Composed by Thomas Weelkes (1576-1623). Edited by Patrick M. Liebergen. Arranged by Patrick M. Liebergen. Octavo. With Standard notation. 12 pages. Carl Fischer #CM9126. Published by Carl Fischer (CF.CM9126).

By Harris M. For tenor solo, SATB, 1 (piccolo) 1 (english horn) 11 2100 timpani, hp, strings. A Christmas cantata based on Dylan Thomas' poem A Child's Christmas in Wales. Duration 28'. Published by C.F. Peters.

Composed by Dietrich Buxtehude (1637-1707). Edited by Thomas Schlage. For SATB choir, 2 violins, basso continuo. Score available separately - see item CA.3601700. Cantatas. Choral score. Language: German. BuxWV 102. 4 pages. Duration 4 minutes. Published by Carus Verlag

SATB choir, voice solo, piano accompaniment - Early intermediate

SKU: GI.G-9570

Composed by Thomas Whitfield. Arranged by Brandon Waddles. Ordinary Time 14 B. African American Church Music Series. Sacred. Octavo. 8 pages. GIA Publications #9570. Published by GIA Publications (GI.G-9570).

UPC: 785147957003. English. Scripture: 2 Corinthians 12:10.

Composed by Dietrich Buxtehude (1637-1707). Edited by Thomas Schlage. For SATB choir, 2 violins, basso continuo. Score available separately - see item CA.3601800. Cantatas. Choral score. Language: German. BuxWV 103. 8 pages. Duration 8 minutes. Published by Carus Verlag

For SATB choir and piano. (SATB). THOMAS HOUSE PUBLICATION. Size 7x10.5 inches. 12 pages. Published by Hal Leonard.

Choral Highlights. Composed by Breyan Isaac, Frederick Hibbert, Jamie Sanderson, Jimmy Marinos, Meghan Trainor, Mike Skill, Miles Beard, Ryan Trainor, Teemu Brunila, Thaddeus Dixon, Thomas Troelsen, Tramar Dillard, Vince Guaraldi, Vincent Venditto, and Walter Palamarchuk. Arranged by Mark A. Brymer. Pop Choral Series. Octavo. Published by Hal Leonard

(Choralkantate). By Felix Bartholdy Mendelssohn (1809-1847). Edited by Thomas Christian Schmidt. For Solo Soprano, SATB Choir, 2 Violins, Viola, Cello/Contrabass. This edition: paperbound. Full score available separately - see item CA.4013200. Cantatas; Stuttgart Urtext editions. Level 3. Piano/Vocal score. Language: German/English. Composed 1829. 16 pages. Duration 12 min. Published by Carus Verlag

(Hymns of Inspiration and Hope). Composed by Billy Ray Hearn and Tom Fettke. Arranged by Thomas Fettke. For SATB choir. Musical. Any Choir Series. Sacred. Split-channel accompaniment CD. Published by Lillenas Publishing Company

Mixed choir

SKU: M7.GRG-5300257040

Composed by Ernst Stoklosa, Guenter Lueckerath, Hartmut Priess, and Peter Schuetten. Arranged by Thomas Möller-Rudolf. This edition: Folding. Sheet music. Choral score. 4 pages. De Bläck Fööss Verlag #GRG 5300257040. Published by De Bläck Fööss Verlag (M7.GRG-5300257040).

Kölsch.

Hymns of Inspiration and Hope. Composed by Billy Ray Hearn & Tom Fettke. Arranged by Thomas Fettke. Musical. Any Choir Series. Sacred. Stereo accompaniment CD. Published by Lillenas Publishing Company (LP.765762075528).

Mixed choir (SATB/SATB); basso continuo and/or instruments ad lib

SKU: M2.MOS-64015-02

Motette. Composed by Johann Sebastian Bach. Sacred. Set of parts. Möseler Verlag #MOS 64015-02. Published by Möseler Verlag (M2.MOS-64015-02).

ISBN 9790203770237.

Der Text stammt vom Thomas-Lehrer Paul Thymich. Die Tatsache, dass der Thomas-Kantor Johann Schelle fur die Beerdigung seines Vorgangers den selben Text vertont hat, erlaubt die Vermutung zum gleichen Kompositionsanlass bei Bach.

Mixed choir (SATB/SATB); basso continuo and/or instruments ad lib

SKU: M2.MOS-64015

Motette. Composed by Johann Sebastian Bach. Sacred. Score. Möseler Verlag #MOS 64015. Published by Möseler Verlag (M2.MOS-64015).

