Composed by Gerald Near (1942-). For SATB choir divisi, string quintet or string orchestra, piano obbligato. Moderately Difficult. Choral score. Duration 30 minutes. Published by MorningStar Music Publishers

SATB choir, 2 horns, violin solo, 2 violins, viola, organ solo, basso continuo

SKU: CA.5136111

Motet. Composed by Wolfgang Amadeus Mozart. Edited by Armin Kircher. This edition: urtext. Stuttgart Urtext Edition: Mozart. German title: Quis Te Comprehendat. Gran Partita. Sacred, Motets. Single Part, Violin 1. KV Anh. 110. 4 pages. Duration 4 minutes. Carus Verlag #CV 51.361/11. Published by Carus Verlag (CA.5136111).

ISBN 9790007224998. Key: E flat major. Language: Latin.

Motet of an unknown arranger (ca. 1820), based on th Adagio of the Serenade KV 361 (Gran Partita). The motet Quis te comprehendat, K-Anhang 110, is based on the Adagio in Mozart's Wind Serenade K. 361, the Gran Partita. The arrangement of this instrumental movement with the addition of a four-part choir deserves to be regarded as a successful example of the practice of parody, on a higher level than many less accomplished arrangements of the period. As in most of those cases the identity of the arranger is unknown, but his sensitive treatment of the original points to a gifted musician. Characteristic accompanying figures are given to the strings, while the solo violin and the organ appear melodically. The homophonic choral setting, whose Latin words are a religious song of praise with no specific liturgical connection, is based on the works harmonic substance. The vocal parts follow the framework and compactly fill out the accompanying instrumental writing. Score and part available separately - see item CA.5136100.

SATB choir, 2 horns, violin solo, 2 violins, viola, organ solo, basso continuo

SKU: CA.5136119

Motet. Composed by Wolfgang Amadeus Mozart. Edited by Armin Kircher. This edition: urtext. Stuttgart Urtext Edition: Mozart. Quis Te Comprehendat. Gran Partita. Sacred vocal music, Motets. Set of Orchestra Parts. KV Anh. 110. Duration 4 minutes. Carus Verlag #CV 51.361/19. Published by Carus Verlag (CA.5136119).

ISBN 9790007145712. Key: E flat major. Language: Latin.

Motet of an unknown arranger (ca. 1820), based on th Adagio of the Serenade KV 361 (Gran Partita). The motet Quis te comprehendat, K-Anhang 110, is based on the Adagio in Mozart's Wind Serenade K. 361, the Gran Partita. The arrangement of this instrumental movement with the addition of a four-part choir deserves to be regarded as a successful example of the practice of parody, on a higher level than many less accomplished arrangements of the period. As in most of those cases the identity of the arranger is unknown, but his sensitive treatment of the original points to a gifted musician. Characteristic accompanying figures are given to the strings, while the solo violin and the organ appear melodically. The homophonic choral setting, whose Latin words are a religious song of praise with no specific liturgical connection, is based on the works harmonic substance. The vocal parts follow the framework and compactly fill out the accompanying instrumental writing. Score and parts available separately - see item CA.5136100.

SATB choir, 2 horns, violin solo, 2 violins, viola, organ solo, basso continuo

SKU: CA.5136105

Motet. Composed by Wolfgang Amadeus Mozart. Edited by Armin Kircher. This edition: urtext. Stuttgart Urtext Edition: Mozart. German title: Quis Te Comprehendat. Gran Partita. Sacred, Motets. Choral Score. KV Anh. 110. 4 pages. Duration 4 minutes. Carus Verlag #CV 51.361/05. Published by Carus Verlag (CA.5136105).

ISBN 9790007110918. Key: E flat major. Language: Latin.

Motet of an unknown arranger (ca. 1820), based on th Adagio of the Serenade KV 361 (Gran Partita). The motet Quis te comprehendat, K-Anhang 110, is based on the Adagio in Mozart's Wind Serenade K. 361, the Gran Partita. The arrangement of this instrumental movement with the addition of a four-part choir deserves to be regarded as a successful example of the practice of parody, on a higher level than many less accomplished arrangements of the period. As in most of those cases the identity of the arranger is unknown, but his sensitive treatment of the original points to a gifted musician. Characteristic accompanying figures are given to the strings, while the solo violin and the organ appear melodically. The homophonic choral setting, whose Latin words are a religious song of praise with no specific liturgical connection, is based on the works harmonic substance. The vocal parts follow the framework and compactly fill out the accompanying instrumental writing. Score available separately - see item CA.5136100.

