Choral SATB Choir and Piano SKU: CF.CM9740 Composed by Mark Burrows. 16 p...(+)
Choral SATB Choir and
Piano
SKU:
CF.CM9740
Composed by
Mark Burrows. 16 pages.
Duration 4 minutes, 22
seconds. Carl Fischer
Music #CM9740. Published
by Carl Fischer Music
(CF.CM9740).
ISBN
9781491161203. UPC:
680160919789. Key: Bb
major. English. Siegfried
Sasson.
Everyone
suddenly burst out
singing; And I was filled
with such delight As
prisoned birds must find
in freedom... These
opening lines to Everyone
Sang by the British war
poet Siegfried Sassoon
feel as relevant today as
they did when the poem
was first published in
1919. It was after the
end of World War I and
these words capture so
much of the collective
exhilaration, relief, and
pure joy about the Great
War finally coming to an
end. And yet Sassoon
himself felt none of that
when he wrote this poem.
In his own words, he was
feeling dull-minded and
depressed. Perhaps his
time in the trenches was
still too recent. One of
the reasons the creative
arts are so powerful is
that a poet like Sassoon
(or a painter like Van
Gogh or a composer like
Mahler) can take their
own feelings of deep
sadness or pain and
transform them into
something beautiful, even
uplifting. Everyone Sang
is a celebration of the
promise that things can
get better, that there
are things worth looking
forward to. The
poem itself has so much
rhythm and musicality.
The appearance of
suddenly in the first
line of each verse gives
those verses a rush of
energy. Attention to the
crescendo in measure 7,
and again in measure 37,
from mf to f will help
the listener experience
that rush. There are
expressive opportunities
with so many of the
poet's bold choices of
action words - burst,
winging, and shaken. Then
there's alliteration - a
poetic device that can be
overdone, but Sassoon
strikes a wonderful
balance. Suddenly/singing
(measures 6-7 and 10-11)
Find/freedom (measure
21-22) Winging/wildly
(measure 23) Setting/sun
(measures 47-49)
Was/wordless (measures
65-75) Give these
alliterations just a hint
of emphasis (without
overdoing) to bring out
the natural rhythm of the
text. And just as
O is set apart in the
poem by punctuation, I
wanted the musical
setting - in measure 57 -
to honor that feeling of
wonder - ...O, but
Everyone Was a bird; and
the song was wordless;
the singing will Never be
done. Friends, there is
so much good ahead, so
much to be excited about.
May the singing never be
done. Everyone
suddenly burst out
singingAnd I was filled
with such delightAs
prisoned birds must find
in freedom…These
opening lines to Everyone
Sang by the British war
poet Siegfried Sassoon
feel as relevant today as
they did when the poem
was first published in
1919. It was after the
end of World War I and
these words capture so
much of the collective
exhilaration, relief, and
pure joy about the
“Great Warâ€
finally coming to an end.
And yet Sassoon himself
felt none of that when he
wrote this poem. In his
own words, he “was
feeling dull-minded and
depressed.†Perhaps
his time in the trenches
was still too recent.One
of the reasons the
creative arts are so
powerful is that a poet
like Sassoon (or a
painter like Van Gogh or
a composer like Mahler)
can take their own
feelings of deep sadness
or pain and transform
them into something
beautiful, even
uplifting. Everyone Sang
is a celebration of the
promise that things can
get better, that there
are things worth looking
forward to. The poem
itself has so much rhythm
and musicality.The
appearance of
“suddenly†in
the first line of each
verse gives those verses
a rush of energy.
Attention to the
crescendo in measure 7,
and again in measure 37,
from mf to f will help
the listener experience
that rush.There are
expressive opportunities
with so many of the
poet’s bold
choices of action words
– burst, winging,
and shaken.Then
there’s
alliteration - a poetic
device that can be
overdone, but Sassoon
strikes a wonderful
balance.Suddenly/singing
(measures 6-7 and
10-11)Find/freedom
(measure
21-22)Winging/wildly
(measure 23)Setting/sun
(measures
47-49)Was/wordless
(measures 65-75)Give
these alliterations just
a hint of emphasis
(without overdoing) to
bring out the natural
rhythm of the
text. And just as
“O†is set
apart in the poem by
punctuation, I wanted the
musical setting –
in measure 57 - to honor
that feeling of wonder
–…O, but
EveryoneWas a bird; and
the song was wordless;
the singing willNever be
done. Friends, there
is so much good ahead, so
much to be excited
about.May the singing
never be done.
