Composed by Thomas C. Griggs, John Hugh McNaughton, Alexander Schreiner, Loren F. Wheelwright. Arranged by David Len Allen. For SATBB choir. Sacred. Medium / Medium-Difficult (accompaniment). Octavo. Duration 3:30. Published by Jackman Music Corporation

By Various. Edited by Kreuels, Matthias / Ducker, Martin / Essl, Jurgen / Geismann, Wilm / Kohlmann, Mathias / Langer, Leo / Ochs, Jurgen / Drescher, Thomas / Frohlich, Brigitte / Maag, Jurgen / Rommelspacher, Stephan. Sacred, Hymns, Hymn settings, Magnificat, Masses, Latin, Mass Sections, Motets, Psalms, German, Psalms, Latin; Choral Collections, Mixed Choir; Occasions: Eucharist, Communion, Peace and Justice, Prayer, First Communion, Confirmation, Praise and thanks, F. Choral collection. 256 pages

SATB Choir and Organ

SKU: HL.14031532

Composed by Thomas Wilkinson Stephenson. Music Sales America. Sacred. Choral Score. Music Sales #NOV440213. Published by Music Sales (HL.14031532).

SATB Choir and Organ

SKU: HL.14021913

Composed by Thomas Morley. Music Sales America. Sacred. Choral Score. Music Sales #NOV440034. Published by Music Sales (HL.14021913).

By Herbert E. Hyde. Arranged by Thomas F. Savoy. For Voices: SATB. Instruments: String quintet (2 violins, viola, cello, bass), brass sextet (2 trumpets in B, 2 horns in F, 2 trombones); timpani (B, F) (instruments optional). Organ. Chamber Music Sacred. Level: easy. 9 pages. Published by GIA Publications.

By Harris M. For tenor solo, SATB, 1 (piccolo) 1 (english horn) 11 2100 timpani, hp, strings. A Christmas cantata based on Dylan Thomas' poem A Child's Christmas in Wales. Duration 28'. Published by C.F. Peters.

SATB choir, Descant, assembly, organ accompaniment, flute, oboe, trumpet in B-flat

SKU: GI.G-008837

For the Healing of the Nations, Tantum Ergo Sacramentum, Humbly Let Us Voice Our Homage. Composed by John F. Wade. Arranged by Charles Thatcher. OT 16 Year B, OT 17 Year B, OT 18 Year B, OT 5 Year B, OT 20 Year B, OT 19 Year B, OT 25 Year B. Tune Name: St. Thomas. Sacred. Octavo. 12 pages. GIA Publications #008837. Published by GIA Publications (GI.G-008837).

UPC: 641151088372. Translation: Melvin Farrell. Text by Fred Kaan.

Solo voices, choir, orchestra (6Soprano Voice Solo, 2 Mezzo Voice Solo, 5Alto Voice Solo, 4Bass Voice Solo, SATB Choir, ballet, Fl-picc, Fl, Musette, Trp, V, Fid, Va, timpani, bassoon, Vc, double bass, Continuo)

SKU: BA.BA08858

Ballet héroïque in a prologue and 3 acts. Composed by Jean-Philippe Rameau. Edited by Thomas Soury. This edition: complete edition, urtext edition. Linen. Jean-Philippe Rameau. Opera Omnia (OOR) IV/14. Complete edition, Score. Duration 2 hours. Baerenreiter Verlag #BA08858_00. Published by Baerenreiter Verlag (BA.BA08858).

ISBN 9790006523368. 33.5 x 25.5 cm inches. Text Language: French. Preface: Sylvie Bouissou. Louis de Cahusac.

