant in the first aria for contralto, solo violin and continuo. The first secco recitative represents a special feature: two fragments of the chorale are woven as arioso into the recitative, both in text and melody; futhermore, they are also taken up canonically by the continuo. Score available separately - see item CA.3100200.

Orchestra ATB vocal soli, SATB choir, 2 oboes, [4 trombones], violin solo, 2 violins, viola, basso continuo - Grade 3

SKU: CA.3100214

2nd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Reinhold Kubik. Hymns by Martin Luther: Ach Gott, vom Himmel sieh darein. German title: Ach Gott, vom Himmel. Sacred vocal music, Cantatas. Single Part, Cello/Double Bass. Composed 1724. BWV 2. 12 pages. Duration 20 minutes. Carus Verlag #CV 31.002/14. Published by Carus Verlag (CA.3100214).

ISBN 9790007041373. Key: D minor. Language: German/English. Text: Luther, Martin. Text: Martin Luther.

Bach composed the cantata O God, from heaven look on us BWV 2 for the 2nd Trinity Sunday 1724 as the second cantata of the annual cycle of chorale cantatas. It is based on Martin Luther's rewriting of Psalm 112. The opening movement is one of a group of cantata opening movements which are not concertante but kept entirely in the motet style, with the instruments serving only to reinforce the singers. The archaic character of this movement is heightened by the addition of a trombone quartet. The concertante style is all the more significant in the first aria for contralto, solo violin and continuo. The first secco recitative represents a special feature: two fragments of the chorale are woven as arioso into the recitative, both in text and melody; futhermore, they are also taken up canonically by the continuo. Score and part available separately - see item CA.3100200.

Orchestra ATB vocal soli, SATB choir, 2 oboes, [4 trombones], violin solo, 2 violins, viola, basso continuo - Grade 3

SKU: CA.3100219

2nd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Reinhold Kubik. Hymns by Martin Luther: Ach Gott, vom Himmel sieh darein. German title: Ach Gott, vom Himmel sieh darein. Sacred vocal music, Cantatas. Set of Orchestra Parts. Composed 1724. BWV 2. Duration 20 minutes. Carus Verlag #CV 31.002/19. Published by Carus Verlag (CA.3100219).

ISBN 9790007135904. Key: D minor. Language: German/English. Text: Luther, Martin. Text: Martin Luther.

Bach composed the cantata O God, from heaven look on us BWV 2 for the 2nd Trinity Sunday 1724 as the second cantata of the annual cycle of chorale cantatas. It is based on Martin Luther's rewriting of Psalm 112. The opening movement is one of a group of cantata opening movements which are not concertante but kept entirely in the motet style, with the instruments serving only to reinforce the singers. The archaic character of this movement is heightened by the addition of a trombone quartet. The concertante style is all the more significant in the first aria for contralto, solo violin and continuo. The first secco recitative represents a special feature: two fragments of the chorale are woven as arioso into the recitative, both in text and melody; futhermore, they are also taken up canonically by the continuo. Score and parts available separately - see item CA.3100200.

Orchestra ATB vocal soli, SATB choir, 2 oboes, [4 trombones], violin solo, 2 violins, viola, basso continuo - Grade 3

SKU: CA.3100212

2nd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Reinhold Kubik. Hymns by Martin Luther: Ach Gott, vom Himmel sieh darein. German title: Ach Gott, vom Himmel. Sacred vocal music, Cantatas. Single Part, Violin 2. Composed 1724. BWV 2. 8 pages. Duration 20 minutes. Carus Verlag #CV 31.002/12. Published by Carus Verlag (CA.3100212).

ISBN 9790007041359. Key: D minor. Language: German/English. Text: Luther, Martin. Text: Martin Luther.

Bach composed the cantata O God, from heaven look on us BWV 2 for the 2nd Trinity Sunday 1724 as the second cantata of the annual cycle of chorale cantatas. It is based on Martin Luther's rewriting of Psalm 112. The opening movement is one of a group of cantata opening movements which are not concertante but kept entirely in the motet style, with the instruments serving only to reinforce the singers. The archaic character of this movement is heightened by the addition of a trombone quartet. The concertante style is all the more significant in the first aria for contralto, solo violin and continuo. The first secco recitative represents a special feature: two fragments of the chorale are woven as arioso into the recitative, both in text and melody; futhermore, they are also taken up canonically by the continuo. Score and part available separately - see item CA.3100200.