Psalm 86. Composed
by Jan Michael Joncas.
Ordinary Time 16 A,
Ordinary Time 7 B,
Ordinary Time 11 C.
Sacred. Full score and
parts. 16 pages. GIA
Publications #7143INST.
Published by GIA
Publications
(GI.G-7143INST).
(Christmas Carols For Mixed Voices) Edited by Graham Buckland. For SATB choir (u...(+)
(Christmas Carols For
Mixed Voices) Edited by
Graham Buckland. For SATB
choir (unaccompanied).
Format: a capella
songbook. With choral
notation, lyrics,
performance notes,
introductory text and
index of first lines.
Christmas and holiday.
224 pages. 9x12 inches.
Published by
Baerenreiter-Ausgaben.
SATB Choir SKU: BT.MUSMF272 Composed by Blandet Kor Antologi. Arranged by...(+)
SATB Choir
SKU:
BT.MUSMF272
Composed
by Blandet Kor Antologi.
Arranged by Svend-G.
Asmussen and Thomas
Alvad. Hymns & Chorals.
Book Only. Composed 2013.
184 pages. Edition
Wilhelm Hansen #MUSMF272.
Published by Edition
Wilhelm Hansen
(BT.MUSMF272).
ISBN
9788774840954.
Anth
ology for mixed choir.
Suitable for use
colleges, high schools
etc.
SATB choir SKU: WD.080689673023 An Easter Invitation For SATB Choir(+)
SATB choir
SKU:
WD.080689673023
An
Easter Invitation For
SATB Choir. Composed
by Marty Parks. Arranged
by Marty Parks. Choral,
cantatas. Christmas.
Practice trax. Word Music
#080689673023. Published
by Word Music
(WD.080689673023).
UPC:
080689673023.
Song
of the Lamb extends an
invitation to join a
journey; it's a journey
from despair to hope and
from death to life, and
it all begins with a
Lamb. Veteran arranger
Marty Parks has woven
classic hymns, modern
worship songs and
inspirational favorites
into a 39-minute work of
timeless beauty.
Featuring accessible
vocal and piano parts and
two solos, this offering
from Simply Word is ideal
for groups with limited
rehearsal time. Churches
may choose between a
poignant, Scripture-based
narration or an optional
dramatic script, making
Song of the Lamb flexible
enough to meet a wide
variety of performance
and worship needs for the
Easter season and beyond.
The invitation still
stands: Come join the
journey, and help deliver
eternity's message to
your church and
congregation this Easter.
Accessible vocal
and piano parts for
churches with limited
rehearsal time. Conceived
for the small to mid-size
church. Includes
narration AND an optional
dramatic script. Veteran
arranger Marty Parks.
SATB choir SKU: WD.080689751721 An Easter Invitation For SATB Choir(+)
SATB choir
SKU:
WD.080689751721
An
Easter Invitation For
SATB Choir. Composed
by Marty Parks. Arranged
by Marty Parks. Choral,
cantatas. Easter,
Musical. Bulk CD
(10-pak). Word Music
#080689751721. Published
by Word Music
(WD.080689751721).
UPC:
080689751721.
Song
of the Lamb extends an
invitation to join a
journey; it's a journey
from despair to hope and
from death to life, and
it all begins with a
Lamb. Veteran arranger
Marty Parks has woven
classic hymns, modern
worship songs and
inspirational favorites
into a 39-minute work of
timeless beauty.
Featuring accessible
vocal and piano parts and
two solos, this offering
from Simply Word is ideal
for groups with limited
rehearsal time. Churches
may choose between a
poignant, Scripture-based
narration or an optional
dramatic script, making
Song of the Lamb flexible
enough to meet a wide
variety of performance
and worship needs for the
Easter season and beyond.
