For SATB. Modern Christian. Sacred. Hymnal. Published by Brentwood-Benson Music Publishing.

For SATB. Modern Christian. Sacred. Hymnal. Published by Brentwood-Benson Music Publishing.

By Thomas Fettke. For SATB choir and piano. All Saints Day, General, Reformation, Transfiguration, Sacred. Sacred Anthem. Published by Lorenz Publishing Company. (10/3740L)

Composed by Johann Sebastian Bach (1685-1750), edited by Albert Riemenschneider, Charles Boyd. Vocal score book for SATB choir. With vocal score notation (open score in German; closed score in English), introductory text and . Text language English; lyrics in German and English. 127 pages. Published by G. Schirmer, Inc.

By Lloyd Larson. (SATB). Scripture Reference: 1 Corinthians 11:17-28. Christ's Presence, Communion, Gathering, Kingdom, Lord's Supper, Mission, Worshiping, Communion and Sacred. Print Music Single (SATB). 8 pages. Published by Hope Publishing Company.

By Gary Daigle. For Voices: SATB, cantor, presider, assembly. Keyboard accompaniment. The English translation of the greeting and the absolution from the penitential rite from the Roman Missal. All other text by Rory Cooney. Ritual Prayer Series Sacred. Level: easy. 7 pages. Published by GIA Publications.

Choral SATB choir, piano

SKU: CF.CM9554

Composed by Philip E. Silvey. SWS. Performance Score. With Standard notation. 20 pages. Carl Fischer Music #CM9554. Published by Carl Fischer Music (CF.CM9554).

ISBN 9781491150863. UPC: 680160908363. 6.875 x 10.5 inches.

Philip Silvey's setting of the Scottish folk song O Waly, Waly takes on a new and unique twist. Struck by how the lyrics offer only one person's view, Silvey dares to tell the other side of the story. With a whimsical, yet supportive accompaniment, mixed ensembles of all abilities are certain to relate to the message of love and loss.

Soprano solo, SATB choir, piano, organ, and brass ensemble (Horns I and II in F, B-flat Trumpets I and II, Trombones I and II, Tuba, Piano, Organ (or digital keyboard if a tuned pipe organ is unavailable)) - Intermediate

SKU: MN.56-0121

Composed by Howard Goodall. MorningStar Music Publishers #56-0121. Published by MorningStar Music Publishers (MN.56-0121).

UPC: 688670221491. English.

A poignant text looking at how we might come out on the other side of our struggles. The second movement in the larger work Unconditional Love..

Choral SATB choir, piano accompaniment

SKU: HP.C6232

Arranged by Mary McDonald. Spirituals & Gospel, Funeral & Memorial, General Worship, Eternal Life, Heaven & Eternal Life, Second Coming of Christ, Spiritual. Octavo. 16 pages. Hope Publishing Company #C6232. Published by Hope Publishing Company (HP.C6232).

UPC: 763628162320.

Tradi tional Spiritual This delightful presentation features the traditional spiritual, 'Let Me Ride' (Swing Down Sweet Chariot), threaded together with 'In that Great Gettin Up Morning. 'Choirs will enjoy the rhythmic energy along with the familiar words and melodies, while telling the stories about the good news of a 'home on the other side.'.

By Jay Althouse. Choir Secular. For Opt. Snare Drum (SATB choir). Choral Octavo. Choral Designs. Spiritual. 12 pages. Published by Alfred Music Publishing

Arranged by Mac Huff. Octavo for SATB chorus and piano accompaniment. With chord names. Choral. 32 pages. Published by Hal Leonard.

Composed by Alan Bullard (1947-). For Soprano voice solo, SATB choir, and optional organ. Sacred. Octavo. Duration 4 minutes. Published by Oxford University Press

Solo SATB, SATB Choir, Fl, 3 Ob, 3 Tr, Timp, 2 Vl, Va, Bc

SKU: CA.3113009

Cantata for St. Michael. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Arranged by Paul Horn. 1x 31.130/21 flute, 1x 31.130/22 oboe 1, 1x 31.130/23 oboe 2, 1x 31.130/24 oboe 3, 4x 31.130/31 3 trumpets and timpani. Stuttgart Urtext Edition: Bach vocal. Harmony parts. Sacred vocal music, Cantatas. Set of Orchestra Parts. Composed 1724. BWV 130. Duration 14 minutes. Carus Verlag #CV 31.130/09. Published by Carus Verlag (CA.3113009).

