Composed by William H. Walter. Arranged by James Chepponis. For SATB choir, cong...(+)
Composed by William H.
Walter. Arranged by James
Chepponis. For SATB
choir, congregation,
organ, brass quartet,
timpani. Year C: Holy
Trinity. Holy Trinity,
Ascension, General, Good
Shepherd Sunday,
Thanksgiving, Building
Dedication, Confirmation,
Benediction/Sending,
Commitment/Discipleship,
Gathering/Processional,
Missions/Outreach, 21st
Century. Moderately Easy.
Octavo. Scripture: Psalms
100;Matthew 28:19-20;
Text Language: English.
Published by MorningStar
Music Publishers
Choral SATB choir, piano SKU: PR.362034230 A Prologue to THE CREATION ...(+)
Choral SATB choir, piano
SKU: PR.362034230
A Prologue to THE
CREATION by Franz Joseph
Haydn. Composed by
Dan Welcher. Sws.
Premiered at the
Northwest Hills United
Methodist Church, Austin,
TX. Choral. Performance
Score. With Standard
notation. Composed July 5
2014. 16 pages. Duration
5:15. Theodore Presser
Company #362-03423.
Published by Theodore
Presser Company
(PR.362034230).
ISBN
9781598069556. UPC:
680160624225. Letter
inches.
English.
Alto, Mixed choir (SATB), Piano SKU: BA.BA11309 Composed by Camille Saint...(+)
Alto, Mixed choir (SATB),
Piano
SKU:
BA.BA11309
Composed
by Camille Saint-Saens.
Edited by Christina M.
Stahl. This edition:
urtext edition.
Paperback. Score.
Baerenreiter Verlag
#BA11309. Published by
Baerenreiter Verlag
(BA.BA11309).
ISBN
9790006577705. 27 x 19 cm
inches. Text Language:
English.
It is a
small music history
sensation: Thanks to Yves
Grard an unknown and
unpublished manuscript
penned by Camille
Saint-Saëns has been
unearthed in the
Mdiathèque Jean Renoir
in Dieppe in
France.
It is the
top four instrumental
parts which make this
manuscript something of a
sensation. Placed under
each other are
â??Saxophone Soprano en
Si bâ?, â??Saxophone
Alto en Mi bâ?,
â??Saxophone Tnor en Si
bâ? and â??Saxophone
Baryton en Mi bâ?,
strings, soprano solo
with chorus and organ.
Musical history has
hitherto credited
Jean-Baptiste Singele
(1812â??1875) with
having written the first
saxophone quartet, his
opus 53, which he
completed in 1857. Now
this historiography
clearly has to be
revised. The date 1854
has been found under the
first page of the
treasure from Dieppe,
which is pasted over and
also sewn, meaning that
Saint-Saënsâ?? work
was written three years
earlier than that of
Singele.
In
contrast to Singele,
Saint-Saëns does not
have the wind instruments
taking solo parts but
rather uses their tonal
colour to depict textual
moods and nuances. On the
one hand the saxophones
accompany the choral
parts (certainly singable
by amateurs) and support
the human voices in fugal
passages. On the other
hand, they take the
melody in the purely
orchestral
passages.
Saint-Sa
ëns wrote the motet in
the period when he had
taken up his first
permanent appointment as
organist at the Church of
Saint-Merri in Paris. He
revised the work several
times over the decades,
changing the motifs at
the beginning, correcting
obvious mistakes,
reworking the ending,
eventually changing the
instrumentation several
times and even â??
probably in the final
stage â?? replacing the
Latin text with an
English one. Today,
three-and-a-half versions
have been handed down,
one of them stopping
after just a few pages.
The compositional steps
have been successfully
reconstructed by means of
detailed detective work.
Furthermore, the first
saxophone version (BA
11305) and the last
English piano version (BA
11309) have been edited
to produce a
scholarly-critical
edition.
The
present edition of the
English version for
soprano solo, choir and
piano (BA 11309) serves
both as a full score and
as a vocal score due to
the
instrumentation.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
By Michael Gore, words by Lynn Ahrens/arr. Greg Gilpin. Choir Secular. SATB choi...(+)
By Michael Gore, words by
Lynn Ahrens/arr. Greg
Gilpin. Choir Secular.
SATB choir. Choral
Octavo. Pop Choral.