The invitation still
stands: Come join the
journey, and help deliver
eternity's message to
your church and
congregation this Easter.
Accessible vocal
and piano parts for
churches with limited
rehearsal time. Conceived
for the small to mid-size
church. Includes
narration AND an optional
dramatic script. Veteran
arranger Marty Parks.
Mixed choir SKU: FG.55011-567-5 Composed by Alex Freeman. Fennica Gehrman...(+)
Mixed choir
SKU:
FG.55011-567-5
Composed by Alex Freeman.
Fennica Gehrman
#55011-567-5. Published
by Fennica Gehrman
(FG.55011-567-5).
ISBN
9790550115675.
Alex
Freeman's (b. 1972)
Cathedral of Spring for
chamber choir (2019) to
poems of e.e. cummings
and Robert Frost was
commissioned and
premiered by Somnium
Ensemble. The composer
tells: For the
celebration of the 10th
anniversary of Somnium
Ensemble (Finland), I was
commissioned to write a
piece with spring as a
central theme. While
contemplating that and
perusing appropriate
poetry, I was inspired by
memories of the
night-time sky in early
spring--the warm air, the
teeming, buzzing energy
of life all around, and
an expansive dome of
stars overhead. I then
imagined that moment in
time as a kind of sacred
space; this is the point
where the cathedral
notion came to mind. The
frenetic and joyous
poetry of e.e. cummings,
from his Epithalamion,
gives an exclamatory
introduction to the set,
followed by his vision of
spring from the point of
view of giddy children in
his iconic poem, [in
Just-]. We then take a
moment to contemplate the
ephemerality of all this
beauty (spring giveth and
spring taketh away, i.e.
an offertorium of sorts);
Robert Frost's
Blue-Butterfly Day places
us in a moment where, by
chance, we find ourselves
enveloped by a delicately
fluttering swarm of
butterflies. Peaceful and
still, yet in constant
flux, we spend a some
time taking that
phenomenon in, while also
experiencing a twinge of
the realisation that this
is truly fleeting. The
final movement, returning
to a later stanza from
Epithalamion, cummings's
sparkling paean to May is
set as a kind of final
anthem..
Pacific Dreams Chorale SATB - Intermédiaire De Haske Publications
SATB Choir - Grade 3 SKU: BT.DHP-0991451-050 Composed by Jacob De Haan. I...(+)
SATB Choir - Grade 3
SKU:
BT.DHP-0991451-050
Composed by Jacob De
Haan. Inspiration Series.
Set (Score & Parts).
Composed 1999. De Haske
Publications #DHP
0991451-050. Published by
De Haske Publications
(BT.DHP-0991451-050).
English.
Pacific
Dreams describes the
experience of Miguel, a
traveling composer from
Spain who, feeling
somewhat alienated from
his homeland, is
wandering through an area
of Sydney known as The
Rocks. At a small outdoor
market in a typical
street of this
oldcolonial
neighbourhood, he
discovers a print of
William DeShazos painting
Pacific Dreams Portrayed
in the painting is the
surf of one of the exotic
islands in the Pacific.
Next, with the impressive
Sydney Harbour Bridge
looming over the
narrowstreets of The
Rocks, he envisions
sultry Pacific beaches.
Suddenly a theme he once
composed about the lakes
in Japan comes to him. Is
it the Asian influences
present in cosmopolitan
Sydney that bring this
theme to mind? Or perhaps
the waters aroundSydney,
over which he could sail
to Tahiti? He is
uncertain. Could this
same theme be used to
create a new composition
about his feelings for
the metropolis Sydney?
How then to work his
Pacific Dreams into the
mix? Miguel is certainly
no fan ofHawaiian music.
Mayby he could use the
vocabularies of islands
like Hawaii and Tahiti,
their beautiful vowel
combinations being sung
ad libitum by a mixed
choir.With these ideas
and his newly purchased
print of Pacific Dreams,
he boards the Metroat
Circular Quay. He has a
final glimpse of the
harbour and the Sydney
Opera House as the train
races into the ground. On
to the hotel! To work! He
must compose!Maestoso :
Miguel is impressed as he
gazes upon the Sydney
Harbour Bridge. And yet,
hewants to go away from
this city. Away, to an
exotic island in the
Pacific.Steady Rock : In
the Rocks, musicians are
playing at a square.
