By Various. For Choral Collection: Mixed Choir. Published by Oxford University Press.

SATB choir, piano

SKU: LO.10-5769L

Composed by Ruth Elaine Schram. Choral. Sacred Anthem, Holy Week, Lent. Octavo. Lorenz Publishing Company #10/5769L. Published by Lorenz Publishing Company (LO.10-5769L).

ISBN 9780787778897.

The text of Ruth Elaine Schramâ??s unique Lenten anthem is full of vulnerable honesty, and the beautifully conceived original tune is profoundly melodic. There is just the right amount of repetition in the choral writing which will aid in the learning process, and the melodic keyboard accompaniment creates the perfect atmosphere for Lent, especially with the addition of the optional oboe part.

Composed by Mark A. Miller. For SATB choir with piano. Sacred anthem. General. Octavo. Published by Chorister's Guild

SSATB choir, SATB ad lib., 5 instruments ad lib., basso continuo

SKU: CA.1002849

Chorale concert. Composed by Michael Praetorius. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition. Organ. Sacred concertos, Sacred vocal music, Advent. Single Part, Organ. 4 pages. Duration 4 minutes. Carus Verlag #CV 10.028/49. Published by Carus Verlag (CA.1002849).

ISBN 9790007189389. Text language: German.

The collection Polyhymnia Caduceatrix & Panegyrica of 1619 is rightly regarded as the high point in Michael Praetorius's output. It combines Solennische Friedt- und Frewden-Concert: which Praetorius as a travelling musician had composed largely for festive occasions - he writes of Kayser: Konig: Chur: vnd Furstlichen zusammen Kunfften - and also for furnehme Capellen vnd Kirchen. In these chorael concerti the highly modern, Italian style and the Protestant chorale combine and form a symbiosis which showed the way forward for the history of German music. The chorale settings draw on influences from Venetian polychoral music, use ritornelli and employ obbligato instruments in a way which is beyond compare, even in contemporary Italy. Here we see a quite different side of the master from the composer of Es ist ein Ros entsprungen. And above all, Praetorius always remains a practical musician who ensures that these breathtaking chorale concerti can also be effectively performed with smaller forces, sometimes considerably reduced ones. In the chorale setting Wie schon leuchtet der Morgenstern Praetorius wrote for a five-part ensemble which is joined in some sections by a four-part capella. For the ensemble, Praetorius suggested both voices and instruments, which he uses in a sophisticated texture of sound, the instruments sometimes duplicating the voices and sometimes alternating with them. Score and part available separately - see item CA.1002800.

SSATB choir, SATB ad lib., 5 instruments ad lib., basso continuo

SKU: CA.1002800

Chorale concert. Composed by Michael Praetorius. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition. Sacred concertos, Sacred vocal music, Advent. Full score. 12 pages. Duration 4 minutes. Carus Verlag #CV 10.028/00. Published by Carus Verlag (CA.1002800).

ISBN 9790007171735. Text language: German.

The collection Polyhymnia Caduceatrix & Panegyrica of 1619 is rightly regarded as the high point in Michael Praetorius's output. It combines Solennische Friedt- und Frewden-Concert: which Praetorius as a travelling musician had composed largely for festive occasions - he writes of Kayser: Konig: Chur: vnd Furstlichen zusammen Kunfften - and also for furnehme Capellen vnd Kirchen. In these chorael concerti the highly modern, Italian style and the Protestant chorale combine and form a symbiosis which showed the way forward for the history of German music. The chorale settings draw on influences from Venetian polychoral music, use ritornelli and employ obbligato instruments in a way which is beyond compare, even in contemporary Italy. Here we see a quite different side of the master from the composer of Es ist ein Ros entsprungen. And above all, Praetorius always remains a practical musician who ensures that these breathtaking chorale concerti can also be effectively performed with smaller forces, sometimes considerably reduced ones. In the chorale setting Wie schon leuchtet der Morgenstern Praetorius wrote for a five-part ensemble which is joined in some sections by a four-part capella. For the ensemble, Praetorius suggested both voices and instruments, which he uses in a sophisticated texture of sound, the instruments sometimes duplicating the voices and sometimes alternating with them.

SSATB choir, SATB ad lib., 5 instruments ad lib., basso continuo

SKU: CA.1002805

Chorale concert. Composed by Michael Praetorius. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition. Sacred concertos, Sacred vocal music, Advent. Choral Score. 8 pages. Duration 4 minutes. Carus Verlag #CV 10.028/05. Published by Carus Verlag (CA.1002805).

