A Camaroon Marching Song. Composed by Camaroon Folksong. Arranged by Ken Berg. Fold. Octavo. 12 pages. Duration 2 minutes, 35 seconds. Carl Fischer Music #CM9658. Published by Carl Fischer Music

Angel. Composed by Fadhilli William Mdawida. Arranged by Russell L. Robinson. Sws. Octavo. 16 pages. Duration 3 minutes, 4 seconds. Carl Fischer Music #CM9650. Published by Carl Fischer Music

Composed by Philip E. Silvey. Sws. Octavo. 20 pages. Duration 3 minutes, 38 seconds. Carl Fischer Music #CM9651. Published by Carl Fischer Music

Composed by Kyle Pederson. Fold. OCTAVO. 8 pages. Duration 3 minutes, 41 seconds. Carl Fischer Music #CM9609. Published by Carl Fischer Music

Choral SATB choir

SKU: CF.V2506

Composed by Frederic Sharaf. Contemporary. Performance Score. With Standard notation. 8 pages. Carl Fischer Music #V2506. Published by Carl Fischer Music (CF.V2506).

ISBN 9781491144671. UPC: 680160902170. Octavo inches. Frederic Sharaf.

Sharaf was moved to write this tribute to all involved in the Boston Marathon massacre—those who were victims, those who died, and those who showed the best of humanity in the aftermath. He imagines heartbreaking beauty praying for peace and forgiveness. Now, in addition to the vocal solo, this beautiful memorial is also available for mixed voices a cappella.

Composed by Jesse Beulke. Sws. Octavo. 16 pages. Duration 4 minutes, 20 seconds. Carl Fischer Music #CM9653. Published by Carl Fischer Music

(We Need Jesus) SATB Voices Adn Tenor or Soprano Solo with Keyboard. By Gary Hallquist. Text: Gary Hallquist. SATB chorus and keyboard. For Soprano Solo, Tenor Solo, SSATB Chorus, Keyboard. Choral. Piano/Vocal Score. 12 pages. Published by Carl Fischer.

For SATB Voices and Keyboard. By Jill Jackson Sy Miller. Arranged by Mark Hayes. Choir (SATB, keyboard). For SATB Voices, Keyboard. Choral. Piano/Vocal Score. 15 pages. Published by Carl Fischer.

SATB Voices with Keyboard. By Stan Pethel. Text: Stan Pethel; William Sparrow-Simpson. Choir (SATB, keyboard). For SATB Chorus, Keyboard. Choral. Piano/Vocal Score. 8 pages. Published by Carl Fischer.

Composed by Darmon Meader. Sws. Octavo. 20 pages. Duration 4 minutes, 7 seconds. Carl Fischer Music #CM9649. Published by Carl Fischer Music

(For Four-Part Mixed Voices (SATB) A Cappella). By Mykola Leontovich. Arranged by Peter Wilhousky. Mixed choir. For Soprano, Alto, Tenor, Bass, Keyboard Rehearsal. Peter J. Wilhousky Choral Series. Choral. Piano/Vocal Score. 8 pages. Published by Carl Fischer

For SATB Voices and Solo Voice with Keyboard. By Robert Allen. Arranged by Greg Gilpin. Text: Al Stillman. Choir (SATB, keyboard). For SATB Chorus, Voice Solo, Keyboard. Choral. Piano/Vocal Score. 8 pages. Published by Carl Fischer.

The Moon Shines Down. Composed by Jacob Narverud. Octavo. 8 pages. Duration 2 minutes, 24 seconds. Carl Fischer #CM09468. Published by Carl Fischer (CF.CM9468).

Composed by David Neches. For SATB choir. Octavo. 8 pages. Duration 2 minutes, 20 seconds. Published by Carl Fischer

Composed by Eugene S. Butler. For SATB choir. Octavo. 8 pages. Duration 3 minutes, 10 seconds. Published by Carl Fischer

Composed by Michael Haydn (1737-1806). Edited by Martin Banner. Octavo. 12 pages. Duration 2 minutes, 21 seconds. Carl Fischer #CM09463. Published by Carl Fischer (CF.CM9463).