Miguel basks in the
atmosphere but at the
same time he is
fantasizing about Hawaii
and Tahiti.Andante
Lamentoso :In his hotel
room, Miguel is feeling
sad and lonely in this
big city. He takes
comfort in his Pacific
Dreams.Allegro : Miguel
boards the boat that
takes him from Darling
Harbour to Circular Quay.
In his mind he is
traveling on to Hawaii.
Or is ithome, where the
bolero is playing? He is
pulled back to reality by
the skyline of
Sydney.
Wir
schlüpfen in die Haut
von Miguel und reisen mit
ihm nach Australien.
Einigermaßen
entfremdet von seiner
spanischen Heimat
schlendert er durch das
Viertel The Rocks in
Sydney. Auf einem kleinen
Markt entdeckt er einen
Druck des Gemäldes
Pacific Dreams von
William DeShazo. Das Bild
stellt die Meeresbrandung
auf einer exotischen
Insel im Pazifik dar.
Während die
eindrucksvolle Harbour
Bridge von Sidney vor ihm
auftaucht, ist er in
Gedanken bei den
heißen Stränden im
Stillen Ozean. Auf einmal
kommt ihm das Thema in
den Sinn, das er einst
über die Gewässer
Japans komponiert hatte.
Liegt es an den
asiatischen
Einflüssen, die im
kosmopolitischen Sydney
so vielfältig
vertretensind? Oder sind
es die Wasser rund um
Sydney, über die er
nach Tahiti segeln
könnte? Er ist sich
unsicher. Könnte er
genau dieses Thema für
eine neue Komposition
über die Metropole
Sydney verwenden? Wie
sollte er seine Träume
vom Pazifik, seine
Pacific Dreams, in
diese Mixtur einbringen?
Vielleicht könnte er
den Wortschatz von Inseln
wie Hawaii und Tahiti
für seine Komposition
verwenden. Und einen
gemischten Chor die
schönen
Vokalverbindungen ad
libitum singen lassen.
Mit diesen Ideen im Kopf
steigt er in die Metro am
Circular Quay. Auf ins
Hotel und frisch ans
Werk! Jetzt muss er
einfach
komponieren....
Mixed choir SKU: FG.55009-390-4 Composed by Jean Sibelius. Octavo. Publis...(+)
Mixed choir
SKU:
FG.55009-390-4
Composed by Jean
Sibelius. Octavo.
Published by Fennica
Gehrman (FG.55009-390-4).
ISBN
979-0-55009-390-4.
A work composed as a
birthday gift to a
friend, Therese Hahl who
enjoyed a position of
high esteem in Helsinki
concert life and was a
sought-after oratorio
soloist in Pacius's time.
It has become known also
in a Finnish version
Lauloit pienna.
For SATB Voices and Solo Voice with Keyboard. By Robert Allen. Arranged by Greg ...(+)
For SATB Voices and Solo
Voice with Keyboard. By
Robert Allen. Arranged by
Greg Gilpin. Text: Al
Stillman. Choir (SATB,
keyboard). For SATB
Chorus, Voice Solo,
Keyboard. Choral.
Piano/Vocal Score. 8
pages. Published by Carl
Fischer.
SATB Choir and Organ SKU: HL.14035285 Composed by Peter Warlock. Music Sa...(+)
SATB Choir and Organ
SKU: HL.14035285
Composed by Peter
Warlock. Music Sales
America. Classical.
Choral Score. Music Sales
#NOV310462. Published by
Music Sales
(HL.14035285).
The
Five Lesser Joys of
Mary begins with
a conventional Nativity
scene - the ox and the
ass for warmth, the star,
the Wise Men - to verses
attributed by
Warlock to one
Daniel Lawrence Kelleher,
editor of Christmas
Carols (No. 18 in the
second series of Augustan
Books of English Poetry)
where the anonymous
verses were published.
