SATB choir, optional congregation, organ - Early Intermediate

SKU: MN.50-9016

Composed by James Engel. Choral score. MorningStar Music Publishers #50-9016. Published by MorningStar Music Publishers (MN.50-9016).

UPC: 688670590160. Text: Jaroslav J. Vajda.

Jaroslav Vajda text on spiritual renewal. Music based on chorale, ICH WILL DICH LIEBEN (You Will I Love, My Strength, My Tower'). Includes reproducible page for congregational use.

By Mark A Miller. For SATB choir, piano. Sacred Anthem. Octavo. Published by Chorister's Guild

By Ron Kean. SATB. This edition: P1355. Pavane Secular. Sacred. 12 pages. Published by Pavane Publishing

SATB Choir and Organ

SKU: HL.14035285

Composed by Peter Warlock. Music Sales America. Classical. Choral Score. Music Sales #NOV310462. Published by Music Sales (HL.14035285).

The Five Lesser Joys of Mary begins with a conventional Nativity scene - the ox and the ass for warmth, the star, the Wise Men - to verses attributed by Warlock to one Daniel Lawrence Kelleher, editor of Christmas Carols (No. 18 in the second series of Augustan Books of English Poetry) where the anonymous verses were published.

The fourth stanza recounts Jesus 'Confounding the doctors, the poor little Child,' while the fifth carries us to Calvary and a singularly lame conclusion as Mary 'Saw Jesus droop over and lie very still, She thought of the good times they had long ago When He'd droop in her arms and she'd singhusheenlo.'

Str ophically composed, with small variations, Warlock's tenderness seems generic.

Alto, Mixed choir (SATB), Piano

SKU: BA.BA11309

Composed by Camille Saint-Saens. Edited by Christina M. Stahl. This edition: urtext edition. Paperback. Score. Baerenreiter Verlag #BA11309. Published by Baerenreiter Verlag (BA.BA11309).

ISBN 9790006577705. 27 x 19 cm inches. Text Language: English.

It is a small music history sensation: Thanks to Yves Grard an unknown and unpublished manuscript penned by Camille Saint-Saëns has been unearthed in the Mdiathèque Jean Renoir in Dieppe in France.

It is the top four instrumental parts which make this manuscript something of a sensation. Placed under each other are â??Saxophone Soprano en Si bâ?, â??Saxophone Alto en Mi bâ?, â??Saxophone Tnor en Si bâ? and â??Saxophone Baryton en Mi bâ?, strings, soprano solo with chorus and organ. Musical history has hitherto credited Jean-Baptiste Singele (1812â??1875) with having written the first saxophone quartet, his opus 53, which he completed in 1857. Now this historiography clearly has to be revised. The date 1854 has been found under the first page of the treasure from Dieppe, which is pasted over and also sewn, meaning that Saint-Saënsâ?? work was written three years earlier than that of Singele.

In contrast to Singele, Saint-Saëns does not have the wind instruments taking solo parts but rather uses their tonal colour to depict textual moods and nuances. On the one hand the saxophones accompany the choral parts (certainly singable by amateurs) and support the human voices in fugal passages. On the other hand, they take the melody in the purely orchestral passages.

Saint-Sa ëns wrote the motet in the period when he had taken up his first permanent appointment as organist at the Church of Saint-Merri in Paris. He revised the work several times over the decades, changing the motifs at the beginning, correcting obvious mistakes, reworking the ending, eventually changing the instrumentation several times and even â?? probably in the final stage â?? replacing the Latin text with an English one. Today, three-and-a-half versions have been handed down, one of them stopping after just a few pages. The compositional steps have been successfully reconstructed by means of detailed detective work. Furthermore, the first saxophone version (BA 11305) and the last English piano version (BA 11309) have been edited to produce a scholarly-critical edition.

The present edition of the English version for soprano solo, choir and piano (BA 11309) serves both as a full score and as a vocal score due to the instrumentation.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

ST vocal soli, SATB/SATB/SATB/SATB choir, organ

SKU: CA.2708303

Composed by Carl Friedrich Christian Fasch. Edited by Ryan Kelly. Sacred vocal music, Masses, Latin. Vocal score. FWV. 104 pages. Duration 23 minutes. Carus Verlag #CV 27.083/03. Published by Carus Verlag (CA.2708303).

ISBN 9790007182090. Language: Latin.

Carl Friedrich Christian Fasch's Mass in 16 parts is remarkable for more than its unusual scoring. Inspired by the Italian church music style of Orazio Benevoli, it was composed in 1783 for the Berliner Sing-Akademie, and revised by Fasch several times throughout his life in order to adapt the score to the vocal capabilities of his ensemble. The composer destroyed all earlier compositions, which probably contributed to the legendary fame which this mass has enjoyed since the 19th century. The mass was, however, only published in 1839 - around four decades after Fasch's death. The present edition is based on the version contained in the first printed edition. In addition to modern music notation, extensive performance materials (two choral scores, separate organ part) facilitate the rehearsal of this challenging work. Score available separately - see item CA.2708300.

SATB choir, piano accompaniment, cello, viola - Intermediate

SKU: GI.WJMS1163

Composed by Connor J. Koppin. Jo-Michael Scheibe Choral Series. Classical. Octavo. 16 pages. Walton Music #WJMS1163. Published by Walton Music (GI.WJMS1163).

UPC: 785147006169. English. Text by Langston Hughes.

Written in memory of Benjamin, Charlie, and Bailey Bartlett, the composer has created a gorgeous and tender work that truly brings light to a darkened world. The piano, cello, viola, and voices fit together seamlessly. The part-writing will offer a challenge for your choir, while the memorable melody will stick with your singers, being a lifelong lesson that will come back to them in difficult times. Jo-Michael Scheibe Choral Series.

SATB choir, piano

SKU: LO.10-5554L

Composed by Lloyd Larson. Choral. Sacred Anthem. Octavo. Lorenz Publishing Company #10/5554L. Published by Lorenz Publishing Company (LO.10-5554L).

ISBN 9780787772611.

This beautiful and tender original music from Lloyd Larson is paired with lyrics drawn from scripture to remind us to believe and lean on God for assurance in tumultous times. Layered counter-melodies are easy to learn and the familiar melody FINLANDIA is featured as this anthem builds into a compelling finish.

By Chris Owenby. For SATB choir and piano accompaniment. Pathways Series. Grade 4+. Octavo. Duration 6 minutes. Published by Imagine Music

By David Crowder and Tauren Wells. By David Crowder and Ed Cash. Arranged by David Angerman. PraiseSong Choral. General Worship, Lent, Sacred. Octavo. 16 pages. Published by PraiseSong

By Stroope. For SATB choir, piano. Choral octavo. Published by Alliance Music Publications. (AMP 0356)

Choral (SATB)

SKU: HL.1436077

Composed by Kurt Kaiser. Arranged by Benjamin Harlan. Epiphany House. Octavo. Epiphany House Publishing #EH1081. Published by Epiphany House Publishing (HL.1436077).

UPC: 196288203780.

Kurt Kaiser was the embodiment of what Harold Best once said about J.S. Bach - â??he could look at a blade of grass and see a universe.â? Kurt never stopped growing, believing, learning, and inspiring. He wore many hats and did so with humbleness of spirit and affirmation of all who came into his orbit. Kurt always made as much time for the impressionable young teenager as he did for famous artists with whom he collaborated. â??Come Awayâ? is a healing balm for these unsettling times.

Composed by Paul Crabtree. Richard Nance Choral Series. Music Education. 64 pages. Published by Walton Music (GI.WW1612).