ISBN 9790007207823. Language: German/English.

As in all cantatas for St. Michael the chorale cantata Lord God, we praise thee all of us BWV 130 from 1724 is a magnificent composition. Not only in the opening chorus and the final chorale do the three trumpets and timpani play a role, but the first aria In hell the serpent, hot with hate is even accompanied solely by trumpets, timpani and continuo. The second aria, Thou, of cherubim the master, brings an unexpected contrast in which, besides the tenor and continuo, on a solo flute is heard. The original set of parts were separated from each other in the 19th century and today are scattered throughout the world. For the first time, some of the parts were taken into consideration in preparing this edition. Score and parts available separately - see item CA.3113000.

Choral SATB choir

SKU: CF.CM9733

Composed by Jacob Narverud. 4 pages. Duration 1:30. Carl Fischer Music #CM9733. Published by Carl Fischer Music (CF.CM9733).

ISBN 9781491161135. UPC: 680160919727. Key: Eb major. Traditional Latin.

Cantate Cantate Domino, cantate. Canticum novum, omnis terra, cantate. Cantate Domino, cantate. Et benedicite nomini ejus; Annuntiate de die in diem salutare ejus. Annuntiate inter gentes gloriam ejus; in omnibus populis mirabilia ejus! Translation Sing to the Lord, sing. Sing a new song, all the earth, sing. Sing to the Lord, sing.   And bless his name; Declare day by day his salvation. Declare his glory among the nations; his wonders among all people! Performance note Cantate was written to be performed as a concert opener (surrounding the audience, if possible), with Sopranos/Altos on one side (facing inward) and Tenors/Basses on the other (facing inward) to create an echo effect for the listener. Three-part divisi splits work best when voiced as SSA & TBB throughout.
Cantate was written to be performed as a concert opener (surrounding the audience, if possible), with Sopranos/Altos on one side (facing inward) and Tenors/Basses on the other (facing inward) to create an “echo” effect for the listener.Three-part divisi splits work best when voiced as SSA & TBB throughout.

Choral SATB choir

SKU: CF.CM9700

Composed by Hungarian Folk. Arranged by Stacy Garrop. 20 pages. Duration 4:44. Carl Fischer Music #CM9700. Published by Carl Fischer Music (CF.CM9700).

ISBN 9781491160008. UPC: 680160918607. Key: A minor. Hungarian. Hungarian Folk.