The fourth stanza
recounts Jesus
'Confounding the doctors,
the poor little Child,'
while the fifth carries
us to Calvary and a
singularly lame
conclusion as Mary 'Saw
Jesus droop over and lie
very still, She thought
of the good times they
had long ago When He'd
droop in her arms and
she'd
singhusheenlo.'
Str
ophically composed, with
small variations,
Warlock's tenderness
seems generic.
Mixed choir SKU: FG.55011-355-5 Composed by Matthew Whittall. Score. Fenn...(+)
Mixed choir
SKU:
FG.55011-355-5
Composed by Matthew
Whittall. Score. Fennica
Gehrman #55011-355-5.
Published by Fennica
Gehrman (FG.55011-355-5).
Asked to
contribute a carol to the
already rich Finnish
Christmas repertoire,
music I've sung myself
for many years, I was
very aware of the things
that mark the season for
my adopted countrymen:
peace, stillness, the
cold landscape and home.
When I came across Ester
Ahokainen's gentle poem,
so focused around these
images, it seemed like
providence. The resulting
song is modest and warmly
modal, departing only a
little from Finnish
tradition: a lingering
dissonance here, a moment
of quiet sentiment held
slightly longer expected
there. Like the words,
the music opens outward
in thanks at the end.
Aattoilta was composed
for the Helsinki Chamber
Choir Christmas CD
recording, and is
dedicated to them.
SATB choir SKU: ST.EM8 Composed by John Farmer. Edited by Edmund H Fellow...(+)
SATB choir
SKU:
ST.EM8
Composed by
John Farmer. Edited by
Edmund H Fellowes.
Library Volumes. Edited
Edmund Fellowes. Revised
Davitt Moroney. Note:
Print on demand.
Spiral-bound A4.
Madrigals. Choral Score.
Stainer & Bell Ltd. #EM8.
Published by Stainer &
Bell Ltd. (ST.EM8).
ISBN
9790220206320.
Well
-known in his day as one
of the most important
contributors to East's
Whole Book of
Psalms (1592),
Farmer was in the service
of the Earl of Oxford
who, more than any other
nobleman, established the
professional Elizabethan
theatre. In the year that
Burbidge opened the Globe
Theatre, these 18
madrigals (the most
famous is probably
Fair Phyllis)
gave the composer an
attractive place in the
history of English
music.
CONTENTS A little
pretty bonny lass
(SATB) Cease now thy
mourning (SAT(or A) B (or
T)) Compare me to the
child (SAT(or A) B)
Fair nymphs, I heard one
telling (SSAT(or A)
TB) Fair Phyliss, I
saw (SATB) I thought,
my love (SATB) Now
each creature joys the
other (SATB) O stay
sweet love (SATB)
Soon as the hungry lion
(SATB) Sweet friend,
thy absence (SAT(or A)
B) Sweet Lord, your
flame still burning
(SATB) Take time
while time doth last
(SATB) The flattering
words (SATB) Who
would have thought that
face? (SAAT) You
blessed bowers
(SSATTTBB) You'll
never leave still tossing
(SATB) You pretty
flowers that smile
(SAT(or A) B.
Requiem. Composed
by Andre Campra. Edited
by Jean-Paul Montagnier.
Choir; Softcover.
Eulenburg Orchestral
Series. Mass; Requiem;
Baroque. Part. 24 pages.
Duration 55'. Breitkopf
and Haertel #EOS 8047-15.
Published by Breitkopf
and Haertel
(BR.EOS-8047-15).
ISBN
9790004789735. 8.5 x 11.5
inches.
Among
Campra's Latin works, the
,Messe de mort' is
perhaps one of the more
successful and today it
is one of the more
frequently performed. It
is also the most
enigmatic score of his
entire output. Despite
extensive researches, no
evidence of any sort has
yet been brought to light
to document its origin,
purpose, date of
composition, first
performance or reception.
A stylistic analysis
indubitably supports the
contention that the
,Messe de mort' is a late
work, composed perhaps
between 1722 and 1729.