Composed by English Ballad. Arranged by Russell L. Robinson. Fold. Octavo. 8 pages. Duration 2 minutes, 47 seconds. Carl Fischer Music #CM9657. Published by Carl Fischer Music

Edited by Mike Ware. For SATB choir. Octavo. 8 pages. Duration 1 minute, 41 seconds. Published by Carl Fischer

By James Austin. For SATB Voices with Keyboard and Optional Oboe (or C-Instrument) and Percussion. 16 pages. Duration 2 minutes, 40 seconds. Published by Carl Fischer

Composed by Drew Collins. For SATB choir, piano, optional flute and cello. Octavo. 12 pages. Duration 4 minutes, 11 seconds. Published by Carl Fischer

Composed by John Bacchus Dykes. Arranged by Ruth Elaine Schram. For soprano voice, alto voice, tenor voice, bass voice, keyboard, optional flute and glockenspiel. Octavo. 12 pages. Duration 3 minutes, 5 seconds. Published by Carl Fischer

Composed by Giovanni Francesco Anerio. Arranged by Mike Ware. For SATB choir. Octavo. 12 pages. Duration 2 minutes, 41 seconds. Published by Carl Fischer

Choral SATB choir

SKU: CF.CM9572

Eternal Life. Composed by Joseph P. Webster. Edited by John Ratledge. Arranged by Aaron Humble. Sanford F. Bennett (1836-1898). Jbc. Performance Score. With Standard notation. 12 pages. Duration 2 minutes, 50 seconds. Carl Fischer Music #CM9572. Published by Carl Fischer Music (CF.CM9572).

ISBN 9781491153666. UPC: 680160911165. 6.75 x 10.5 inches. Key: Gb major. English. Sanford F. Bennett (1836-1898).

Aaron Humble's arrangement of this beloved old favorite from American hymnody is appropriate for both school and church. With soaring obligato lines and shimmering harmony, when sung with a warm and gentle tone,?The Sweet By and By??is certain to paint a picture of a better time for us all to look forward. Also available for TTBB Voices (CM9571).
I have great memories of my family gathering around the piano to sing hymns. As my sisters and I learned more about music through lessons, band, and choir, we started adding harmony and really making music. The old American hymnody really holds a special place in my heart. Webster set Bennett's text in a time when American theology had taken a turn away from earlier ideas where God was a god of vengeance and anger. In this new era of optimism, God became more familiar, more loving, and more reassuring. With this in mind, this arrangement should be sung with a warm and gentle tone allowing the dissonances to shimmer, the sweetness of the harmonies to bloom, and the obbligato lines to soar.

Choral SATB Choir

SKU: CF.CM9654

Composed by Mark Burrows. Fold. Performance Score. 12 pages. Duration 4:15. Carl Fischer Music #CM9654. Published by Carl Fischer Music (CF.CM9654).

ISBN 9781491157268. UPC: 680160915828. 6.875 x 10.5 inches. Key: Ab major. English, English. Julian of Norwich (1342-1416).

Burrow s's setting of words of assurance from the English mystic Julian of Norwich (1342-1416) is as relevant today as ever. For the advanced mixed ensemble, the powerful lyrics coupled with gorgeous harmonies make this an optimistic song of hope appropriate throughout the year.
All shall be well, And all shall be well, And all manner of thing shall be well. These words of assurance from the English mystic Julian of Norwich (1342-1416) are as relevant today as ever. During her life, Julian saw her community devastated by the Great Plague as well as deep civil unrest. Yet through all the turmoil came a vision of hope that has given the world this profound text. One of the most striking features is how this short text incorporates so much repetition. It's as if the writer knew she must be gently persistent in order for her optimistic message to truly sink in. The opening section tries to capture musically some of that persistent optimism. Then there is a departure from this optimistic tone (measure 26) The feel becomes more desperate, building to an anguished cry (measure 38), acknowledging the reality that, while all shall be well, things are very much NOT well right now. Eventually the anguish subsides (measure 52) as the music turns back hopeward with the calm assurance, again and again, that all shall be well.
All shall be well,And all shall be well,And all manner of thing shall be well.These words of assurance from the English mystic Julian of Norwich (1342-1416) are as relevant today as ever. During her life, Julian saw her community devastated by the Great Plague as well as deep civil unrest. Yet through all the turmoil came a vision of hope that has given the world this profound text.One of the most striking features is how this short text incorporates so much repetition. It’s as if the writer knew she must be gently persistent in order for her optimistic message to truly sink in.The opening section tries to capture musically some of that persistent optimism.Then there is a departure from this optimistic tone (measure 26) The feel becomes more desperate, building to an anguished cry (measure 38), acknowledging the reality that, while all shall be well, things are very much NOT well right now.Eventually the anguish subsides (measure 52) as the music turns back hopeward with the calm assurance, again and again, that all shall be well.