In 2014, Chanticleer commissioned me to make a new arrangement of the Hungarian-Romani folk song Jarba, Mare Jarba for their 2014 touring program. Passed down orally through the Romani communities, this beautiful folk song, with text in a language called Beas (beh-osh), speaks of a deep longing to visit one's homeland, a place where the singer can never return. Chanticleer consists of twelve men whose vocal ranges span from low bass to high soprano, equivalent to the range of a mixed choir of women and men. I composed slow sections of original material to represent the singers' longing to return home; these are interspersed with the folk song's traditional fast sections. The incorporated shouts and calls in the score are typically found in the performance of Central European folk songs. I hope you enjoy singing this new version of Jarba, Mare Jarba that contains all of the vigor and excitement of the Chanticleer version. PERFORMANCE NOTES All spoken sounds (indicated by x noteheads) should be performed by individuals. Feel free to elaborate with more sounds of your own in the tradition of Eastern European folk music. If the piece is memorized, feel free to experiment with clapping on the off-beats of m. 93 to the end. TEXT Transliteration Jarba, mare jarba mas duce a casa, da nu pot ca am jurat, Jarba, mare jarba mas duce a casa, da nu pot ca am jurat. Mare jarba, verde jarba nu me pot duce a casa. Jarba, mare jarba mas duce a casa, da nu pot ca am jurat. O mers mama de pe sat, O lasat coliba goala, Infrunzitu, ingurzitu da plina de saracie, da plina de saracie. Mare jarba, verde jarba nu me pot duce a casa. Jarba, mare jarba mas duce a casa, da nu pot ca am jurat. Translation Green grass, tall grass, I would like to go home, but I cannot, because I have sworn not to. Tall grass, green grass - oh, that I cannot go home! My mother has left the village; she left the hut empty, Adorned with leaves but full of poverty. Tall grass, green grass - oh, that I cannot go home! Tall grass, green grass - I would like to go home. but I cannot, because I have sworn not to. Stacy Garrop's music is centered on dramatic and lyrical storytelling. The sharing of stories is a defining element of our humanity; we strive to share with others the experiences and concepts that we find compelling. She shares stories by taking audiences on sonic journeys - some simple and beautiful, while others are complicated and dark - depending on the needs and dramatic shape of the story. Garrop served as the first Emerging Opera Composer of Chicago Opera Theater's Vanguard Program. She also held a 3-year composer-in-residence position with the Champaign-Urbana Symphony Orchestra, funded by New Music USA and the League of American Orchestras. She has received numerous awards and grants including an Arts and Letters Award in Music from the American Academy of Arts and Letters, Fromm Music Foundation Grant, Barlow Prize, and three Barlow Endowment commissions, along with prizes from competitions sponsored by the Detroit Symphony Orchestra, Civic Orchestra of Chicago, Omaha Symphony, New England Philharmonic, Boston Choral Ensemble, Utah Arts Festival, and Pittsburgh New Music Ensemble. She is a Cedille Records artist; her works are commercially available on more than ten additional labels. Her catalog covers a wide range, with works for orchestra, opera, oratorio, wind ensemble, choir, art song, various sized chamber ensembles, and works for solo instruments. Notable commissions include My Dearest Ruth for soprano and piano with text by Martin Ginsburg, the husband of the late Supreme Court Justice Ruth Bader Ginsburg, The Transformation of Jane Doe for Chicago Opera Theater, The Battle for the Ballot for the Cabrillo Festival Orchestra, Goddess Triptych for the St. Louis Symphony Orchestra, Glorious Mahalia for the Kronos Quartet, Give Me Hunger for Chanticleer, Rites for the Afterlife for the Akropolis and Calefax Reed Quintets, and Terra Nostra: an oratorio about our planet, commissioned by the San Francisco Choral Society and Piedmont East Bay Children's Chorus. Garrop previously served as composer-in-residence with the Albany Symphony and Skaneateles Festival, and as well as on faculty of the Fresh Inc Festival (2012-2017). She taught composition and orchestration full-time at Roosevelt University 2000-2016) before leaving to launch her freelance career. She earned degrees in music composition at the University of Michigan-Ann Arbor (B.M.), University of Chicago (M.A.), and Indiana University-Bloomington (D.M.).