Orchestra ATB vocal soli, SATB choir, 2 oboes, [4 trombones], violin solo, 2 violins, viola, basso continuo - Grade 3

SKU: CA.3100211

2nd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Reinhold Kubik. Hymns by Martin Luther: Ach Gott, vom Himmel sieh darein. German title: Ach Gott, vom Himmel sieh darein. Sacred vocal music, Cantatas. Single Part, Violin solo + Vio. Composed 1724. BWV 2. 8 pages. Duration 20 minutes. Carus Verlag #CV 31.002/11. Published by Carus Verlag (CA.3100211).

ISBN 9790007041342. Key: D minor. Language: German/English. Text: Luther, Martin. Text: Martin Luther.

Bach composed the cantata O God, from heaven look on us BWV 2 for the 2nd Trinity Sunday 1724 as the second cantata of the annual cycle of chorale cantatas. It is based on Martin Luther's rewriting of Psalm 112. The opening movement is one of a group of cantata opening movements which are not concertante but kept entirely in the motet style, with the instruments serving only to reinforce the singers. The archaic character of this movement is heightened by the addition of a trombone quartet. The concertante style is all the more significant in the first aria for contralto, solo violin and continuo. The first secco recitative represents a special feature: two fragments of the chorale are woven as arioso into the recitative, both in text and melody; futhermore, they are also taken up canonically by the continuo. Score and part available separately - see item CA.3100200.

By Liam Lawton. Arranged by John; Flute: Daigle Mccann. For Voices: SATB, cantor, assembly. Instruments: C instrument, string quartet (2 violins, viola, cello) (instruments optional). Keyboard accompaniment. Celebration Series Sacred. Level: easy. 4 pages. Published by GIA Publications.

Choral (SATB in G)

SKU: HP.C6180

Arranged by Hal H. Hopson. Piano with Optional 3-5 Oct. Handbell (Key of G). Ring & Sing Series; Vocal Solo Sheet Music Series; Hope's All-Time Best Sellers Choral Series; Choral Music for Children. Love, Hymntune, General Worship, Sacred, Wedding, Children. Octavo. Hope Publishing Company #C6180. Published by Hope Publishing Company (HP.C6180).

UPC: 763628161804.

Origi nal anthem This Hal Hopson classic is appropriate for services where love is the theme and is especially useful for weddings. The familiar words are a paraphrase of 1 Corinthians 13 and the haunting tune is based on the traditional English melody, O WALY WALY. The String Quartet setting can be for strings only or used as an accompaniment for the choral settings or the vocal solo, but not for the TTBB version which is in the Key of C. String Parts come in the two keys, A & G, and include parts for Violin 1 & 2, Viola and Cello.

SATB choir, cantor, assembly, keyboard accompaniment, violin 1, violin 2, viola, cello - Early intermediate

SKU: GI.G-10465

Composed by Rob Galea & Peter DeMarco. Lent, Lent 3 C, OT 7 A, OT 8 B, OT 7 C. Celebration Series. Sacred. Octavo. With guitar chord names. 8 pages. GIA Publications #10465. Published by GIA Publications (GI.G-10465).

English. Text Source: Psalm 103, Lectionary for Mass Scripture: Psalm 103:1–2, 3–4, 6–7, 8, 11, Psalm 103:1–4, 7–9, 12–13, 22–23.

This peaceful psalm setting expresses the mercy and compassion of God using contemporary harmonies and common thematic development of each verse. The accompaniment is also available for string quartet.

Soli SATB, SATB Choir, 2 Violins, Viola, 2 Cello obligato, Basso continuo

SKU: CA.3116313

Cantata for the 23rd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Arranged by Thomas Riegler. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Viola. Sacred vocal music, End of the church year. Single Part, Viola. Composed 1715. BWV 163. 2 pages. Duration 18 minutes. Carus Verlag #CV 31.163/13. Published by Carus Verlag (CA.3116313).

ISBN 9790007208974. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.

The cantata Nur jedem das Seine (Do justice to all men) BWV 163, for the last Sunday of the Church Year 1714/15, belongs among to those chamber music works which Bach composed for the Weimar Schlosskirche. The instruments are limited to strings, although two obbligato violoncellos are included which together with the solo bass singer and the continuo form a bass quartet unique in Bach's works. The final chorale of the cantata is handed down only as a fragment and was newly reconstructed for our edition by Thomas Riegler. Score and part available separately - see item CA.3116300.

