SATB Choir SKU: BT.MUSM570200641 Composed by Anne Boyd. Classical. Vocal ...(+)
SATB Choir
SKU:
BT.MUSM570200641
Composed by Anne Boyd.
Classical. Vocal Score.
64 pages. University of
York Music Press
#MUSM570200641. Published
by University of York
Music Press
(BT.MUSM570200641).
English.
Jesus
Reassures His Mother is a
setting of medieval lyric
poetry written
anonymously in the 14th
century. The poet
recounts a vision of the
young Mary rocking the
infant Christ to sleep.
The child requests his
mother to sing a lullaby
but, alas, knowing her
child’s fate she is too
sad to sing. Jesus tells
her that all mothers
worry about their
children’s futures and
insists that she should
sing nevertheless. Mary
recounts the visit of
Gabriel and the events of
Christ’s birth but
reflects how sad it is to
have delivered a child to
such a fate. Jesus
reassures his mother that
he will be with his
father in heaven where
Mary will come to join
Him at the end of time,
there to livein eternal
bliss. At this point Mary
is persuaded by and
echoes her child’s
reassuring words, and she
is joined in this by the
choir (now representing
us all). The vision fades
away in the voice of the
narrator whose loneliness
and longing return. We
learn that it is
Christmas Day. This
setting grows from the
visionary mystical world
inhabited by Julian of
Norwich whose Revelations
of Divine Love provided
the inspiration for a
work Anne Boyd composed
in 1994. The medium has
been expanded from the
Song Company’s six solo
voices used in the
Revelations to the double
motet choir of the Sydney
Philharmonia who
commissioned this work
for their 75th
anniversary. The parts of
the infant Jesus, Mary,
the Narrator and the
angel Gabriel are taken
by choir soloists:
soprano, alto, tenor and
bass. The work is
situated in the context
of Boyd ’s personal
musical aesthetic which
she describes as the
intersection of Christian
Love with Buddhist
silence.
Look at the world Chorale SATB [Vocal Score] Oxford University Press
By John Rutter (1945-). For Children's and/or SATB choir and keyboard/orchestra ...(+)
By John Rutter (1945-).
For Children's and/or
SATB choir and
keyboard/orchestra
([2.1.2.1-2.0.0.0], harp,
strings). Upper Voices.
Sacred Choral Leaflet.
Vocal score. 12 pages.
Duration 4.5'. Published
by Oxford University
Press
High Flight Chorale SATB SATB, Piano Theodore Presser Co.
Choral SATB Choir and Piano SKU: PR.312419020 From Terra Nostra. C...(+)
Choral SATB Choir and
Piano
SKU:
PR.312419020
From
Terra Nostra.
Composed by Stacy Garrop.
Sws. Performance Score.
12 pages. Duration 3:15.
Theodore Presser Company
#312-41902. Published by
Theodore Presser Company
(PR.312419020).
ISBN
9781491131862. UPC:
680160680474. 6.875 x
10.5 inches.
English.
Commission
ed by the San Francisco
Choral Society and the
Piedmont East Bay
Children’s Choir,
Terra Nostra is a
70-minute oratorio on the
relationship between our
planet and humankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. Part
I: Creation of the World
explores various creation
myths from different
cultures, culminating in
a joyous celebration of
the beauty of our planet.
Part II: The Rise of
Humanity examines human
achievements,
particularly since the
dawn of our Industrial
Age, and how these
achievements have
impacted the planet. Part
III: Searching for
Balance questions how to
create more awareness for
our planet’s
plight, re-establish a
deeper connection to it,
and find a balance for
living within our
planet’s
resources. In addition to
the complete oratorio,
stand-alone movements for
mixed chorus, and for
solo voice with piano,
are also available
separately. Terra
Nostra focuses on the
relationship between our
planet and mankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. The
oratorio is divided into
three parts:Part I:
Creation of the World
celebrates the birth and
beauty of our planet. The
oratorio begins with
creation myths from
India, North America, and
Egypt that are integrated
into the opening lines of
Genesis from the Old
Testament. The music
surges forth from these
creation stories into
“God’s
World†by Edna St.