ISBN 9790007181352. Text language: German.

The collection Polyhymnia Caduceatrix & Panegyrica of 1619 is rightly regarded as the high point in Michael Praetorius's output. It combines Solennische Friedt- und Frewden-Concert: which Praetorius as a travelling musician had composed largely for festive occasions - he writes of Kayser: Konig: Chur: vnd Furstlichen zusammen Kunfften - and also for furnehme Capellen vnd Kirchen. In these chorael concerti the highly modern, Italian style and the Protestant chorale combine and form a symbiosis which showed the way forward for the history of German music. The chorale settings draw on influences from Venetian polychoral music, use ritornelli and employ obbligato instruments in a way which is beyond compare, even in contemporary Italy. Here we see a quite different side of the master from the composer of Es ist ein Ros entsprungen. And above all, Praetorius always remains a practical musician who ensures that these breathtaking chorale concerti can also be effectively performed with smaller forces, sometimes considerably reduced ones. In the chorale setting Wie schon leuchtet der Morgenstern Praetorius wrote for a five-part ensemble which is joined in some sections by a four-part capella. For the ensemble, Praetorius suggested both voices and instruments, which he uses in a sophisticated texture of sound, the instruments sometimes duplicating the voices and sometimes alternating with them. Score available separately - see item CA.1002800.

SSATB choir, SATB ad lib., 5 instruments ad lib., basso continuo

SKU: CA.1002819

Chorale concert. Composed by Michael Praetorius. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition. Separate instruments. Sacred concertos, Sacred vocal music, Advent. Set of Orchestra Parts. Duration 4 minutes. Carus Verlag #CV 10.028/19. Published by Carus Verlag (CA.1002819).

ISBN 9790007181420. Text language: German.

The collection Polyhymnia Caduceatrix & Panegyrica of 1619 is rightly regarded as the high point in Michael Praetorius's output. It combines Solennische Friedt- und Frewden-Concert: which Praetorius as a travelling musician had composed largely for festive occasions - he writes of Kayser: Konig: Chur: vnd Furstlichen zusammen Kunfften - and also for furnehme Capellen vnd Kirchen. In these chorael concerti the highly modern, Italian style and the Protestant chorale combine and form a symbiosis which showed the way forward for the history of German music. The chorale settings draw on influences from Venetian polychoral music, use ritornelli and employ obbligato instruments in a way which is beyond compare, even in contemporary Italy. Here we see a quite different side of the master from the composer of Es ist ein Ros entsprungen. And above all, Praetorius always remains a practical musician who ensures that these breathtaking chorale concerti can also be effectively performed with smaller forces, sometimes considerably reduced ones. In the chorale setting Wie schon leuchtet der Morgenstern Praetorius wrote for a five-part ensemble which is joined in some sections by a four-part capella. For the ensemble, Praetorius suggested both voices and instruments, which he uses in a sophisticated texture of sound, the instruments sometimes duplicating the voices and sometimes alternating with them. Score and parts available separately - see item CA.1002800.

Choral (SATB)

SKU: HL.2050300

Praise Gathering Choral. Christmas. Softcover. 128 pages. Duration 2580 seconds. PraiseGathering #A08451. Published by PraiseGathering (HL.2050300).

UPC: 797242255793. 6.75x10.5x0.283 inches.

The chosen ones of God have been waiting for centuries for a righteous deliverer. Where is the One who will bind up the broken-hearted? Where is the One who will proclaim liberty to the captives? Where is He who will open the prison to them that are bound?Now listen as never before! Disappointment and disillusion are about to be eclipsed by a single word. That word is Hope. The greatest news they could imagine is about to descend on them. The glory is soon to be revealed, for Hope is not lost. Hope is not out of reach. Hope is not gone. Hope is Born...Emmanuel.

Choir Secular (SATB choir)

SKU: AP.48513

Composed by Jimmy Robbins, Laura Veltz, and Maren Morris. Arranged by Alan Billingsley. Performance Music Ensemble; Single Titles. Alfred Pop Choral Series. Country; Pop; Secular. Choral Octavo. 12 pages. Alfred Music #00-48513. Published by Alfred Music (AP.48513).

UPC: 038081553368. English.

