(Christmas Carols For Mixed Voices) Edited by Graham Buckland. For SATB choir (unaccompanied). Format: a capella songbook. With choral notation, lyrics, performance notes, introductory text and index of first lines. Christmas and holiday. 224 pages. 9x12 inches. Published by Baerenreiter-Ausgaben.

By Drew Collins. For SATB choir divisi (unaccompanied) (SATB). Drew Collins Choral Collections. Choral. Choral octavo

SATB choir, voice solo - Intermediate

SKU: GI.G-10620

Composed by Danielle Rose. Arranged by James J Wright. Lent, Palm Sunday, Good Friday. Choral. Sacred. Octavo. 20 pages. GIA Publications #10620. Published by GIA Publications (GI.G-10620).

UPC: 785147062011. English. Text by Danielle Rose. Scripture: Matthew 27:27–29, Mark 15:17, John 19:1–3.

Watc h this piece performed by Danielle Rose with the Notre Dame Folk Choir in the video below:

This hauntingly beautiful arrangement is a devotion for reflecting on Jesus' suffering in his Passion. The allegorical technique used here tells the story of Jesus' crowning with thorns from the perspective of the rose bush that was used to assemble the crown of thorns. This arrangement may be sung as a solo or by a small group of treble singers.

Solo voices, choir, orchestra (3 Soprano Voice Solo, 3 Tenor Voice Solo, 2 Bass Voice Solo, SATB Choir, 2 recorder-Alto, 2 Oboe, bassoon, 3 Trumpets, timpani, 3 Violins, Viola, Cello, Bassi(Vc, double bass, bassoon, harpisc.))

SKU: BA.BA04050

Opera in three acts. Composed by George Frideric Handel. Edited by Dorothea Schröder. This edition: complete edition, urtext edition. Linen. Halle Handel Edition (HHA) Series II, Volume 1. Oper, Barock (Opera, Baroque). Complete edition, Score. HWV 1. Duration 3 hours, 30 minutes. Baerenreiter Verlag #BA04050_00. Published by Baerenreiter Verlag (BA.BA04050).

ISBN 9790006443598. 33 x 26 cm inches. Language: German. Text: Feustking, Friedrich Christian.

“A lmira”, Handel’s first opera, was well received when premiered in 1705 at the Theater am Gänsemarkt in Hamburg. The director was Reinhard Keiser, who, remarkably, had himself already set Friedrich Christian Feustking’s text to music. The role of Fernando was sung by Johann Mattheson. The translation used by Handel leaves several Italian arias in their original language, resulting in a delightful mixture of German and Italian.

The opera which, after sundry entangled romances, ends in the wedding of three couples, is characterised by exuberant scenes: the procession at Almira’s crowning ceremony, a duel, a prison scene and a masked-ball involving the three continents Europe, Africa and Asia.

The vocal score to “Almira” by George Frideric Handel brings about a small sensation: Whilst conducting a reenactment of this work in 1732, Georg Philipp Telemann removed the Aria no. 28 “Ingrato, spietato” from his conducting score. Since then this aria has been deemed lost. Due to necessity only the edited vocal text devoid of any music was presented in the 1994 volume of the “Halle Handel Edition”.
Thanks to a recently discovered contemporary manuscript copy from the beginning of the 18th century which was found in the music library of the Mariengymnasium in Jever, this aria has now been made available to performers for the first time in this new vocal score edition. Previous to this the corresponding pages could only be seen as a facsimile in an article of the “Göttinger Händel-Beiträgeâ� �.
Now the aria can be performed again. Furthermore, with the help of this new source, missing measures in the basso continuo which had initially been completed by the editor of the “Halle Handel Edition” volume, could be reconstructed from the basso continuo part of the Bellante aria “Ich brenne zwar” (no. 71).

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Composed by Jay Rouse. Choral, cantatas. Eastertide, Holy Week. Choral score. Lorenz Publishing Company #55/1192MD. Published by Lorenz Publishing Company (LO.55-1192MD).

The Rosephanye Powell Choral Series. Composed by Rosephanye Powell. Gentry Publications. Concert. Octavo. 24 pages. Gentry Publications #JG2629. Published by Gentry Publications

Choral; Optional Percussion (SATB)

SKU: HL.338913

Composed by Rosephanye Powell. Gentry Publications. Christmas Sacred, Christmas/Advent Sacred. Octavo. 16 pages. Duration 960 seconds. Gentry Publications #JG2551. Published by Gentry Publications (HL.338913).

UPC: 840126914351. 6.75x10.5x0.036 inches.

Using a variety of percussion instruments and piano most effectively, Rosephanye has created a Christmas anthem that is grand and joyous. Beginning as softly as the title states, it eventually changes direction and builds to a glorious and strong finale. Her gift for melody, rhythmic motifs, and colorful harmonies come through as she unfold the Christmas story in song. Medium in difficulty.

Composed by Mary McDonald. For SATB choir and full orchestra. Cantatas. Christmas. CD with printable parts. Lorenz Publishing Company #30/3376L. Published by Lorenz Publishing Company

Composed by Mary McDonald. Choral, cantatas. Eastertide, Holy Week. Choral score. Lorenz Publishing Company #55/1188L. Published by Lorenz Publishing Company (LO.55-1188L).

Mixed choir

SKU: FG.55011-749-5

By Harry Salmenniemi. By Antti Auvinen. Classical, contemporary. Book. Fennica Gehrman #55011-749-5. Published by Fennica Gehrman (FG.55011-749-5).

ISBN 9790550117495.

Antt i Auvinen's Delfiinimeditaatio (A Dolphin Meditation) is set to Harry Salmenniemi's short story. The work was a commission by the Dominante Choir, for its 45th anniversary.

The text is in Finnish. Salmennime's prose gets a modern treatment by Auvinen: repetitions of words and syllables, cutting, onomatopoetism, hissing and sprachgesang methods are employed.