ISBN 9790203770213.

Der Text stammt vom Thomas-Lehrer Paul Thymich. Die Tatsache, dass der Thomas-Kantor Johann Schelle fur die Beerdigung seines Vorgangers den selben Text vertont hat, erlaubt die Vermutung zum gleichen Kompositionsanlass bei Bach.

Mixed choir (SATB/SATB); basso continuo and/or instruments ad lib

SKU: M2.MOS-64015-01

Motette. Composed by Johann Sebastian Bach. Sacred. Separate part. Möseler Verlag #MOS 64015-01. Published by Möseler Verlag (M2.MOS-64015-01).

ISBN 9790203770220.

Der Text stammt vom Thomas-Lehrer Paul Thymich. Die Tatsache, dass der Thomas-Kantor Johann Schelle fur die Beerdigung seines Vorgangers den selben Text vertont hat, erlaubt die Vermutung zum gleichen Kompositionsanlass bei Bach.

Mixed Choir (SSATB)

SKU: M2.MOS-81272

4-5 gemischte Stimmen. Composed by Thomas Hanelt. Moseler Chorreihe 272. Sacred. Choral score. Möseler Verlag #MOS 81272. Published by Möseler Verlag (M2.MOS-81272).

ISBN 9790203797722.

SATB choir, piano accompaniment - Early intermediate

SKU: GI.G-10307

Composed by M. Roger Holland, II. Holy Thursday, Body and Blood of Christ. In Spirit and Truth. Sacred. Octavo. 12 pages. GIA Publications #10307. Published by GIA Publications (GI.G-10307).

UPC: 785147030713. English. Text Source: Latin: Thomas Aquinas, 1227-1274, English para. James Quinn, SJ, 1919-2010; Translation: James Quinn. Text by Thomas Aquinas.

This edition for Holy Thursday was written to reflect African American idioms. “Pange lingua” has rhythm and motion, yet acknowledges the solemn tone of the liturgical moment. As the ritual action moves from procession to adoration and repose, the setting moves to “Tantum ergo.” Though it, too, should have motion, it is more reflective of this most solemn moment: the Benediction of the Blessed Sacrament. The closing “Amen” ending on a perfect fifth recalls the style of ancient chant and organum.    .

(For SATB Voices A Cappella). Composed by Thomas Morley (1557-1602). Edited by Patrick M. Liebergen. Arranged by Patrick M. Liebergen. Mixed chorus. For Soprano, Alto, Tenor, Bass, Keyboard Rehearsal. Choral. Piano reduction/vocal score. Standard notation. 8 pages. Published by Carl Fischer

Choral SATB choir, piano

SKU: PR.342402070

Composed by Steven Stucky. -. Ars Nova Chamber Singers, Boulder CO. Performance Score. With Standard notation. Composed 7-Feb. 8 pages. Duration 3 minutes. Theodore Presser Company #342-40207. Published by Theodore Presser Company (PR.342402070).

ISBN 9781491111253. UPC: 680160643226. Octavo inches. Text: Archibald R. Ammons. Archibald Ammons. Text by A.R. Ammons.

To benefit Chorus America, Stucky allowed himself to be auctioned off as a prize - the high bidder would receive a new work from the composer. After a few years and not really hearing anything, Stucky suddenly found himself up against a deadline. He reached back to a favorite poem by A.R. Ammons, Eyesight, which, he says, Won't let...his reader rest till the very last word...one of those sudden insights that leave us breathless..
This piece has an odd history. A few years ago, I agreed to be one of the“prizes” in an auction to benefit Chorus America: the highest bidder wouldget a new piece from me, while their money went to the organization. Thewinning bid came from a collection of several professional choruses anddirectors. But I was always a little vague about the details, and, hearingnothing more about it for a few years, forgot the whole thing.One day I received a message from Thomas Edward Morgan, directorof the Ars Nova Chamber Singers in Boulder: they had scheduled thepremiere of my new piece for a few weeks later, and could they have themusic, please? I needed a text, quickly, and (as usual) I was in a Los Angeleshotel room, not at home with my books. So I turned to the internet andsoon tracked down my favorite poet, A.R. Ammons (1926-2001).Once I stumbled on “Eyesight,” I remembered having loved the poemyears before. Archie must have loved it, too, because he included it bothin his Collected Poems 1951-1971 and in the later Selected Poems. It haseverything you want in an Archie Ammons poem: what Edward Hirschcalled his “offbeat, sideways, unpredictable radiance,” his “homespunglory.â� � It has one of his trademark conversations with a mountain (perhapsfrom his native North Carolina), it has the fluid motion from one line tothe next (enjambment, if you want to get technical) that won’t let him orhis reader rest till the very last word of the very last line, and it has in thatlast line one of those sudden insights that leave us breathless: “some thingsthat go are gone.”I miss Archie, but he’s not gone. I’m grateful for the wonderful poems heleft us, and I’m grateful that he was always generous and kind when I hadthe chutzpah to add my music to his.