Rameau's “Les Fêtes de l'Hymen et de l'Amour” was long considered second-rate because its première was associated with a political event. Yet this ballet abounds in novel dramaturgical effects that foreshadow his later operas, such as “Zaïs”, “Zoroastre” and “Les Borades”. Working together with his librettist Cahusac, Rameau sought to weave the dance numbers, choruses and stage machinery more tightly into the main plot. He also experimented with stylistic devices unique to this work, the most famous being unquestionably the scene in which the Nile overflows its banks (an impressive ten-voice double chorus with solo voices and orchestra) and the sextet from “Aruris”, a scoring found nowhere else in his uvre.

For the first time, this scholarly-critical edition of “Les Fêtes de l'Hymen et de l'Amour” presents a reference version of the work that is based on all the major sources for both the libretto and the music, including two recent musical discoveries. As most of the performance material for the première has vanished, our edition is based on the version prepared for the Acadmie Royale de Musique in 1748.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Mixed choir

SKU: M7.GRG-5300257040

Composed by Ernst Stoklosa, Guenter Lueckerath, Hartmut Priess, and Peter Schuetten. Arranged by Thomas Möller-Rudolf. This edition: Folding. Sheet music. Choral score. 4 pages. De Bläck Fööss Verlag #GRG 5300257040. Published by De Bläck Fööss Verlag (M7.GRG-5300257040).

Kölsch.

By Allen Pote / Thomas Long. For SATB choir. Scripture References: Matthew 4:16 -- John 1:5 -- Psalm 98 -- Philippians 2:10. Christmas, Hymntune, Sacred. Choral octavo. 12 pages

Composed by Jess Langston Turner. For SATB choir (a cappella). Main Key: F Minor. Spiritual, Concert and Sacred. Difficulty: Medium (Adult). Published by Hinshaw Music Inc.

SATB chorus a cappella - Medium-easy

SKU: JK.00577

Composed by Gaylen Hatton. Arranged by Thomas L. Durham. Choral A cappella, Choral SATB, Difficulty Easy Medium, Piano Choir, Seasonal Music Christmas, Christmas, Vocal Solo. Christian, Inspirational. Duration 2:15. Jackman Music Corporation #00577. Published by Jackman Music Corporation (JK.00577).

Luke 2.

Christmas arrangement for a cappella mixed chorus (SATB) and soprano solo, with parts written for rehearsal accompaniment--a plea for the Christ Child to lead us back to Him. Highest note: F.
Composer: Gaylen Hatton
Arranger: Thomas L. Durham
Lyricist: Elaine Ipson & Thomas L. Durham
Difficulty: Medium-easy
Performance time: 2:15
Reference: Luke 2.

SSATB choir/orchestra (Mixed choir: SSATB, Orch)

SKU: BA.BA10557

Composed by Johann Pachelbel. Edited by Thomas Röder. This edition: Edition of selected works, Urtext edition. Linen. Johann Pachelbel. Complete Vocal Works, Volume 7. Edition of selected works, Score, anthology. Baerenreiter Verlag #BA10557_00. Published by Baerenreiter Verlag (BA.BA10557).

ISBN 9790006553068. 33 x 25.8 cm inches. Language: German.

The Complete Vocal Works Johann Pachelbel is known today as a composer of organ music and of a world-famous instrumental canon which frequently features in concert programmes and recording catalogues. However, the same can be said of only a few of his vocal compositions. At most, the motets appear occasionally in church music repertoire. Pachelbelâ??s arias, vocal concerti and large-scale Magnificats have received little attention up to now.

Church musicians and musicologists have long wished for a critical edition of these important works, which survive in Pachelbelâ??s manuscript and were largely composed in his main places of work, Erfurt and Nuremberg . As always with such ventures, new discoveries are to be expected regarding the body of works, source material and the context of the works. This concerns not only beautiful music, but rather a deepening of our understanding of Pachelbel as a key figure between southern and central German traditions, and the recognition of an oeuvre which has all too often been pushed into the shadows by the mighty Bach.


The Critical Edition

The edition aims to make available all of Johann Pachelbelâ??s surviving vocal works in the best possible form. It is edited by the Institut für Musikwissenschaft at the University of Erlangen-Nuremberg and the Institut für Kirchenmusik at the Kunstuniversität Graz.