By Franz Xaver Gruber. Arranged by Dolores Hruby. For Voices: SATB. Instruments: String quartet (2 violins, viola, cello) (instruments required). Organ. Christmas Sacred. Published by GIA Publications.

Soli SATB, SATB Choir, 2 Violins, Viola, 2 Cello obligato, Basso continuo

SKU: CA.3116319

Cantata for the 23rd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Arranged by Thomas Riegler. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Complete orchestral parts. Sacred vocal music, End of the church year. Set of Orchestra Parts. Composed 1715. BWV 163. Duration 18 minutes. Carus Verlag #CV 31.163/19. Published by Carus Verlag (CA.3116319).

ISBN 9790007141219. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.

The cantata Nur jedem das Seine (Do justice to all men) BWV 163, for the last Sunday of the Church Year 1714/15, belongs among to those chamber music works which Bach composed for the Weimar Schlosskirche. The instruments are limited to strings, although two obbligato violoncellos are included which together with the solo bass singer and the continuo form a bass quartet unique in Bach's works. The final chorale of the cantata is handed down only as a fragment and was newly reconstructed for our edition by Thomas Riegler. Score and parts available separately - see item CA.3116300.

Soli SATB, SATB Choir, 2 Violins, Viola, 2 Cello obligato, Basso continuo

SKU: CA.3116349

Cantata for the 23rd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Arranged by Thomas Riegler. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Organ. Sacred vocal music, End of the church year. Single Part, Organ. Composed 1715. BWV 163. 12 pages. Duration 18 minutes. Carus Verlag #CV 31.163/49. Published by Carus Verlag (CA.3116349).

ISBN 9790007209001. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.

The cantata Nur jedem das Seine (Do justice to all men) BWV 163, for the last Sunday of the Church Year 1714/15, belongs among to those chamber music works which Bach composed for the Weimar Schlosskirche. The instruments are limited to strings, although two obbligato violoncellos are included which together with the solo bass singer and the continuo form a bass quartet unique in Bach's works. The final chorale of the cantata is handed down only as a fragment and was newly reconstructed for our edition by Thomas Riegler. Score and part available separately - see item CA.3116300.

Soli SATB, SATB Choir, 2 Violins, Viola, 2 Cello obligato, Basso continuo

SKU: CA.3116314

Cantata for the 23rd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Arranged by Thomas Riegler. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Basso continuo. Sacred vocal music, End of the church year. Single Part, basso continuo. Composed 1715. BWV 163. 8 pages. Duration 18 minutes. Carus Verlag #CV 31.163/14. Published by Carus Verlag (CA.3116314).

ISBN 9790007208981. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.

The cantata Nur jedem das Seine (Do justice to all men) BWV 163, for the last Sunday of the Church Year 1714/15, belongs among to those chamber music works which Bach composed for the Weimar Schlosskirche. The instruments are limited to strings, although two obbligato violoncellos are included which together with the solo bass singer and the continuo form a bass quartet unique in Bach's works. The final chorale of the cantata is handed down only as a fragment and was newly reconstructed for our edition by Thomas Riegler. Score and part available separately - see item CA.3116300.

Soli SATB, SATB Choir, 2 Violins, Viola, 2 Cello obligato, Basso continuo

SKU: CA.3116312

Cantata for the 23rd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Arranged by Thomas Riegler. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violin 2. Sacred vocal music, End of the church year. Single Part, Violin 2. Composed 1715. BWV 163. 2 pages. Duration 18 minutes. Carus Verlag #CV 31.163/12. Published by Carus Verlag (CA.3116312).

ISBN 9790007208967. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.

The cantata Nur jedem das Seine (Do justice to all men) BWV 163, for the last Sunday of the Church Year 1714/15, belongs among to those chamber music works which Bach composed for the Weimar Schlosskirche. The instruments are limited to strings, although two obbligato violoncellos are included which together with the solo bass singer and the continuo form a bass quartet unique in Bach's works. The final chorale of the cantata is handed down only as a fragment and was newly reconstructed for our edition by Thomas Riegler. Score and part available separately - see item CA.3116300.

Soli SATB, SATB Choir, 2 Violins, Viola, 2 Cello obligato, Basso continuo

SKU: CA.3116311

Cantata for the 23rd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Arranged by Thomas Riegler. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violin 1. Sacred vocal music, End of the church year. Single Part, Violin 1. Composed 1715. BWV 163. 2 pages. Duration 18 minutes. Carus Verlag #CV 31.163/11. Published by Carus Verlag (CA.3116311).