Vincent Millay, which
describes the world in
exuberant and vivid
detail. Percy Bysshe
Shelley’s
“On thine own
child†praises
Mother Earth for her role
bringing forth all life,
while Walt Whitman sings
a love song to the planet
in “Smile O
voluptuous cool-breathed
earth!†Part I ends
with “A Blade of
Grass†in which
Whitman muses how our
planet has been spinning
in the heavens for a very
long time.Part II: The
Rise of Humanity examines
the achievements of
mankind, particularly
since the dawn of the
Industrial Age. Lord
Alfred Tennyson’s
“Locksley
Hall†sets an
auspicious tone that
mankind is on the verge
of great discoveries.
This is followed in short
order by Charles
Mackay’s
“Railways
1846,†William
Ernest Henley’s
“A Song of
Speed,†and John
Gillespie Magee,
Jr.’s “High
Flight,†each of
which celebrates a new
milestone in
technological
achievement. In
“Binsey
Poplars,†Gerard
Manley Hopkins takes note
of the effect that these
advances are having on
the planet, with trees
being brought down and
landscapes forever
changed. Percy Bysshe
Shelley’s “A
Dirge†concludes
Part II with a warning
that the planet is
beginning to sound a
grave alarm.Part III:
Searching for Balance
questions how we can
create more awareness for
our planet’s
plight, re-establish a
deeper connection to it,
and find a balance for
living within our
planet’s
resources. Three texts
continue the
earth’s plea that
ended the previous
section: Lord
Byron’s
“Darknessâ€
speaks of a natural
disaster (a volcano) that
has blotted out the sun
from humanity and the
panic that ensues;
contemporary poet Esther
Iverem’s
“Earth
Screaming†gives
voice to the modern
issues of our changing
climate; and William
Wordsworth’s
“The World Is Too
Much With Us†warns
us that we are almost out
of time to change our
course.
Contemporary/agrarian
poet Wendell
Berry’s “The
Want of Peaceâ€
speaks to us at the
climax of the oratorio,
reminding us that we can
find harmony with the
planet if we choose to
live more simply, and to
recall that we ourselves
came from the earth. Two
Walt Whitman texts
(“A Child said,
What is the grass?â€
and “There was a
child went forth every
dayâ€) echo
Berry’s thoughts,
reminding us that we are
of the earth, as is
everything that we see on
our planet. The oratorio
concludes with a reprise
of Whitman’s
“A Blade of
Grass†from Part I,
this time interspersed
with an additional
Whitman text that
sublimely states,
“I bequeath myself
to the dirt to grow from
the grass I
love…â€My hope
in writing this oratorio
is to invite audience
members to consider how
we interact with our
planet, and what we can
each personally do to
keep the planet going for
future generations. We
are the only stewards
Earth has; what can we
each do to leave her in
better shape than we
found her?
A New Service of Lessons and Carols. By Point of Grace, Michael W. Smith, Ch...(+)
A New Service of Lessons
and
Carols. By Point of
Grace,
Michael W. Smith, Christy
Nockels, Keith and
Kristyn
Getty, Hillsong, and
Lauren
Daigle. Arranged by
Joseph M.
Martin and Heather
Sorenson.
PraiseSong Christmas
Series.
Advent, Cantata,
Christmas,
Epiphany, Sacred.
Softcover.
142 pages. Published by
PraiseSong
From Sounds of a Better World. By Jim Papoulis. Arranged by Francisco J. Nunez. ...(+)
From Sounds of a Better
World. By Jim Papoulis.
Arranged by Francisco J.
Nunez. (SATB). BH Sounds
of a Better World. Size
6.8x10.5 inches. 16
pages. Published by
Boosey and Hawkes.
By Victor C. Johnson. For SATB choir divisi (a cappella) (with optional solo). S...(+)
By Victor C. Johnson. For
SATB choir divisi (a
cappella) (with optional
solo). Sacred Anthem:
Christmas. Octavo.
Published by Lorenz
Publishing Company
(Christmas Carols For Mixed Voices) Edited by Graham Buckland. For SATB choir (u...(+)
(Christmas Carols For
Mixed Voices) Edited by
Graham Buckland. For SATB
choir (unaccompanied).
Format: a capella
songbook. With choral
notation, lyrics,
performance notes,
introductory text and
index of first lines.
Christmas and holiday.
224 pages. 9x12 inches.
Published by
Baerenreiter-Ausgaben.
(Created to Create). Composed by K. Lee Scott. For SATB choir, opt children's ch...(+)
(Created to Create).