The present edition
is based on the
manuscript from the
Bibliotheque Nationale de
France (Paris). It it the
oldest known source of
the work. The very few
errors have been
corrected. (Jean-Paul
Montagnier) Vokalensemble
Stuttgart und den
Kammerchor des
Kopernikus-Gymnasiums
Wasseralfingen. Fur diese
beiden ganz
unterschiedlichen
Chorformationen hat
Martin Smolka 2012 auch
gezielt seine Partitur
angelegt. Biografisch ist
das Agnus Dei eine Art
kleines Requiem fur
seinen kurz zuvor
verstorbenen Vater. Das
liturgische Agnus Dei
rahmt den deutschen Text
Eh das Madchen entschlief
... der bei Auffuhrungen
in anderen Landern durch
eine Ubersetzung ersetzt
werden soll.
Der
SWR-Redakteur Hans-Peter
Jahn schreibt dazu im
Programmheft: Die fur
Smolka typischen
minimalistischen
Taktzellen schaffen eine
archaische Sinnlichkeit.
Eine einfache und
zugleich streng gebaute
Vokalmusik mit
Tiefenwirkung.
Nac
h der Urauffuhrung war
die Esslinger Zeitung
hellauf begeistert:
Smolka ist ein Meister
der Stimmbehandlung und
der chorischen
Klanggestaltung. Im
Zentrum des Stucks gerat
die Musik zum Stillstand:
im leisen gleichmassigen
Summen uber dem plotzlich
fortissimo ein
tschechisches Kinderlied
erklingt eines das der
Vater seinen Kindern
haufig vorgesungen hat.
Das alles war sehr
beruhrend. Und eigentlich
noch mehr als das. My
father PhDr. Jaroslav
Smolka (1933-2011) was a
leading Czech
musicologist author of
books Czech Cantata and
Oratorium Fuga in Czech
Music Smetana's Orchestra
Music Smetana's Vocal
Music monography of Jan
Dismas Zelenka and many
others. He was a
legendary teacher of
Music History at Prague
Music Academy critic
recording producer
composer; for almost 50
years he was an important
and highly respected
personality of Prague
musical life. My
father devoted a lot of
time and energy to
musical education and
activities of my sister
and me using often quite
original methods such as
teaching of intervals and
counterpoint through
Bartok's Microcosmos ear
training filling all
imaginable moments of
everyday life or lessons
of harmony analysis
starting with Overture to
Tristan and Musorgsky's
Catacombs. The Martinu
song Wondering Maiden was
his solo number in our
home vocal productions
which he used to sing
with amazing devotion
while his huge voice was
audible in several
neighboring
streets. My Agnus Dei
is closely bound to all
this history e.g. by
using canon and
preferring beauty of
dissonant seconds like
Bartok or quoting Martinu
and his refined
neoclassical harmony.
Father would be probably
a bit critical about the
minimalistic monotony of
the main body of the
piece. Nevertheless
firstly he would
improvise a short lecture
of history of Agnus Dei
in Requiem in Czech Music
naming by heart many
dates and all examples of
changes of order of the
traditional text by
composers. Examples would
be sung
probably. (Martin
Smolka).
Mixed choir SKU: FG.55011-455-5 Composed by Matthew Whittall. Score. Fenn...(+)
Mixed choir
SKU:
FG.55011-455-5
Composed by Matthew
Whittall. Score. Fennica
Gehrman #55011-455-5.
Published by Fennica
Gehrman (FG.55011-455-5).
ISBN
9790550114555.
This
cycle of carols, to the
poetry of Christina
Rossetti, was assembled
piecemeal over a number
of years, gradually
acquiring a larger
dramatic and harmonic
arch shape as new
settings were added. I
was particularly
attracted to Rossetti's
conflation of the dark,
fallow winter landscape
with that of the soul
waiting for salvation.
The cycle traces the long
nights of watchfulness
before Christmas, with
the great event
constantly deferred, only
glimpsed periodically in
different visions before
the music turns inward
again to contemplation.
