Music by Harry Warren, arranged by Jay Althouse. Octavo for SATB choir and piano accompaniment. Series: Choral Octavo. 12 pages. Published by Alfred Publishing.

Composed by Mack Gordon, music by Harry Warren. Arranged by Paul Langford. Choir Secular. SATB choir. Choral Octavo. Pop Choral. Secular. 12 pages. Published by Alfred Music

Choral SATB Choir and Piano

SKU: PR.312419020

From Terra Nostra. Composed by Stacy Garrop. Sws. Performance Score. 12 pages. Duration 3:15. Theodore Presser Company #312-41902. Published by Theodore Presser Company (PR.312419020).

ISBN 9781491131862. UPC: 680160680474. 6.875 x 10.5 inches. English.

Commission ed by the San Francisco Choral Society and the Piedmont East Bay Children’s Choir, Terra Nostra is a 70-minute oratorio on the relationship between our planet and humankind, how this relationship has shifted over time, and how we can re-establish a harmonious balance. Part I: Creation of the World explores various creation myths from different cultures, culminating in a joyous celebration of the beauty of our planet. Part II: The Rise of Humanity examines human achievements, particularly since the dawn of our Industrial Age, and how these achievements have impacted the planet. Part III: Searching for Balance questions how to create more awareness for our planet’s plight, re-establish a deeper connection to it, and find a balance for living within our planet’s resources. In addition to the complete oratorio, stand-alone movements for mixed chorus, and for solo voice with piano, are also available separately.
Terra Nostra focuses on the relationship between our planet and mankind, how this relationship has shifted over time, and how we can re-establish a harmonious balance. The oratorio is divided into three parts:Part I: Creation of the World celebrates the birth and beauty of our planet. The oratorio begins with creation myths from India, North America, and Egypt that are integrated into the opening lines of Genesis from the Old Testament. The music surges forth from these creation stories into “God’s World” by Edna St. Vincent Millay, which describes the world in exuberant and vivid detail. Percy Bysshe Shelley’s “On thine own child” praises Mother Earth for her role bringing forth all life, while Walt Whitman sings a love song to the planet in “Smile O voluptuous cool-breathed earth!” Part I ends with “A Blade of Grass” in which Whitman muses how our planet has been spinning in the heavens for a very long time.Part II: The Rise of Humanity examines the achievements of mankind, particularly since the dawn of the Industrial Age. Lord Alfred Tennyson’s “Locksley Hall” sets an auspicious tone that mankind is on the verge of great discoveries. This is followed in short order by Charles Mackay’s “Railways 1846,” William Ernest Henley’s “A Song of Speed,” and John Gillespie Magee, Jr.’s “High Flight,” each of which celebrates a new milestone in technological achievement. In “Binsey Poplars,” Gerard Manley Hopkins takes note of the effect that these advances are having on the planet, with trees being brought down and landscapes forever changed. Percy Bysshe Shelley’s “A Dirge” concludes Part II with a warning that the planet is beginning to sound a grave alarm.Part III: Searching for Balance questions how we can create more awareness for our planet’s plight, re-establish a deeper connection to it, and find a balance for living within our planet’s resources. Three texts continue the earth’s plea that ended the previous section: Lord Byron’s “Darkness” speaks of a natural disaster (a volcano) that has blotted out the sun from humanity and the panic that ensues; contemporary poet Esther Iverem’s “Earth Screaming” gives voice to the modern issues of our changing climate; and William Wordsworth’s “The World Is Too Much With Us” warns us that we are almost out of time to change our course. Contemporary/agrarian poet Wendell Berry’s “The Want of Peace” speaks to us at the climax of the oratorio, reminding us that we can find harmony with the planet if we choose to live more simply, and to recall that we ourselves came from the earth. Two Walt Whitman texts (“A Child said, What is the grass?” and “There was a child went forth every day”) echo Berry’s thoughts, reminding us that we are of the earth, as is everything that we see on our planet. The oratorio concludes with a reprise of Whitman’s “A Blade of Grass” from Part I, this time interspersed with an additional Whitman text that sublimely states, “I bequeath myself to the dirt to grow from the grass I love…”My hope in writing this oratorio is to invite audience members to consider how we interact with our planet, and what we can each personally do to keep the planet going for future generations. We are the only stewards Earth has; what can we each do to leave her in better shape than we found her?