Movie. 16 pages.
Published by Alfred Music
Refuge Chorale SATB [Octavo] Hope Publishing Company
Composed by Keith Christopher. For SATB choir. Words based on Psalm 46:1-2 ...(+)
Composed by Keith
Christopher. For SATB
choir.
Words based on Psalm
46:1-2
& Isaiah 43:2-3.
General
Worship. Octavo. 12
pages.
Published by Hope
Publishing
Company
Composed by Andy Beck. Performance Music Ensemble; Single Titles. Alfred Chora...(+)
Composed by Andy Beck.
Performance Music
Ensemble;
Single Titles. Alfred
Choral
Designs. Christmas;
Novelty;
Secular. Choral Octavo.
16
pages. Alfred Music
#00-50288.
Published by Alfred Music
SATB choir, organ - Medium SKU: PL.9827 Composed by Randall Giles. Parish...(+)
SATB choir, organ -
Medium
SKU:
PL.9827
Composed by
Randall Giles. Parish.
Choral, Christmas,
General. Octavo.
Paraclete Press #9827.
Published by Paraclete
Press (PL.9827).
This text, from
Christopher Smart, is set
in hymn-anthem style.
Under a solidly vital
organ part, Dr. Giles
provides an original hymn
tune that is attractive
in its lyricism. It is
sung first by the men
alone, then in an elegant
four-part setting. The
third verse has the altos
taking the melody, with
the other voices joining
for the final verse,
which ends
peacefully.This is an
imaginative addition to
the hymn repertory and
will become a favorite
anthem at the Christmas
season.
Choral (SSATBB) SKU: HL.48025430 Movement X from The Drop That Contain...(+)
Choral (SSATBB)
SKU:
HL.48025430
Movement X from The
Drop That Contained the
Sea. Composed by
Christopher Tin. BH
Secular Choral.
Classical, Concert, World
Music. Octavo. Duration
735 seconds. Boosey &
Hawkes #M051500062.
Published by Boosey &
Hawkes (HL.48025430).
ISBN 9798350126297.
UPC: 196288210825.
6.75x10.5
inches.
“Walo
yo Yamoni (We Overcome
the Wind)†is the
grand finale to
Christopher Tin's second
album 'The Drop That
Contained the Sea'. The
lyrics are a setting of a
Lango rainmaking prayer.
It was commissioned by
the St. Matthews Chamber
Orchestra, and recorded
by the Royal Philharmonic
Orchestra with the Soweto
Gospel Choir. New York
Concert Review wrote of
the Carnegie Hall
premiere “The
audience reacted after
the final notes with the
loudest and longest
standing ovation I have
ever heard at any
concertâ€, while The
York Press wrote
“We Overcome The
Wind was an outpouring of
joy; a unanimous standing
ovation evinced the sense
of togetherness at the
heart of this
concert.â€.
Auld Lang Syne Chorale SATB SATB, Piano Faber Music Limited
(And Other Classic Scottish Melodies). Arranged by Alexander L'Estrange. Choir S...(+)
(And Other Classic
Scottish Melodies).
Arranged by Alexander
L'Estrange. Choir
Secular. For with Piano
(3-Part Mixed Choir
(SAB)). Book; Choral
Collection. Faber
Edition: Choral Basics.
Published by Faber Music
Composed by Henry Gauntlett. Arranged by Joel Raney. For SATB choir with optiona...(+)
Composed by Henry
Gauntlett. Arranged by
Joel Raney. For SATB
choir with optional
Organ, 3-5 oct.
Handbells, Brass and
Congregation. Christmas,
Jesus Christ - Birth,
Jesus Christ - Death,
Life of Christ. Octavo.
12 pages. Published by
Hope Publishing Company
Composed by Alec Wyton.
Parish. Choral, Festival.
Octavo. Paraclete Press
#9305. Published by
Paraclete Press
(PL.9305).
Organ and
handbells majestically
introduce this text by
Christopher Smart.
Composed in traditional
hymn-anthem style, there
is considerable writing
for unison voices as well
as SATB, with optional
solo voice, followed by
the final verse which
returns to unison with a
jubilant descant. The
voice parts are doubled
in the organ
accompaniment. The
handbell part often takes
the form of a bell peal,
colorfully highlighting
the atmosphere of
praise.