The opening carol
embodies this spirit,
with passages of diffuse,
roving harmony
interspersed with
meditative, lyrical
pedals, calling out the
night watch and dreaming
of a far-off summer of
the spirit. Earth Grown
Old is a kind of double
carol, setting two
complete poems, their
lines at first presented
separately as a still,
expectant chorale and a
jubilant dance, then
progressively interwoven
toward a fervent climax
before once again
receding into quiet. In
the bleak mid-winter,
which sets a highly
compressed version of
Rossetti's original poem,
presents an enfeebled
landscape frozen in time,
in dire need of
deliverance. A gentle
melody weaves its way
through static drones,
broken by an angels'
chorus announcing the joy
to come. Love Came Down
at Christmas ends the
waiting, with its gently
falling, overlapping
lines building to a final
revelation, the mystery
of Christmas at last made
real.
SATB choir, organ accompaniment - Intermediate SKU: GI.G-8302 Composed by...(+)
SATB choir, organ
accompaniment -
Intermediate
SKU:
GI.G-8302
Composed by
Till MacIvor Meyn. Lent 4
A, Easter 4 A, Ordinary
Time 16 B, Ordinary Time
28 A, Christ the King A,
Sacred Heart C. Choral.
Sacred. Octavo. 16 pages.
GIA Publications #8302.
Published by GIA
Publications (GI.G-8302).
UPC: 785147830207.
English. Text Source:
Psalm 23, Bay Psalm
Book, 1640.
Scripture: Psalm
23.
The Shaker-like
character of the melody
in this treatment of
“Psalm 23â€
from the Bay Psalm Book,
1640, rises steadily to a
triumphant climax, moving
from an a cappella
statement of the melody,
mounting through more
complex harmonic textures
toward its powerful
end.
(Party Time). Composed by Clay Ostwald, Lawrence Dermer, and Emilio Estefan J...(+)
(Party Time). Composed by
Clay Ostwald, Lawrence
Dermer, and Emilio
Estefan
Jr. Arranged by Eric Van
Cleave. Performance Music
Ensemble; Single Titles.
Alfred Pop Choral Series.
Classic Pop; Secular.
Choral
Octavo. 12 pages. Alfred
Music #00-47525.
Published by
Alfred Music
Go and Tell It Chorale SATB SATB, Piano Fred Bock Music Company
Choir, Piano Accompaniment (SATB Choir) SKU: HL.292876 Composed by Tradit...(+)
Choir, Piano
Accompaniment (SATB
Choir)
SKU:
HL.292876
Composed by
Traditional Spiritual.
Arranged by Patti
Drennan. Fred Bock
Publications. Christmas
Sacred, Spiritual,
Traditional. Octavo. 12
pages. Fred Bock Music
Company #BG2666.
Published by Fred Bock
Music Company
(HL.292876).
UPC:
888680932701. 6.75x10.5
inches.
From the
first notes of the piano
you know you are in for a
fun time. This is a
gospel-rock setting of
the great carol that
won't stand still, as
will anyone else. An ad
lib break brings even
more joy to the piece
that choirs will love.
The ending is everything
you hoped for.
Mixed choir SKU: BR.SON-341 Composed by Orlande De Lassus. Softbound. Com...(+)
Mixed choir
SKU:
BR.SON-341
Composed
by Orlande De Lassus.
Softbound. Complete
Works. After 112 years, a
carefully prepared
edition.
Renaissance/early
Baroque. Complete Works.
360 pages. Breitkopf and
Haertel #SON 341.
Published by Breitkopf
and Haertel (BR.SON-341).
ISBN 9790004802991.
10.5 x 13.5 inches.
Latin.
This volume
of the Lasso Complete
Edition was first
published in 1900,
apparently under unusual
time pressure which
resulted in a great
number of sometimes
harmless, and sometimes
serious errors, as the
editor now writes in his
preface, looking back
retrospectively. In this
respect, the new edition
which still modestly
calls itself a second
printing takes on a
particular relevance. The
newly engraved and
carefully edited musical
section is supplemented
with extensive texts,
many facsimile
illustrations, a
comprehensive Critical
Report and three
Appendices in which
further pieces are
included for which Lassos
authorship is practically
beyond doubt.