A certified gold crossover hit! When the bones are good, the rest don't matter. The paint could peel, the glass could shatter. A house becomes an effective symbol for an enduring relationship in this solid pop ballad from Maren Morris. This right-from-the-radio arrangement captures all of the earthy harmonies and keeps the strong backbeat groove intact.

About Alfred Pop Choral Series

The Alfred Pop Series features outstanding arrangements of songs from the popular music genre. These publications provide exciting, contemporary, and educationally-sound arrangements for singers of all ages, from elementary through high school, to college and adult choirs.

By Larry Nickel. For SATB choir, a cappella. Octavo. Published by Cypress Choral Music

SATB. By George Frideric Handel. (SATB). Choral Large Works. Size 6.7x10.5 inches. 200 pages. Published by G. Schirmer, Inc.

By Bob Chilcott. For SATB choir and piano. Mixed Voices. Christmas, Choral Leaflet. Vocal score. 8 pages. Duration 2'. Published by Oxford University Press

SSATB choir, [SATB/SATB], 8 instruments ad lib., basso continuo

SKU: CA.1002705

Chorale concert. Composed by Michael Praetorius. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition. Halleluja, Christ Ist Erstanden. Sacred concertos, Sacred vocal music, Praise and thanks. Choral Score. 8 pages. Duration 8 minutes. Carus Verlag #CV 10.027/05. Published by Carus Verlag (CA.1002705).

ISBN 9790007181338. Text language: German.

The collection Polyhymnia Caduceatrix & Panegyrica of 1619 is rightly regarded as the high point in Michael Praetorius's output. It combines Solennische Friedt- und Frewden-Concert: which Praetorius as a travelling musician had composed largely for festive occasions - he writes of Kayser: Konig: Chur: vnd Furstlichen zusammen Kunfften - and also for furnehme Capellen vnd Kirchen. In these chorale concerti the highly modern, Italian style and the Protestant chorale combine and form a symbiosis which showed the way forward for the history of German music. The chorale settings draw on influences from Venetian polychoral music, use ritornelli and employ obbligato instruments in a way which is beyond compare, even in contemporary Italy. Here we see a quite different side of the master from the composer of Es ist ein Ros entsprungen. And above all, Praetorius always remains a practical musician who ensures that these breathtaking choral concerti can also be effectively performed with smaller forces, sometimes considerably reduced ones. Praetorius gives the verses of the well-known Easter hymn Christ ist erstanden to the concertists (soloists or small choir), who can perform these in alternating scorings. At the beginning, between the verses, and at the end, a magnificent Halleluja occurs as a ritornello, which can be performed by up to 5 choirs - ad lib, of course. Score available separately - see item CA.1002700.

SSATB choir, [SATB/SATB], 8 instruments ad lib., basso continuo

SKU: CA.1002711

Chorale concert. Composed by Michael Praetorius. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition. Halleluja, Christ Ist Erstanden. Sacred concertos, Sacred vocal music, Praise and thanks. Single Part, Viola 1. 4 pages. Duration 8 minutes. Carus Verlag #CV 10.027/11. Published by Carus Verlag (CA.1002711).

ISBN 9790007189327. Text language: German.

The collection Polyhymnia Caduceatrix & Panegyrica of 1619 is rightly regarded as the high point in Michael Praetorius's output. It combines Solennische Friedt- und Frewden-Concert: which Praetorius as a travelling musician had composed largely for festive occasions - he writes of Kayser: Konig: Chur: vnd Furstlichen zusammen Kunfften - and also for furnehme Capellen vnd Kirchen. In these chorale concerti the highly modern, Italian style and the Protestant chorale combine and form a symbiosis which showed the way forward for the history of German music. The chorale settings draw on influences from Venetian polychoral music, use ritornelli and employ obbligato instruments in a way which is beyond compare, even in contemporary Italy. Here we see a quite different side of the master from the composer of Es ist ein Ros entsprungen. And above all, Praetorius always remains a practical musician who ensures that these breathtaking choral concerti can also be effectively performed with smaller forces, sometimes considerably reduced ones. Praetorius gives the verses of the well-known Easter hymn Christ ist erstanden to the concertists (soloists or small choir), who can perform these in alternating scorings. At the beginning, between the verses, and at the end, a magnificent Halleluja occurs as a ritornello, which can be performed by up to 5 choirs - ad lib, of course. Score and part available separately - see item CA.1002700.

