You Are There Chorale SATB SATB, Piano Lorenz Publishing Company
SATB choir, piano SKU: LO.10-5242L Composed by Patti Drennan. Choral. Sac...(+)
SATB choir, piano
SKU:
LO.10-5242L
Composed
by Patti Drennan. Choral.
Sacred Anthem, Good
Friday, Holy Week, Maundy
Thursday. Octavo. Lorenz
Publishing Company
#10/5242L. Published by
Lorenz Publishing Company
(LO.10-5242L).
ISBN
9780787764210.
Beet
hoven’s Moonlight
Sonata is the foundation
of this stunning piece
depicting the garden of
Gethsemane and the
Crucifixion of Jesus.
Herb Frombach’s
contemplative text pairs
with Patti
Drennan’s rich
choral writing and piano
accompaniment, all
complemented by an
expressive optional cello
part. The somber nature
of the piece is concluded
with the promise of
God’s redeeming
grace as a result of
Christ’s
sacrifice.
SATB choir, piano SKU: LO.10-5372L Composed by Mary McDonald. Choral. Sac...(+)
SATB choir, piano
SKU:
LO.10-5372L
Composed
by Mary McDonald. Choral.
Sacred Anthem, General,
Pentecost. Octavo. Lorenz
Publishing Company
#10/5372L. Published by
Lorenz Publishing Company
(LO.10-5372L).
ISBN
9780787767303.
Mary
McDonald adapts
Beethoven’s
beautiful Adagio
Cantabile from his Sonata
No 8. Pathetique into a
flowing, delicate prayer
for peace and mercy. The
melodic phrases provide
stunning opportunities
for musical shaping and
choral expression. Grant
us Thy mercy never to
cease. Come, Holy Spirit,
grant us Thy peace; come,
Holy Spirit, grant us Thy
peace..
Jesus, Only Jesus! Chorale SATB SATB, Piano [Octavo] Lorenz Publishing Company
By Cindy Ovokaitys. Arranged by Mary Mcdonald. For SATB choir, piano. Sacred Ant...(+)
By Cindy Ovokaitys.
Arranged by Mary
Mcdonald. For SATB choir,
piano. Sacred Anthem,
Holy Week,
Palm/Palm-Passion Sunday.
Octavo. Published by
Lorenz Publishing Company
By Josef Gabriel Rheinberger. For Choir. (SATB or SAATTB with S,T,Bar,B Soli). ...(+)
By Josef Gabriel
Rheinberger. For Choir.
(SATB or SAATTB with
S,T,Bar,B Soli). Choral
Worship Cantata. Kalmus
Edition. Masterwork;
Sacred, Christmas. Book.
80 pages. Published by
Alfred Publishing.
Soprano voice solo (tenor voice), recorder f1 (violin), oboe (violin), basso con...(+)
Soprano voice solo (tenor
voice), recorder f1
(violin), oboe (violin),
basso continuo, [SATB
choir, 2 violins, viola,
cello/contrabass]
SKU:
CA.3912013
Kantate
zum 12. Sonntag nach
Trinitatis. Composed
by Georg Philipp
Telemann. Edited by Klaus
Hofmann. Arranged by
Klaus Hofmann. This
edition: urtext.
Stuttgart Urtext Edition:
Telemann-Archiv. German
title: Da, Jesu, deinen
Ruhm zu mehren. Sacred
vocal music, Cantatas,
Trinity, Praise and
thanks. Single Part,
Cello/Double Bass. TVWV
1:531a. 4 pages. Duration
12 minutes. Carus Verlag
#CV 39.120/13. Published
by Carus Verlag
(CA.3912013).
ISBN
9790007055653. Language:
German/English.
Thi
s three-movement solo
cantata can be performed
in several ways. The
instruments basically
required are the trio
sonata ensemble of
recorder, oboe and
keyboard instrument (+ a
continuo melody
instrument ad lib.). If
necessary, as Telemann
stated, the two woodwind
parts can be placed by
violins. The instrumental
parts can also be
augmented by a body of
strings, playing in the
ritornello sections of
the two arias. Moreover,
the new edition expands
the performance
possibilities for the
work by adding a
four-part chorus from the
more fully scored
original version, which
Telemann did not publish.
Score and part available
separately - see item
CA.3912000.
Soprano voice solo (tenor voice), recorder f1 (violin), oboe (violin), basso con...(+)
Soprano voice solo (tenor
voice), recorder f1
(violin), oboe (violin),
basso continuo, [SATB
choir, 2 violins, viola,
cello/contrabass]
SKU:
CA.3912019
Kantate
zum 12. Sonntag nach
Trinitatis. Composed
by Georg Philipp
Telemann. Edited by Klaus
Hofmann. Arranged by
Klaus Hofmann. This
edition: urtext.