Two volumes per year are planned.

As a chronological order is not possible in many cases, the individual works have been arranged according to scoring within their groups. Fragments and works where Johann Pachelbelâ??s authorship is doubtful appear at the end of the respective group.

Each volume includes an introduction (Ger/Eng) and a Critical Commentary (Ger). Format 25.5 x 32.5 cm; cloth-bound

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

SATB chorus a cappella - Medium-difficult

SKU: JK.00860

Composed by Thomas L. Durham. Choral A cappella, Choral SATB, Difficulty Medium Hard, Gratitude, Jesus Christ - Savior, Obedience, Repentance, Worthiness. Christian, Inspirational. Duration 2:10. Jackman Music Corporation #00860. Published by Jackman Music Corporation (JK.00860).

Hymn arranged for a cappella mixed chorus (SATB). A piano score is included for rehearsal.
Composer: Thomas L. Durham
Lyricist: Orson F. Whitney
Difficulty: Medium-difficult
Performance time: 2:10.

SATB choir divisi

SKU: GH.GE-11445

O heliga gastabud. Composed by Malcom Archer. For kor SATB div. Thomas av Aquinos text tolad av Anders Pilz. Octavo. With Language: Latin, Swedish. Gehrmans Musikforlag #GE 11445. Published by Gehrmans Musikforlag (GH.GE-11445).

185 x 262 mm inches. Text: Thomas av Aquino.

Svensk tolkning av Anders Piltz.

Malcom Archer (f. 1952) ar engelsk organist, dirigent och kompositor. Han ar valkand som kyrkomusiker i Storbritannien och har varit verksam bl a i St. Paul's Cathedral och pa Winchester College.

SATB choir, Descant, assembly, organ accompaniment, trumpets in B-flat

SKU: GI.G-009473

Concertato on St. Thomas. Composed by John F. Wade. Arranged by Anthony Gallina. Ordinary Time 12 Year C, Ordinary Time 13 Year C. Tune Name: St. Thomas. Sacred. Octavo. 12 pages. GIA Publications #009473. Published by GIA Publications (GI.G-009473).

UPC: 641151094731. Text by Herman G. Stuempfle, Jr.

SATB choir, cantors, voice solos, assembly, organ accompaniment, trumpet 1 in B-flat, trumpet 2 in B-flat, trumpet 1 in C, trumpet 2 in C, trombone 1, trombone 2, horn in f, timpani - Early intermediate

SKU: GI.G-7140

Composed by Jan Michael Joncas. Body and Blood of Christ. Choral. Sacred. Octavo. 12 pages. GIA Publications #7140. Published by GIA Publications (GI.G-7140).

UPC: 785147714002. English, Latin. Text Source: Ref.: Latin, vv.: Alan J. Hommerding; Translation: Alan J. Hommerding. Text by Thomas Aquinas.

Alan J. Hommerding translated this text from Thomas Aquinas’ original Latin (the refrain retains the Latin text). Michael Joncas scored the piece to include an optional brass quintet with timpani. Ideal for alternating male and female soloists on the verses. The full score contains extensive performance and text notes, as well as reprintable material for congregational use. For cantor or soloists Brass quartet and timpani parts are optional.

SATB choir - Level 2

SKU: CA.301540

Composed by Pierre de La Rue. Wir danken dir, o Gottes Lamm. Sacred vocal music, Easter and Eastertide. Full score. Duration 1 minute. Carus Verlag #CV 03.015/40. Published by Carus Verlag (CA.301540).

ISBN 9790007146498. Key: F major. Language: Latin/German. Text: von Aquin, Thomas. Text: Thomas von Aquin.

By Charles F. Brown, Loonis Mcglohon, Thomas Moore. Arranged by Charles F. Brown. (SATB). Brookfield Choral Series. Sacred. Size 6.7x10.5 inches. 8 pages. Published by Brookfield Press.