Composed by K. Lee Scott.
For SATB choir, opt
children's choir,
congregation, organ. K.
Lee Scott Choral Series.
Creation, Nature.
Moderately Easy. Octavo.
Published by MorningStar
Music Publishers
From Lyle, Lyle, Crocodile. Composed by Joriah Kwame, Benj Pasek, and Justin P...(+)
From Lyle, Lyle,
Crocodile.
Composed by Joriah Kwame,
Benj
Pasek, and Justin Paul.
Arranged by Mark A.
Brymer.
Pop Choral Series.
Children,
Inspirational, Movies,
Musicals, Pop. Octavo. 12
pages. Duration 160
seconds.
Published by Hal Leonard
Choral (SATB) SKU: HL.1152923 Composed by Joni Mitchell. Arranged by Audr...(+)
Choral (SATB)
SKU:
HL.1152923
Composed
by Joni Mitchell.
Arranged by Audrey
Snyder. Pop Choral
Series. Children, Folk,
Pop, Pop/Rock, Rock,
Sixties. Octavo. Duration
250 seconds. Published by
Hal Leonard (HL.1152923).
UPC: 196288119746.
6.75x10.5x0.036
inches.
Songstress
Joni Mitchell is a titan
of the music industry,
transcending the
generations with her
melodies and lyrics,
infinitely singable the
world over. 1966's
“Circle Gameâ€
chronicles the inevitable
story of a child becoming
an adult--and this Audrey
Snyder arrangement is
complete with fully
transcribed and tuned
Guitar and Bass
parts.
Zimbe! Chorale SATB SATB, Piano Faber Music Limited
(Come Sing the Songs of Africa). Arranged by Alexander L'Estrange. Choir Secula...(+)
(Come Sing the Songs of
Africa). Arranged by
Alexander L'Estrange.
Choir Secular. For with
Piano / jazz quintet /
percussion (SATB choir).
Book; Choral Extended
Work; Larger Works. Faber
Edition. Multicultural;
World. Published by Faber
Music
Arranged by Joel Raney. (SATB). Children, Hymntune, Spiritual, Blues-Gospel-Spi...(+)
Arranged by Joel Raney.
(SATB). Children,
Hymntune, Spiritual,
Blues-Gospel-Spirituals,
Hymntune and Sacred.
Print Music Single (SATB
and Unison Choir (or
Soloist)). 12 pages.
Published by Hope
Publishing Company.
A
Christmas Musical.
Composed by David T.
Clydesdale & Dave Clark.
Arranged by David
Clydesdale. Musical.
Multicultural, Christmas
and Sacred. Orchestration
on CD-ROM. Duration 52
minutes. Published by
Lillenas Publishing
Company
(LP.765762201705).
UPC:
765762201705.
You
will not want to miss the
newest Christmas musical
from David T. Clydesdale
and Clydesdale Music
Group, Hope of the Broken
World. Created by Dave
Clark and David T.
Clydesdale, this new
musical is simply
bursting with good news
and great joy.
Clydesdale's immense
versatility and skill is
showcased in the variety
of music styles
represented and Dave
Clark's songwriting and
thoughtful narration is
heart-warming and
hopeful. Together, these
two creative giants of
Christian music have
fashioned a truly
unforgettable Christmas
worship
experience.
Titled
after the song made
popular by Selah, Hope of
the Broken World is a
glorious mixture of more
traditional SATB choral
works in Let There Be Joy
and Sing We Gloria, the
innocence of children's
voices in the ever
popular A Strange Way to
Save the World, the
hauntingly beautiful Who
Could Imagine a King?,
the fun gospel styling of
When the Little Baby Boy
Was Born and O Bethlehem
Mornin'. With multiple
solo opportunities and
children's choir
throughout, it is ideal
for most choirs and the
45 minute running time
makes it the perfect
length for any Christmas
performance venue. This
year at Christmas, share
with your community the
Hope of the Broken
World.
SATB choir - Moderate SKU: LP.765762152229 A Christmas Musical. Co...(+)
SATB choir - Moderate
SKU:
LP.765762152229
A
Christmas Musical.
Composed by David T.
Clydesdale & Dave Clark.
Arranged by David
Clydesdale. Musical.
Multicultural, Christmas
and Sacred. Pack of 10
listening CDs. Duration
52 minutes. Published by
Lillenas Publishing
Company
(LP.765762152229).