Mixed choir (SATB)

SKU: M2.MOS-80074

Composed by Thomas Stoltzer. Das Chorwerk. 20 pages. Möseler Verlag #MOS 80074. Published by Möseler Verlag (M2.MOS-80074).

ISBN 9790203790747.

Mixed choir (SATB)

SKU: M2.MOS-81275

Fur 4-8 gemischte Stimmen. Composed by Thomas Hanelt. This edition: saddle-stitched. Moseler Chorreihe 275. Choral score. 12 pages. Möseler Verlag #MOS 81275. Published by Möseler Verlag (M2.MOS-81275).

ISBN 9790203797753.

(aus: Israelsbrunnlein. Geistliche Madrigale). By Johann Hermann Schein (1586-1630). Edited by Graulich, Gunter. Arranged by Paul Horn. For SSATB Choir. No. 22. Madrigale, Psalms, German. Level 3. Score. Language: German/English. Composed 1623. 12 pages. Duration 4 min

Mixed choir

SKU: M2.MOS-80132

Thomas Weelkes u.a.. Das Chorwerk. Möseler Verlag #MOS 80132. Published by Möseler Verlag (M2.MOS-80132).

ISBN 9790203791324.

Soli SATB, Coro SATB, 2Vl, Va, 2 Ob, 2 Cor, Bc

SKU: CA.3810203

Composed by Johann Christian Bach. Edited by Gunter Graulich. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music. Vocal score. Warb E 22. Duration 12 minutes. Carus Verlag #CV 38.102/03. Published by Carus Verlag (CA.3810203).

ISBN M-007-13749-6. Latin.

At less than 20 years of age, the youngest son of the Leipzig cantor of St. Thomas, Johann Sebastian Bach, withdrew from the Lutheran musical tradition of his family: Johann Christian Bach went to Italy, converted to Catholicism there and composed mainly Latin church music between 1757 and 1760. His great successes with operas for Turin, Milan and Naples from 1761 onwards led him all the way to London. Bach's church music comprises a number of vespers compositions, some of them large-scale, including this Magnificat a 4 (1760) for soloists, choir and orchestra. The very diversified work gets its additional attraction from distinctively led oboes and horns.

Soli SATB, Coro SATB, 2Vl, Va, 2 Ob, 2 Cor, Bc

SKU: CA.3810211

Composed by Johann Christian Bach. Edited by Gunter Graulich. Stuttgart Urtext Edition: Bach vocal. Violin 1. Sacred vocal music. Part. Warb E 22. Duration 12 minutes. Carus Verlag #CV 38.102/11. Published by Carus Verlag (CA.3810211).

ISBN M-007-25258-8. Latin.

At less than 20 years of age, the youngest son of the Leipzig cantor of St. Thomas, Johann Sebastian Bach, withdrew from the Lutheran musical tradition of his family: Johann Christian Bach went to Italy, converted to Catholicism there and composed mainly Latin church music between 1757 and 1760. His great successes with operas for Turin, Milan and Naples from 1761 onwards led him all the way to London. Bach's church music comprises a number of vespers compositions, some of them large-scale, including this Magnificat a 4 (1760) for soloists, choir and orchestra. The very diversified work gets its additional attraction from distinctively led oboes and horns.

Soli SATB, Coro SATB, 2Vl, Va, 2 Ob, 2 Cor, Bc

SKU: CA.3810209

Composed by Johann Christian Bach. Edited by Gunter Graulich. Stuttgart Urtext Edition: Bach vocal. Complete orchestral parts. Sacred vocal music. Set of Orchestra Parts. Warb E 22. Duration 12 minutes. Carus Verlag #CV 38.102/09. Published by Carus Verlag (CA.3810209).

ISBN M-007-25257-1. Latin.