SSATB choir, [SATB/SATB], 8 instruments ad lib., basso continuo

SKU: CA.1002709

Chorale concert. Composed by Michael Praetorius. Edited by Uwe Wolf. This edition: urtext. 1x 10.027/31 trombone 1, 1x 10.027/32 2 trombones, 1x 10.027/33 trombone 3, 1x 10.027/34 trombone 4. Stuttgart Urtext Edition. Halleluja, Christ Ist Erstanden. Sacred concertos, Sacred vocal music, Praise and thanks. Set of Orchestra Parts. Duration 8 minutes. Carus Verlag #CV 10.027/09. Published by Carus Verlag (CA.1002709).

ISBN 9790007189310. Text language: German.

The collection Polyhymnia Caduceatrix & Panegyrica of 1619 is rightly regarded as the high point in Michael Praetorius's output. It combines Solennische Friedt- und Frewden-Concert: which Praetorius as a travelling musician had composed largely for festive occasions - he writes of Kayser: Konig: Chur: vnd Furstlichen zusammen Kunfften - and also for furnehme Capellen vnd Kirchen. In these chorale concerti the highly modern, Italian style and the Protestant chorale combine and form a symbiosis which showed the way forward for the history of German music. The chorale settings draw on influences from Venetian polychoral music, use ritornelli and employ obbligato instruments in a way which is beyond compare, even in contemporary Italy. Here we see a quite different side of the master from the composer of Es ist ein Ros entsprungen. And above all, Praetorius always remains a practical musician who ensures that these breathtaking choral concerti can also be effectively performed with smaller forces, sometimes considerably reduced ones. Praetorius gives the verses of the well-known Easter hymn Christ ist erstanden to the concertists (soloists or small choir), who can perform these in alternating scorings. At the beginning, between the verses, and at the end, a magnificent Halleluja occurs as a ritornello, which can be performed by up to 5 choirs - ad lib, of course. Score and parts available separately - see item CA.1002700.

SSATB choir, [SATB/SATB], 8 instruments ad lib., basso continuo

SKU: CA.1002719

Chorale concert. Composed by Michael Praetorius. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition. Halleluja, Christ Ist Erstanden. Sacred concertos, Sacred vocal music, Praise and thanks. Set of Orchestra Parts. Duration 8 minutes. Carus Verlag #CV 10.027/19. Published by Carus Verlag (CA.1002719).

ISBN 9790007181413. Text language: German.

The collection Polyhymnia Caduceatrix & Panegyrica of 1619 is rightly regarded as the high point in Michael Praetorius's output. It combines Solennische Friedt- und Frewden-Concert: which Praetorius as a travelling musician had composed largely for festive occasions - he writes of Kayser: Konig: Chur: vnd Furstlichen zusammen Kunfften - and also for furnehme Capellen vnd Kirchen. In these chorale concerti the highly modern, Italian style and the Protestant chorale combine and form a symbiosis which showed the way forward for the history of German music. The chorale settings draw on influences from Venetian polychoral music, use ritornelli and employ obbligato instruments in a way which is beyond compare, even in contemporary Italy. Here we see a quite different side of the master from the composer of Es ist ein Ros entsprungen. And above all, Praetorius always remains a practical musician who ensures that these breathtaking choral concerti can also be effectively performed with smaller forces, sometimes considerably reduced ones. Praetorius gives the verses of the well-known Easter hymn Christ ist erstanden to the concertists (soloists or small choir), who can perform these in alternating scorings. At the beginning, between the verses, and at the end, a magnificent Halleluja occurs as a ritornello, which can be performed by up to 5 choirs - ad lib, of course. Score and parts available separately - see item CA.1002700.

SSATB choir, [SATB/SATB], 8 instruments ad lib., basso continuo

SKU: CA.1002714

Chorale concert. Composed by Michael Praetorius. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition. Halleluja, Christ Ist Erstanden. Sacred concertos, Sacred vocal music, Praise and thanks. Single Part, Viola 4. 4 pages. Duration 8 minutes. Carus Verlag #CV 10.027/14. Published by Carus Verlag (CA.1002714).

ISBN 9790007189358. Text language: German.