ISBN 9790007208950. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.

The cantata Nur jedem das Seine (Do justice to all men) BWV 163, for the last Sunday of the Church Year 1714/15, belongs among to those chamber music works which Bach composed for the Weimar Schlosskirche. The instruments are limited to strings, although two obbligato violoncellos are included which together with the solo bass singer and the continuo form a bass quartet unique in Bach's works. The final chorale of the cantata is handed down only as a fragment and was newly reconstructed for our edition by Thomas Riegler. Score and part available separately - see item CA.3116300.

Soli SATB, SATB Choir, 2 Violins, Viola, 2 Cello obligato, Basso continuo

SKU: CA.3116315

Cantata for the 23rd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Arranged by Thomas Riegler. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. 2 violoncellos. Sacred vocal music, End of the church year. Single Part, 2 Cellos. Composed 1715. BWV 163. 4 pages. Duration 18 minutes. Carus Verlag #CV 31.163/15. Published by Carus Verlag (CA.3116315).

ISBN 9790007208998. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.

The cantata Nur jedem das Seine (Do justice to all men) BWV 163, for the last Sunday of the Church Year 1714/15, belongs among to those chamber music works which Bach composed for the Weimar Schlosskirche. The instruments are limited to strings, although two obbligato violoncellos are included which together with the solo bass singer and the continuo form a bass quartet unique in Bach's works. The final chorale of the cantata is handed down only as a fragment and was newly reconstructed for our edition by Thomas Riegler. Score and part available separately - see item CA.3116300.

SATB choir, vocal soli, orchestra

SKU: CA.2708413

Composed by Joseph Leopold Eybler. Edited by Armin Kircher. This edition: urtext. Stuttgart Urtext Edition. Viola. Sacred vocal music, Masses, Latin. Single Part, Viola. Composed 1835. 12 pages. Duration 22 minutes. Carus Verlag #CV 27.084/13. Published by Carus Verlag (CA.2708413).

ISBN 9790007200145. Language: Latin.

Mozart and Haydn greatly admired the church music of their friend, the composer and Vienna court Kapellmeister Joseph Eybler. With its lyrical-pastoral mood, his Missa Sancti Alberti contrasts with his large-scale mass settings; in structure, extent, and orchestration it recalls Franz Schubert's well-known Mass in G major. Apart from two solo quartets which can be performed by soloists from the choir) the chorus is the main carrier of the musical action; the concise setting of the mass text is mainly set homophonically. Starting with a basic string group, the orchestra can be expanded ad libitum by the addition of two oboes, two bassoons, two trumpets, and timpani, enabling the work to be presented in its masterly orchestration. Score and part available separately - see item CA.2708400.

SATB choir, keyboard accompaniment, C instrument, violin 1, violin 2, viola, cello, guitar - Beginning

SKU: GI.G-8207

Composed by Liam Lawton. Arranged by Chris De Silva. Celebration Series. Sacred. Octavo. With guitar chord names. 8 pages. GIA Publications #8207. Published by GIA Publications (GI.G-8207).

UPC: 785147820703. English. Text by Liam Lawton.

Featuring images of God calling us by name as he shows his great love for us, this edition can be used at various times throughout the year. The beautiful choral harmonies can be effectively performed by an SATB choir or by a smaller group of voices. The C instrument part may be used alone or in conjunction with the string quartet parts, bringing added texture and beauty to the piece.

By Johann Schop. Edited by David W. Music. Arranged by Johann Sebastian Bach. For Voices: SATB. Instruments: String quartet (2 violins [or oboe] viola, cello/bass), B trumpet, continuo (instruments optional). Keyboard accompaniment. Ars Antiqua Choralis Series Sacred. Level: easy. 7 pages. Published by GIA Publications.

By Liam Lawton. Arranged by Gary (Choral); Dobbs Mickus Daigle. For Voices: Cantor or unison, assembly; opt. SATB. Instruments: String quartet (2 violins, viola, cello) (instruments optional). Keyboard accompaniment. Celebration Series Sacred. 6 pages. Published by GIA Publications.
Level: easy.