UPC:
765762152229.
You
will not want to miss the
newest Christmas musical
from David T. Clydesdale
and Clydesdale Music
Group, Hope of the Broken
World. Created by Dave
Clark and David T.
Clydesdale, this new
musical is simply
bursting with good news
and great joy.
Clydesdale's immense
versatility and skill is
showcased in the variety
of music styles
represented and Dave
Clark's songwriting and
thoughtful narration is
heart-warming and
hopeful. Together, these
two creative giants of
Christian music have
fashioned a truly
unforgettable Christmas
worship
experience.
Titled
after the song made
popular by Selah, Hope of
the Broken World is a
glorious mixture of more
traditional SATB choral
works in Let There Be Joy
and Sing We Gloria, the
innocence of children's
voices in the ever
popular A Strange Way to
Save the World, the
hauntingly beautiful Who
Could Imagine a King?,
the fun gospel styling of
When the Little Baby Boy
Was Born and O Bethlehem
Mornin'. With multiple
solo opportunities and
children's choir
throughout, it is ideal
for most choirs and the
45 minute running time
makes it the perfect
length for any Christmas
performance venue. This
year at Christmas, share
with your community the
Hope of the Broken
World.
SATB choir - Moderate SKU: LP.765762009639 A Christmas Musical. Co...(+)
SATB choir - Moderate
SKU:
LP.765762009639
A
Christmas Musical.
Composed by David T.
Clydesdale & Dave Clark.
Arranged by David
Clydesdale. Musical.
Multicultural, Christmas
and Sacred. Visual media
data disc. Duration 52
minutes. Published by
Lillenas Publishing
Company
(LP.765762009639).
UPC:
765762009639.
You
will not want to miss the
newest Christmas musical
from David T. Clydesdale
and Clydesdale Music
Group, Hope of the Broken
World. Created by Dave
Clark and David T.
Clydesdale, this new
musical is simply
bursting with good news
and great joy.
Clydesdale's immense
versatility and skill is
showcased in the variety
of music styles
represented and Dave
Clark's songwriting and
thoughtful narration is
heart-warming and
hopeful. Together, these
two creative giants of
Christian music have
fashioned a truly
unforgettable Christmas
worship
experience.
Titled
after the song made
popular by Selah, Hope of
the Broken World is a
glorious mixture of more
traditional SATB choral
works in Let There Be Joy
and Sing We Gloria, the
innocence of children's
voices in the ever
popular A Strange Way to
Save the World, the
hauntingly beautiful Who
Could Imagine a King?,
the fun gospel styling of
When the Little Baby Boy
Was Born and O Bethlehem
Mornin'. With multiple
solo opportunities and
children's choir
throughout, it is ideal
for most choirs and the
45 minute running time
makes it the perfect
length for any Christmas
performance venue. This
year at Christmas, share
with your community the
Hope of the Broken
World.
The Child Chorale SATB SATB, Piano - Facile MorningStar Music Publishers
SATB choir, piano - Early Intermediate SKU: MN.50-8816 Composed by Susan ...(+)
SATB choir, piano - Early
Intermediate
SKU:
MN.50-8816
Composed
by Susan Borwick. 21st
Century, Children.
Octavo. MorningStar Music
Publishers #50-8816.
Published by MorningStar
Music Publishers
(MN.50-8816).
Scripture: Mark
10.
Mark 10:13-14
speaks of the central
place for children next
to Jesus the Christ. In a
world where children at
times are devalued,
unheard, starving, and
disconsolate, Christ
refocuses our hearts on
the child. God is often
present through the voice
and actions of the child,
in the heart of the child
God's love resides. The
anthem is a call to
listen to, guide,
cherish, and love the
child and all
children.
Looking Up Chorale SATB SATB, Piano St Rose Music Publishing
Choir, Piano Accompaniment (SATB Choir) SKU: HL.277282 SATB and Piano ...(+)
Choir, Piano
Accompaniment (SATB
Choir)
SKU:
HL.277282
SATB and
Piano Vocal Score.
Composed by Nico Muhly.
Music Sales America.
Classical. Softcover. 60
pages. St. Rose Music
#SRO10015201. Published
by St. Rose Music
(HL.277282).
UPC:
840126915006. 6.75x10.5
inches.