Hymn-Anthems for Mixed Voice Choirs. Edited by Barry Rose. Music Sales America. Hymns, Sacred, Collection, General Worship. 96 pages. Novello and Co Ltd. #NOV040044. Published by Novello and Co Ltd.

Composed by Patricia Mock. Arranged by Faye Lopez. Choral. Sacred Anthem. Octavo. Lorenz Publishing Company #10/5473L. Published by Lorenz Publishing Company

For SATB voices (with optional guitar chords). Format: SATB songbook. With choral notation, lyrics, chord names and guitar chord diagrams. Americana, traditional pop and pop vocal. Series: Everybody's Favorite Series #67. 127 pages. 9x12 inches. Published by Music Sales.

Vocal soloists, choir, and orchestra (Soprano Voice Solo, Tenor Voice Solo, Bass Voice Solo, SATB Choir, 2 Trp, timpani, bassoon, 2 V, Va, Continuo)

SKU: BA.TP01143

Cantata for soloists, choir and orchestra. Composed by Johann Sebastian Bach. Edited by Andreas Glöckner. This edition: urtext edition. Stapled. Barenreiter Urtext. Urtext of the New Bach Edition - Revised Edition. Study score. BWV 143. Duration 30 minutes. Baerenreiter Verlag #TP01143_00. Published by Baerenreiter Verlag (BA.TP01143).

ISBN 9790006205332. 22.5 x 16.5 cm inches. Language: German. Preface: Glöckner, Andreas.

Little is known about the genesis ofLobe den Herrn, meine SeeleBWV 143.

A transcription from the 19th century was for a long time considered the only source; the musical text of theNew Bach Editionwas based on this material. Recently however a copy of the score from 1762 has become available. It offers a more reliable musical text, rendering a complete revision of the cantata necessary.
On the basis of this new source, the work is presented here as part of theNew Bach Edition - Revisedin what is presumably its original form in C major with three trumpets. This orchestration is more typical of Bach's writing than the version for three horns in the surviving B-flat major version.

- Revised Urtext edition of the Weimar Cantata
- Based on theNew Bach Edition - Revised

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Composed by Kyle Pederson. Instrumental part. MorningStar Music Publishers #50-6144. Published by MorningStar Music Publishers

Performed by Sweet Honey In The Rock. Arranged by Ysaye M. Barnwell. (SATB div a cappella). Choral Collection. Size 9x12 inches. 192 pages. Published by Contemporary A Cappella Publishing.

Choral (SATB)

SKU: HL.2050293

Praise Gathering Choral. Easter. Softcover. 120 pages. Duration 2700 seconds. PraiseGathering #A08443. Published by PraiseGathering (HL.2050293).

UPC: 797242885594. 6.75x10.5x0.351 inches.

The truly blessed are those that can see the miraculous in what others see as mundane. Even more so are those that never lose the wonder of the awesome impact of the sacred. It is part of our nature to allow the most wonderful things in our lives to seem commonplace at times - to take tremendous blessings for granted. King David's prayer, “Restore to me the joy of Your salvation and grant me a willing spirit to sustain me.” (Psalm 51:12) speaks to us in the times and seasons of our own lives.This musical is about the importance of remembering. On the eve of His trial and execution Jesus made it clear that we were to remember Him and His sacrifice. He instituted the sacrament of the Last Supper to be a central part of the Christian faith - a time to gather as His Body and remember.We cannot stand in the distance and casually observe the sacrifice of the Cross. We cannot pretend it did not happen - that it is less than it is proclaimed to be - that it does not touch us or our lives. The Cross is not something that we get used to - not something that we can get comfortable with - not something that we can ever take lightly.Jesus Christ, the Son of God, by His own choice died nailed to a Cross for the sins that you and I committed. May we never forget His sacrifice, may we never fail to fall to our knees in thanksgiving for that kind of love, may we never lose the wonder - the wonder of the Cross.

SATB choir

SKU: ST.EM35A

Composed by Robert Jones. Edited by Edmund H Fellowes. Library Volumes. Edited Edmund Fellowes. Revised Thurston Dart. Paperback. Madrigals. Choral Score. Stainer & Bell Ltd. #EM35A. Published by Stainer & Bell Ltd. (ST.EM35A).

ISBN 9790220209796.

Jone s was a famous lutenist and one of the musicians responsible for training the 'children of St Paul's', who acted and sang in Elizabethan and Jacobean court plays. His 16 madrigals are mostly to texts about birds - birds merry, sweet, shrill, crowing or melancholic.