SATB choir, assembly, cantors, priest, organ accompaniment, flute, oboe, violin 1, violin 2, viola, cello

SKU: GI.G-8789FS

Revised Order of Mass 2010. Composed by Jan Michael Joncas. Mass. Sacred. Full score. 68 pages. GIA Publications #8789FS. Published by GIA Publications (GI.G-8789FS).

UPC: 785147878995. English. Text Source: Revised Order of Mass 2010, Lectionary for Mass

In 1988, GIA released Michael Joncas’s No Greater Love, a flexible mass setting offering cathedral-style music that was accessible to the singing assembly. Beautiful melodies enhanced by SATB choir and extensive orchestrations were the hallmark of this best-selling work. Now, Michael Joncas has revised this treasured setting using the 2010 Revised Order of Mass. The revision has a new through-composed Gloria that can be sung in unison during the Sundays of Ordinary Time, and for more festive occasions, one can add the optional instrumental and SATB choral parts. Also new to this setting are the gospel acclamation and a sung setting of the prayer of the faithful. The memorable congregational parts for the Kyrie and the Agnus Dei haven’t changed and the much-loved Holy, Holy has been adapted to accommodate the 2010 Revised Order of Mass text. The optional orchestration is now reduced and includes string quartet, flute, and oboe parts   Organ accompaniment is printed in the score.

SATB choir, cantors, priest, assembly, organ accompaniment, flute, oboe, violin 1, violin 2, viola, cello - Beginning

SKU: GI.G-8789

Revised Order of Mass 2010. Composed by Jan Michael Joncas. This edition: Choral / Accompaniment edition. Mass. Mass. Sacred. Choral score. 52 pages. GIA Publications #8789. Published by GIA Publications (GI.G-8789).

UPC: 788147878902. English. Text Source: Revised Order of Mass 2010, Lectionary for Mass

In 1988, GIA released Michael Joncas’s No Greater Love, a flexible mass setting offering cathedral-style music that was accessible to the singing assembly. Beautiful melodies enhanced by SATB choir and extensive orchestrations were the hallmark of this best-selling work. Now, Michael Joncas has revised this treasured setting using the 2010 Revised Order of Mass. The revision has a new through-composed Gloria that can be sung in unison during the Sundays of Ordinary Time, and for more festive occasions, one can add the optional instrumental and SATB choral parts. Also new to this setting are the gospel acclamation and a sung setting of the prayer of the faithful. The memorable congregational parts for the Kyrie and the Agnus Dei haven’t changed and the much-loved Holy, Holy has been adapted to accommodate the 2010 Revised Order of Mass text. The optional orchestration is now reduced and includes string quartet, flute, and oboe parts.

SATB choir, cantor, voice solo, assembly, keyboard accompaniment, oboe, violin 1, violin 2, viola, cello, guitar - Early intermediate

SKU: GI.G-8315

Composed by Chris De Silva. Lent. Celebration Series. Sacred. Octavo. With guitar chord names. 12 pages. GIA Publications #8315. Published by GIA Publications (GI.G-8315).

UPC: 785147831501. English, Latin. Text Source: Vv. 'In paradisum' Translation: Chris de Silva. Text by Chris de Silva.

This tender song of farewell incorporates Chris’ original text with a modern harmonization of In paradisum (Mode VII) in Latin. A simple, arpeggiated accompaniment reflects the compassionate comfort of this graceful song for funerals. Optional string quartet and oboe parts are available separately and add to the expressiveness of this piece. For Cantor or Solo, SATB choir, and assembly this touching original work by Chris de Silva quotes the Latin chant In paradisum and offers solace and hope for those who have suffered loss. For cantor or soloist.

SATB choir, cantor, voice solo, assembly, keyboard accompaniment, flute, horn in f, violin 1, violin 2, viola, cello, guitar - Beginning

SKU: GI.G-8206

Composed by Tony Alonso S.J. Arranged by Chris De Silva. Celebration Series. Sacred. Octavo. With guitar chord names. 16 pages. GIA Publications #8206. Published by GIA Publications (GI.G-8206).

UPC: 785147820604. English. Text Source: Based on Confessions of St. Augustine. Text by Tony Alonso.

With a text based on Confessions of St. Augustine, this song of comfort extols the surety of God’s love for us. Appropriate for times of reflection or meditation, this moving work sings of the peace found when we allow our restless hearts to find a home in God. While effective with piano and choir alone, the addition of string quartet, flute, and horn in F adds depth and enhances the legato line of the melody. For cantor or soloist. Instrument parts are optional.