In 2014, Chanticleer commissioned me to make a new arrangement of the Hungarian-Romani folk song Jarba, Mare Jarba for their 2014 touring program. Passed down orally through the Romani communities, this beautiful folk song, with text in a language called Beas (beh-osh), speaks of a deep longing to visit one’s homeland, a place where the singer can never return. Chanticleer consists of twelve men whose vocal ranges span from low bass to high soprano, equivalent to the range of a mixed choir of women and men. I composed slow sections of original material to represent the singers’ longing to return home; these are interspersed with the folk song’s traditional fast sections. The incorporated shouts and calls in the score are typically found in the performance of Central European folk songs. I hope you enjoy singing this new version of Jarba, Mare Jarba that contains all of the vigor and excitement of the Chanticleer version.PERFORMANCE NOTESAll spoken sounds (indicated by x noteheads) should be performed by individuals. Feel free to elaborate with more sounds of your own in the tradition of Eastern European folk music.If the piece is memorized, feel free to experiment with clapping on the off-beats of m. 93 to the end.TEXTTransliterationJa rba, mare jarba mas duce a casa, da nu pot ca am jurat, Jarba, mare jarba mas duce a casa, da nu pot ca am jurat. Mare jarba, verde jarba nu me pot duce a casa.Jarba, mare jarba mas duce a casa, da nu pot ca am jurat.O mers mama de pe sat, O lasat coliba goala,Infrunzitu, ingurzitu da plina de saracie, da plina de saracie. Mare jarba, verde jarba nu me pot duce a casa.Jarba, mare jarba mas duce a casa, da nu pot ca am jurat.TranslationGreen grass, tall grass, I would like to go home, but I cannot, because I have sworn not to.Tall grass, green grass – oh, that I cannot go home!My mother has left the village; she left the hut empty, Adorned with leaves but full of poverty.Tall grass, green grass – oh, that I cannot go home! Tall grass, green grass – I would like to go home.but I cannot, because I have sworn not to.Stacy Garrop’s music is centered on dramatic and lyrical storytelling. The sharing of stories is a defining element of our humanity; we strive to share with others the experiences and concepts that we find compelling. She shares stories by taking audiences on sonic journeys – some simple and beautiful, while others are complicated and dark – depending on the needs and dramatic shape of the story.Garrop served as the first Emerging Opera Composer of Chicago Opera Theater’s Vanguard Program. She also held a 3-year composer-in-residence position with the Champaign-Urbana Symphony Orchestra, funded by New Music USA and the League of American Orchestras. She has received numerous awards and grants including an Arts and Letters Award in Music from the American Academy of Arts and Letters, Fromm Music Foundation Grant, Barlow Prize, and three Barlow Endowment commissions, along with prizes from competitions sponsored by the Detroit Symphony Orchestra, Civic Orchestra of Chicago, Omaha Symphony, New England Philharmonic, Boston Choral Ensemble, Utah Arts Festival, and Pittsburgh New Music Ensemble. She is a Cedille Records artist; her works are commercially available on more than ten additional labels.Her catalog covers a wide range, with works for orchestra, opera, oratorio, wind ensemble, choir, art song, various sized chamber ensembles, and works for solo instruments. Notable commissions include My Dearest Ruth for soprano and piano with text by Martin Ginsburg, the husband of the late Supreme Court Justice Ruth Bader Ginsburg, The Transformation of Jane Doe for Chicago Opera Theater, The Battle for the Ballot for the Cabrillo Festival Orchestra, Goddess Triptych for the St. Louis Symphony Orchestra, Glorious Mahalia for the Kronos Quartet, Give Me Hunger for Chanticleer, Rites for the Afterlife for the Akropolis and Calefax Reed Quintets, and Terra Nostra: an oratorio about our planet, commissioned by the San Francisco Choral Society and Piedmont East Bay Children’s Chorus.Garrop previously served as composer-in-residence with the Albany Symphony and Skaneateles Festival, and as well as on faculty of the Fresh Inc Festival (2012-2017). She taught composition and orchestration full-time at Roosevelt University 2000-2016) before leaving to launch her freelance career. She earned degrees in music composition at the University of Michigan-Ann Arbor (B.M.), University of Chicago (M.A.), and Indiana University-Bloomington (D.M.).­­.