Program
note:
Looking Up
is a piece for large
chorus and orchestra, and
is in three sections,
played without pause. In
the 16th century, a
variety of psalters in
meter were printed in
England, with the idea of
making psalm-singing
something that could
happen easily at home,
with the rhyming meter
being an aid to
memorization. These
translations are
wonderful exercises in
brevity and sometimes
clumsy rhymemaking, and
were usually prefaced by
a lengthy explanation as
to their merits; the
title of one of the first
such volumes in English
is: The Psalter of Dauid
newely translated into
Englysh metre in such
sort that it maye the
more decently, and wyth
more delyte of the mynde,
be reade and songe of al
men. I thought it would
be appropriate to set one
of these introductions,
and the first section of
Looking Up sets the
preface to Thomas
Ravenscroft's psalter
(1621), in which he
writes: “The
singing of Psalmes (assay
the Doctors) comforteth
the sorrowfull, pacifieth
the angry, strengtheneth
the weake, humbleth the
proud, gladdeth the
humble, stirres up the
slow, reconcileth
enemies, lifteth up the
heart to heavenly things,
and uniteth the Creature
to his
Creator.”
It
begins meditatively, but
eventually grows agitated
and fervent, with a
vision of the
“quire of Angels
and Saints”
“redoubling
anddescanting” - an
ecstatic and terrifying
vision of the skies
opening up. Ravenscroft
then encourages the use
of instrumental musicfor
worship, at which point,
a long, acrobatic
orchestral interlude with
jagged edges antagonizes
the choir, who sing a
kind of private, anxious
meditation on two
pitches.
One of
the most delicious
biblical texts is an
Apocryphal prayer known
as the Benedicite or the
Prayer of the Three
Children (the same who
were rescued by an angel
after King Nebuchadnezzar
tried to have them burnt
in an oven for not bowing
to his image). The text
is repetitive, obsessive,
and a gift to composers -
each line is an
invocation of an element
of the natural world,
followed by the phrase,
“blesse ye the
Lord, praise him &
magnify him for
ever.” In Looking
Up, the setting begins
with three solo voices,
and then grows to include
the whole choir,
itemizing the whole of
creation. The idea that
these boys are spared
from the furnace and then
five minutes later are
saying, “O ye the
fire and warming heate,
blesse ye the
Lord...” has always
felt very loaded to me,
and the orchestra plays
with this conflict
between joyful praise and
a more terrible (in the
16th-century sense)
awefor the
divine.
The text
for the third, and
shortest, section is
taken from Christopher
Smart's (1722-1771) A
Song to David,
purportedly written
during his confinement in
a mental asylum. This ode
to King David points out
how David, as the author
of some of the Psalms,
observes the whole world
from the
“clustering
spheres” to the
“nosegay in the
vale.&rdquo.
SATB choir with optional percussion SKU: HP.C5230C Arranged by Hal H. Hop...(+)
SATB choir with optional
percussion
SKU:
HP.C5230C
Arranged by
Hal H. Hopson. Piano with
Optional percussion.
World Music, General
Worship, God's
Attributes/Character,
Adoration & Praise,
Sacred.
Performance/Accompaniment
CD. Hope Publishing
Company #C5230C.
Published by Hope
Publishing Company
(HP.C5230C).
UPC:
763628952303. Psalms
24:1-10.
Nigerian
Folk Song Hal Hopson's
arrangements of glabal
songs, Siyahamba, Halle,
Halle, Halle, He Is Mine,
etc. , have found their
way into many worship
services over the past
few years. This latest
entry comes from a
Nigerian folk song and -
as he has done in the
past - Hal has added
original material, this
time based on Psalm
35:10, for the verses, to
create another
infectious, global praise
anthem accessible to all
choirs. The addition of
children's voices, as
heard on the demo track,
is sure to appeal to many
choir directors.
By Robert A. Hobby (1962-). For Two-Part Mixed Voices or SATB, Soprano Solo, opt...(+)
By Robert A. Hobby
(1962-). For Two-Part
Mixed Voices or SATB,
Soprano Solo, opt.
Congregation, opt.
Children's Choir or
Treble Solo with Organ,
Piano, Brass Quintet,
Percussion, Handbells or
Full Orchestra. Choral.
Christmas, Advent. Medium
to Moderately Difficult.
Published by MorningStar
Music Publishers