SATB choir, 2 horns, violin solo, 2 violins, viola, organ solo, basso continuo

SKU: CA.5136114

Motet. Composed by Wolfgang Amadeus Mozart. Edited by Armin Kircher. This edition: urtext. Stuttgart Urtext Edition: Mozart. German title: Quis Te Comprehendat. Gran Partita. Sacred, Motets. Single Part, Cello/Double Bass. KV Anh. 110. 2 pages. Duration 4 minutes. Carus Verlag #CV 51.361/14. Published by Carus Verlag (CA.5136114).

ISBN 9790007225025. Key: E flat major. Language: Latin.

Motet of an unknown arranger (ca. 1820), based on th Adagio of the Serenade KV 361 (Gran Partita). The motet Quis te comprehendat, K-Anhang 110, is based on the Adagio in Mozart's Wind Serenade K. 361, the Gran Partita. The arrangement of this instrumental movement with the addition of a four-part choir deserves to be regarded as a successful example of the practice of parody, on a higher level than many less accomplished arrangements of the period. As in most of those cases the identity of the arranger is unknown, but his sensitive treatment of the original points to a gifted musician. Characteristic accompanying figures are given to the strings, while the solo violin and the organ appear melodically. The homophonic choral setting, whose Latin words are a religious song of praise with no specific liturgical connection, is based on the works harmonic substance. The vocal parts follow the framework and compactly fill out the accompanying instrumental writing. Score and part available separately - see item CA.5136100.

SATB choir, 2 horns, violin solo, 2 violins, viola, organ solo, basso continuo

SKU: CA.5136112

Motet. Composed by Wolfgang Amadeus Mozart. Edited by Armin Kircher. This edition: urtext. Stuttgart Urtext Edition: Mozart. German title: Quis Te Comprehendat. Gran Partita. Sacred, Motets. Single Part, Violin 2. KV Anh. 110. 4 pages. Duration 4 minutes. Carus Verlag #CV 51.361/12. Published by Carus Verlag (CA.5136112).

ISBN 9790007225001. Key: E flat major. Language: Latin.

Motet of an unknown arranger (ca. 1820), based on th Adagio of the Serenade KV 361 (Gran Partita). The motet Quis te comprehendat, K-Anhang 110, is based on the Adagio in Mozart's Wind Serenade K. 361, the Gran Partita. The arrangement of this instrumental movement with the addition of a four-part choir deserves to be regarded as a successful example of the practice of parody, on a higher level than many less accomplished arrangements of the period. As in most of those cases the identity of the arranger is unknown, but his sensitive treatment of the original points to a gifted musician. Characteristic accompanying figures are given to the strings, while the solo violin and the organ appear melodically. The homophonic choral setting, whose Latin words are a religious song of praise with no specific liturgical connection, is based on the works harmonic substance. The vocal parts follow the framework and compactly fill out the accompanying instrumental writing. Score and part available separately - see item CA.5136100.

SATB choir, 2 horns, violin solo, 2 violins, viola, organ solo, basso continuo

SKU: CA.5136109

Motet. Composed by Wolfgang Amadeus Mozart. Edited by Armin Kircher. This edition: urtext. 2x 51.361/31 2 horns. Stuttgart Urtext Edition: Mozart. German title: Quis Te Comprehendat. Gran Partita. Sacred, Motets. Set of Orchestra Parts. KV Anh. 110. 4 pages. Duration 4 minutes. Carus Verlag #CV 51.361/09. Published by Carus Verlag (CA.5136109).

ISBN 9790007224981. Key: E flat major. Language: Latin.