CONTENTS
Are lovers full of fire? (SSAATBB)
But let her look in mine (SST)
Cock-a-doodle-doo (SS (or A) A (or T) B)
Come, doleful owl (SSTTB)
Fair Oriana seeming to wink (SSAATB)
I come, sweet birds (SS (or A) A (or T) B)
Love, if a god thou art (SST)
O I do love (SST (or A))
She only is the pride (SSA)
Shrill-sounding bird (SST (or A) B)
Sing, merry birds (SS (or A) A (or T) B)
Sweet, when thou singest (SSATB)
The more I burn (SSAATTBB)
Thine eyes so bright (SSA)
When I behold her eyes (SST)
Your presence breeds (SSAATB).

Chorus Parts. By Sir Arthur Seymour Sullivan, W.S. Gilbert. (SATB). Opera. Size 6.8x10.5 inches. 48 pages. Published by G. Schirmer, Inc.

SB vocal soli, SATB choir, oboe, 2 violins, viola, basso continuo

SKU: CA.3103212

Cantata for the 1st Sunday after Epiphany. Composed by Johann Sebastian Bach. Edited by Hans Grischkat. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Liebster Jesu. Sacred vocal music, Cantatas, Epiphany. Single Part, Violin 2. Composed 1726. BWV 32. 4 pages. Duration 24 minutes. Carus Verlag #CV 31.032/12. Published by Carus Verlag (CA.3103212).

ISBN 9790007042516. Key: E minor / g major. Language: German/English. Text: Lehms, Georg Christian. Text: Georg Christian Lehms.

The text of the cantata Dearest Jesus, sore I need Thee for the 1st Epiphany Sunday 1726 was written by the Darmstadt poet Georg Christian Lehms. It is conceived as a dialog between Jesus and the Faithful Soul. Bach titled his cantata Concerto in Dialogo and accordingly, it is structured as a dialog between soprano and bass, set in the voice types that were - not only for Bach - typically used for the soul (soprano) and Jesus (bass). The cantata is based on the narrative of the twelve-year-old boy Jesus in the temple; however, in spite of closely following the gospel text, it is interpreted more widely here: it is through Jesus that the believer finds God's dwelling. Bach creates a great arch from the opening aria full of yearning and searching through to the joyful duet Nun verschwinden alle Plagen. He himself added the four-part closing chorale to the text model, thus communicating the sense of joyous certainty to the congregation of believers. Score and part available separately - see item CA.3103200.

SB vocal soli, SATB choir, oboe, 2 violins, viola, basso continuo

SKU: CA.3103213

Cantata for the 1st Sunday after Epiphany. Composed by Johann Sebastian Bach. Edited by Hans Grischkat. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Liebster Jesu. Sacred vocal music, Cantatas, Epiphany. Single Part, Viola. Composed 1726. BWV 32. 4 pages. Duration 24 minutes. Carus Verlag #CV 31.032/13. Published by Carus Verlag (CA.3103213).

ISBN 9790007042523. Key: E minor / g major. Language: German/English. Text: Lehms, Georg Christian. Text: Georg Christian Lehms.

The text of the cantata Dearest Jesus, sore I need Thee for the 1st Epiphany Sunday 1726 was written by the Darmstadt poet Georg Christian Lehms. It is conceived as a dialog between Jesus and the Faithful Soul. Bach titled his cantata Concerto in Dialogo and accordingly, it is structured as a dialog between soprano and bass, set in the voice types that were - not only for Bach - typically used for the soul (soprano) and Jesus (bass). The cantata is based on the narrative of the twelve-year-old boy Jesus in the temple; however, in spite of closely following the gospel text, it is interpreted more widely here: it is through Jesus that the believer finds God's dwelling. Bach creates a great arch from the opening aria full of yearning and searching through to the joyful duet Nun verschwinden alle Plagen. He himself added the four-part closing chorale to the text model, thus communicating the sense of joyous certainty to the congregation of believers. Score and part available separately - see item CA.3103200.

SB vocal soli, SATB choir, oboe, 2 violins, viola, basso continuo

SKU: CA.3103205

Cantata for the 1st Sunday after Epiphany. Composed by Johann Sebastian Bach. Edited by Hans Grischkat. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Liebster Jesu, mein Verlangen. Sacred vocal music, Cantatas, Epiphany. Choral Score. Composed 1726. BWV 32. 2 pages. Duration 24 minutes. Carus Verlag #CV 31.032/05. Published by Carus Verlag (CA.3103205).