Stuttgart Urtext Edition:
Telemann-Archiv. Complete
orchestral parts. Sacred
vocal music, Cantatas,
Trinity, Praise and
thanks. Set of Orchestra
Parts. TVWV 1:531a.
Duration 12 minutes.
Carus Verlag #CV
39.120/19. Published by
Carus Verlag
(CA.3912019).
ISBN
9790007144296. Text
language:
German/English.
Thi
s three-movement solo
cantata can be performed
in several ways. The
instruments basically
required are the trio
sonata ensemble of
recorder, oboe and
keyboard instrument (+ a
continuo melody
instrument ad lib.). If
necessary, as Telemann
stated, the two woodwind
parts can be placed by
violins. The instrumental
parts can also be
augmented by a body of
strings, playing in the
ritornello sections of
the two arias. Moreover,
the new edition expands
the performance
possibilities for the
work by adding a
four-part chorus from the
more fully scored
original version, which
Telemann did not publish.
Score and parts available
separately - see item
CA.3912000.
Soprano voice solo (tenor voice), recorder f1 (violin), oboe (violin), basso con...(+)
Soprano voice solo (tenor
voice), recorder f1
(violin), oboe (violin),
basso continuo, [SATB
choir, 2 violins, viola,
cello/contrabass]
SKU:
CA.3912005
Kantate
zum 12. Sonntag nach
Trinitatis. Composed
by Georg Philipp
Telemann. Edited by Klaus
Hofmann. Arranged by
Klaus Hofmann. This
edition: urtext.
Stuttgart Urtext Edition:
Telemann-Archiv. German
title: Da, Jesu, deinen
Ruhm zu mehren. Sacred
vocal music, Cantatas,
Trinity, Praise and
thanks. Choral Score.
TVWV 1:531a. 2 pages.
Duration 12 minutes.
Carus Verlag #CV
39.120/05. Published by
Carus Verlag
(CA.3912005).
ISBN
9790007055622. Language:
German/English.
Thi
s three-movement solo
cantata can be performed
in several ways. The
instruments basically
required are the trio
sonata ensemble of
recorder, oboe and
keyboard instrument (+ a
continuo melody
instrument ad lib.). If
necessary, as Telemann
stated, the two woodwind
parts can be placed by
violins. The instrumental
parts can also be
augmented by a body of
strings, playing in the
ritornello sections of
the two arias. Moreover,
the new edition expands
the performance
possibilities for the
work by adding a
four-part chorus from the
more fully scored
original version, which
Telemann did not publish.
Score available
separately - see item
CA.3912000.
Choir Secular For SATB Choir, Unison Voices and Piano (SATB choir) SKU: PE.EP...(+)
Choir Secular For SATB
Choir, Unison Voices and
Piano (SATB choir)
SKU: PE.EP73501
VOCES8 Singles. By
Voces8. By Ludwig van
Beethoven. Choral Works
(Secular) - Mixed Voices.
Edition Peters. Choral
Octavo. 12 pages. Edition
Peters #98-EP73501.
Published by Edition
Peters (PE.EP73501).
ISBN 9790577020471.
272 x 190mm inches.
English.
VOCES8
present a dreamlike
choral fantasia based on
the first movement of
Beethoven's famous
Moonlight piano sonata.
Particularly suitable for
mixed ability choirs,
this piece has been used
by VOCES8 in many of
their school
workshops.
The
internationally-renowned
British vocal ensemble
VOCES8 is proud to
inspire people through
music and share the joy
of singing. The
celebration of diverse
musical expression is
central to the ensemble's
ethos, and this is shown
in their versatile
concert programmes and
innovative educational
work.
The 'VOCES8
singles' series includes
songs for which the group
is particularly well
known, in choral
arrangements produced
specifically for
VOCES8.
Composed
by Carl Maria von Weber.
Edited by Frank Ziegler
and Johannes Kepper. This
edition: Full-cloth
binding. Sheet music.
Edition Schott. Score and
critical commentary,
complete edition. 306
pages. Schott Music
#WGA1021. Published by
Schott Music
(HL.49042434).
ISBN
9783795794491.
10.25x13.5x1.141 inches.
German.
Carl Maria
von Weber's fame rests
mainly on 'Der
Freischutz'. The
unprecedented success of
this opera overshadowed
all his other works and
contributed to their
increasing fall into
oblivion. Certain works
such as 'Preciosa',
'Oberon', and
'Euryanthe', the
overtures, solo concertos
and piano sonatas, the
lieder and chamber works
enjoyed great popularity
and were widely known in
Germany and abroad as
late as the second half
of the 19th century.