At less than 20 years of age, the youngest son of the Leipzig cantor of St. Thomas, Johann Sebastian Bach, withdrew from the Lutheran musical tradition of his family: Johann Christian Bach went to Italy, converted to Catholicism there and composed mainly Latin church music between 1757 and 1760. His great successes with operas for Turin, Milan and Naples from 1761 onwards led him all the way to London. Bach's church music comprises a number of vespers compositions, some of them large-scale, including this Magnificat a 4 (1760) for soloists, choir and orchestra. The very diversified work gets its additional attraction from distinctively led oboes and horns.

Soli SATB, Coro SATB, 2Vl, Va, 2 Ob, 2 Cor, Bc

SKU: CA.3810212

Composed by Johann Christian Bach. Edited by Gunter Graulich. Stuttgart Urtext Edition: Bach vocal. Violin 2. Sacred vocal music. Part. Warb E 22. Duration 12 minutes. Carus Verlag #CV 38.102/12. Published by Carus Verlag (CA.3810212).

ISBN M-007-25259-5. Latin.

At less than 20 years of age, the youngest son of the Leipzig cantor of St. Thomas, Johann Sebastian Bach, withdrew from the Lutheran musical tradition of his family: Johann Christian Bach went to Italy, converted to Catholicism there and composed mainly Latin church music between 1757 and 1760. His great successes with operas for Turin, Milan and Naples from 1761 onwards led him all the way to London. Bach's church music comprises a number of vespers compositions, some of them large-scale, including this Magnificat a 4 (1760) for soloists, choir and orchestra. The very diversified work gets its additional attraction from distinctively led oboes and horns.

Soli SATB, Coro SATB, 2Vl, Va, 2 Ob, 2 Cor, Bc

SKU: CA.3810213

Composed by Johann Christian Bach. Edited by Gunter Graulich. Stuttgart Urtext Edition: Bach vocal. Viola. Sacred vocal music. Part. Warb E 22. Duration 12 minutes. Carus Verlag #CV 38.102/13. Published by Carus Verlag (CA.3810213).

ISBN M-007-25260-1. Latin.

At less than 20 years of age, the youngest son of the Leipzig cantor of St. Thomas, Johann Sebastian Bach, withdrew from the Lutheran musical tradition of his family: Johann Christian Bach went to Italy, converted to Catholicism there and composed mainly Latin church music between 1757 and 1760. His great successes with operas for Turin, Milan and Naples from 1761 onwards led him all the way to London. Bach's church music comprises a number of vespers compositions, some of them large-scale, including this Magnificat a 4 (1760) for soloists, choir and orchestra. The very diversified work gets its additional attraction from distinctively led oboes and horns.

Soli SATB, Coro SATB, 2Vl, Va, 2 Ob, 2 Cor, Bc

SKU: CA.3810219

Composed by Johann Christian Bach. Edited by Gunter Graulich. Stuttgart Urtext Edition: Bach vocal. Complete orchestral parts. Sacred vocal music. Set of Orchestra Parts. Warb E 22. Duration 12 minutes. Carus Verlag #CV 38.102/19. Published by Carus Verlag (CA.3810219).

ISBN M-007-24974-8. Latin.

At less than 20 years of age, the youngest son of the Leipzig cantor of St. Thomas, Johann Sebastian Bach, withdrew from the Lutheran musical tradition of his family: Johann Christian Bach went to Italy, converted to Catholicism there and composed mainly Latin church music between 1757 and 1760. His great successes with operas for Turin, Milan and Naples from 1761 onwards led him all the way to London. Bach's church music comprises a number of vespers compositions, some of them large-scale, including this Magnificat a 4 (1760) for soloists, choir and orchestra. The very diversified work gets its additional attraction from distinctively led oboes and horns.

Soli SATB, Coro SATB, 2Vl, Va, 2 Ob, 2 Cor, Bc

SKU: CA.3810205

Composed by Johann Christian Bach. Edited by Gunter Graulich. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music. Choral Score. Warb E 22. Duration 12 minutes. Carus Verlag #CV 38.102/05. Published by Carus Verlag (CA.3810205).

ISBN M-007-25252-6. Latin.

At less than 20 years of age, the youngest son of the Leipzig cantor of St. Thomas, Johann Sebastian Bach, withdrew from the Lutheran musical tradition of his family: Johann Christian Bach went to Italy, converted to Catholicism there and composed mainly Latin church music between 1757 and 1760. His great successes with operas for Turin, Milan and Naples from 1761 onwards led him all the way to London. Bach's church music comprises a number of vespers compositions, some of them large-scale, including this Magnificat a 4 (1760) for soloists, choir and orchestra. The very diversified work gets its additional attraction from distinctively led oboes and horns.