Motet of an unknown arranger (ca. 1820), based on th Adagio of the Serenade KV 361 (Gran Partita). The motet Quis te comprehendat, K-Anhang 110, is based on the Adagio in Mozart's Wind Serenade K. 361, the Gran Partita. The arrangement of this instrumental movement with the addition of a four-part choir deserves to be regarded as a successful example of the practice of parody, on a higher level than many less accomplished arrangements of the period. As in most of those cases the identity of the arranger is unknown, but his sensitive treatment of the original points to a gifted musician. Characteristic accompanying figures are given to the strings, while the solo violin and the organ appear melodically. The homophonic choral setting, whose Latin words are a religious song of praise with no specific liturgical connection, is based on the works harmonic substance. The vocal parts follow the framework and compactly fill out the accompanying instrumental writing. Score and parts available separately - see item CA.5136100.

SATB choir, 2 horns, violin solo, 2 violins, viola, organ solo, basso continuo

SKU: CA.5136103

Motet. Composed by Wolfgang Amadeus Mozart. Edited by Armin Kircher. This edition: urtext. Stuttgart Urtext Edition: Mozart. German title: Quis Te Comprehendat. Gran Partita. Sacred, Motets. Vocal score. KV Anh. 110. 8 pages. Duration 4 minutes. Carus Verlag #CV 51.361/03. Published by Carus Verlag (CA.5136103).

ISBN 9790007110826. Key: E flat major. Language: Latin.

Motet of an unknown arranger (ca. 1820), based on th Adagio of the Serenade KV 361 (Gran Partita). The motet Quis te comprehendat, K-Anhang 110, is based on the Adagio in Mozart's Wind Serenade K. 361, the Gran Partita. The arrangement of this instrumental movement with the addition of a four-part choir deserves to be regarded as a successful example of the practice of parody, on a higher level than many less accomplished arrangements of the period. As in most of those cases the identity of the arranger is unknown, but his sensitive treatment of the original points to a gifted musician. Characteristic accompanying figures are given to the strings, while the solo violin and the organ appear melodically. The homophonic choral setting, whose Latin words are a religious song of praise with no specific liturgical connection, is based on the works harmonic substance. The vocal parts follow the framework and compactly fill out the accompanying instrumental writing. Score available separately - see item CA.5136100.

By Johannes Brahms, Clemens Brentano. Arranged by S. Stephen Barlow. (SSATBB). Walton Choral. 12 pages. Published by Walton Music.

SATB and Piano Choral; Piano Accompaniment (SATB with Piano)

SKU: HL.49045961

Classical Meets Jazzy 2: 3 Classical Themes in Jazzy Arrangements SATB and Piano. Edited by Bernd Frank. Choral Collection. Classical. Softcover. 52 pages. Schott Music #ED20099. Published by Schott Music (HL.49045961).

For many choirs, 'Classic meets Jazz' is a welcome theme, especially if a choir wants to learn and rehearse a stylistically wide-ranging repertoire. These arrangements which are based on works by Schubert (serenade 'Leise flehen meine Lieder'), Brahms (Intermezzo Op. 118/6) and Chopin (Nocturne Op. 9/2) use several jazz styles such as swing, bossa nova and jazz waltz. Content text: Serenade (F. Schubert: Leise flehen meine Lieder) I'm free (J. Brahms: Intermezzo op. 118/6) Amelie's Lullaby (F. Chopin, Nocturne op. 9/2).

SATB choir and piano (SATB)

SKU: OU.9780193862289

Composed by Libby Larsen. Secular Choral - Mixed Voices. Vocal score. 24 pages. Duration 3'. Oxford University Press #9780193862289. Published by Oxford University Press (OU.9780193862289).

ISBN 9780193862289. 12 x 8 inches.

For SATB chorus and piano This salute to the spirit of Louis Armstrong breathtakingly incorporates 'Basin Street Blues', 'Lady be good', 'Tiger Rag', 'When the saints go marching in', and more surprisingly excerpts from 'Clair de Lune' and from Brahms' A flat major Piano Serenade. It is in one movement, which may be performed on its own, taken from the choral suite Seven Ghosts.

SATB divisi. By Frederick Delius. (SATB divisi). Boosey and Hawkes Secular Choral. 24 pages. Published by Boosey & Hawkes.