SATB choir/basso continuo (2 SATB Choir, Continuo)

SKU: BA.BA10560

Composed by Johann Pachelbel. Edited by Wolfgang Hirschmann. This edition: Edition of selected works, Urtext edition. Linen. Johann Pachelbel. Complete Vocal Works, Volume 10. Edition of selected works, Score, anthology. Baerenreiter Verlag #BA10560_00. Published by Baerenreiter Verlag (BA.BA10560).

ISBN 9790006553099. 33 x 26 cm inches. Language: German/English. Preface: Hirschmann, Wolfgang / Paech, Katharina Larissa / Röder, Thomas.

The Complete Vocal Works Johann Pachelbel is known today as a composer of organ music and of a world-famous instrumental canon which frequently features in concert programmes and recording catalogues. However, the same can be said of only a few of his vocal compositions. At most, the motets appear occasionally in church music repertoire. Pachelbel’s arias, vocal concerti and large-scale Magnificats have received little attention up to now.

Church musicians and musicologists have long wished for a critical edition of these important works, which survive in Pachelbel’s manuscript and were largely composed in his main places of work, Erfurt and Nuremberg . As always with such ventures, new discoveries are to be expected regarding the body of works, source material and the context of the works. This concerns not only beautiful music, but rather a deepening of our understanding of Pachelbel as a key figure between southern and central German traditions, and the recognition of an oeuvre which has all too often been pushed into the shadows by the mighty Bach.


The Critical Edition

The edition aims to make available all of Johann Pachelbel’s surviving vocal works in the best possible form. It is edited by the Institut für Musikwissenschaft at the University of Erlangen-Nuremberg and the Institut für Kirchenmusik at the Kunstuniversität Graz.

Two volumes per year are planned.

As a chronological order is not possible in many cases, the individual works have been arranged according to scoring within their groups. Fragments and works where Johann Pachelbel’s authorship is doubtful appear at the end of the respective group.

Each volume includes an introduction (Ger/Eng) and a Critical Commentary (Ger). Format 25.5 x 32.5 cm; cloth-bound

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

SSATB choir/orchestra (SSATB Choir, Orchestra)

SKU: BA.BA10555

Composed by Johann Pachelbel. Edited by Katharina Larissa Paech. This edition: Edition of selected works, Urtext edition. Linen. Johann Pachelbel. Complete Vocal Works, Volume 5. Edition of selected works, Score, anthology. Baerenreiter Verlag #BA10555_00. Published by Baerenreiter Verlag (BA.BA10555).

ISBN 9790006553044. 33 x 26 cm inches. Text Language: Latin. Preface: Hirschmann, Wolfgang / Paech, Katharina Larissa / Röder, Thomas.

The Complete Vocal Works Johann Pachelbel is known today as a composer of organ music and of a world-famous instrumental canon which frequently features in concert programmes and recording catalogues. However, the same can be said of only a few of his vocal compositions. At most, the motets appear occasionally in church music repertoire. Pachelbel’s arias, vocal concerti and large-scale Magnificats have received little attention up to now.

Church musicians and musicologists have long wished for a critical edition of these important works, which survive in Pachelbel’s manuscript and were largely composed in his main places of work, Erfurt and Nuremberg . As always with such ventures, new discoveries are to be expected regarding the body of works, source material and the context of the works. This concerns not only beautiful music, but rather a deepening of our understanding of Pachelbel as a key figure between southern and central German traditions, and the recognition of an oeuvre which has all too often been pushed into the shadows by the mighty Bach.


The Critical Edition

The edition aims to make available all of Johann Pachelbel’s surviving vocal works in the best possible form. It is edited by the Institut für Musikwissenschaft at the University of Erlangen-Nuremberg and the Institut für Kirchenmusik at the Kunstuniversität Graz.