The collection Polyhymnia Caduceatrix & Panegyrica of 1619 is rightly regarded as the high point in Michael Praetorius's output. It combines Solennische Friedt- und Frewden-Concert: which Praetorius as a travelling musician had composed largely for festive occasions - he writes of Kayser: Konig: Chur: vnd Furstlichen zusammen Kunfften - and also for furnehme Capellen vnd Kirchen. In these chorale concerti the highly modern, Italian style and the Protestant chorale combine and form a symbiosis which showed the way forward for the history of German music. The chorale settings draw on influences from Venetian polychoral music, use ritornelli and employ obbligato instruments in a way which is beyond compare, even in contemporary Italy. Here we see a quite different side of the master from the composer of Es ist ein Ros entsprungen. And above all, Praetorius always remains a practical musician who ensures that these breathtaking choral concerti can also be effectively performed with smaller forces, sometimes considerably reduced ones. Praetorius gives the verses of the well-known Easter hymn Christ ist erstanden to the concertists (soloists or small choir), who can perform these in alternating scorings. At the beginning, between the verses, and at the end, a magnificent Halleluja occurs as a ritornello, which can be performed by up to 5 choirs - ad lib, of course. Score and part available separately - see item CA.1002700.

SSATB choir, [SATB/SATB], 8 instruments ad lib., basso continuo

SKU: CA.1002715

Chorale concert. Composed by Michael Praetorius. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition. Halleluja, Christ Ist Erstanden. Sacred concertos, Sacred vocal music, Praise and thanks. Single Part, basso continuo. 4 pages. Duration 8 minutes. Carus Verlag #CV 10.027/15. Published by Carus Verlag (CA.1002715).

ISBN 9790007189365. Text language: German.

The collection Polyhymnia Caduceatrix & Panegyrica of 1619 is rightly regarded as the high point in Michael Praetorius's output. It combines Solennische Friedt- und Frewden-Concert: which Praetorius as a travelling musician had composed largely for festive occasions - he writes of Kayser: Konig: Chur: vnd Furstlichen zusammen Kunfften - and also for furnehme Capellen vnd Kirchen. In these chorale concerti the highly modern, Italian style and the Protestant chorale combine and form a symbiosis which showed the way forward for the history of German music. The chorale settings draw on influences from Venetian polychoral music, use ritornelli and employ obbligato instruments in a way which is beyond compare, even in contemporary Italy. Here we see a quite different side of the master from the composer of Es ist ein Ros entsprungen. And above all, Praetorius always remains a practical musician who ensures that these breathtaking choral concerti can also be effectively performed with smaller forces, sometimes considerably reduced ones. Praetorius gives the verses of the well-known Easter hymn Christ ist erstanden to the concertists (soloists or small choir), who can perform these in alternating scorings. At the beginning, between the verses, and at the end, a magnificent Halleluja occurs as a ritornello, which can be performed by up to 5 choirs - ad lib, of course. Score and part available separately - see item CA.1002700.

SSATB choir, [SATB/SATB], 8 instruments ad lib., basso continuo

SKU: CA.1002706

Chorale concert. Composed by Michael Praetorius. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition. Halleluja, Christ Ist Erstanden. Sacred concertos, Sacred vocal music, Praise and thanks. Choral Score. 4 pages. Duration 8 minutes. Carus Verlag #CV 10.027/06. Published by Carus Verlag (CA.1002706).

ISBN 9790007181345. Text language: German.

The collection Polyhymnia Caduceatrix & Panegyrica of 1619 is rightly regarded as the high point in Michael Praetorius's output. It combines Solennische Friedt- und Frewden-Concert: which Praetorius as a travelling musician had composed largely for festive occasions - he writes of Kayser: Konig: Chur: vnd Furstlichen zusammen Kunfften - and also for furnehme Capellen vnd Kirchen. In these chorale concerti the highly modern, Italian style and the Protestant chorale combine and form a symbiosis which showed the way forward for the history of German music. The chorale settings draw on influences from Venetian polychoral music, use ritornelli and employ obbligato instruments in a way which is beyond compare, even in contemporary Italy. Here we see a quite different side of the master from the composer of Es ist ein Ros entsprungen. And above all, Praetorius always remains a practical musician who ensures that these breathtaking choral concerti can also be effectively performed with smaller forces, sometimes considerably reduced ones. Praetorius gives the verses of the well-known Easter hymn Christ ist erstanden to the concertists (soloists or small choir), who can perform these in alternating scorings. At the beginning, between the verses, and at the end, a magnificent Halleluja occurs as a ritornello, which can be performed by up to 5 choirs - ad lib, of course. Score available separately - see item CA.1002700.