However, any chance of a
revival of Weber's
influential and
substantial oeuvre was
wasted in the 1920s, when
a complete edition -
begun by Hans Joachim
Moser and with potential
contributors including
Wilhelm Kempff, Hans
Pfitzner, Max von
Schillings, Fritz Stein
and Richard Strauss -
failed after the third
volume.Ever since there
have been numerous
attempts to restart a
complete edition of
Weber's works, but as
this kind of project
would have required the
co-operation of scholars
from both sides of the
inter-German border, the
political situation after
1945 was not conducive to
any such enterprise.
Careful negotiations led
to the first tangible
steps in the 1980s. The
intention, right from the
beginning, was to place
Weber's work in context,
and not to separate his
musical output from his
influential work as a
writer, critic and
organiser in the musical
field, but to publish his
compositions together
with his letters, diaries
and other literary output
as the best way to
document the
cross-fertilisation
between his musical,
literary and practical
activities.Since the
German re-unification
both working-parties
concerned - at the
Staatsbibliothek zu
Berlin, and at the
Musikwissenschaftliches
Seminar,
Detmold/Paderborn - have
co-operated on the
complete edition of the
musical works (c. 45
volumes in 10 series:
sacred music; cantatas,
odes and other occasional
works; stage works;
lieder and vocal works;
orchestral works; chamber
music; music for piano;
piano reductions;
miscellanea, arrangements
and orchestrations; works
of doubtful attribution).
The diaries (6-8 vols.)
are edited in Berlin and
the letters (8-10 vols.)
and other writings (2
vols.) in Detmold. This
complete edition aims to
be a reliable basis of
scholarly debate as well
as for the authentic
performance practice of
Carl Maria von Weber's
music. Conforming to the
standards of recent
historico-critical
editions, the textual
material will be based on
all available authentic
sources, accompanied by a
detailed documentation of
the genesis and a list of
variants for each work.
The musicological
importance of the works
will be evaluated by
placing them in their
historical context, the
presentation of their
genesis, history and
Critical Commentaries.
The letters, writings and
diaries will be treated
as inter-related and
relevant to each other in
the commentaries,
therefore readers should
benefit from a wealth of
concise information and
cross-references.
Composed by Heinrich
Ignaz Franz von Biber.
Edited by Daniel E.
Abraham. Sacred vocal
music. Sacred vocal
music. Choral Score. ChaB
50. Duration 9 minutes.
Carus Verlag #CV
27.292/05. Published by
Carus Verlag
(CA.2729205).
ISBN
9790007240554. Language:
Latin.
Well-known
for his magnificent
instrumental works and
violin sonatas, Heinrich
Ignaz Franz Biber is
unjustly less recognized
as a composer of sacred
music. His works for
Salzburg Cathedral were
mainly written after
1670. The Stabat Mater is
an impressive setting for
use in worship, and
includes four or six
verses of the hymn. The
four-part composition
displays great simplicity
yet stunning beauty,
particularly in the
concise contrapuntal
presentation of each
individual verse. Score
available separately -
see item CA.2729200.
Composed by Heinrich
Ignaz Franz von Biber.
Edited by Daniel E.
Abraham. Sacred vocal
music. Basso continuo.
Sacred vocal music.
Single Part, basso
continuo. ChaB 50.
Duration 9 minutes. Carus
Verlag #CV 27.292/11.
Published by Carus Verlag
(CA.2729211).
ISBN
9790007248789. Language:
Latin.
Well-known
for his magnificent
instrumental works and
violin sonatas, Heinrich
Ignaz Franz Biber is
unjustly less recognized
as a composer of sacred
music. His works for
Salzburg Cathedral were
mainly written after
1670. The Stabat Mater is
an impressive setting for
use in worship, and
includes four or six
verses of the hymn. The
four-part composition
displays great simplicity
yet stunning beauty,
particularly in the
concise contrapuntal
presentation of each
individual verse. Score
and part available
separately - see item
CA.2729200.
Composed by Heinrich
Ignaz Franz von Biber.
Edited by Daniel E.
Abraham. Sacred vocal
music. Sacred vocal
music. Full score. ChaB
50. Duration 9 minutes.
Carus Verlag #CV
27.292/00. Published by
Carus Verlag
(CA.2729200).
ISBN
9790007240547. Language:
Latin.
Well-known
for his magnificent
instrumental works and
violin sonatas, Heinrich
Ignaz Franz Biber is
unjustly less recognized
as a composer of sacred
music. His works for
Salzburg Cathedral were
mainly written after
1670. The Stabat Mater is
an impressive setting for
use in worship, and
includes four or six
verses of the hymn. The
four-part composition
displays great simplicity
yet stunning beauty,
particularly in the
concise contrapuntal
presentation of each
individual verse.