SATB Choir and Accompaniment

SKU: HL.14022707

Music Sales America. Sacred. Book [Softcover]. 108 pages. Music Sales #NOV040014. Published by Music Sales (HL.14022707).

ISBN 9781846090851. 7.5x6.25x0.264 inches.

A collection of chants designed for use by Church choirs. A considerable number of Cathedral Psalter Chants which have stood the test of time have been retained, and favourites form other sources have been added. Besides these, many new ones by 20th century composers will be found, including 43 double and 20 single chants which have been specially written for this book. Edited by Charles H. Lloyd.

Composed by J. William Greene. For SATB choir, organ. An Epiphany scene. Christmas, Epiphany. Octavo. Published by CanticaNOVA Publications

Choral (SATB)

SKU: HL.1197742

Arranged by Brent Wells. Gentry Publications. Octavo. 12 pages. Duration 300 seconds. Gentry Publications #JG2622. Published by Gentry Publications (HL.1197742).

UPC: 196288134732. 6.75x10.5x0.029 inches.

Here is something truly different - Brent Wells' new arrangement of the Chinese folk song Ao bao Xiang Hui, “Let Us Meet at the Aobao.” The arrangement begins with a brief choral introduction, where the Erhu (violin) presents the melody of the folk song, complete with traditional ornamentation. The tenor and bass verse recounts the story of a young man who goes to the aobao, only to find that his true love is not there. The sopranos and altos answer, giving voice to her reassuring words: “If you wait patiently, I will run to your side.” Finally, they find one another - and under the clear moonlit sky, sing together. Your singers will enjoy the challenge of a different language, presented in the setting of a charming love story. High school, college, and festival choirs will savor learning and performing this unusual piece.

Orchestra ATB vocal soli, SATB choir, 2 oboes, 2 violins, viola, basso continuo - Grade 3

SKU: CA.3123511

Kyrie-Gloria-Messe (Lutherische Messe). Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Missa In G /Bwv 235 Rev.2000. Innovative practice aids, Sacred vocal music, Masses, Latin, Mass settings, incomplete (also Missa brevis). Single Part, Violin 1. Composed the period at Leipzig. BWV 235. 12 pages. Duration 30 minutes. Carus Verlag #CV 31.235/11. Published by Carus Verlag (CA.3123511).

ISBN 9790007085926. Key: G minor. Language: Latin.

As well as the Mass in B minor, there are four further, shorter mass compositions by Bach, the so-called Lutheran or Kyrie-Gloria masses. Despite their high musical qualities, they are often overshadowed by other church works by Bach. With their six-movement structure (up to the Cum sancto spiritu) they had their specific liturgical position in church services of the time of Bach. The masses largely comprise parodies, with the original music mainly taken from cantatas which Bach sometimes considerably reworked in his well-known style according to the new context of the work. Ulrich Leisinger has edited the four works for Carus in new critical editions. Score and part available separately - see item CA.3123500.

Orchestra ATB vocal soli, SATB choir, 2 oboes, 2 violins, viola, basso continuo - Grade 3

SKU: CA.3123509

Kyrie-Gloria-Messe (Lutherische Messe). Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. This edition: urtext. 1x 31.235/21 oboe 1, 1x 31.235/22 oboe 2. Stuttgart Urtext Edition: Bach vocal. German title: Missa In G /Bwv 235 Rev.2000. Innovative practice aids, Sacred vocal music, Masses, Latin, Mass settings, incomplete (also Missa brevis). Set of Orchestra Parts. Composed the period at Leipzig. BWV 235. 20 pages. Duration 30 minutes. Carus Verlag #CV 31.235/09. Published by Carus Verlag (CA.3123509).

ISBN 9790007211080. Key: G minor. Language: Latin.

As well as the Mass in B minor, there are four further, shorter mass compositions by Bach, the so-called Lutheran or Kyrie-Gloria masses. Despite their high musical qualities, they are often overshadowed by other church works by Bach. With their six-movement structure (up to the Cum sancto spiritu) they had their specific liturgical position in church services of the time of Bach. The masses largely comprise parodies, with the original music mainly taken from cantatas which Bach sometimes considerably reworked in his well-known style according to the new context of the work. Ulrich Leisinger has edited the four works for Carus in new critical editions. Score and parts available separately - see item CA.3123500.

Orchestra ATB vocal soli, SATB choir, 2 oboes, 2 violins, viola, basso continuo - Grade 3

SKU: CA.3123505

Kyrie-Gloria-Messe (Lutherische Messe). Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Missa In G /Bwv 235 Rev.2000. Innovative practice aids, Sacred vocal music, Masses, Latin, Mass settings, incomplete (also Missa brevis). Choral Score. Composed the period at Leipzig. BWV 235. 16 pages. Duration 30 minutes. Carus Verlag #CV 31.235/05. Published by Carus Verlag (CA.3123505).

ISBN 9790007085919. Key: G minor. Language: Latin.

As well as the Mass in B minor, there are four further, shorter mass compositions by Bach, the so-called Lutheran or Kyrie-Gloria masses. Despite their high musical qualities, they are often overshadowed by other church works by Bach. With their six-movement structure (up to the Cum sancto spiritu) they had their specific liturgical position in church services of the time of Bach. The masses largely comprise parodies, with the original music mainly taken from cantatas which Bach sometimes considerably reworked in his well-known style according to the new context of the work. Ulrich Leisinger has edited the four works for Carus in new critical editions. Score available separately - see item CA.3123500.