SSATB choir, [SATB/SATB], 8 instruments ad lib., basso continuo

SKU: CA.1002712

Chorale concert. Composed by Michael Praetorius. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition. Halleluja, Christ Ist Erstanden. Sacred concertos, Sacred vocal music, Praise and thanks. Single Part, Viola 2. 4 pages. Duration 8 minutes. Carus Verlag #CV 10.027/12. Published by Carus Verlag (CA.1002712).

ISBN 9790007189334. Text language: German.

The collection Polyhymnia Caduceatrix & Panegyrica of 1619 is rightly regarded as the high point in Michael Praetorius's output. It combines Solennische Friedt- und Frewden-Concert: which Praetorius as a travelling musician had composed largely for festive occasions - he writes of Kayser: Konig: Chur: vnd Furstlichen zusammen Kunfften - and also for furnehme Capellen vnd Kirchen. In these chorale concerti the highly modern, Italian style and the Protestant chorale combine and form a symbiosis which showed the way forward for the history of German music. The chorale settings draw on influences from Venetian polychoral music, use ritornelli and employ obbligato instruments in a way which is beyond compare, even in contemporary Italy. Here we see a quite different side of the master from the composer of Es ist ein Ros entsprungen. And above all, Praetorius always remains a practical musician who ensures that these breathtaking choral concerti can also be effectively performed with smaller forces, sometimes considerably reduced ones. Praetorius gives the verses of the well-known Easter hymn Christ ist erstanden to the concertists (soloists or small choir), who can perform these in alternating scorings. At the beginning, between the verses, and at the end, a magnificent Halleluja occurs as a ritornello, which can be performed by up to 5 choirs - ad lib, of course. Score and part available separately - see item CA.1002700.

SSATB choir, [SATB/SATB], 8 instruments ad lib., basso continuo

SKU: CA.1002749

Chorale concert. Composed by Michael Praetorius. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition. Halleluja, Christ Ist Erstanden. Sacred concertos, Sacred vocal music, Praise and thanks. Single Part, Organ. 8 pages. Duration 8 minutes. Carus Verlag #CV 10.027/49. Published by Carus Verlag (CA.1002749).

ISBN 9790007189372. Text language: German.

The collection Polyhymnia Caduceatrix & Panegyrica of 1619 is rightly regarded as the high point in Michael Praetorius's output. It combines Solennische Friedt- und Frewden-Concert: which Praetorius as a travelling musician had composed largely for festive occasions - he writes of Kayser: Konig: Chur: vnd Furstlichen zusammen Kunfften - and also for furnehme Capellen vnd Kirchen. In these chorale concerti the highly modern, Italian style and the Protestant chorale combine and form a symbiosis which showed the way forward for the history of German music. The chorale settings draw on influences from Venetian polychoral music, use ritornelli and employ obbligato instruments in a way which is beyond compare, even in contemporary Italy. Here we see a quite different side of the master from the composer of Es ist ein Ros entsprungen. And above all, Praetorius always remains a practical musician who ensures that these breathtaking choral concerti can also be effectively performed with smaller forces, sometimes considerably reduced ones. Praetorius gives the verses of the well-known Easter hymn Christ ist erstanden to the concertists (soloists or small choir), who can perform these in alternating scorings. At the beginning, between the verses, and at the end, a magnificent Halleluja occurs as a ritornello, which can be performed by up to 5 choirs - ad lib, of course. Score and part available separately - see item CA.1002700.

SSATB choir, [SATB/SATB], 8 instruments ad lib., basso continuo

SKU: CA.1002713

Chorale concert. Composed by Michael Praetorius. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition. Halleluja, Christ Ist Erstanden. Sacred concertos, Sacred vocal music, Praise and thanks. Single Part, Viola 3. 4 pages. Duration 8 minutes. Carus Verlag #CV 10.027/13. Published by Carus Verlag (CA.1002713).

ISBN 9790007189341. Text language: German.

The collection Polyhymnia Caduceatrix & Panegyrica of 1619 is rightly regarded as the high point in Michael Praetorius's output. It combines Solennische Friedt- und Frewden-Concert: which Praetorius as a travelling musician had composed largely for festive occasions - he writes of Kayser: Konig: Chur: vnd Furstlichen zusammen Kunfften - and also for furnehme Capellen vnd Kirchen. In these chorale concerti the highly modern, Italian style and the Protestant chorale combine and form a symbiosis which showed the way forward for the history of German music. The chorale settings draw on influences from Venetian polychoral music, use ritornelli and employ obbligato instruments in a way which is beyond compare, even in contemporary Italy. Here we see a quite different side of the master from the composer of Es ist ein Ros entsprungen. And above all, Praetorius always remains a practical musician who ensures that these breathtaking choral concerti can also be effectively performed with smaller forces, sometimes considerably reduced ones. Praetorius gives the verses of the well-known Easter hymn Christ ist erstanden to the concertists (soloists or small choir), who can perform these in alternating scorings. At the beginning, between the verses, and at the end, a magnificent Halleluja occurs as a ritornello, which can be performed by up to 5 choirs - ad lib, of course. Score and part available separately - see item CA.1002700.