ISBN 9790007042493. Key: E minor / g major. Language: German/English. Text: Lehms, Georg Christian. Text: Georg Christian Lehms.

The text of the cantata Dearest Jesus, sore I need Thee for the 1st Epiphany Sunday 1726 was written by the Darmstadt poet Georg Christian Lehms. It is conceived as a dialog between Jesus and the Faithful Soul. Bach titled his cantata Concerto in Dialogo and accordingly, it is structured as a dialog between soprano and bass, set in the voice types that were - not only for Bach - typically used for the soul (soprano) and Jesus (bass). The cantata is based on the narrative of the twelve-year-old boy Jesus in the temple; however, in spite of closely following the gospel text, it is interpreted more widely here: it is through Jesus that the believer finds God's dwelling. Bach creates a great arch from the opening aria full of yearning and searching through to the joyful duet Nun verschwinden alle Plagen. He himself added the four-part closing chorale to the text model, thus communicating the sense of joyous certainty to the congregation of believers. Score available separately - see item CA.3103200.

Composed by Patrick Rooney. For SATB choir, a cappella. Pathways Series. Octavo. Duration 4 minutes. Published by Imagine Music

SATB choir

SKU: ST.EM33

Composed by Richard Alison. Edited by Edmund H Fellowes. Library Volumes. Edited Edmund Fellowes. Revised Thurston Dart. Paperback. Madrigals. Choral Score. Stainer & Bell Ltd. #EM33. Published by Stainer & Bell Ltd. (ST.EM33).

ISBN 9790220200076.

This interesting collection looks back to the 'Winter' of Byrd and Mundy in the conservative settings of such verse as My prime of youth (see EM35B); but it is also a contemporary record, with two madrigals celebrating the failure of Guy Fawkes' Gunpowder Plot against James I.

CONTENTS
Behold now praise the Lord (S (or A) S (or A) TBB)
But yet it seems (SSAB)
Can I abide this prancing? (SSATB)
Earth's but a point (SSATB)
For Lust is frail (SSATB)
He only can behold (SSAB)
Her eyes like angels (SSATB)
I can no more but hope (SSAB)
In hope a King (SSAB)
My prime of youth (SSAB)
O heavy heart (SSAB)
O Lord bow down thine ear (SATTB)
Rest with yourselves (SSATB)
Shall I abide this jesting (SSATB)
The man upright of life (SSAB)
The sacred choir of angels (SATBB)
The Spring is past (SSAB)
The stately stag (SSATB)
The sturdy rock (SSATB)
There is a garden in her face (SSATB)
Those cherries fairly do enclose (SSATB)
Though Wit bids Will (SSAB)
What if a day (SSATB)
Who loves this life (SSAB).

Orchestra SATB vocal soli, SATB choir, 2 oboe d'amore, taille (english horn), 2 horns, 2 violins, viola, basso continuo - Level 3

SKU: CA.3108807

Cantata for the 5th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. This edition: Paperbound. German title: Siehe, ich will viel Fischer. Sacred vocal music, Cantatas. Study score. Composed 1726. BWV 88. 56 pages. Duration 22 minutes. Carus Verlag #CV 31.088/07. Published by Carus Verlag (CA.3108807).

ISBN 9790007046101. Key: D major / b minor. Language: German/English.

Sco re available separately - see item CA.3108800.

SA vocal soli, SATB choir, oboe I/oboe d'amore, oboe II, 3 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.3119309

Cantata for the inauguration of a new town council. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn, Reinhold Kubik. 1x 31.193/21 oboe 1, 1x 31.193/22 oboe 2, 1x 31.193/23 oboe d'amore, 1x 31.193/31 trumpet 1, 1x 31.193/32 trumpet 2, 1x 31.193/33 trumpet 3, 3x 31.193/34 Tromba 1-3 in D, 1x 31.193/41 timpani. German title: Ihr Tore zu Zion 7. Sacred vocal music, Cantatas. Set of Orchestra Parts. Composed 1727. BWV 193. 24 pages. Duration 16 minutes. Carus Verlag #CV 31.193/09. Published by Carus Verlag (CA.3119309).

ISBN 9790007050771. Key: D major / g major. Language: German/English.

Sco re available separately - see item CA.3119300.