Two volumes per year are planned.

As a chronological order is not possible in many cases, the individual works have been arranged according to scoring within their groups. Fragments and works where Johann Pachelbel’s authorship is doubtful appear at the end of the respective group.

Each volume includes an introduction (Ger/Eng) and a Critical Commentary (Ger). Format 25.5 x 32.5 cm; cloth-bound

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Composed by Stephan Casurella. Easter, Easter Vigil. Choral score. Published by MorningStar Music Publishers (MN.60-4225).

ATB vocal soli, SATB choir, horn, oboe, oboe d'amore, 2 violins, viola, basso continuo

SKU: CA.3113613

Cantata for the 8th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Christiane Hausmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Viola. Sacred vocal music, Cantatas, Trinity. Single Part, Viola. Composed 1723. BWV 136. 4 pages. Duration 22 minutes. Carus Verlag #CV 31.136/13. Published by Carus Verlag (CA.3113613).

ISBN 9790007208134. Text language: German/English.

The cantata Erforsche mich Gott und erfahre mein Herz BWV 136 was composed in Bach's first year as Kantor of St. Thomas's in Leipzig and was first performed on the 8th Sunday after Trinity, the 18th July 1723. The librettist is unknown. The title of the cantata is taken from verse 23 of Psalm 139: Erforsche mich Gott und erfahre mein Herz; prufe mich und erfahre, wie ich's meine. (Search me, O God, and know my heart: try me, and know my thoughts) The opening chorus forms an extended fugue, framed by string writing bursting with energy. The obbligato horn accentuates and enriches the movement with a special tonal color. The alto aria in F sharp minor (movement 3) comprises a trio movement with an oboe d'amore as solo instrument in a contrasting range - a presto middle section which dramatically charges the words Denn seines Eifers Grimm vernichtet (For the fury of its zeal will destroy). In the duet (movement 5) the text is sung by tenor and bass line by line, sometimes imitating contrapuntally, and sometimes both singing together dramatically in homophonic writing. A simple chorale setting to the melody Auf meinen lieben Gott concludes the cantata. Particularly charming here is the violin which joins the four vocal parts as an independent part. Score and part available separately - see item CA.3113600.

ATB vocal soli, SATB choir, horn, oboe, oboe d'amore, 2 violins, viola, basso continuo

SKU: CA.3113614

Cantata for the 8th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Christiane Hausmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Basso continuo. Sacred vocal music, Cantatas, Trinity. Single Part, basso continuo. Composed 1723. BWV 136. 8 pages. Duration 22 minutes. Carus Verlag #CV 31.136/14. Published by Carus Verlag (CA.3113614).

ISBN 9790007208141. Text language: German/English.

The cantata Erforsche mich Gott und erfahre mein Herz BWV 136 was composed in Bach's first year as Kantor of St. Thomas's in Leipzig and was first performed on the 8th Sunday after Trinity, the 18th July 1723. The librettist is unknown. The title of the cantata is taken from verse 23 of Psalm 139: Erforsche mich Gott und erfahre mein Herz; prufe mich und erfahre, wie ich's meine. (Search me, O God, and know my heart: try me, and know my thoughts) The opening chorus forms an extended fugue, framed by string writing bursting with energy. The obbligato horn accentuates and enriches the movement with a special tonal color. The alto aria in F sharp minor (movement 3) comprises a trio movement with an oboe d'amore as solo instrument in a contrasting range - a presto middle section which dramatically charges the words Denn seines Eifers Grimm vernichtet (For the fury of its zeal will destroy). In the duet (movement 5) the text is sung by tenor and bass line by line, sometimes imitating contrapuntally, and sometimes both singing together dramatically in homophonic writing. A simple chorale setting to the melody Auf meinen lieben Gott concludes the cantata. Particularly charming here is the violin which joins the four vocal parts as an independent part. Score and part available separately - see item CA.3113600.