SSATB choir, [SATB/SATB], 8 instruments ad lib., basso continuo

SKU: CA.1002700

Chorale concert. Composed by Michael Praetorius. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition. Halleluja, Christ Ist Erstanden. Sacred concertos, Sacred vocal music, Praise and thanks. Full score. 24 pages. Duration 8 minutes. Carus Verlag #CV 10.027/00. Published by Carus Verlag (CA.1002700).

ISBN 9790007171728. Text language: German.

The collection Polyhymnia Caduceatrix & Panegyrica of 1619 is rightly regarded as the high point in Michael Praetorius's output. It combines Solennische Friedt- und Frewden-Concert: which Praetorius as a travelling musician had composed largely for festive occasions - he writes of Kayser: Konig: Chur: vnd Furstlichen zusammen Kunfften - and also for furnehme Capellen vnd Kirchen. In these chorale concerti the highly modern, Italian style and the Protestant chorale combine and form a symbiosis which showed the way forward for the history of German music. The chorale settings draw on influences from Venetian polychoral music, use ritornelli and employ obbligato instruments in a way which is beyond compare, even in contemporary Italy. Here we see a quite different side of the master from the composer of Es ist ein Ros entsprungen. And above all, Praetorius always remains a practical musician who ensures that these breathtaking choral concerti can also be effectively performed with smaller forces, sometimes considerably reduced ones. Praetorius gives the verses of the well-known Easter hymn Christ ist erstanden to the concertists (soloists or small choir), who can perform these in alternating scorings. At the beginning, between the verses, and at the end, a magnificent Halleluja occurs as a ritornello, which can be performed by up to 5 choirs - ad lib, of course.

SATB chorus and piano - Medium-easy

SKU: JK.01872

Composed by Stephen Jones. Choral SATB, Difficulty Easy Medium, Piano Choir, Seasonal Music Easter, Easter, Jesus Christ - Savior. Christian, Inspirational. Duration 2:20. Jackman Music Corporation #01872. Published by Jackman Music Corporation (JK.01872).

Revelation 1:17-18, Doctrine and Covenants 6:36-37.

Easter anthem for mixed chorus (SATB) and piano, Easter light so fair and bright, lighting a new day. Leading us to Jesus Christ, the Light, the Truth, the Way!
Composer: Stephen Jones
Lyricist: Stephen Jones
Difficulty: Medium-easy
Performance time: 2:20
Reference: Revelation 1:17-18, Doctrine and Covenants 6:36-37.

SATB choir

SKU: ST.EM35A

Composed by Robert Jones. Edited by Edmund H Fellowes. Library Volumes. Edited Edmund Fellowes. Revised Thurston Dart. Paperback. Madrigals. Choral Score. Stainer & Bell Ltd. #EM35A. Published by Stainer & Bell Ltd. (ST.EM35A).

ISBN 9790220209796.

Jone s was a famous lutenist and one of the musicians responsible for training the 'children of St Paul's', who acted and sang in Elizabethan and Jacobean court plays. His 16 madrigals are mostly to texts about birds - birds merry, sweet, shrill, crowing or melancholic.

CONTENTS
Are lovers full of fire? (SSAATBB)
But let her look in mine (SST)
Cock-a-doodle-doo (SS (or A) A (or T) B)
Come, doleful owl (SSTTB)
Fair Oriana seeming to wink (SSAATB)
I come, sweet birds (SS (or A) A (or T) B)
Love, if a god thou art (SST)
O I do love (SST (or A))
She only is the pride (SSA)
Shrill-sounding bird (SST (or A) B)
Sing, merry birds (SS (or A) A (or T) B)
Sweet, when thou singest (SSATB)
The more I burn (SSAATTBB)
Thine eyes so bright (SSA)
When I behold her eyes (SST)
Your presence breeds (SSAATB).